
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 4 chart positions in 4 markets.
By chart position
- 🇬🇧GB · Music Commentary#38100K to 300K
- 🇦🇺AU · Music Commentary#1325K to 30K
- 🇮🇱IL · Music Commentary#4510K to 30K
- 🇮🇪IE · Music Commentary#103500 to 3K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
81K to 254K🎙 Weekly cadence·90 episodes·Last published 1mo ago - Monthly Reach
Unique listeners across all episodes (30 days)
116K to 363K🇬🇧83%🇦🇺8%🇮🇱8%+1 more - Active Followers
Loyal subscribers who consistently listen
35K to 109K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
BONUS: The Making of Suzette Charles' Debut Album
May 18, 2026
1h 05m 45s
5TH BIRTHDAY SPECIAL: Burning Questions & Deep Cuts
May 3, 2026
1h 12m 14s
FINALE: Ultimate Stock Aitken Waterman Singles Countdown top 20
Feb 1, 2025
1h 10m 50s
Epilogue 2: Love This and beyond
Dec 21, 2024
1h 17m 52s
Epilogue 1: PWL 1994-96
Dec 8, 2024
1h 03m 52s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/18/26 | ![]() BONUS: The Making of Suzette Charles' Debut Album | In Episode 80 — the final regular episode of A Journey Through SAW — we heard about "Free To Love Again" by Suzette Charles, which was one of the final singles released during Mike Stock and Pete Waterman's working relationship. Now, 33 years after that track came out in the UK, Suzette's debut album is finally about to be released. Comprising faithfully re-recorded versions of the original six tracks that Suzette previously worked on with Mike at PWL and five brand-new songs, Suzette Charles... | 1h 05m 45s | ||||||
| 5/3/26 | ![]() 5TH BIRTHDAY SPECIAL: Burning Questions & Deep Cuts | To celebrate five years of A Journey Through SAW, Gavin and Matt are back for a special episode. And so is Mike Stock, who joins us in an interview conducted on the Calrec Soundfield Microphone to answer some long-held questions and discuss some of the best deep cuts in the SAW catalogue. Find out whether "Turn It Into Love" was written for Kylie Minogue or Hazell Dean, why "Who's Gonna Catch You" was recorded by so many people and who actually sang on the Delage records. Hear about the trick... | 1h 12m 14s | ||||||
| 2/1/25 | ![]() FINALE: Ultimate Stock Aitken Waterman Singles Countdown top 20 | To mark reaching the end of the journey through every single produced by Mike Stock, Matt Aitken and Pete Waterman from 1984-1993, Gavin and Matt celebrate the music of the Hit Factory by counting down our listeners' favourite 20 singles from the list of 200 we have discussed on the podcast. What will be number 1? (Subscribers, numbers 50-21 are counted down in the bonus material at chartbeats.com.au/saw-bonus) Support the show Subscribe for bonus material at chartbeats.com.au/saw Insta... | 1h 10m 50s | ||||||
| 12/21/24 | ![]() Epilogue 2: Love This and beyond | Shortly after Mike Stock left PWL in 1993, he purchased a building to house a brand-new studio complex and record label, Love This, and reunited with Matt Aitken to resume their songwriting and production work together. Although, over the next few years, the duo would release many more cover versions than original songs, having success with the likes of Nicki French, Jocelyn Brown & Kym Mazelle, John Alford, Newton (in Australia) and Robson & Jerome. Mike Stock joins us for one final ... | 1h 17m 52s | ||||||
| 12/8/24 | ![]() Epilogue 1: PWL 1994-96 | Although both Matt Aitken and Mike Stock had left the building, PWL Records continued to release music — and in this epilogue episode, we look at some of the artists who succeeded and some that didn't hit the mark in the few years after the demise of Stock Aitken Waterman. Former PWL MD David Howells joins us to discuss the challenges of starting afresh with new talent to replace Mike and Matt, and talks about what prompted his own departure from the business he had helped steer since the mid... | 1h 03m 52s | ||||||
