
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 9 chart positions in 9 markets.
By chart position
- 🇸🇪SE · Performing Arts#2930K to 100K
- 🇮🇹IT · Performing Arts#9310K to 30K
- 🇯🇵JP · Performing Arts#1391K to 10K
- 🇦🇪AE · Performing Arts#613K to 10K
- 🇦🇹AT · Performing Arts#713K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
16K to 56K🎙 Daily cadence·300 episodes·Last published yesterday - Monthly Reach
Unique listeners across all episodes (30 days)
54K to 186K🇸🇪54%🇮🇹16%🇯🇵5%+6 more - Active Followers
Loyal subscribers who consistently listen
22K to 74K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
—
* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 11 epsHost
Recent guests
Recent episodes
Ep 380. Katalin Schäfer: ADHD, Neurodiversity, Motherhood, and the Unexpected Power of Dance
Jun 23, 2026
Unknown duration
Ep 379. Sahra Saeeda (Sahra C Kent): From Meeting Farida Fahmy as Her University Classmate to Creating the Iconic “Journey Through Egypt” Program
Jun 16, 2026
Unknown duration
Ep 378. Serkan Tutar: When Judgment Says More About the Viewer Than the Dancer
Jun 9, 2026
Unknown duration
Ep 377. Ahmed Refaat: Finding Your Personal Style in Egyptian Folklore
Jun 4, 2026
Unknown duration
Ep 376. Sara Pappalardo: The Difference Between Constant Encouragement and Real Teaching
May 27, 2026
Unknown duration
Social Links & Contact
Official channels & resources
Official Website
Login
RSS Feed
Login
| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/23/26 | ![]() Ep 380. Katalin Schäfer: ADHD, Neurodiversity, Motherhood, and the Unexpected Power of Dance | Katalin Schäfer is a Hungarian dancer, choreographer, teacher, costume designer, and psychology student whose work bridges Middle Eastern dance, modern fusion, somatic movement, and self-awareness practices. With more than 20 years of international teaching, performing, and judging experience, she is the creator of the NEUture Dance method, a neuroaffirmative approach that integrates movement, body awareness, creativity, and nervous system regulation. Katalin is the director of GoldenScarf Arabic Folklore Dance Theater, founder of numerous artistic and retreat projects, and an award-winning performer whose career has taken her to festivals and events across Europe, North America, and Asia. Currently pursuing a degree in psychology, she combines her extensive dance background with research into neurodiversity, somatic practices, and personal development, helping participants cultivate authentic expression, resilience, and deeper connection through movement.In this episode you will learn about:- How an ADHD and autism diagnosis completely changed Katalin’s understanding of herself- Why dance became a healing tool long before she understood the science behind it- The surprising ways neurodivergent traits can become strengths in dance and creativity- The difference between a dance retreat, somatic practice, and actual therapy—and why the distinction matters- The challenges of balancing motherhood, a dance career, university studies, and personal wellbeingShow Notes to this episode:Follow Katalin Schäfer on FB, Instagram, YouTube, and website.Previous interview with Katalin Schäfer:Ep 107. Katalin Schäfer: Accepting Art Instead of Defining ArtDetails the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 6/16/26 | ![]() Ep 379. Sahra Saeeda (Sahra C Kent): From Meeting Farida Fahmy as Her University Classmate to Creating the Iconic “Journey Through Egypt” Program | Sahra Saeeda (Sahra C Kent) is an internationally respected belly dancer, researcher, teacher, and choreographer whose career bridges performance, anthropology, and deep cultural study of Egyptian dance. Originally trained in Modern Dance, she later discovered Arabic music and belly dance, eventually building a successful career that included nearly six years performing six nights a week at the Meridian-Heliopolis Hotel in Cairo, completing over 1,600 performances. While pursuing a Master’s degree in Dance Ethnology, Sahra studied and worked closely with Farida Fahmy, whose mentorship deeply influenced her artistic path. She later founded the theatrical dance company Ya Amar! and created the acclaimed Journey Through Egypt program, an immersive educational experience exploring Egyptian dance, folklore, music, and culture through an anthropological lens. Today, Sahra continues to teach workshops, lectures, and Journey Through Egypt worldwide, sharing more than three decades of research and lived experience.In this episode you will learn about:- What it was like to have Farida Fahmy as a university classmate at UCLA — and the emotional story of unexpectedly meeting an idol- How one “dream performance” in Cairo unexpectedly turned into a hotel contract- What zaffa really means in Egyptian culture — beyond the wedding performance dancers usually see- The hidden symbolic role of the dancer in Egyptian wedding rituals and feminine power- Why folklore research became a lifelong mission — and how it led to “Journey Through Egypt”Show Notes to this episode:Find Sahra Saeeda on Instagram, FB, and website.