Trailer Geeks and Teaser Gods

Monica Brady has spent 26 years doing something that didn't exist when she started: honoring the people who make movie trailers. Co-founded with her sister Evelyn on a boat to Fort Sumter in 1999, the Golden Trailer Awards grew from a scrappy DGA screening room show (running on two Avids, fingers crossed) into the industry's premier celebration of trailer craft. In this episode, Monica traces the full arc of the GTAs, from a pre-broadband era when trailer editors were essentially invisible, to a show that now spans dozens of categories and serves as a genuine career launchpad for aspiring creatives. 5 Key Takeaways The GTAs were born out of necessity, not ambition. Monica and Evelyn weren't trying to build an institution. They were trying to find a trailer editor for their student film and couldn't. No directory, no resource, no awards show existed. So they created one. What was meant to "run on autopilot" is now 26 years in. The show evolves as the industry evolves. From 23 categories in 1999 (including one they couldn't even explain) to dedicated tracks for streaming series, video games, and social trailer bites, the GTAs have always followed the craft. Categories don't get added by committee — they get added when the industry shows up and says "we cut these like theatrical trailers." Music is the most powerful recall tool in the trailer editor's kit. Monica keeps coming back to music as the thread connecting memory, emotion, and ticket sales. Editors who also play instruments aren't a coincidence — music is math, and the pattern recognition required for both is the same muscle. The trailer industry is uniquely positioned for the AI era. Most industries are bracing for an onslaught of AI-generated content. Monica's case: who better to make sense of a flood of footage than people who have spent decades being handed raw material with no script, no direction, and a tight deadline? The trailer editor's core skill is exactly what the moment will demand. Standout Quotes "We sent out some applications, and the rest will run on autopilot. And 26 years later, you're looking at the autopilots." "Who but the trailer industry have had a decades-long start at taking nonsensical footage about a topic they know nothing about — no script, no direction — and crafting a story together?" "These trailer editors are artists. And that is one of the things that sets the human being apart from whatever's coming at us right now." "Everybody help each other. We're here a very short amount of time on this planet. Let's just make the most of it." Links & Resources Golden Trailer Awards: goldentrailer.com GTA 26 — May 28, 2026 | Saban Theatre, Beverly Hills Join the Community Leave a rating and review Share the episode with a friend in the industry Subscribe for new episodes every week Enjoying the show? Rate and review wherever you listen. It helps more people find us. Now go do some inspired work.

Before founding Rubber Sole Creative, Stav Ozdoba came to the U.S. with one goal: become a filmmaker. Within months, he was in meetings to direct a feature. Not long after, he learned just how brutal that path could be. What followed wasn't a straight line. It was a pivot. From indie films to editing weddings. From teaching himself Final Cut to landing at Sony. From cutting sizzles and promos to leading teams and eventually building his own creative shop from the ground up. In this episode, Corey and Stav trace that journey and get into what actually sustains a career in this business. Not just passion, but craft. Not just ambition, but clarity around what you're truly good at. They also dig into how storytelling changes across platforms, why "added value" creative matters more than ever, and what it really takes to carve out space as an independent in a crowded, evolving industry. Calls to Action Follow Stav Ozdoba and Rubber Sole Creative on LinkedIn Visit: rubbersoleav.com Like what you hear? Leave a rating and review Follow Corey: @coreysnathan across platforms Subscribe for weekly conversations with the people behind the work Key Takeaways The path isn't linear, and that's the point Stav arrived in LA aiming to direct films, but the reality of the industry forced a pivot. Editing became the lane where his instincts and abilities aligned and ultimately opened more doors than chasing directing ever did. Follow what you're good at, not just what you love Passion alone isn't enough. Stav makes a clear distinction between what you enjoy and what you can consistently execute at a high level. The sweet spot is where skill and interest meet. The edit bay is the real classroom Early on, Stav learned by proximity. Watching other editors. Asking questions. Absorbing instincts. Not formal training, but immersion in the craft. Story is the constant, format is the variable Whether it's a trailer, a sizzle, or a social cut, the job is still storytelling. The platforms change. The audience behavior changes. The need to connect emotionally does not. Underserved work is often the biggest opportunity Rubber Sole was built around doing the work others overlook. Behind the scenes, sizzles, added value pieces. Done right, those pieces don't just support campaigns, they drive audience interest. Relationships still matter more than tools Even in an era of AI and rapid change, the business still runs on trust. When stakes are high, people call collaborators they know can deliver. Creative ownership requires risk tolerance Leaving Sony to start Rubber Sole wasn't a calculated leap with guarantees. It was a bet on craft, relationships, and the belief that great work would create opportunity. Standout Quotes "I stopped following my passion and started following what I'm good at." "You're always telling a story, no matter the platform." "If the work is undeniable, the room will open." "We're not competing on price. We're competing against average." "Sometimes if you don't get your dream job, you have to create it." Connect Stav Ozdoba – rubbersoleav.com Corey Nathan – @coreysnathan Sponsors The Golden Trailer Awards – goldentrailer.com Mesa Wealth Management – mezawealth.com Join the Community Leave a rating and review Share the episode with a friend in the industry Subscribe for new episodes every week Enjoying the show? Rate and review wherever you listen. It helps more people find us. Now go do some inspired work.

