Alt.Latino

This week's episode is a musical time machine. In the late 1960s, the band Zapata sprang out of a street gang in northwest Washington, D.C., with a sound that combined a variety of contemporary styles: Afro-Caribbean rhythms, soul jazz and the golden era of American R&B. The mixture worked. For a few years, Zapata opened for an astonishing number of A-list acts passing through the city, like Miles Davis, Sly and the Family Stone, Herbie Hancock and The Isley Brothers. But the band would break up in 1974, and for years their recorded material was believed to be lost. Now, surviving member Pepe Gonzalez has restored a cassette tape of Zapata's music from 1971, and is releasing it for the first time. In this episode, Felix chats with Gonzalez about the origins of the band, and how they tried to unify the Black and Hispanic musical scenes in the city at the time.The podcast episode was produced by Noah Caldwell and edited by Otis Hart. Suraya Mohamed is the executive producer of NPR Music.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Bad Bunny's Super Bowl halftime show was many things: a time-traveling journey through the history of Puerto Rico, a statement of pan-American unity, and a masterpiece of cultural expression. This week, co-hosts Felix Contreras and Anamaria Sayre are joined by Isabella Gomez Sarmiento — who brings on-the-ground reporting from San Juan — to unpack the symbolism embedded in Bad Bunny's performance.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

This month we’ve been looking at the music of Venezuela from a lot of different angles. For this episode, we’ve invited trumpet player and producer Ella Bric to be our guest DJ. She shared what she thinks are the most socially, culturally and politically impactful pieces of music to come out of Venezuela in the last half century.Ella Bric grew up in a migrant-rich town in Venezuela called San Antonio de los Altos, surrounded by a culturally-minded, socially conscious community. She’s now based in New York, and in recent years has positioned herself as a prolific producer on the rise in the Latin music space. In 2018, she won a Latin Grammy for Producer of the Year, and she says her art comes from a curiosity about the state of the world and her desire to reflect that.(00:00) Introduction(01:46) La Vida Bohème, 'Hornos del Cal'(06:41) Betsayda Machado & Parranda el Clavo, 'Sentimiento'(11:35) María Rodríguez, 'Los Dos Titanes'(15:11) Ali Primera, 'Techos de Cartón'(19:52) Linda Briceño & Orlando Watson, 'Unfinished Song'(24:38) Desorden Público, 'Politicos Paraliticos'(27:36) Bucle Lunar, 'Subió El Maldito Dolar'This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Over the weekend, we lost a musician who shaped the lives of countless people: the late, great Bob Weir. He was a founding member of the Grateful Dead who played guitar, wrote and sang in the band for 30 years. After Jerry Garcia died and the Grateful Dead disbanded in 1995, Weir kept the spirit of the music alive for three more decades, creating new Deadheads for generations to come — he brought John Mayer, Billy Strings and even the National Symphony Orchestra into the Grateful Dead universe. The Deadhead slogan proved to be true: Weir everywhere.At Alt.Latino, we’re big fans of Bob Weir and his immensely cosmic musical legacy. Over the years, we’ve learned that many Latin musicians are also, metaphorically speaking, on the bus. Today on the show, we celebrate Bob Weir’s life by hearing some of his past interviews on NPR, exploring the Grateful Dead’s influence on artists like Devendra Banhart, and of course, revisiting his magnetic Tiny Desk concert from 2019. We’re incredibly grateful that Bobby came down to this world for a little while to tell us his stories – we hope to see him in the next one. (00:00) Intro(01:38) Bob Weir's early life and Grateful Dead career(08:05) Grateful Dead at the National Symphony Orchestra(14:30) Felix and Isa reflect on 'American Beauty'(20:35) Grateful Dead's impact on Latin musicians(26:33) Bob Weir at the Tiny DeskThis podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

The sheer volume and variety of Spanish-language music released every year is breathtaking. Even those of us with our ears to the ground are bound to miss things. So, in this episode we travel back through the year to resurface some of the remarkable albums that somehow didn't make it on the show. Catch Afro-Caribbean jazz, a history-spanning classical strings project, the return of Juana Molina and much, much more.Artists and albums featured in this episode:- Alex Cuba, 'Índole'- Enyel C, 'Nuevo Caribe'- Berta Rojas, 'La Huella de las Cuerdas'- Cazzu, 'Latinaje'- Conrad Herwig, Eddie Palmieri and Luques Curtis, 'Reflections-Facing South'- Juana Molina, 'DOGA'This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy