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Recent episodes
Ep 250 Re-make / Re-model
Jun 21, 2026
Unknown duration
Ep 249 Dead Snow
Jun 7, 2026
38m 00s
Ep 248 We Have Been Watching
May 24, 2026
39m 41s
Ep 247 What Ever Happened to Baby Jane
May 10, 2026
37m 01s
Ep 246 Dr Jekyll and Sister Hyde
Apr 26, 2026
36m 51s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/21/26 | ![]() Ep 250 Re-make / Re-model | It’s episode 250! And to celebrate the team have decided to play “what if?”. We have all chosen a film outside of the genre to be remade as a horror: Who do you cast? Who’s directing it? What changes about the story and what stays the same? It’s just a bit a daft laff, but if you enjoy this episode, let us know what your choices would be. Technically there’s no spoilers (or spoilers for films that don’t exist?), so just put on your party hat and join us. | — | ||||||
| 6/7/26 | ![]() Ep 249 Dead Snow✨ | Nazi Zombieshorror film+3 | — | Dead Snow | UK | Dead SnowNazi Zombies+5 | — | 38m 00s | |
| 5/24/26 | ![]() Ep 248 We Have Been Watching✨ | film reviewshorror movies+3 | — | AbigailThe Gorge+7 | — | horror filmsfilm discussion+3 | — | 39m 41s | |
| 5/10/26 | ![]() Ep 247 What Ever Happened to Baby Jane✨ | Hollywood glamourfilm analysis+3 | — | LAPDWhat Ever Happened To Baby Jane | Hollywood | Bette DavisJoan Crawford+5 | — | 37m 01s | |
| 4/26/26 | ![]() Ep 246 Dr Jekyll and Sister Hyde✨ | Hammer Filmshorror cinema+4 | — | Hammer FilmsDr. Jekyll and Sister Hyde | — | Dr. Jekyll and Sister HydeHammer Films+5 | — | 36m 51s | |
| 4/12/26 | ![]() Ep 245 The Menu✨ | filmdark satire+3 | — | The Menu | — | The MenuMark Mylod+5 | — | 38m 40s | |
| 3/29/26 | ![]() Ep 244 The Call of Cthulhu✨ | H.P. Lovecraftfilm adaptation+3 | — | Cthulhuthe HP Lovecraft Historical Society’s+2 | — | H.P. Lovecraft Historical Societytemporal shenanigans+3 | — | 36m 52s | |
| 3/15/26 | ![]() Ep 243 The House of the Devil✨ | horror filmsfilm analysis+3 | — | ETThe House of the Devil+1 | — | The House of the DevilTi West+3 | — | 37m 21s | |
| 3/1/26 | ![]() Ep 242 Wolfcop✨ | horror filmswerewolves+3 | — | Wolfcop | — | WolfCoplycanthropy+3 | — | 31m 28s | |
| 2/15/26 | ![]() Ep 241 We have been watching✨ | filmhorror+3 | — | ShudderDisney++11 | — | ShudderThe Haunted Season+7 | — | 38m 02s | |
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| 2/1/26 | ![]() Ep 240 Horror on Sea 2026✨ | horror film festivalsshort films+1 | — | Horror on Sea 2026Borley Rectory: The Awakening+10 | — | Horror-on-SeaBorley Rectory: The Awakening+10 | — | 38m 13s | |
| 1/4/26 | ![]() Ep 239 Bram Stoker's Dracula✨ | filmadaptation+3 | — | Bram Stoker’s DraculaOscar | — | Bram StokerFrancis Ford Coppola+8 | — | 38m 27s | |
| 12/21/25 | ![]() Ep 238 Muppets Dracula✨ | horrorfilm+3 | — | Welcome To HorrorThe Muppet Christmas Carol | — | Muppet Christmas CarolBram Stoker's Dracula+3 | — | 55m 38s | |
| 12/7/25 | ![]() Ep 237 League of Gentlemen Christmas Special✨ | ChristmasHorror+3 | — | LeagueLeague of Gentlemen Christmas Special+2 | — | League of GentlemenChristmas Special+3 | — | 37m 50s | |
| 11/23/25 | ![]() Ep 236 We have been watching✨ | horrorfilm+3 | — | Welcome To HorrorMiskatonic Institute of Horror Studies+10 | — | Guillermo del ToroFrankenstein+8 | — | 39m 32s | |
| 11/9/25 | ![]() Ep 235 Razor Blade Smile | It’s time to visit the misspent youth of the team, hurtling back to 1998 for Jake West’s “Razor Blade Smile”. A film that shows that a coffin can make a lovely centrepiece gun rack in any bedroom; highlights that vampires are the only ones not showing off their fangs at a Goth club; and bravely needle drops “Bela Lugosi’s Dead” like “The Hunger” just didn’t happen. Razor Blade Smile made something of a splash when it came out - a flashy/trashy horror with camp laughs, nudity, gore and an icon in the form of Eileen Daly’s rubber cat-suited vampire assassin, it felt utterly different to anything else emerging from the doldrums of the British film industry. Made on a shoestring budget, but never aiming for anything less than spectacle; time hasn’t necessarily been too kind to it visually, although ironically it’s the (then) state of the art computer generated imagery that has dated the worst. More importantly; it’s shoot-outs and fetish wear aesthetic predates both The Matrix and Underworld franchises. Whilst some minor roles may feature less than stellar acting, the main cast are giving their all, with Daly cementing her place as a British scream queen, and a genuinely brilliant turn from Christopher Adamson as the villain. Watch (or re-watch) to avoid spoilers and join us. | — | ||||||
| 10/31/25 | ![]() 6 Feet Deeper - Blood On Satan’s Claw | Adam returns to the Welcome To Horror Fact Library for a bonus episode of extra material left over from our recent episode on “The Blood On Satan’s Claw”. As always, we recommend you listen to our main episode (number 234) first, before plowing into this fiendish field of facts. We hope you enjoy this little transmission from the Welcome To Horror Fact Library. | — | ||||||