Jordan Hayman has sat in almost every seat in this industry. Jumbotron editor for the Lakers during their championship run. Creative executive at Alkemi, working indie theatrical. Client-side at Lifetime under the legendary Bob and Lew. Broadcast division builder at AV Squad. And now, founder of The Shop, the boutique he always knew he'd build from the moment he was running packages around town for Tony Seiniger as a high schooler. This one goes deep on the career, the grind, and the decisions that don't have clean answers. Jordan talks about what it took to start a broadcast division from scratch, why building relationships from day one at Fox Sports in 1996 was the most important business strategy he never consciously planned, and how working both sides of the table made him a better vendor. We also get into The Last Dance and what it was like to cut over a hundred trailers for the most anticipated sports documentary in years, the Tyson-Paul Countdown for Netflix, and the theatrical sensibility that separates The Shop from most broadcast-focused competitors. Key Takeaways The Relationship Is the Portfolio From his first internship to founding The Shop, Jordan's career has run on relationships built with patience and maintained with consistent delivery. Creativity matters, but so does customer service, speed, and knowing what it feels like to be on the other side of the table. Working Both Sides Changes Everything Spending time as a network executive at Lifetime gave Jordan something most agency-side people don't have: a first-hand understanding of what clients actually need. When he went back to the agency side, he knew exactly what a room like Bob and Lew's expected to see. Build a Division Like You're Proving It's Possible Starting AV Squad's broadcast arm from nothing was terrifying. Jordan spent months with almost no work and nearly convinced himself he'd be fired. Scott Edwards told him to enjoy the calm before the storm. He was right. Theatrical Sensibility Is Non-Negotiable Now The line between broadcast, streaming, and theatrical has effectively collapsed. Jordan and his partner Nick Shakarian brought theatrical DNA into every network campaign they touched, and that cross-pollination is now the price of admission for anyone doing serious streaming work. Surround Yourself with All-Stars The hardest part of starting a company isn't the creative. It's everything else. Jordan's solution was simple: find the best people for every role and get out of their way. Notable Quotes "From day one, from Fox Sports, from 1996 — everybody I came in contact with, I tried to be good to them." "When I was done working for Bob and Lew, I thought to myself, I can do anything. Not everybody made it out of there alive." "That was definitely my master's degree." "I am not a business person. I'm a creative person." "My dad told me not to do it. But I wouldn't want to do anything else, man." Connect The Shop — theshoptrailers.com Corey Nathan — @coreysnathan on all platforms Sponsors Meza Wealth Management — mezawealth.com The Golden Trailer Awards — goldentrailer.com Join the Community Like what you hear? Leave us a rating and review! Connect with Corey on all platforms @coreysnathan Subscribe for new episodes every week and keep up with the world's best trailer creatives! Enjoying the show? Rate and review wherever you get your podcasts. It really does help people find us. Now go do some inspired work.