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 6/9/26 | ![]() Ep 378. Serkan Tutar: When Judgment Says More About the Viewer Than the Dancer | Serkan Tutar is an internationally award-winning Turkish belly dancer, teacher, choreographer, and festival organizer known for his dynamic stage presence and multicultural approach to Oriental dance. Originally from Turkey and now based in Belgium, Serkan discovered his passion for belly dance as a child during his time in Saudi Arabia and was deeply inspired by Middle Eastern music and culture. Winner of Male Bellydancer of the World 2008 and Brandon Oasis 2006, he has taught and performed in over 30 countries worldwide. Specializing in Turkish and Modern Egyptian style, Turkish Romani, Baladi, Saidi, veil work, and his signature “crazy drum solos,” Serkan is also the organizer of the internationally recognized Rakkas Istanbul International Oriental Dance Festival. Known for his warmth, humor, and supportive teaching style, he continues to inspire dancers around the world through workshops, performances, and mentorship.In this episode you will learn about:- Why jealousy can quietly damage dancers more than competition ever could, and what’s the difference between jealousy and envy from the dance career perspective- The ongoing challenges of being a male belly dancer- Why body type, age, gender, or appearance should never define who gets to dance- The reality of online criticism, keyboard warriors, and how dancers can protect themselves emotionally- Why many “international festivals” are not really festivals—and how this is changing the dance industryShow Notes to this episode:Follow Serkan Tutar on FB, Instagram, YouTube, and website. Rakkas Istanbul International Oriental Dance Festival: website.Previous interview with Serkan Tutar:Ep 91. Serkan Tutar: Shortcuts That Don’t Serve Your Dance CareerDetails the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 6/4/26 | ![]() Ep 377. Ahmed Refaat: Finding Your Personal Style in Egyptian Folklore | Ahmed Refaat is an Egyptian folkloric dancer, choreographer, and master teacher with over 35 years of experience dedicated to preserving and sharing the richness of Egyptian dance culture. Beginning his dance journey at the age of nine at El Gezira Youth Center under renowned teacher Mokhtar Mustafa, Ahmed later became an instructor himself, training new generations of dancers from a young age. He has performed and taught at major festivals across Europe, Asia, and the Middle East, including appearances in the Mahmoud Reda anniversary performances in Alexandria, Rome, and Madrid. Today, he is a sought-after international teacher, performer, and choreographer, known for his deep cultural knowledge, strong artistic vision, and passion for helping dancers understand not only the movements, but also the feeling, music, and spirit behind Egyptian dance traditions.In this episode you will learn about:- The difference between folkloric dance and oriental dance—and why mixing them carelessly creates confusion- Why two dancers can use the same technique but feel completely different while performing folklore- How Egyptian choreographers transform real-life movement into stage performance through imagination- The reality of being both an artist and an entertainer—and why there is no shame in that- How studying Egyptian folklore can deeply improve a dancer’s oriental danceShow Notes to this episode:Find Ahmed Refaat on Instagram, FB, and website.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 5/27/26 | ![]() Ep 376. Sara Pappalardo: The Difference Between Constant Encouragement and Real Teaching | Sara Pappalardo is an Italian Oriental and Bollywood dancer, choreographer, teacher, and festival organizer based in Catania, Sicily. Founder of the dance school Tery al Kubra and artistic director of the internationally recognized Khamsin Festival, Sara is known for blending strong technical foundations with expressive freedom and deep musical understanding. Specializing in Muwashahat, she has also developed her own teaching method for finger cymbals and rhythm, helping dancers build a stronger connection to Arabic music and musical interpretation. Alongside her work in oriental