| 10/26/25 | ![]() Ep 234 The Blood on Satan's Claw | The team have unearthed something terrible under the cabbages in the Welcome To Horror allotment, so it’s time for “Blood On Satan’s Claw”. A film in which Mr Kipling leads exceedingly angry mobs; The Master gets in trouble for playing with his snake in the woods; and Simon Williams receives the worst kind of handjob. Part of the Unholy Trinity of Folk Horror, “Blood on Satan’s Claw” is the only one that features the genuinely supernatural. Originally conceived as a kind of anthology, those roots still show, but the decision to make it one tale was the correct one. Combining some of the most picturesque and beautiful imagery with some of the cruelest and horrific events to befall a seemingly innocent community; this is no mere Hammer knock-off. A marvellous script and a cast all bringing their best make for a disturbing glimpse of festering corruption, with our only hope being the intervention of harsh authoritarian powers seemingly as nasty and uncaring as the evil they confront. Watch (or re-watch) to avoid spoilers and join us. | — | ||||||
| 10/12/25 | ![]() Ep 233 House II: The Second Story | It’s weird sequel time, and there’s few that come weirder than “House II: The Second Story”. A film in which we learn that portals are a common problem in old houses (a bit like dry rot, but with more murder); that old cowboys don’t die (they just get rat-arsed in the basement); and that Bill Maher is an oily heap of shit. Whilst an anthology film franchise should endeavour to make each entry as different to what has gone before as possible; it is still is a hell of a whiplash to view this after the first “House” film. Certain things remain - the humour, marvellous practical effects, and a guest star role for someone from “Cheers”, but the differences are far greater. Whilst the first film is definitely a horror, this falls much more into the category of family adventure; and could be an entry level horror film for kids, with nothing too scary, a set of goofy, likeable characters and amusing puppets. This family-friendly spookiness was possibly influenced by the huge success a few years earlier of the likes of “Ghostbusters”, “Gremlins” and “Raiders of the Lost Ark”. After this, the franchise went into more obvious horror territory, but, unfortunately, never quite achieved the inventive potential displayed in the first two entries. Watch (or re-watch) to avoid spoilers and join us. | — | ||||||
| 9/28/25 | ![]() Ep 232 Phantasm | We’re sticking with the work of Don Coscarelli, and going back to the classic that made his name; “Phantasm”. A film in which Angus Scrimm shows that, despite being older, he can still shoot his balls round corners; we learn how to make some of the most dangerous improvised explosives outside of the Anarchist’s Cookbook; and we meet a Jawa with a porn-moustache. Coscarelli’s third feature film, made independently over 2 years with a cast and crew of mostly friends and family, would go on to be a staple of the horror section in video shops for the next decade, with its striking poster image (entirely unrelated to anything in the actual film) burned into the minds of a generation. Unlike a lot of its VHS counterparts; “Phantasm” is an utterly unique beast; a horror/sci fi hybrid with surreal set pieces and a mythology that obfuscates the more it reveals; coupled to a domestic coming-of-age story of two orphaned brothers (and their singing Ice Cream Man buddy). It would follow the route of successful 80s horrors in spawning a franchise, but this too would be unlike any others, with (mostly) the same cast returning each time, the story being picked up pretty much from where the last film left off, and lore explorations that again only deepen the mystery. Watch (or re-watch) to avoid spoilers and join us. | — | ||||||
| 9/14/25 | ![]() Ep 231 Bubba Ho-Tep | This week, we’re discussing Don Coscarelli’s “Bubba Ho-Tep”, and usually at this point, we would write a few amusing sentences about the film. But nothing we can come up with beats this premise: Elvis Presley didn’t die and is now stuck in an Old People’s Home in Texas. He teams up with a fellow resident (a black man who claims to be a post-assassination JFK) to fight a soul-sucking Mummy in Cowboy boots. Seen and loved by many at the time of release, now 23 years later, “Bubba Ho-Tep” seems, sadly, overlooked. Despite its horror royalty combination of “Phantasm” creator Coscarelli behind the camera, and a magnificent portrayal of a bitter and forgotten Elvis/delusional Elvis impersonator by Bruce Campbell (in possibly his best role outside of “The Evil Dead”’s Ash), it just doesn’t seem to get mentioned much anymore. Which is a shame; Campbell’s marvellous double act with the impeccable Ossie Davis as JFK give this mondo idea some real humour and heart. Despite the madcap premise, the film is also a reflection on the regrets, sadness and indignities of old age, with Elvis mourning his lost potential, and his body’s decline (in a scatalogically graphic narration). Like its protagonists, this film shouldn’t be forgotten as it ages, but allowed its time to shine forever. Watch (or re-watch) to avoid spoilers and join us. | — | ||||||