What happens when a technology-minded New Yorker stumbles into Hollywood and ends up reshaping how the industry makes trailers, title sequences, and motion graphics for the next three decades? This week, Eric Ladd joins the show to talk about his winding path from floppy disk drives and Bank of America to running Novocom, building Pittard Sullivan into a global powerhouse, and founding Picture Mill, one of the most influential design and motion graphics companies in entertainment marketing history. Now he's doing it again with Ignite XR, creating AR and social content tools contracted by TikTok, Snapchat, and Instagram. Along the way, the conversation covers how Picture Mill got its name (in a single impulsive moment at a lunch meeting), the deal that fell apart and sent half of Pittard's leadership out the door to start their own companies, and how Eric pioneered digital before the industry even had a name for it. He also shares what it was like to shoot the Mandalay tiger in Hawaii, fly to Edwards Air Force Base with a first-time solo pilot to blow up a quarter-scale hotel, and pitch George Lucas on a Star Wars re-release trailer using a clip of Apocalypse Now on VHS. Key Takeaways Confidence Is a Skill Before leaving Pittard, Eric had already grown Novocom from two people to sixty. That track record gave him the credibility to walk into Aspect Ratio's Citrus lunch meeting with an $8.5M business plan he'd written in two hours — and walk out with a credit line and the name Picture Mill. The People You Work With Are the Real Portfolio When asked about favorite campaigns, Eric sidestepped the question entirely: "I have favorite people." The relationships formed in those early years, including editors, designers, producers, directors, are what he actually carries forward. Know When to Leave, and Who Should Replace You At Pittard, Eric not only knew when his time was up, he named Anne Epstein as the person who should take the job. Succession thinking and generosity with credit have been constants throughout his career. Bleeding Edge Requires a Tolerance for Uncertainty Whether it was scanning and comping an entire Spike Lee trailer in the early days of digital, pioneering AR filters on Snapchat before the platforms knew what to do with them, or landing a contract with ByteDance by simply delivering a working product without being asked, Eric's approach has always been to figure it out first and explain it later. AI Is a Tool, Not a Threat... If You Have Ideas The conversation about AI cuts to the heart of what this show is about. Eric's view: "It all comes down to ideas." AI can execute, but someone still has to direct it. The people who will struggle are those who were already functioning as tools themselves. Notable Quotes "I went over there at five o'clock and Ed and I were there till ten. We just clicked." "I said, 'You can't afford me.' He said, 'How much do you want?' Six months later my paycheck just went WHOOSH." "When we came back from lunch, we'd hired every one of those people in the waiting room." "It all comes down to ideas. AI can give you ideas, but it lacks what humans can do with them." "A lot of being successful has to do with wherewithal. If you can hang in there long enough, you can be successful doing anything." "When we're gone, those stories are gonna be gone with us." "Not anymore. They're on the record!" Connect Eric Ladd — ignitexr.com Corey Nathan — @coreysnathan on all platforms Our Sponsors Meza Wealth Management – mezawealth.com The Golden Trailer Awards – goldentrailer.com Join the Community Like what you hear? Leave us a rating and review! Connect with Corey on all platforms @coreysnathan Subscribe for new episodes every week and keep up with the world's best trailer creatives!

What do trailers, legendary movie posters, streaming era strategy, and a deep love for theatrical storytelling have in common? This week on Trailer Geeks & Teaser Gods, Corey is joined by Debi Struzan and Dana Flowers-Mitchell for a deeply personal conversation about careers shaped by creativity, collaboration, and conviction. From Debi's early days at Seiniger Advertising and her connection to the iconic Drew Struzan legacy, to Dana's journey from agency producer to studio and streaming executive, the conversation traces how great entertainment marketing is built at the intersection of story, trust, and human connection. Together, Debi and Dana reflect on mentorship, studio versus agency life, the evolution of theatrical and streaming windows, and what still matters most when crafting campaigns that resonate. Along the way, the discussion touches on everything from horror trailers and prestige dramas to boxing workouts, late night calls, and why picking up the phone still matters. Key Takeaways From Agency to Studio and Back Again Both guests share how starting on the agency side shaped the way they later partnered with creative teams once they moved into studio and streaming roles, fostering deeper empathy and stronger collaboration. The Legacy of Drew Struzan Debi reflects on the influence of her father-in-law, legendary illustrator Drew Struzan, and the enduring impact of handcrafted movie poster art in a rapidly changing industry. Why Relationships Still Win Dana and Debi emphasize that despite new tools, platforms, and pressures, strong relationships and direct communication remain essential to solving creative problems and building trust. Theatrical Is Not Dead The conversation challenges the idea that movie theaters are fading, pointing instead to evolving audience behaviors and the continued power of shared cinematic experiences. Creativity in an Era of Change From AI anxiety to shrinking budgets, the discussion explores how agencies and creatives can adapt while protecting the core value of original ideas and emotional storytelling. Notable Quotes "People still want to be moved together in a room. Theatrical is not dying. It's evolving." "You can solve a lot of problems just by picking up the phone." "The big idea still matters. Tools can change, but concept is everything." Connect Debi Struzan - www.linkedin.com/in/debistruzan Dana Flowers-Mitchell: www.linkedin.com/in/dana-flowers Corey Nathan – @coreysnathan on all platforms Our Sponsors Meza Wealth Management – mezawealth.com The Golden Trailer Awards – goldentrailer.com Join the Community Like what you hear? Leave us a rating and review! Connect with Corey on all platforms @coreysnathan Subscribe for new episodes every week and keep up with the world's best trailer creatives!

