Camerosity

We have returned with the tiniest episode we've ever done, covering 110 Pocket Instamatic and other 16mm subminiature cameras. This was a topic which the Camerosity crew had no idea would be so popular, but our loyal listeners came through and delivered a full show of giant opinions about cameras which make tiny negatives! On this episode, Anthony, Paul, Stephen, Theo and Mike were joined by A.J. Gentile, Edward Michelet, Eric Schneck, Fernando from Germany, Greg Harp, Ira Cohen, Pat Casey, and Will Pinkham where everyone spoke about their favorite Pocket Instamatic and 16mm subminiature cameras. We started things off with a bit of history and moved into one of the most consistently popular 110 cameras, the full system Pentax Auto 110 SLR. We talk about other premium 110 cameras like the two Minolta 110 SLRs and the Canon ED, along with a really neat German camera called the Agfamatic 6008 Makro Pocket, a camera that was so awesome, it inspired Theo to buy one while the show was recording. We talk about challenges with the format, including its extremely small size, the lack of a pressure plate, and how 110 opened the door to the ill fated Kodak Disc format which in turn, brought us T-Grain film still used today with film stocks like Kodak TMax. We cover a wide variety of other cameras, including some interesting 16mm cameras made by Minox, Yashica, and KMZ in the Soviet Union and even a few bizarro ones like the Tasco binocular camera and the Voltron Star Shooter 110. It wouldn't be a Camerosity Podcast episode without us getting off topic, and for this episode, our diversion ended up being all about camera batteries! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The next episode is coming soon, and as of this writing, we don't yet have a topic, but I am sure it will be something to stretch your GAS budget even farther than before. We will record Episode 111 on Monday, June 29th at 7pm Central Daylight Time, 8pm Eastern Daylight Time, and 6pm Canada Saskatchewan Time. For more time zones, please consult the World Time Buddy calculator and plug in your time. Make sure you set your calendars and look out for the show announcement at the usual locations and be prepared to join us! In This Episode The History of 110 Film / Kodak introduces Pocket Instamatic in 1972 Limitations of the Cartridge Design / Film Flatness Issues Pentax Auto 110 SLR / Lenses Lack a Diaphragm Best 110 Cameras: Canon 110ED, Minox 110, Voigtländer 110 Agfamatic 6008 Makro Pocket, Minolta Weathermatic 110, Pocket Fujica 110 The Unreliability of the Rollei 110 Camera European Perspectives on 110 / Agfa's Significant Investment in Premium 110 Designs 110 Slide Film / Kodachrome and Ektachrome in 110 Problems Caused by Projecting 110 Slides in Standard Projectors Reloading 110 Film / Single Perforations / Film Speed Notches Which Cameras Can Accept Reloaded Film Other Subminiature Cameras: Minolta 16, Kiev 30 & 330, Vega 2 Who Was the Target Audience for 110 Film? Kodak Was a Film First Company / Comparisons to Disc Film / T-Grain Tasco Binocular Cameras / A Horse Race Radio Camera Mike Wants a Cyclops Binocular Camera / Theo Bought an Agfamatic 6008 During the Show Stephen Loves th

It has been a couple of weeks but the gang finally got back together to devote an entire episode to one of our favorite, and longest lived camera brands, the Ihagee Exakta. If you are familiar with the Exakta name, you probably know them as a maker of high end, but very quirky 35mm SLRs, however there were far more Exaktas produced in the 20th century using three different forms of film and nine different lens mounts. In Episode 98, the Camerosity Podcast hosts do their best to try and corral all those models and history into a single episode. Joining Anthony, Stephen, Paul, and Mike are returning and first time callers Daniel from Chicago, Eric Lorenz, Fernando Villava, Howard Sandler, Ira Cohen, Michael Boudreau, Mike Toppo, Pat Casey, and Phil Clark. We were unable to find an expert who could speak intelligently on the history and wide range of Exakta models made, so Mike did his best to cover the history, starting with how the company formed, and we go (mostly) in chronological order from the first 127 Vest Pocket Exaktas, the Night Exaktas, the early Kine Exaktas, into the Varex models, the redesigned VX1000 and Elbaflex models, and into the weeds with uncommon cameras like the Exakta Real, Exakta Twin TL, and some other Japanese and Chinese made models. In addition to the Ihagee Exakta, we also dedicate a bit of time to the Exakta's little brother, the Exa, covering that models strengths and weaknesses. We attempt to explain how the shutter on early Exas work, and Mike tells a story of a hard to find "System Exa" that's not even made by Ihagee at all. Many questions were asked with varying levels of good answers, including how many lens mounts can be found on an Exakta camera, how many different companies produced Exakta cameras, what is the best introduction to the Exakta lineup, and whether or not Exaktas are good for shooting or just for collecting. We even spend some time on the infamous Exaka with 400mm Kilfitt lens found in the Hollywood classic movie, Rear Window. And just to round it all off, we spend the end of the episode on the Topcon SLRs which use the Exakta mount, including whether all lenses are fully compatible between the two company's models. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The last several episodes of the show have been wonderfully exciting and informational. We've had a huge number of guests, many of whom are first time callers who joined a long list of people who have contributed to this show. And while all the hosts enjoy chatting with all of you, we haven't had an episode to ourselves in a while, so for Episode 99, we are not taking any callers. We want to spend this time to get caught up on what we've been doing, share with you some of the private discussions we have behind closed doors, but mostly, we're looking for an episode that's easier to edit. Don't worry though, for the next, next episode, we hit triple digits, episode number 100. It gives me chills just typing that here. We will be looking for something special for our centennial episode and once we know what that is, and what date we are recording it, we will be sure to let you all know! Until then, Episode 99 will be recorded sometime in early Oc

If there ever was an episode that epitomizes the concept of the "first and only open source film and digital photography podcast" it is this episode! We started off with the idea of devoting a large part of it to AGFA, makers of Rodinal, Karat film, and a large number of really cool cameras from the mid 20th century. From the moment we got started, we immediately got off topic and wouldn't come back to AGA until an hour into the recording. Never fret, but in the shortened time we covered Germany's version of Kodak, we covered a lot of ground. Joining Anthony, Paul, Stephen, Theo, and Mike are returning callers A.J. Gentile, Fernando Villava from Germany, Mike Litwin, Pat Casey, Will Pinkham, and first time callers David Palumbo and Zack Lothamer. From the moment the show got started, we feel down the Kodak Instamatic (type 126) wormhole, discussing a large number of Instamatic cameras, what kinds of films can be used in 126 cameras today, the Fakmatic 3D printed adapter, and other oddball cameras. We meander around, somehow winding up on the Ricoh GXR Interchangeable module digital camera, and Anthony's love for Kodak 5220XT Film. When we finally get into the world of AGFA, we discuss some of the group's favorite films like AGFA Professional Pan 25, APX25, HDC 100, Scala, and AGFA's original AGFAColor film from the 1930s. Eventually, we get into AGFA GAS with some really cool cameras like the Parat and Optima Parat half frame cameras, the cool twin lens Flexilette and Optima Reflex, the large orange button AGFAs like the Optima 1035 and 1535, the Optima Electronic Flash, Ambi Silette, and the Selectaflex SLR. By far, the most time is dedicated to the postwar AGFA Karat rangefinder with the split image viewfinder, which Mike says is the best rangefinder camera for people with terrible vision. Sprinkled throughout the show we answer questions about how long expired film can be used when refrigerated, what is a recommendation for a good entry into 6x9 cameras, and some warnings about not trying to repair the Zeiss-Ikon Contaflex SLR. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, the entire Camerosity Podcast crew went crazy over a $35 Chinese digital camera. Each of us bought the same camera and played with it for a couple of weeks in an effort to see what happens if expectations are low enough, can you really enjoy a toy camera? In addition, Mike has now gone on two treks across the country to move large collections of cameras, and he has some thoughts (here is a preview, if you are a collector, don't die!) Of course, if anything is certain, is that nothing is certain and Episode 96 is a perfect example where we might plan on talking about one thing and end up on something else. Will we stay on track or end up finally discussing large format? You'll only know if you turn into Episode 97 which will be recorded on Monday, August 18th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Asking David About the Mysterious Curtain on Bronica S2 Backs / Other Cameras with Curtain Dark Slides / Mamiya Six Koni-Omega Rapids / Bronica Lenses / Dave Ditched His Bronica for a Hasselblad 500CM Kodak Instamatic Type 126