dance, Sara explores Indian dances and fusion styles, bringing warmth, humor, and a deeply personal teaching approach to students across Italy and internationally.In this episode you will learn about:- Living with endometriosis for over 20 years—and how belly dance became therapy, healing, and body acceptance- What studying Indian classical dance taught Sara about discipline, focus, and falling back in love with dance- Why good teachers should sometimes say “you’re not ready yet”—and why that can be a gift- How finger cymbals can completely transform a dancer’s understanding of rhythm and musicality- The beauty of fusion dance—and how mixing influences can become a way of expressing your full selfShow Notes to this episode:Find Sara Pappalardo on Instagram, YouTube and FB.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 5/19/26 | ![]() Ep 375. Verona Kemet (Veronika Kremenskaya): Between Ukrainian Training and Egyptian Style | Verona Kemet (Veronika Kremenskaya) is a Ukrainian belly dancer, known for her strong musicality, expressive style, and deep connection to Egyptian dance aesthetics. She has taught workshops and master classes across Europe, the Middle East, Asia, and Latin America, including Spain, Italy, Korea, Saudi Arabia, Kuwait, Lebanon, Brazil, and Egypt. A highly accomplished competitor, Veronika is the winner of the Royal Crown at Cleopatra Festival 2025, among many other international events. Her artistic style has been shaped through long-term study with renowned Egyptian masters including Mohamed Shahin, Khaled Mahmoud, Kareem Gad, and Sahar Samara, blending technical precision with a strong commitment to musical interpretation and authentic oriental dance.In this episode you will learn about:- Growing up in Ukraine and choosing belly dance over every other style at just six years old- Training, competing, and continuing festival life while navigating war, blackouts, and daily instability- Finding an artistic identity between Ukrainian training and Egyptian style- The difference between “just improvising” and truly knowing how to improvise- The pressure of beauty standards in modern belly dance—from tanning to stage makeup and image expectationsShow Notes to this episode:Find Verona Kemet (Veronika Kremenskaya) on Instagram, and FB.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 5/13/26 | ![]() Ep 374. Süreya: The Fine Line Between Being Passionate & Pushing Too Hard in Belly Dance | Süreya is a London-based, internationally recognized Turkish belly dancer, choreographer, and instructor known for her dynamic stage presence, strong musicality, and versatility across multiple Middle Eastern dance styles. Deeply connected to her Turkish cultural roots, she has trained extensively in Turkish, Egyptian, Lebanese, Iraqi, and Khaleegy dance, as well as ballet and theatrical fusion. A multi-award-winning performer, Süreya has taught and competed in over 10 countries, including Turkey and Egypt, earning recognition at major international festivals and competitions such as Rakkas Istanbul, the International Belly Dance Battle, and Dum Tak Festival. Alongside performing at prestigious venues and events across the UK and internationally, she is also known for her passionate teaching style, commitment to continuous learning, and dedication to sharing authentic oriental dance with new generations of dancers.In this episode you will learn about:- Growing up loving belly dance in Turkish culture while feeling pressured to hide it- How burnout affects dancers mentally more than physically—and ways to recover from it- Why nutrition, fitness, and structure become essential for sustaining a dance career- The importance of lifelong learning and studying with many different teachers- Competing in nine categories while unknowingly dancing with pneumonia—and the reality behind pushing too hardShow Notes to this episode:Find Süreya on Instagram, FB and her website, or contect her directly at sureyabellydance@gmail.com. For Moyolo (Egyptian Dance and Cultural Tours) visit www.moyolotravel.co.uk Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 5/6/26 | ![]() Ep 373. Sharon Mesguich: How Much Does It Cost to Organize a Festival & What It Takes to Create a True Artistry on Stage✨ | belly dance festival organizationartistry in performance+3 | Sharon Mesguich | Les Danseuses du SinaïOriental Marathon Festival | FranceEgypt+1 | belly dancefestival organization+5 | — | 1h 06m 13s | |
| 4/28/26 | ![]() Ep 372. Maha Al Musa: Belly Dance as Preparation for Childbirth and Guiding Practice Through Menopause✨ | belly dancechildbirth preparation+4 | Maha Al Musa | EmbodyBirthBellydanceBirth®+1 | — | belly dancechildbirth+5 | — | 1h 09m 36s | |
