The Writing Life

In this episode of The Writing Life Podcast, Norfolk-based writer Camilla Balshaw shares insights into exploring themes of identity and belonging in her memoir, Named – an engaging and intimate investigation of what makes us who we are. Camilla Balshaw has written for the Guardian and the Observer. She holds an MA in Creative & Life Writing from Goldsmiths (Distinction) and is an Honorary Research Fellow in Name Studies at the University of Nottingham. Her memoir Named won the Biography & Memoir category winner in the East Anglian Book Awards 2025. She sat down with NCW’s Holly Ainley for a candid conversation about the origins of her memoir, which intertwines an exploration of names, global naming conventions and identity politics within a moving, personal narrative about the finding of family and self. They also touch on her approach to writing about real people, the impact of names on our sense of self, and the vulnerability involved in sharing personal stories with readers.

In this Halloween-flavoured episode of The Writing Life Podcast, we’re resharing an illuminating discussion between writers Lisabelle Tay and Heather Parry on writing grief and the monstrous body. Heather Parry is a Glasgow-based writer and editor, originally from South Yorkshire. Her debut novel, Orpheus Builds a Girl, was shortlisted for the Saltire Society Fiction Book of the Year Award and longlisted for the Polari First Book Prize. She is also the author of a short story collection, This Is My Body, Given For You, and her first nonfiction book, Electric Dreams: On Sex Robots and the Failed Promises of Capitalism, was released in 2024 as part of 404 Ink’s Inklings series. Lisabelle Tay is the author of Pilgrim (The Emma Press, 2021). She writes poetry, fiction, and screenplays. Her work appears in Bad Lilies, Sine Theta Magazine, and elsewhere, and she was part of the 2023 Black List Feature Lab. They sit down with Yan Ge, author of Strange Beasts of China, to explore how the body and the bodily serve as powerful lenses for examining trauma, grief, and the experience of inhabiting perspectives and bodies beyond our own. This event, supported by the National Arts Council of Singapore, was recorded in May 2025 for The Global Page. The Global Page is a unique series of online global conversations featuring internationally acclaimed and emerging writers and translators. You can find more conversations like this on our website at nationalcentreforwriting.org.uk

In this episode of The Writing Life, poets Erica Hesketh and Jenny Pagdin share insights into the poetry of motherhood, and how they each share their ‘emotional truth’ in their writing. Erica Hesketh is a poet and editor, originally from Japan and Denmark, now based in London. Her poetry has been commissioned by the Royal Festival Hall, Spread the Word and the London Philharmonic Orchestra. From 2016 to 2024 she was Director of the Poetry Translation Centre. Her debut collection, In the Lily Room, is published by Nine Arches Press and explores early motherhood. Her poem ‘Night feed’ was highly commended in the 2025 Forward Prizes. Jenny Pagdin wrote The Snow Globe (Nine Arches 2024) and Caldbeck (Eyewear, 2017), about postpartum psychosis. The Snow Globe won the East Anglian Book Awards poetry category in 2024, and her work has been shortlisted for the Mslexia pamphlet competition, highly commended and shortlisted for the Bridport Prize, and longlisted for the Rebecca Swift Foundation's 2018 Women's Poetry Prize. Together, they reflect on how their experiences of motherhood have shaped their poetry and the creation of their debut collections. Touching on everything from how poetry fits into their lives as working mothers to the power of connecting with others by giving voice to experiences of illness and mental health, this is an honest and insightful conversation about recovery, language, and craft.

In this episode of The Writing Life, illustrator Hayley Wells delves into the importance of representation in children’s books. Hayley Wells is an Essex-based illustrator with an MA in Children’s Book Illustration from Cambridge School of Art. Their work has been shortlisted for the World Illustration Awards, featured on television, and published worldwide. They sit down with NCW’s Ellie Reeves to discuss The Spectacular Suit, a picture book which celebrates individuality, identity and self-expression. Together they touch on the relationship between writer and illustrator, their advice for people wanting to develop ideas for a children’s book, and the value of representing yourself and your experiences in your art.

