Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 1 chart position in 1 market.
By chart position
- 🇦🇺AU · Music History#19300K to 1M
- Per-Episode Audience
Est. listeners per new episode within ~30 days
210K to 700K🎙 Weekly cadence·12 episodes·Long inactive - Monthly Reach
Unique listeners across all episodes (30 days)
300K to 1M🇦🇺100% - Active Followers
Loyal subscribers who consistently listen
90K to 300K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Pt 2/2 Bruce Mitchell - Why soundchecks suck
Feb 20, 2021
37m 42s
Pt 1/2 Bruce Mitchell - Jazz, Rock & Roll, and The Cavern
Feb 20, 2021
46m 15s
Pt 3/3 Mark Coyle - The man who made Oasis loud
Dec 15, 2020
39m 15s
Pt 2/3 Mark Coyle - The man who made Oasis Loud
Dec 15, 2020
49m 31s
Pt 1/3 Mark Coyle - The man who made Oasis loud
Dec 15, 2020
48m 21s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 2/20/21 | Pt 2/2 Bruce Mitchell - Why soundchecks suck | At 80 years young, Bruce Mitchell is the bearing upon which gigs have turned in Manchester for more than half a century. In part 2, he talks about his friend & business partner Martin Hannett, why soundchecks are doomed to suck, and how the worst gigs are often the best gigs. | 37m 42s | ||||||
| 2/20/21 | Pt 1/2 Bruce Mitchell - Jazz, Rock & Roll, and The Cavern | Bruce Mitchell, otherwise known as Mr Manchester, has watched, performed, carried speakers, provided the lights and stage, or been a production manager for gigs for the last 65 years. Heavily involved in Factory Records, working with bands from The Who to New Order and playing drums for The Durutti Column, he has worked on and performed at the smallest and biggest shows. Find out what happened after gigs at The Cavern, and post gig drag racing down the M1 in the band's van! | 46m 15s | ||||||
| 12/15/20 | Pt 3/3 Mark Coyle - The man who made Oasis loud | In only his second interview in 25 years, the man who made Oasis loud - told Alan McGee to sign them - recorded their debut album - and then quit. Pt 3: Working in sync with the band - mixing in quad - saving 5% for the end - quitting the biggest gig in the country. | 39m 15s | ||||||
| 12/15/20 | Pt 2/3 Mark Coyle - The man who made Oasis Loud | In only his second interview in 25 years, the man who made Oasis loud - told Alan McGee to sign them - recorded their debut album - and then quit. Pt2: No subs, more bass - Learning from Oz, New Order's legendary engineer - making the gig whoosh! | 49m 31s | ||||||
| 12/15/20 | Pt 1/3 Mark Coyle - The man who made Oasis loud | In only his second interview in 25 years, the man who made Oasis loud - told Alan McGee to sign them - recorded their debut album - and then quit. Pt 1: Mixing at the gig frontline - always with a hot soldering iron next to the desk. | 48m 21s | ||||||
| 10/20/20 | Abe Jacob - Godfather of Broadway Sound | Broadway, The Beatles, Hendrix: Abe Jacob has been at the forefront of Theatre sound for over 45 years. Before that he was on the sound team at The Beatles last public show in Candlestick Park, and also mixed Jimi Hendrix. He has seen it all! Presented by Chris Snow @bandwidthpdn Executive Production @sparewomen | 53m 33s | ||||||
| 7/30/20 | Pt 3/3 Phil Dudderidge - Focusrite | In 1989 a small company called Focusrite was insolvent. Phil was looking for a new challenge. How did he transform it from a struggling analogue company to a successful, cutting edge digital one? Presented by Chris Snow @bandwidthpdn Executive Production @sparewomen shorturl.at/bwJP8 | 40m 45s | ||||||
| 7/15/20 | Pt 2/2 Steve Bedlam - Illegal Raves | Steve Bedlam talks about Castlemorton Common, getting confiscated PA's back, starting Noise Control Audio, and his current work running the Refugee Crisis Kitchen. Presented by Chris Snow @bandwidthpdn Executive Production @sparewomen shorturl.at/bwJP8 | 33m 57s | ||||||
| 7/15/20 | Pt 1/2 Steve Bedlam - Illegal Raves | Steve Bedlam was one of the people behind Bedlam Sound System, and as he puts it "We never played anywhere that was legal". He and his friends in Spiral Tribe and other sound systems of the time provided the sound in warehouses and fields across the country. Presented by Chris Snow @bandwidthpdn Executive Production @sparewomen shorturl.at/bwJP8 | 30m 34s | ||||||
| 7/7/20 | "Big Pete" Russell - Punk to Professional | Pete Russell started sound engineering when bands still owned the PA. Years later, he was Metallica's System Tech on the Justice For All tour, and PA was owned by PA companies. He has mixed Stiff Little Fingers & Thunder (amongst others) and worked as a project manger for SSE. Pete explains how a cottage industry became a professional one. Presented by Chris Snow @bandwidthpdn Executive production @sparewomen | 52m 57s | ||||||
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| 7/4/20 | Pt 2/3 Phil Dudderidge - Soundcraft | Phil started Soundcraft with Graham Blyth in 1973, and the company went on to become one of the most successful mixer manufacturers in the world. Along the way he provided the sound for The Old Grey Whistle Test, sold mixers to the Americans, and gave Dave Stewart a lift to Geneva airport. Presented by Chris Snow @bandwidthpdn Executive production @sparewomen | 49m 00s | ||||||
| 7/3/20 | Pt 1/3 Phil Dudderidge & Led Zeppelin | Phil Dudderidge was Led Zeppelin's first sound engineer. In this episode we discuss how he earned this title, about gigs and touring in the late 60's / early 70's, and how to mix a band for 25000 people in 1970. Presented by Chris Snow @bandwidthpdn Executive production @sparewomen | 46m 15s | ||||||
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Chart Positions
2 placements across 1 market.
Chart Positions
2 placements across 1 market.