What does it take to market movies that shape culture—and to lead with integrity when the stakes are highest? In this Best Of Trailer Geeks & Teaser Gods episode, Corey Nathan revisits his powerful conversation with Dwight Caines, President of Domestic Marketing at Universal Pictures and one of the most respected voices in modern film marketing. One of our "best of's" since we brought this program back, this episode remains as relevant—and resonant—as ever. Dwight reflects on a career spanning Sony Pictures and Universal, working on iconic franchises including Spider-Man, James Bond, Oppenheimer, and The Super Mario Bros. Movie. But this conversation goes far beyond campaigns and box office numbers. Dwight opens up about leadership, mentorship, diversity and inclusion, the responsibility of storytellers, and what it means to be a steady presence in moments of industry—and societal—turbulence. It's a masterclass in how great marketing starts with understanding people. Whether you're a trailer creative, studio exec, marketer, or emerging storyteller, this episode is a reminder that how you lead matters just as much as what you ship. Key Takeaways Story Starts With Audience Dwight explains why every campaign begins with a deep understanding of who the movie is for—and what emotional response it needs to evoke to get audiences off the couch and into theaters. From Data to Instinct With roots in market research, Dwight shares how the best campaigns balance data with gut, and why "research be damned" can sometimes be the bravest—and smartest—call. Digital Before It Was Cool As an early digital pioneer at Sony, Dwight recounts building online communities around films like Spider-Man long before digital marketing was standard practice. Leadership in Crisis Dwight reflects on moments when the industry—and the country—felt unsteady, and why authenticity, calm, and moral clarity are essential leadership traits. Mentorship & Representation From teaching at Syracuse and UCLA to shaping DEI initiatives at Universal and the Academy, Dwight makes the case that representation isn't performative—it's foundational to better work and better culture. Notable Quotes "If you see me running for the emergency exit, then trouble's coming. Otherwise, take it as a good sign." "Marketing is about evoking emotion. If you don't know what you want people to feel, the campaign won't land." "If you see it, you can be it. I didn't see myself in front of the classroom—so I decided to become that person." "Diversity isn't invitation. It's allowing people to show up authentically and be heard." Connect Dwight Caines President, Domestic Marketing – Universal Pictures Mentor, Educator, Industry Leader Corey Nathan Host – Trailer Geeks & Teaser Gods @coreysnathan on all platforms About This Episode This episode is part of our Best Of Trailer Geeks & Teaser Gods series—encore conversations from across the show's history that remain timeless, insightful, and essential listening for anyone passionate about entertainment marketing. Our Sponsors Meza Wealth Management – mezawealth.com 24/96 Sound & Music Design – 2496soundandmusic.com The Golden Trailer Awards – goldentrailer.com Soundstripe – app.soundstripe.com Join the Community Like what you hear? Leave us a rating and review! Connect with Corey on all platforms @coreysnathan Subscribe for new episodes every week and keep up with the world's best trailer creatives!