In this episode of The Writing Life, award-winning writer Val McDermid shares insights on writing contemporary crime fiction, and the importance of learning patience as a writer. One of the UK’s most accomplished and respected novelists, Val McDermid has sold over 19 million books to date across the globe and is translated into more than 40 languages. She is perhaps best-known for her Wire in the Blood series, featuring clinical psychologist Dr Tony Hill and DCI Carol Jordan, which was adapted for television starring Robson Green and Hermione Norris. She has written four other series: private detective Kate Brannigan, journalist Lindsay Gordon, cold case detective Karen Pirie, whose debut appearance in The Distant Echo is now a major ITV series. The second in the series, 1989 was published in paperback in February 2023. Val has also published several award-winning standalone novels, books of non-fiction, short story collections and a children’s picture book, My Granny is a Pirate. Val returns to Karen Pirie with her latest book, Past Lying. She sits down with NCW's Chief Executive Peggy to discuss her writing career, and how her research process and routine have changed over time. Together, they discuss Val’s Harriet Martineau Lecture at Norfolk & Norwich Festival 2025, her journey into new genres and styles, and what readers can expect from the next book in her Inspector Karen Pirie series.

In this episode of The Writing Life, prize-winning poet and writer Michael Pedersen shares his experience writing between genres, and how pushing the boundaries of literary categories can enhance your writing. Michael Pedersen is a prize-winning poet and author of the memoir Boy Friends, which was a Sunday Times Critics Choice and shortlisted for the Saltire Scottish National Book Awards. He was awarded a Robert Louis Stevenson Fellowship and is the current Writer in Residence at the University of Edinburgh, and Edinburgh’s Makar (Poet Laureate). Muckle Flugga is his debut novel. He sits down with NCW Chief Executive Peggy Hughes to discuss Muckle Flugga, a lyrical, windswept novel of a lighthouse keeper and his son, whose lives are turned upside down by a stranger’s arrival. Together, they discuss the beauty of fusing elements from different genres in one work of writing, his decision to heighten the fantastical elements of a real-world setting in his fiction, and the importance of being excited about what you are writing.

In this episode of The Writing Life, writers Eleanor Anstruther and Simon K Jones discuss the world of Substack, and how they use the platform to publish and share their work. Eleanor Anstruther is the author of A Perfect Explanation, and A Memoir In 65 Postcards & The Recovery Diaries. Her new novel, In Judgement of Others, is out now. You can find her on Substack at The Literary Obsessive. Long time listeners of The Writing Life will remember Simon K Jones, as he used to host and produce the podcast when he worked with us at NCW. He writes science fiction and fantasy, much of it released in serialised form online. You can find him on Substack at Write More with Simon K Jones. They sit down to discuss Eleanor’s latest witty satirical novel In Judgement of Others, which she released both in serialised form online and in paperback. They also take a deep dive into the benefits of Substack as a means to connect with a community of writers, and how the platform can be used to share work, live stream, and build a readership.

In this episode of The Writing Life, novelist and screenwriter Eimear McBride on the power of language, and the ways literary fiction can evoke emotion and connection. Eimear McBride is the award-winning author of four novels: A Girl is a Half-formed Thing, The Lesser Bohemians, Strange Hotel and The City Changes Its Face. Her debut novel A Girl is a Half-formed Thing won the inaugural Goldsmiths Prize, Irish Novel of the Year, the Bailey's Prize for Women's Fiction, The Desmond Elliott Prize and the Geoffrey Faber Memorial Award. The City Changes Its Face is a continuation of this novel, and follows an intense story of passion, jealousy and family. She sits down with NCW's former Chief Executive and lover of books Chris Gribble to discuss the recently published The City Changes its Face, a continuation of her debut novel A Girl Is a Half-formed Thing. Together, they discuss the process of returning to characters and storylines previously written, her experience adapting her novel into a screenplay, and the machine of writing and publishing; going from the solitary task of writing to the hustle and bustle of book tours and literary events.