| 8/31/25 | ![]() Ep 230 Popcorn | Get yourself a costume and slap on your face - we’re off to the cinema for 1991’s “Popcorn”. A film in which we learn that reggae bands cannot be stopped by a power cut; your favourite Martian now owns a movie memorabilia shop; and, as always, if Dee Wallace is your mum, shit’s gonna get weird. Made at that curious cusp of 2 decades, this should be standard 80s slasher fare, but it’s knowing references to horror film lore and elevated tone actually predict the direction the genre would take through the 90s. A fractious production with director and lead actor swapped out a few weeks into shooting, this could have been a real mess - the fact it’s as entertaining and coherent as it is is a testament to all involved. With a likeable cast exhibiting genuine camaraderie and some fine spoofing in the films within the film, this is a neglected little treat for the curious. Watch (or re-watch) to avoid spoilers and join us. | — | ||||||
| 8/2/25 | ![]() Ep 229 Happy Ending | We present a spoiler free look at director Jennifer Wolfe’s debut feature “Happy Ending”. A couple losing the spark in their relationship seek advice from friends who recommend a trip to a massage parlour with “extras”. An already uneasy and awkward visit for the pair is reflected in the back rooms of the parlour, where the workers are troubled by their situation and the obsessive attentions of a dangerous former customer. Events spiral into an eruption of chaos and violence, drawing everyone into the maelstrom. Whilst that may sound like pure thriller fare, what sets “Happy Ending” apart is that it’s also extremely funny; our two main leads are engaging and realistic, their comfortable but strained partnership brings the laughs as they navigate their way through the tribulations of their relationship, and, latterly, attempt to get out of the deadly situation alive. A big thank you to Jennifer Wolfe for reaching out to us (on recommendation from previous guest, “Bampire” director Zoë Wassman) and giving us the opportunity to view this excellent comedy/thriller. “Happy Ending” is currently streaming on Amazon Prime, Plex and Fandango ar Home, and we urge you to seek it out! | — | ||||||
| 7/20/25 | ![]() Ep 228 We have been watching | Welcome To Horror Presents: “The We Have Been Watching Master Plan”. It’s one of our semi-regular rundowns of all the visuals we’ve been spaffing into our eye globes, betwixt our regularly scheduled programming. We discuss “The Devil’s Rejects” (2005); “Sinners” (2025); “Dellamorte Dellamore” (aka “Cemetery Man” 1994); “The Autopsy of Jane Doe” (2016); “The Monkey” (2025); BFI Southbank’s screening of Sophie Sleigh-Johnson’s “Code Damp: Experimenta Mixtape” and some honourable mentions. There should be no need to prep for this ep, but listeners beware, as here be (possible) spoilers and (definite) swearing. Join us! | — | ||||||
| 7/6/25 | ![]() Ep 227 The Comedy of Terrors | Settle in your best (and only) coffin, grab a drink or twelve and join us for “The Comedy of Terrors”. In film in which we hear possibly the only use of the phrase “Toss Pot” outside of the UK; Orangey displays why he was considered one of the finest cactors of his generation; and Osgood Fielding III gives the best scream this side of a Tom and Jerry cartoon. Sadly, this is the last time that Vincent Price and Peter Lorre demonstrated their magnificent comedy double act as part of this amazing ensemble with Joyce Jameson, Boris Karloff and Basil Rathbone, all of whom totally embrace the grotesque insanity of their characters and the tale itself. “The Comedy of Terrors” is a real refinement of the dark vein of humour the various cast members had begun exploring with Roger Corman in the Poe adaptations “Tales of Terror” and “The Raven”, but this time, it’s the legendary Jacques Tourneur behind the camera, with an original script from the pen of the great Richard Matheson, both of whom mould this original gem of Gothic Black Comedy. Sadly, “The Comedy of Terrors” failed to perform at the box office, and with Lorre’s death only a few months after release, it closed a chapter on what could have been a far more interesting direction for producers AIP. Watch (or re-watch) to avoid spoilers and join us. | — | ||||||
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