From Strings to Screens: Aaron Gershman's Journey Across AV, Digital, and Design How does a former rock guitarist with zero design training become a creative force behind some of the most visually stunning and emotionally resonant film campaigns of our time? This week on Trailer Geeks and Teaser Gods, Corey Nathan sits down with Aaron Gershman, SVP of Creative Advertising at Lionsgate, whose journey from teenage rocker to "Pope of Posters" is anything but ordinary. From working on cult classics like Scott Pilgrim to crafting mind-blowing illustrated campaigns for John Wick 4, Aaron shares a deep-dive into the intersections of music, design, AV, and storytelling. 🎨 Whether he's collaborating with international artists or building visceral trailers that mix gunshots with throat singing, Aaron reveals how emotional intelligence, personal roots, and artistic instincts create unforgettable marketing. Community Updates Support Skip's Heart Recovery Journey - gofund.me/9ef1ccfef A Very Vibrant Celebration 2 - www.wearevibrant.org/events Key Takeaways Music Meets Marketing: Aaron's background as a musician and producer continues to shape how he sees rhythm, timing, and emotional arc—especially in AV. Poster Power: Learn how an artist-led, globally-sourced poster series for John Wick 4 redefined collaboration and style. From Minivan DVDs to Collectible Art: Aaron traces the evolution of home entertainment from functional formats to curated collectibles. Mentorship Matters: Behind every pivot in Aaron's career is a creative leader who inspired him—from Tom Gundred to Damon Wolf to Adam Fogelson. Embracing Change: From studio shakeups to creative setbacks, Aaron's mantra is to stay focused on the joy of building. Notable Quotes "My dad was a producer through and through. Even when I was a kid in a garage band, he'd come down and tell us, 'This song needs dynamics—quiet moments, loud moments.' Then he'd play The Doors to show us what he meant." — Aaron Gershman "I used to track artists on Instagram the same way I used to find bands. Now I follow over 5,000 illustrators for inspiration." — Aaron Gershman "The work didn't scare me—learning the language of trailers did. Corey, your podcast was like my AV crash course." — Aaron Gershman Featured Campaigns Mentioned John Wick 4 – Artist series posters The Strangers: Chapter 1 – Friggin' Bill Neil! Silent Night – Ode to Joy meets tactical violence Clerks III – Collaborating with Kevin Smith Sisu – Tribal, percussive, primal, and punchy Connect Lionsgate - @lionsgate on Instagram and TikTok Corey - @coreysnathan on all the socials Our Sponsors: Meza Wealth Management: www.mezawealth.com 24/96 Sound & Music Design: 2496soundandmusic.com The Golden Trailer Awards: goldentrailer.com/ Soundstripe: app.soundstripe.com Join the Community Like what you hear? Leave us a rating and review! Connect with Corey on all platforms @coreysnathan Subscribe for new episodes every week and keep up with the world's best trailer creatives!

How a music-obsessed Midwesterner built a sonic legacy from the mix stages of Hollywood to the classrooms of tomorrow — and why the future of sound is still human. In this sound-rich episode, Corey sits down with Lenny Jones, a virtuoso in the trailer audio world and founder of 24/96 Sound & Music Design. With over 190 feature film campaigns under his belt and a teaching post at the New York Film Academy, Lenny shares his journey from humble beginnings in Indiana to becoming a go-to source for immersive sound design in trailers, TV spots, and features. This episode is a masterclass in navigating creative evolution, embracing new tech like AI, and maintaining human connection in an increasingly digital industry. ❤️ Featured Cause: A Place Called Home In this episode, we highlight A Place Called Home (APCH), a transformative nonprofit in South Central LA that provides a safe, nurturing environment for young people to learn, grow, and thrive. Through arts, education, counseling, and mentorship, APCH helps build brighter futures — and stronger communities. 🎉 Shoutout to Brett Winn, this year's honoree at the APCH Gala! 