We are back with Episode 94 of the Camerosity Podcast. For this episode, we decided to revisit a topic we covered all the way back in Episode 30, which is talking about camera stores with people who work in camera stores. Joining us for the discussion are Meredith and Corey Reinker from Roberts Camera (aka UsedPhotoPro) in Indianapolis, Indiana and Zeb Andrews from Blue Moon Camera and Machine in Portland, Oregon. Of course, two of the Camerosity hosts, Paul and Stephen both used to work in camera stores too, so between those four, we were well represented. Much has changed in the photography space since we did our last camera store episode. Releases of new cameras like the Pentax 17, Rollei 35 AF, and recent announcements of a new "film like" digital Yashica SLR have caused a lot of ruckus and it will be interesting to hear how actual camera store people see these latest developments. Joining Paul, Stephen, Theo, Mike, and our special guests was a long list of callers including A.J. Gentile, Betty Ann Cochrane, Brad, Dan Hausman, Hong Lee, Howard Sandler, Larry Effler, Miles Libak, Pat Casey, Shane from Discord, and Will Pinkham. During the show we ask Meredith, Corey, and Zeb a wide range of questions ranging from what differentiates their stores which has allowed them to remain successful well into the era of digital photography. We cover what the modern camera store customer looks like today and what makes photography appealing to a younger crowd. We cover both lab and home developing, what one camera both camera stores wish there was an unlimited amount of, how they acquire their inventory of used cameras, and Zeb shares a cool story about how Blue Moon developed a roll of film which had images of Mount St. Helens erupting. Mike gets excited that he received a bottle of the new Adox Syrup 110 developer and attempts to break down the myth that C41 home developing is difficult. Theo and Zeb counter that you shouldn't be shamed into developing your own film and that the consistency of a professional lab is worth it. While most episodes are a lot of fun to record, while doing this one, it was amazing how fast the two hours went, and I wish we could have talked to Meredith, Corey, and Zeb longer. Who knows, maybe we'll return for a third Camera Store episode some day! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we don't have a dedicated topic and will open up the Zoom recording to anything you'd like to discuss. If there have been any questions or topics from previous shows you'd like to revisit, or share with us your latest camera GAS pick up, we'd love to hear from you! This next one will be a free for all! We will record Episode 95 on Monday, July 7th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Introducing Roberts Camera / They Used to Sell Jewelry UsedPhotoPro Was Started with Corey and Nelson Kopech in 2011 Blue Moon's Origin Story / Blue Moon's Owner Jake Has a Passion for Vintage Typewriters Blue Moon Slits Their Own Minox Film / They Source New Cartridges Direct from Minox What Does the Typical Camera Store Customer Look Like Today? What Inspires the 18-24 Crowd to Buy a Particular Cam

In Episode 92 of the Camerosity Podcast, we needed to promote every caller to "host status" to tackle the topic of the Italian camera industry. While a huge number of cameras were made in Germany, Japan, the United States and the Soviet Union, many were made in other countries like Italy, France, England, and Czechoslovakia yet far less is talked about these countries. We attempt to do some justice to cameras from this boot shaped peninsula, spreading some (very expensive) GAS for models like the Rectaflex, Ducati Sogno, and Gamma II. In an episode where everyone was a host, Mike, Theo, AJ Gentile, Miles Libak, Robert Rotoloni and Will Pinkham share our thoughts on a variety of models. Mike's best reference is an out of print book called Made in Italy: Apparecchi Fotografici Italiani by Marco Antonetto and Mario Malavolti. This 1983 book is the best reference any of us have found covering the Italian camera industry. Featuring images and short descriptions for over 150 Italian cameras, this book, plus our assessment of a few models we're familiar with, prove that the Italian camera industry is far deeper than many realize. In addition to a whole lot of Italian GAS, we go over the many different film sizes and formats used by Bencini cameras, Robert spends some time with his favorite Italian subminiature camera, the Gami 16, Mike struggles to explain how the metering system on the Durst Automatica works, he spends a great deal of time professing his love for the Ducati Sogno, and shares with us the wild operation of the very interesting Industria Scientifica Ottica Super Duplex 120, a strange stereo camera that shoots 24mm x 24mm stereo pairs on 120 format roll film. In addition to talking about Italian cameras, we get side tracked and talk about the new upcoming Yashica FX-D digital camera and Mike shares his thoughts on these "so-called" hybrid film and digital cameras and where he thinks the film industry will be in 50 years. Will Pinkham asks about new 3D printed cameras like the Superflex and the Alfie Tych. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are recording at a special time to allow for our European and South African listeners to join us. We don't have a specific topic selected for this show as these "Euro Time Zone Friendly" episodes generally are open to anything, so if you've always wanted to join us, but couldn't because we recorded in the middle of the night, this is your chance to call in! We will record Episode 93 on Tuesday, June 3rd at 1pm Central Daylight Time, 2pm Eastern Daylight Time, 7pm British Summer Time, 8pm Central European Summer Time, and at 4am Wednesday, June 4th Australian Eastern Standard Time. In This Episode Italian Camera Book / Italy's Camera History is Deeper Than You'd Think Bencini Comet III / Bencini Koroll II and Koroll S / 127 Size Images on 120 Italy's Camera Industry is Similar to France's Ferrania Also Released Cameras / Ferrania Rondine / The Ferrania Condor is Not a Leica Copy The Rectaflex Was Very Pretty and Innovative / Rectaflex Lichtenstein Mike Apologizes for the Expensive GAS From This Episode Theo Loves His Closter Camera Durst Made Four Cameras, the Duca, Automat