| 4/22/26 | ![]() Ep 371. April Rose: From Connection to Isolation in Belly Dance and Searching Our Way Back✨ | belly dancecultural roots+4 | April Rose | Dance CohesionUCLA+1 | Austin, Texas | belly danceDance Cohesion+5 | Bellydance WorkshopPODCAST | 1h 36m 03s | |
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 4/16/26 | ![]() Ep 370. Dr George Sawa: How Centuries-Old Knowledge Can Still Guide Modern Dancers and Musicians✨ | Arabic music historydance+4 | Dr. George Sawa | Higher Institute of Arabic MusicUniversity of Toronto+3 | Alexandria, Egypt | Arabic musicdance history+5 | — | 52m 15s | |
| 4/8/26 | ![]() Ep 369. Bindu Bolar: An Artist Is Always a Student✨ | Belly DanceArtistic Journey+3 | Bindu Bolar | Lights Camera Dance | — | Belly AnimationTribal Fusion+5 | — | 1h 08m 24s | |
| 4/2/26 | ![]() Ep 368. Kamilia: How the Modern Economy Is Reshaping the Belly Dance Industry✨ | belly dance industrymodern economy+4 | Kamilia | LBC TV | LebanonUnited Arab Emirates+1 | belly danceKamilia+5 | — | 1h 20m 49s | |
| 3/24/26 | ![]() Ep 367. Ellie: What Contradictions Research Reveals About Belly Dance and Mental Health✨ | belly dancemental health+4 | Ellie | BDEIana Dance Club+3 | EgyptTurkey | belly dancemental health+6 | — | 1h 10m 38s | |
| 3/17/26 | ![]() Ep 366. Julieta Maffia: What Dance Teaches About Femininity and Freedom✨ | femininitybelly dance+4 | Julieta Maffia | Saturnus StudioBDE+1 | Buenos Aires, ArgentinaArgentina+1 | Tribal Fusion Bellydancefemininity+5 | — | 1h 14m 46s | |
| 3/10/26 | ![]() Ep 365. Tamalyn Dallal: Celebrating 50 Years in Belly Dance!✨ | Belly dance historyTeaching methods+3 | Tamalyn Dallal | Mid Eastern Dance ExchangeBellydance Superstars+3 | South AmericaMiami Beach+1 | belly danceTamalyn Dallal+6 | — | 1h 01m 52s | |
| 3/3/26 | ![]() Ep 364. Sandra Kahloun: The Difference Between Imitation & Interpretation✨ | belly dancemusical interpretation+3 | Sandra Kahloun | Theatre and Arts Academy of CairoOum Kalsoum | Côte d’AzurTunisia+1 | belly dancemusical depth+3 | — | 1h 17m 40s | |
| 2/25/26 | ![]() Ep 363. Natalie Nayun: When Governments Try to Shape the Perceptions of the Central Asian Dances✨ | Central Asian dancegovernment influence on art+4 | Natalie Nayun | Ballet AfsanehUC Berkeley Central Asian and Middle Eastern Dance Company+1 | UzbekistanTajikistan+2 | Central Asian dancesfolkloric dance+5 | — | 1h 14m 33s | |
| 2/18/26 | ![]() Ep 362. Summer Deng: The Rise of Belly Dance in China | Summer Deng is one of the most sought-after Chinese professionals in the world of Oriental dance, celebrated for his exceptional technical precision, artistic expression, and groundbreaking contributions as a male dancer. He has performed, taught, and judged across Asia, Europe, the Middle East, and the Americas, conducting hundreds of workshops and intensives in over 80 cities in China alone. Known for his versatile style—blending high-energy, dramatic movements with fluid, intricate technique—he has inspired countless dancers through his masterclasses, helping them grow, transform, and deepen their connection to Oriental dance. In this episode you will learn about:- What it meant to be one of the first male belly dancers in China—and face 10 years of silence from his family- Why Summer walked away from Chinese classical dance to fully devote himself to Raqs Sharqi- How copy-paste choreography culture is weakening artistic identity in China- His mission to build a transparent, fair festival system in China starting in 2015- The rise of China and Korea as serious forces in the Asian belly dance competition sceneShow Notes to this episode:Find Summer Den on Instagram.Details the BDE shows and training programs are available at www.JoinBDE.comDetails the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 2/12/26 | ![]() Ep 361. Belyssa: 30 Years of Documenting Bedouin Traditions and the Dilemma of How to Share Her Research Properly | Belyssa is a pioneering figure in Australian belly dance who founded the Belyssa Academy of Danse Orientale and the Flames of Araby troupe, establishing a legacy of dramatic, classical artistry. Over the past 30 years, Belyssa has dedicated herself to documenting the raw, earthbound rhythms and movements of isolated Bedouin tribes in the Sinai and Western Desert, far removed from the theatrical polish of Cairo stages. This deep anthropological work defines her current teaching philosophy, "Just Dance," which focuses on transmitting authentic micro-mannerisms and a profound, respectful connection to community traditions rather than mere choreography. Today, she holds a massive, sensitive archive of