🎟️ Upcoming Event: 2025 Gala – October 23rd, 2025 👉 Learn more or donate: https://apch.org ⏱️ Timestamps & Topics [00:00:00] 🎬 Welcome & Introduction: Corey introduces Lenny Jones, founder of 24/96 Sound [00:02:00] 🎓 Ball State to LA: Lenny's journey west & the Indiana trailer-maker pipeline [00:04:00] 🥁 From Drumming to Mixing: Music engineering roots & career pivots [00:05:00] 🧵 Soundproofing & Creativity: Inside Lenny's home studio (blankets, neon sculptures & Burning Man) [00:07:00] 🔊 Demystifying Mixing: What does a trailer mixer actually do? [00:10:00] 💽 Tech Transitions: From analog to Pro Tools to AI—how Lenny adapted [00:13:00] ⚙️ Staying Ahead: Tools, forums, and keeping sharp in a fast-moving field [00:16:00] 🚀 SSI to Entrepreneur: Why Lenny left a top post house to start 24/96 [00:19:00] 👨‍🏫 Teaching the Next Gen: Sound design at New York Film Academy [00:21:00] 🌍 Global Sound: Representing composers from Finland to Japan [00:24:00] 🎧 Case Study – Dave for FX: Breaking down a sound-rich launch trailer [00:29:00] 🥁 Travis Barker Spot: Behind-the-scenes with AV Squad & movieTickets.com [00:30:00] 🏢 Working with Studios vs. Agencies: Key differences & workflows [00:33:00] 🌪️ Navigating Industry Shifts: Covid, streaming slumps, AI & more [00:38:00] 🤖 AI in Audio: Helpful assistant or creative threat? Lenny weighs in [00:44:00] 🎨 Favorite Campaigns: Judas and the Black Messiah, TRON, & more [00:47:00] 🛠️ Career Advice: Build something you own + the people-first philosophy 🔑 Key Takeaways Balance Tech & People: Mastering tools like Pro Tools is essential, but relationships build lasting careers. Diversify Your Creative Income: Lenny juggles commercial work, a sound library, and teaching to stay adaptable. Leverage AI Carefully: Use tools like ChatGPT for metadata and titles, but don't let them replace human creativity. Keep Learning & Networking: Conferences, forums, and award shows remain vital for staying connected and inspired. 🎤 Notable Quotes "When you mix a trailer, you're sculpting the experience—balancing music, dialogue, and effects frame by frame." — Lenny Jones "The future of sound isn't AI replacing humans, it's AI empowering humans to do better, faster work." — Lenny Jones "Start your own company—even if you're working full-time. It's your safety net and your legacy." — Lenny Jones 🌐 Connect with Lenny & 24/96 Website: 2496soundandmusic.com Instagram: @2496soundandmusic LinkedIn: Lenny Jones 🙌 Our Sponsors: 24/96 Sound & Music Design: 2496soundandmusic.com The Golden Trailer Awards: goldentrailer.com/ Soundstripe: app.soundstripe.com Calls to Action: Please leave us a rating and review: https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods! 🎬🎤

From Madison Ave to Hollywood: The Birth of a Trailer Empire 📌 Episode Summary This week, we continue our heartfelt tribute to Andy Kuehn, a visionary often considered the father of the modern trailer industry. This week, Corey and special co-host Benedict Coulter of REBEL welcome longtime industry luminary Jim Gibbons (EVP of Paramount, founder of Flamingo Films) who takes us on a journey through the formative years of trailer creation—from New York's Madison Avenue to Hollywood's 7️⃣0️⃣2️⃣6️⃣ Santa Monica Blvd. In this edition, we explore the early days of Kaleidoscope, Andy's legendary influence, and how the art of trailers evolved into what it is today. From pioneering trailer edits to running parallel campaigns against studio execs, Andy's legacy looms large. 🕰️ Timestamps & Highlights [00:00:00] Welcome & intro by Corey Nathan [00:01:00] Greg McClatchy on Andy Kuehn's AJK Foundation and film preservation 🌈🎞️ [00:03:00] Enter Jim Gibbons: From liquor stores to Kaleidoscope in 1969 [00:06:00] The story of Andy defying studio orders with A/B testing campaigns 📊🔥 [00:08:00] Jim's memories of Andy's legendary NYC loft salons 🥂🎭 [00:10:00] Launching Kaleidoscope in LA, reunions at 7026 Santa Monica Blvd [00:14:00] From Kaleidoscope to Utopia, and starting Flamingo Films [00:20:00] The evolution of trailer shops—from National Screen Service to creative boutiques [00:25:00] Behind-the-scenes on Star Wars, lasers, and early VFX 💥🛸 [00:30:00] From competitor to client: Jim working with Andy at Paramount [00:34:00] Collaboration with Benedict at Trailer Park [00:40:00] Reflections on transitioning from indie shops to studio system [00:44:00] Modern-day trailer creation: Streamers, social, digital 🎥📱 [00:45:00] What Jim misses most about Andy Kuehn [00:47:00] History of Kanew-Manger-Deutsch, Geronimo, and the rise of trailer giants [00:48:00] Signature sounds, trailer style debates, and fun industry lore 🎧😂 [00:50:00] Final reflections & gratitude 🌟 Notable Quotes "Andy created a standard... the tone was: be innovative. Don't settle for the norm." — Jim Gibbons "He was always Andy. That smile, that mustache. You couldn't miss him. You felt him in the room." — Jim Gibbons "We all owe a lot to Jim... he was part of the original group that really started it all with Andy." — Benedict Coulter 📚 Related Links 🌐 AJK Foundation: ajkfoundation.org – Support film preservation & LGBTQ+ cinema history. Our Sponsors: 24/96 Sound & Music Design: 2496soundandmusic.com The Golden Trailer Awards: goldentrailer.com/ Soundstripe: app.soundstripe.com Call to Action: Please leave us a rating and review: https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods! 🎬🎤

The Words Behind the Magic – with special guest Margery Doppelt 🎙️ In this sixth installment of our special tribute to the legendary Andy Kuehn—founder of Kaleidoscope Films and godfather of the modern trailer—we're joined by a true industry icon: Margery Doppelt, one of the most influential and celebrated writers in motion picture advertising. 🎞️ Margery's iconic taglines and copy helped define decades of cinematic promotion—from Jurassic Park to Fatal Attraction and beyond. Her creative fingerprint is embedded in the DNA of trailer history. Joining us for this conversation is none other than Benedict Coulter, a legendary editor and co-founder of REBEL, who brings firsthand insight into Kaleidoscope's heyday and Andy's enduring legacy. Together, we share behind-the-scenes stories, reflect on a golden era of creativity, and celebrate the unique bond that made Kaleidoscope more than just a company—it was a creative home. 💫 🕰️ Timestamps & Highlights: [00:00:00] Welcome & remembering Andy Kuehn's impact through the AJK Foundation 🌈 [00:05:00] Introducing Margery Doppelt: writer behind the most iconic taglines [00:08:00] Her hilarious first taco at Lucy's El Adobe and surviving on $81/week 💵🌮 [00:10:00] How a missing script led to her first interaction with Andy [00:14:00] Margery's first big hits and her transition to writing 🎬 [00:18:00] Ryan O'Neal, outtakes, and the power of improvisation 😂 [00:25:00] Jurassic Park: the story behind "An adventure 65 million years in the making" 🦖 [00:29:00] Collaboration with editors and the lost art of copy in trailers [00:33:00] Why Andy's leadership created a golden age for creatives ✨ [00:37:00] The ripple effect: How Kaleidoscope alumni shaped the industry [00:45:00] Favorite campaigns, unforgettable lines, and why copy still matters [00:47:00] Parting reflections on Andy's legacy and what made him so special 💡 Key Takeaways: Margery's approach to copy was fearless, playful, and deeply intuitive. Andy's genius lay not just in his creative vision but in his ability to champion others. Kaleidoscope was more than a trailer house—it was a training ground for some of the industry's best. The collaboration between writer and editor was once a sacred space in trailer-making. The power of copy can still define a campaign—sometimes in just one unforgettable line. 📝 Notable Quotes: "Andy had this amazing gift—he was so talented and confident that he enjoyed other people's success." — Margery Doppelt "I know you f** her—anything else?"* — Margery, in a legendary moment with Ryan O'Neal 🤯 "A comedy and a drama—just like life." — Tagline from Nothing in Common "If adventure has a name, it must be Indiana Jones." — One of Margery's enduring classics 🏆 Our Sponsors: 24/96 Sound & Music Design: 2496soundandmusic.com The Golden Trailer Awards: goldentrailer.com/ Soundstripe: app.soundstripe.com Call to Action: Please leave us a rating and review: https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods! 🎬🎤

Andy's Nurturing Legacy and the Aura of Old Hollywood So cool to sit down with veteran entertainment advertising executive Mark Trugman to continue our tribute and honor the legacy of Andy Kuehn — a pioneer of the modern movie trailer industry and beloved founder of Kaleidoscope Films. And we're joined once again by our special co-host, Benedict Coulter. Mark shares his journey from graphic design and television promotion into the world of trailers, his first encounters with Andy, and the profound influence Andy's leadership style had on generations of creative talent. Together, they reflect on the culture Andy fostered, the careers he helped launch, and the personal memories that made him unforgettable. What We Discuss How Mark Trugman transitioned from television graphics to running one of the industry's most respected trailer companies. The leadership philosophy Andy Kuehn embodied — nurturing, non-proprietary, and deeply passionate. Inside stories about the unique culture at Kaleidoscope Films during its heyday. The ripple effect of Andy's mentorship on multiple generations of creative leaders in entertainment marketing. Anecdotes that reveal Andy's charisma, generosity, and