| 11/3/24 | ![]() Ep 80: Free To Love Again to Virginia Plain and Mike Stock's departure | Every journey has an ending, and in this episode, we reach the final three singles produced by Mike Stock and Pete Waterman in 1993 — and discuss the events surrounding the termination of the partnership as Mike left PWL. Former Miss America Suzette Charles joins us to talk about her singing/acting/pageant career and how she turned up at PWL demanding an audience with Pete. Her eventual collaboration with Mike yielded underrated gem "Free To Love Again" and five other fan favourite tracks tha... | 1h 20m 59s | ||||||
| 10/20/24 | ![]() Ep 79: Looks Like I'm In Love Again to Energize | The top 40 resurgence was over, with the next few Stock and Waterman singles released in 1993 struggling on the UK chart. But it wasn't for want of trying. Tapping into the same piano house sound that had yielded hits for Sybil (with and without West End), "Looks Like I'm In Love Again" by Key West featuring Erik had come to PWL via Eddie Gordon's Sanctuary imprint. The man behind Key West (and the writer of the song), music industry legend Richard Hewson joins us to discuss his decades-long ... | 1h 16m 30s | ||||||
| 10/6/24 | ![]() Ep 78: More, More, More, When I'm Good And Ready, Wrestlemania and One Voice | The commercial resurgence at PWL continued in 1993, with all four of the singles covered in this episode becoming UK hits. Still on her hot streak following the success of "The Love I Lost" with West End, Sybil returned to the top 5 with original tune "When I'm Good And Ready", which was credited to her alone. Sybil tells us what she thought of the song, which was poppier than her usual efforts, and Mike Stock shares his thoughts about the single coming together and its various mixes and remi... | 48m 45s | ||||||
| 9/22/24 | ![]() Ep 77: The Love I Lost | Things were looking up at the Hit Factory in early 1993. Mike Stock and Pete Waterman found themselves in the UK top 5 with back-to-back singles — something that hadn't happened in three years. And the latest of those big hits came from a remake of "The Love I Lost" released by West End featuring Sybil. The story behind the single is an intriguing one, with various mixes and multiple people having input on the track along the way. Significant among those people was Eddie Gordon, who'd spent t... | 51m 51s | ||||||
| 9/15/24 | ![]() SNEAK PEEK: 1993 preview and Greatest Hits by Kylie Minogue track-by-track teaser | Before we begin our journey through Mike Stock's final year working with Pete Waterman at PWL, we have a preview of what's still to come. Plus, we share the first 10 minutes of our recent Greatest Hits by Kylie Minogue bonus episode To hear the full Greatest Hits by Kylie Minogue bonus episode and all the other extra content, you can subscribe at chartbeats.com.au/subscribe Support the show Subscribe for bonus material at chartbeats.com.au/saw Instagram: @chartbeatsau Threads: @chartbeatsau, ... | 15m 36s | ||||||
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| 9/3/24 | ![]() Ep 76: Did I Say Ti Amo, Last Thing On My Mind, Celebration and Slam Jam | To wrap up 1992, Stock and Waterman worked with two new artists and two returning favourites. In the case of Kylie Minogue, it was to be her final single released with PWL. Fittingly, her version of "Celebration" was lifted from Greatest Hits and gave her a final UK top 20 hit before departing for new musical adventures. We hear from Phil Harding & Ian Curnow, who produced the track (which later had additional production added by Stock and Waterman). Also, music video director Gregg Masua... | 1h 00m 24s | ||||||
| 8/18/24 | ![]() Ep 75: Summer Holiday, What Kind Of Fool (Heard All That Before), Higher And Higher and Movin' On | Summer 1992 didn't yield much in the way of Stock and Waterman productions. But in August that year, there was a sudden rush of releases, kicked off by a curious novelty record: a remake of "Summer Holiday" by Fat Slags, characters from Viz. Former PWL engineer Pete Day helps us get to the bottom of who exactly performed on the track. Meanwhile, Kylie Minogue got one step closer to departing the Hit Factory with new single "What Kind Of Fool (Heard All That Before)", which was included on her... | 52m 59s | ||||||