cultural documentation and continues to mentor dancers globally, advocating for the ethical preservation of dance as a living memory of its people.In this episode you will learn about:- How dance lives in social contexts that most performers never witness- What she discovered about Bedouin celebrations, gender dynamics, and who actually dances — and when- The ethical dilemma of carrying stories that are not fully yours when sharing her research publicly- Her firsthand experience of Ramadan and how it shifted her perception of cultural moments- The difference between staged folklore and lived embodied practiceShow Notes to this episode:Find Belyssa on Facebook, and her Academy Page.Details the BDE shows and training programs are available at www.JoinBDE.comDetails the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 2/3/26 | ![]() Ep 360. Fernanda: The Mental Health Side of Professional Belly Dancing | Fernanda Reschke is a Brazilian-born Oriental dance artist, educator, and trauma-informed psychotherapist whose work bridges movement, culture, and healing. She began her career as a dancer and choreographer at a young age and later trained in counseling and naturopathy, holding a bachelor’s degree in holistic health and wellbeing. Fernanda spent many years living and performing professionally in the Middle East, specializing in Egyptian Raqs Sharqi and folkloric traditions of the SWANA region. Now based in Australia, she is internationally recognized for her warm, inclusive, and culturally respectful teaching approach. As a PACFA-accredited psychotherapist and advanced Somatic Experiencing practitioner, Fernanda supports dancers in reconnecting with their bodies, emotions, and sense of belonging while honoring Raqs Sharqi as a living cultural art form.In this episode you will learn about:- The hidden mental health challenges of working belly dancers- Body image pressure, harassment, and unspoken industry norms- How validation, visibility, and social media affect dancers’ nervous systems- Why not every hardship is trauma — and why that distinction matters- What “taking care of mental health” actually looks like in daily lifeShow Notes to this episode:Find Fernanda on Instagram, Facebook, and website.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 1/27/26 | ![]() Ep 359. Sadie Marquardt: Belly Dance as a Living Map of Feminine Life Stages, From Maiden to Mother to Crone | Sadie is an internationally recognized Oriental dance artist, educator, and innovator dedicated to empowering people through the art of belly dance. She has produced dozens of bestselling instructional videos, amassed millions of views through viral online content, and represented Oriental dance before a global audience on America’s Got Talent. Sadie is the founder and director of Raqs Online and the Raqs Flow training program, which offers a strong technical foundation while maintaining deep connection to cultural roots, musicality, and embodied expression. In addition to teaching and performing worldwide, she curates destination dance retreats that blend movement, self-exploration, nature, and conscious living. Based in Denver, Colorado, Sadie is passionate about holistic, sustainable living and weaves together dance, music, nature, and human connection in both her teaching and retreats, inspiring dancers around the world to grow artistically and personally.In this episode you will learn about:- How Sadie’s relationship with dance has evolved over her career- The ongoing dilemma between following artistic calling and choosing stability- Navigating aging, visibility, and self-worth in a youth-centered dance culture- Why the “maiden–mother–crone” archetype matters in belly dance today- Why Sadie chose to return to university and study psychology at this stage of lifeShow Notes to this episode:Find Sadie Marquardt on Instagram, FB, website and Youtube, as well as her online classes at Raqs Online.Previous interview with Sadie:Ep 157. Sadie Marquardt: Respect Your Need to RechargeEp 39. Sadie Marquardt: Reclaiming Feminine PowerEp 14. Sadie Marquardt: Before & After Social Media HitFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 1/20/26 | ![]() Ep 358. Mohamed Reda: How to Dance with Egyptian Live Band Confidently | Mohamed Reda Saad is a prominent Egyptian musician and the leader of the Cairo Band, one of Cairo’s most sought-after ensembles for major dance festivals and cultural events. Continuing the artistic legacy of his father, the renowned musician Reda Saad, Mohamed has both preserved and expanded this heritage, specializing in traditional and contemporary Egyptian music created specifically for professional Oriental