larger-than-life presence both in and out of the office. Episode Highlights [00:02:00] Mark recalls his first job with Kaleidoscope Films — and a rookie mistake involving a "two-pop" that still makes him laugh. [00:09:00] The first meeting with Andy Kuehn, complete with a calf tan, a parrot, and quick-witted banter. [00:13:00] Life inside a small but mighty Kaleidoscope team — and the rite of passage that was Andy's 5 p.m. wine gatherings. [00:16:00] How Andy's and Steve's management styles gave editors room to create and clients reason to trust. [00:22:00] A vivid description of Andy's Moroccan villa and legendary holiday parties. [00:27:00] The last-minute speech Mark delivered at the Key Art Awards, honoring Andy after his passing. [00:36:00] Reflections on what Mark misses most about Andy and why his presence might have made the industry a kinder place. [00:42:00] The hilarious Academy Awards "seat switch" story that put Andy in Oliver Stone's spot on live television. Featured Quotes "Andy was the most passionate, supportive, enthusiastic person I've ever dealt with — there wasn't an ounce of cynicism in him." – Mark Trugman "It wasn't about heavy-handed management; it was about giving you the space to create and the encouragement to solve problems your way." – Mark Trugman "If you love doing something, why stop? It feeds your soul." – Benedict Coulter "The Beatles are always going to be the Beatles for a reason… Benedict, you're one of those rock stars." – Mark Trugman Our Sponsors: 24/96 Sound & Music Design: 2496soundandmusic.com The Golden Trailer Awards: goldentrailer.com/ Soundstripe: app.soundstripe.com Call to Action: Please leave us a rating and review: https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods! 🎬🎤

"Kaleidoscope University" - The Trailer Industry's Wild Beginnings Continuing our Tribute to Andy Kuehn, we're joined by Mike Camp, who got his start at Kaleidoscope Films under Andy, went on to serve as EVP at Paramount, EVP at Fox on the International side, and ulitmately was co-founder of the boutique agency ACME. And we're once again fortunate to have special co-host Benedict Coulter—often thought of as "the original rock star editor of the trailer industry" and now co-founder and owner of REBEL. What We Discuss: How Andy Kuehn inspired a generation of trailer editors and producers What it was like working at Kaleidoscope Films during its golden era Mike Camp's role in shaping campaigns for classics like Top Gun, Ferris Bueller's Day Off, and Titanic What it takes to launch a successful creative agency in Hollywood The art and philosophy of trailer-making, from the analog days to now Episode Highlights: [00:02:45] – Mike Camp reflects on how a favor for a college friend landed him at Kaleidoscope Films, launching a decades-long career in trailers. [00:07:10] – The unique, rowdy, and creatively explosive culture at Kaleidoscope: office wine tastings, horse racing bets, and midnight brainstorms. [00:14:30] – A pivotal phone call from Dawn Steel brings Mike to Paramount, where he joins a dream team at just 27 years old. [00:17:55] – The legendary 1986 Paramount slate: Top Gun, Ferris Bueller's Day Off, Crocodile Dundee, and Star Trek IV. [00:23:20] – Andy Kuehn's distinctive trailer sensibility and how he elevated the artform by focusing on mood, music, and emotion. [00:28:40] – The creation of ACME: how Mike and his partners went all-in to build a new agency, and what set them apart. [00:36:50] – Mentoring and collaborating with a new generation, including the rising talent of Skip and his revolutionary graphics work. [00:49:15] – Reflections on Andy's enduring impact on trailer culture and how he empowered creatives with freedom and trust. [01:02:00] – The legacy continues: why Mike and Benny remain passionate about storytelling and honoring the roots of the craft. Featured Quotes: "A trailer is a song—it's meant to give you emotion. You're not selling the movie; you're selling a feeling." – Mike Camp "Andy championed us. He never said no to a wild idea. He always said: try it." – Benedict Coulter "The trailer's job is to get asses in seats. If the film does its job, they'll stay there." – Mike Camp "Andy was the heart of Kaleidoscope. He made you feel like you were truly in the movie business." – Mike Camp Our Sponsors: 24/96 Sound & Music Design: 2496soundandmusic.com The Golden Trailer Awards: goldentrailer.com/ Soundstripe: app.soundstripe.com Call to Action: Please leave us a rating and review: https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods! 🎬🎤