| 8/4/24 | ![]() Ep 74: All You Have To Do to Finer Feelings | In early 1992, Boy Krazy were still a year away from their belated massive success in the US with "That's What Love Can Do" and they followed up that debut single in the UK with "All You Have To Do". Now a four-piece, the girl group shifted musical gears, releasing a more club-influenced track, but once again it failed to connect. Ruth Ann, Kimberly and Josselyne discuss that single as well as "Good Times With Bad Boys", which was released in America after "That's What Love Can Do" had been a... | 1h 15m 28s | ||||||
| 7/21/24 | ![]() BONUS: Get Ready For This — The 2 Unlimited Story with Ray Slijngaard | Following their launch in 1991 with debut single "Get Ready For This", Eurodance duo 2 Unlimited enjoyed a string of more than a dozen hits around the world. What does that have to do with Stock Aitken Waterman? Well, in the UK, the act fronted by Ray Slijngaard and Anita Doth was signed to PWL Records at a time when the Hit Factory's in-house productions were often struggling on the charts. Techno tracks like "Twilight Zone", "Maximum Overdrive", "Let The Beat Control Your Body", "The Real T... | 49m 45s | ||||||
| 6/9/24 | ![]() Ep 73: Keep On Pumpin' It to Give Me Just A Little More Time (and Do You Dare) | There was no denying the popularity of rave and techno in the UK in 1991, and Stock and Waterman went all clubby as the year drew to a close — with help from some key collaborators. DJs Paul Taylor and Danny Bennett (aka Danny Hibrid) from Angels nightclub visited PWL to work with Tony King on remixing Kylie Minogue album track "I Guess I Like It Like That". The result: a completely new single, "Keep On Pumpin' It", which came out in its own right. Paul and Tony tell the story of this club cl... | 1h 06m 59s | ||||||
| 5/20/24 | ![]() Ep 72: Make This A Special Night to So Proud Of You | Late in 1991, PWL was trying all sorts of things to get back in the charts on a regular basis, including working with '80s funk/soul band Cool Notes. Single "Make This A Special Night" harked back to some of SAW's earliest releases when they dabbled in R&B — and was one of several tracks recorded with the group, which was now a trio. Singer Lauraine McIntosh talks about Cool Notes' progression from reggae outfit to commercially successful soul group with mid-'80s hits "Spend The Night" an... | 1h 07m 33s | ||||||
| 5/5/24 | ![]() Ep 71: Happy Together to Word Is Out | They were the pop stars that changed everything for the Hit Factory — and in this episode we discuss pivotal singles for Jason Donovan and Kylie Minogue. In Jason's case, his remake of "Happy Together" was his final single with PWL, as he made the leap to musical theatre and a new record label. The cover version was also the first Stock and Waterman production, with Matt Aitken now out of the picture. Jason joins us for one last time to discuss the parting of ways with PWL, his third studio a... | 59m 14s | ||||||
| 5/3/24 | ![]() BONUS: Remixing The Hits with Tony King | To mark the third anniversary of A Journey Through Stock Aitken Waterman, former PWL remixer Tony King joins us to share his story of going from Phil Harding's assistant to being responsible for a Billboard Hot 100 smash hit thanks to his remix of "Don't Make Me Over" by Sybil. Tony recounts the "weird" way he landed a job at PWL and how his first task was to remix "Packjammed (With The Party Posse)" by Stock Aitken Waterman — in a matter of hours. He also talks about some of his early remixe... | 45m 34s | ||||||