As sometimes happens in the wonderful world of social media content creation, "the best laid plans of mice and men often go astray" we had plans to record Episode 90 back in March, but a variety of unfortunate and unrelated happenstances occurred which resulted in a short hiatus for recording. We had planned on making Episode 90 a show all about Cameras of the 90s, but we had also wanted Episode 91 to be recorded with two special guests, so we were forced to do things out of order. Thankfully, the obstacles which caused our six week break didn't interfere with us sitting down with Jeff Greenstein and Gabe Sachs from the I Dream of Cameras podcast. For those of you who are familiar with their show, you'll know that Jeff has a fondness for Alpa cameras, so this unofficially doubles as our first and probably only Alpa episode. After some short introductions, we refer back to a fun comparison between the two podcasts written by listener John Kelly and both hosts give our reactions to some of his funny answers. We cover a variety of cameras that we all love and shoot, along with Jeff's deep dive into why he loves the Alpa 11si so much. Gabe shares a story of how he's had to rebuild his camera collection from scratch after losing it when his home burned down in the Palisades wild fires that ravaged Los Angeles earlier this year. We ponder why the Hasselblad XPan can't get repaired anymore and what other cameras are on the verge of being unrepairable. Mike shares three very different Alpas in his collection and shares what he likes and doesn't like about all three, Anthony shares his thoughts on a new (to him) Fuji camera he recently bought, and Paul talks about his plans for traveling to Ireland later this spring. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. As promised two episodes ago, we still want to do a Cameras of the 90s episode, but this time it will have to be Episode 91. Finally, Theo will get a chance to talk about his beloved Mamiya 7, but in addition to that there were many other terrific cameras from that decade like the Nikon N90s and the premium 28Ti and 35Ti point and shoots, the Contax AX, and the Olympus µ[mju:]-II. In addition to terrific film cameras, the 1990s was the first decade with a large number of digital cameras like the Minolta RD-175 and Nikon D1. We will record Episode 91 on Monday, May 5th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Jeff Greenstein and Gabe Sachs from I Dream of Cameras / Episode Numbers John Kelly Compares Camerosity and IDOC Podcasts: A Rebuttal Rich Coastal Elites vs Salt of the Earth Midwesterners / So Good Camerosity Yellow and Red is the Same as Kodak Yellow and Red Mamiya 7, Alpa 10s, Pentax 17, and Hasselblad 500 Why Can't Anyone Repair the Hasselblad XPan? / Unrepairable Cameras Paul Doesn't Know what Neon Genesis Evangelion Is Anthony and Paul Trade a Leica M2 for a Rolleiflex 3.5F Gabe Talks About Losing His House and Entire Camera Collection in the LA Wild Fires Limiting a Collection to 30 Cameras / Olympus Pen FT Jeff Handles an Ilford Witness / Anthony Much Prefers the Bell & Howell Foton Is there any Alpa Heritage in Bolex Cameras? / Kern Lenses / Kilfitt M

Way back in Episode 27, the Camerosity gang went on a three hour tour to a tropical paradise and asked everyone what would be their idea of three "desert island" cameras that they would want to be stranded with if they couldn't have anything else. That discussion proved to be a fun one and something we had wanted to revisit again. It would take us all the way to Episode 88 when we would finally put out the call for another Desert Island episode. Joining Anthony, Paul, Mike and our new regular host Stephen Strangways, are returning callers A.J. Gentile, Andrew and Christopher Wells, Ira Cohen, Will Pinkham, and first time caller Robin Stone. Starting with this episode, we are welcoming Stephen as one of the regular hosts to the show. His presence and knowledge on many previous episodes has impressed us, and after considering regular scheduling conflicts with the four regular hosts, we thought it was time to add a fifth person. Although Theo has missed the last two episodes, he is still very much apart of the show and will return soon. With a fifth host, in the event one of the "original four" have a scheduling issue, we can continue without hesitation. On this episode, we go through a tremendous amount of GAS, covering many unexpected models including