dance performance. Known for its refined arrangements and exceptional musicianship, the Cairo Band performs regularly at prestigious events in Cairo and on international stages. In parallel with his work as a performing musician and band leader, Mohamed is also an experienced music engineer who has recorded and produced numerous albums for Oriental dance and collaborates with dancers worldwide to create custom-made music tailored to their performance needs.In this episode you will learn about:- The difference between musicians who play for singers and those who play for dancers, and why Egyptian drummers follow the dancer, not the other way around- The most common mistakes dancers make with live bands—entrances, endings, and accents- How dancers can communicate with musicians using simple, universal stage signals- How dancers should prepare for rehearsals to truly benefit from limited time- The behind-the-scenes reality of creating custom music for dancers and why recording dance music takes weeks—not hoursShow Notes to this episode:Find Mohamed Reda on Instagram, and FB.Follow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 1/14/26 | ![]() Ep 357. Yaël Zarca: How to Teach Students to Listen, Feel and Dance, Not Just Copy | Yaël Zarca is an internationally recognized Oriental dance artist and one of the leading figures of Egyptian dance in France. She discovered Oriental dance in 1999 and has since built a remarkable career spanning Parisian studios, major international stages, television appearances, instructional DVDs, and creative projects within the dance world. Known for her expressive, elegant style, Yaël blends deep Egyptian tradition with modern sensibility, placing strong emphasis on musicality, emotional interpretation, and impeccable technique. An outstanding pedagogue, she teaches Sharqi, Baladi, and Egyptian folklores in Paris, across France, and worldwide, sharing a dance rooted in feeling, culture, and transmission. Her professionalism, artistic integrity, and commitment to teaching have made her a respected and influential voice in the global Oriental dance community.In this episode you will learn about:- How motherhood reshaped her priorities, dance practice, and definition of success- Why improvisation is essential—and how to teach it without terrifying students- How feeling good as a woman is essential to becoming a better mother - and its relationship with dance- Why Egyptian style is now labeled “old school” in global dance scenes- Yael’s decision to charge her students only on an annual basis—and how such commitment changes everythingShow Notes to this episode:Find Yaël Zarca on Instagram, FB, YouTube and website.Previous interview with Yael Zarca:Ep 162. Yaël Zarca: Spreading Light and PositivityDetails and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
| 1/7/26 | ![]() Ep 356. Martina Tellini: When Competition Helps a Dancer and When It Doesn’t | Martina Tellini is an Italian professional belly dancer, teacher, and choreographer known for her dynamic, powerful, and natural style. Born in Florence, she began her artistic path with music, singing, and acting before dedicating herself to dance. Martina trained extensively with leading figures of Oriental Dance, including Randa Kamel, Tito Seif, Yousry Sharif, and Wael Mansour, and went on to win numerous international competitions across Europe and Asia, as well as becoming a finalist at the prestigious Raqs of Course Festival in Cairo. She has performed, taught, and judged worldwide. Deeply committed to artistic individuality, Martina’s teaching focuses on strong technique, unconventional choreography, and helping dancers discover their own unique voice. Alongside her belly dance career, she is also the president of the Renaissance dance association Il Lauro, performing historical dance across Italy and Europe.In this episode you will learn about:- Starting belly dance directly in festivals and masterclasses, not beginner classes- How progressing too fast can cost you foundational technique- When audience love can mask what you need to work on — but competition feedback exposes it- The role of choreography vs. improvisation at different career stages- How pregnancy reshaped priorities, body awareness, and paceShow Notes to this episode:Find Martina Tellini on Instagram, Youtube and Facebook. Details and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast | — | ||||||
Showing 25 of 300
Sponsor Intelligence
Sign in to see which brands sponsor this podcast, their ad offers, and promo codes.
Chart Positions
9 placements across 9 markets.
Chart Positions
9 placements across 9 markets.

