| 4/22/24 | ![]() Ep 70: That's What Love Can Do | The Boy Krazy story is one of the most interesting — and complicated! — in the SAW history. The American girl group was put together through auditions in New York, going through a few line-up changes before the final five-piece, Johnna, Josselyne, Kimberly, Renee and Ruth Ann, signed a deal with PWL Records and flew to London to start recording with Stock Aitken Waterman. Kimberly and Josselyne join us to reminisce about that process and how debut single "That's What Love Can Do" came togethe... | 1h 04m 58s | ||||||
| 4/7/24 | ![]() Ep 69: Roadblock 91 to All Mixed Up and Matt Aitken's departure | It had to happen at some point. In May 1991, the Stock Aitken Waterman era ended when Matt Aitken walked away from his role as one third of the songwriting and production trio. In this episode, he explains what prompted his decision and we explore the changing nature of PWL at the time, which was a contributing factor in the split. Mike Stock also weighs in on Matt's departure and reveals whether he blames his musical partner for leaving. In terms of the music, we look at one of the most pola... | 56m 35s | ||||||
| 3/17/24 | ![]() Ep 68: Shocked | The fourth in arguably the best singles run in pop music history was also a first for Stock Aitken Waterman, as external mix team DNA took care of the 7" remix of "Shocked" by Kylie Minogue, Neal Slateford from DNA tells us how the unprecedented remix came about following the runaway success of his and production partner Nick Batt's reinvention of Suzanne Vega's "Tom's Diner". A key component of the "Shocked" remix was the rap by Jazzi P, who also joins us to talk about the triumphs and trial... | 1h 12m 40s | ||||||
| 3/3/24 | ![]() Ep 67: Better Off Without You to R.S.V.P. | She was our very first interviewee back in Episode 1 — and we finally reach the conclusion of Hazell Dean's Stock Aitken Waterman journey with her version of "Better Off Without You", which was released in 1991. The Queen of Hi-NRG joins us once again to discuss recording a song previously cut by Lonnie Gordon and her thoughts about the SAW sound struggling in the early '90s. Girl group Delage were also finding it hard to land a hit with original SAW tune "Running Back For More" missing the m... | 1h 06m 14s | ||||||
| 2/18/24 | ![]() Ep 66: What Do I Have To Do Part 2: the styling and video | While "What Do I Have To Do" by Kylie Minogue stands on its own two feet as a song, the impact of the single was increased greatly due to the striking imagery on display on the single cover and in the music video. Celebrity stylist David Thomas takes us right back to the early years of his career and tells the story of how he was hired to style the video. His desire to take Kylie into a much more fashionable direction was something she was right on board with and their collaboration produced ... | 48m 21s | ||||||
| 2/18/24 | ![]() Ep 65: What Do I Have To Do Part 1: the song and mixes | In 1991, it was another bold step forward for Kylie Minogue, and in the decades since, "What Do I Have To Do" has cemented its place among fans' all-time favourites from her extensive back catalogue. But the third single from Rhythm Of Love didn't come together easily, with a lengthy period of time spent mixing the club-influenced track — and remixing it. Songwriters and producers Mike Stock and Matt Aitken, mixers Phil Harding and Ian Curnow, and engineer Peter Day all join us to discu... | 47m 13s | ||||||
| 1/13/24 | ![]() BONUS: Promoting PWL — Sharp End's Ron McCreight on Kylie, Jason, Sinitta, The Reynolds Girls and more | You can have the best single in the world, but there's little chance of it being a hit if no one hears it. That's where pluggers come in — taking songs to radio and convincing programmers to playlist them. In 1987, Ron McCreight and his business partner, Robert Lemon, joined forces with PWL's Pete Waterman and David Howells in a plugging company that became known as Sharp End. In this special episode, Ron talks about how the music industry power players teamed up and the role Sharp End had in... | 46m 29s | ||||||
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Chart Positions
4 placements across 4 markets.
Chart Positions
4 placements across 4 markets.