multiple Horseman cameras, a Fuji G617, Argus Brick, Nikon F2, Leica CL, Zeiss-Ikon Tenax II, and many, many others. In addition to commercially available cameras, both Andrew and Christopher Wells share with us their own home made 3D printed large format creations. Custom cameras built to use any combination of lenses, shutters, and film backs in a million different combinations are truly one of the more fascinating aspects of this hobby. And if 3D printing your own camera isn't cool enough, Andrew took it a step further and even made his own bellows! In addition to tropical island GAS, we answer the question of why the Nikon F mount is backwards of almost every other interchangeable lens system and the Wells brothers give us a quick update of the state of current Polaroid Originals instant film. Meet Anthony, Paul, and Mike: If you are in the vicinity of Cincinnati, Ohio on Saturday, March 22nd, come to the Ohio Camera Swap at the Hilton Garden Inn Cincinnati/West Chester and say hi to us. Who knows, maybe even some other Camerosity Podcast regulars will show up as well. While you’re there, maybe you can buy something from us! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we will be discussing camera failures and home repairs. What are some of the most common problems vintage cameras face and what can you do to get them back up and working? While the Camerosity Podcast fully recommends professional CLAs to keep vintage cameras going as long as possible, we understand that a full service on every vintage camera is impractical, so sometimes you have to take matters in your own hands. If you aren't afraid to go inside a camera and possibly make it worse, the next episode may be for you! We will record Episode 89 on Monday, March 10th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. (Note that Daylight Savings Time starts in North America on Sunday, March 9th, so be sure

We return with yet another exciting episode of the Camerosity Podcast. For Episode 86, we dip into the listener mailbag and select a topic you all have told us you wanted to hear about, adapting vintage lenses. Taking an old film camera lens and mounting it to a modern digital camera isn't exactly anything new, as adapting lenses from one mount to another camera has been done since the early 20th century. But what about the crazy number of lenses that weren't meant to be adapted? How about uncommon Angenieux lenses from French Kodak Retinettes, photocopier lenses, or astronomy telescopes? If it has glass and it focuses light, it can be adapted, and that's what got us going on this episode. Joining Anthony, Paul, Theo, and Mike are returning callers, AJ Gentile, Miles Libak, Nick Marshall, Pat Casey, Patrick Rapps, Ray Nason, Stephen Strangeway, Will Pinkham, and first time callers Alyssa Micha, David Jentz, and Rollin Banderob. On this episode, we talk about a huge number of lenses we mount to various digital and film cameras, but Alyssa starts us off with an ambitious project of adapting 35mm lenses to a Crown Graphic Graflex press camera, Stephen gives us some education on flange distance, why the Nikon Z mirrorless camera is ideally suited for adapting lenses, and Theo gives us his thoughts on how well a Mamiya press lens performs on micro 4/3rds. We discuss whether it is wise to spend extra money on premium adapters vs the cheap Chinese ones you can find on eBay, David Jentz talks about adapting DKL mount lenses and the struggles to find a good DKL adapter, and why you need to be concerned with image circle size when picking lenses from differing formats. Miles Libak shares with us a purchase he just made of a Contarex lens mount converted Canon F-1, and Paul talks about the best adapters to use for adapting Nikon rangefinder lenses to modern digital cameras. This episode proved that a relatively simple topic of adapting lenses included a deep wormhole into a huge amount of combinations of lenses including Paul's tip on how to remove a stuck Leica M to LTM adapter. For those of you who can't get enough of the Camerosity Podcast and would like the chance to meet 3/4 of the hosts, Anthony, Paul, and Mike will be at the Cincinnati Camera show in West Chester, Ohio on Saturday, March 22nd! If you have nothing going on that day and can make it to the Cincinnati area, come and join us! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are are taking another suggestion from you all and dedicating a whole show to the Kodak Retina and other cameras made by Kodak AG, the German arm of Kodak in Stuttgart, Germany. We will be welcoming author and Kodak Retina expert David Jentz, along with Kodak historian from the Eastman Kodak Museum, Todd Gustavson to talk with us. This will be a closed episode, so we won't be taking any callers for this one, but rest assured, the Camerosity gang has a long list of great questions to ask our esteemed guests. Episode 87 will be recorded soon and should be available by the end of February. In This Episode Ramir's Rare Adapters / Argus Brick to Micro 4/3s Adapting 35mm SLR Lenses to a Crown Graphic Graflex