The Writing Life

In this episode of The Writing Life Podcast, Norwich-based writer Anna Goldreich reflects on the personal and creative journey behind her debut novel, The Leveret – a bruisingly tender and lyrically haunting hymn to queer love and the power to rebuild from the wreckage of a relationship. Anna Goldreich is a writer based in Norwich. She holds a Creative Writing Prose Fiction MA from the University of East Anglia and her writing has been shortlisted for the Bridport Short Story Prize 2022 and was awarded the Mslexia Short Story Runner-up Prize 2025. She is the co-founder of Queer Birders Norfolk. She sat down with NCW’s Lucy May, a friend and former classmate on UEA’s Creative Writing MA, for an open conversation about the excitement, uncertainty, and vulnerability that come with publishing a debut. Together, they discuss writing contrasting characters, expanding a short story into a full-length novel, and the advice she offers emerging writers.

In this episode of The Writing Life Podcast, Singapore-based writer Clara Chow delves into the world of 'experimental fiction' and why she takes on projects that push against the grain. Clara Chow works across genres of fiction, non-fiction and poetry. Her strange experiments under Hermit Press include obscure prose chapbooks such as The Melancholy of Broken Bollards. She has been a resident at the University of Iowa, Toji Cultural Center, Asean Literary Festival and Shanghai Writers’ Programme. Her residency in the Dragon Hall Cottage was supported by the National Arts Council of Singapore. She sits down with writer and mentor Megan Bradbury to discuss how she defines ‘experimental fiction’, and the importance of prioritising fun with your creative writing. Together, they touch on her month-long residency in Norwich UNESCO City of Literature, writing as a collaborative project, and the role bilingualism plays in her creative work.

In this episode of The Writing Life, acclaimed British author and academic Sarah Moss (known for Ghost Wall and Summerwater) joins us to discuss her latest novel, Ripeness, ‘a breathtaking story of love and the search for belonging, from 1960s Italy to present-day Ireland.’ Sarah reflects on the novel’s dual structure, which follows Edith both as a young girl and as an older woman, and explores how dance, movement, and the body shape the story’s emotional core. She also talks about her fascination with flawed characters and considers what it means (or doesn’t mean!) to be a ‘political’ writer. Sarah Moss has written several novels including the Sunday Times top ten bestseller Summerwater (being adapted for television by Channel 4) and Ghost Wall, which was longlisted for the Women’s Prize. She has also written two works of memoir, Names for the Sea, an account of her year living in Iceland, and My Good Bright Wolf which will also be published in Spring 2025. Sarah Moss was born in Glasgow and grew up in the north of England. After moving between Oxford, Canterbury, Reykjavik, west Cornwall and the Midlands, she now lives in Dublin.

In this episode of The Writing Life, poet, editor, and literary activist Vanessa Bell discusses the journeys she has taken as a writer, both literally and figuratively, and her recent book tour around the UK. Based in Quebec City of Literature, Vanessa Bell is co-director of CONTOURS and director of the poetry collection at Éditions du Quartz. Her debut collection of poetry, De rivières, was published by La Peuplade in 2019. She co-edited Anthology of contemporary poetry by women in Quebec 2000-2020 (Anthologie de la poésie actuelle des femmes au Québec 2000-2020) and MONUMENTS and won the 2021 Félix-Antoine-Savard Prize. She was selected as a 2022 Writers’ Trust Rising Star by Nicole Brossard. She sits down with NCW’s Chief Executive Peggy Hughes to discuss how her travels have transformed her as a writer and as a person. Together, they touch on her work in Quebec, the many ways a project can evolve and change over time, and how professional mentoring has uplifted her work.

Content warning: Mentions of rape, sexual assault, and war. In this episode of The Writing Life, bestselling author Pat Barker shares insights about the art of retellings, and the craftsmanship and research needed to write reimaginings of classic literature. Pat Barker was born in Yorkshire and began her literary career in her late thirties, when she took a short writing course taught by Angela Carter. She has published sixteen novels, including her masterful Regeneration Trilogy which includes the Booker Prize-winning The Ghost Road. The Silence of the Girls was shortlisted for the Women's Prize for Fiction and won an Independent Bookshop Award 2019. The Women of Troy was a number one Sunday Times bestseller. The Voyage Home continues the series. She sits down with NCW’s Holly Ainley to discuss her Regeneration Trilogy, and how retellings can bring stories to new audiences. They touch on offering fresh perspectives to Greek mythology, finding inspiration in unexpected places, and how reimaginings can make stories accessible to readers through contemporary language and references.

In this episode of The Writing Life, writer and Dragon Hall Cottage resident Wen-yi Lee shares insights into building a writing career, and the process of taking a project from conception to completion. Wen-yi Lee likes writing about girls with bite, feral nature, and ghosts. She is the author of historical fantasy When They Burned the Butterfly and YA horror The Dark We Know, and has also published speculative fiction and essays in venues like Lightspeed, Uncanny, Strange Horizons, Reactor, and various anthologies. A University College London alum, she is currently based at home in Singapore. In February 2025, she completed a residency in our Dragon Hall Cottage. She sits down with writer and mentor Kate Worsley to discuss her journey as a multi-genre writer, and the importance of representation in literature. Together, they touch on navigating queer storylines, finding a writing community online, and striking the balance between vulnerability and protection when exposing parts of yourself in your writing.

In this episode of The Writing Life, prize-winning writer Julia Armfield shares insights on world building in horror fiction, and writing catastrophic and intense circumstances. Julia Armfield's work has been published in Granta, The White Review and Best British Short Stories 2019 and 2021. In 2019, she was shortlisted for the Sunday Times Young Writer of the Year award. She is the author of salt slow, a collection of short stories, which was longlisted for the Polari Prize 2020 and the Edge Hill Prize 2020. Her debut novel, Our Wives Under The Sea, won the Polari Prize 2023 and was shortlisted for the Foyles Fiction Book of the Year Award 2022. She lives and works in London. She sits down with NCW’s Steph McKenna to discuss her second novel Private Rites, a stunning, unsettling novel following three sisters navigating queer love and faith at the end of the world. Together, they discuss her use of imagery in her fiction, the influence of horror cinema on her writing, and how she maintains a blanketing sense of dread throughout her novels.