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On the show
Recent episodes
Jeff Russo
Jan 27, 2025
47m 18s
Leopold Ross
Jan 27, 2025
44m 01s
Ryan Lott of Son Lux
Jan 27, 2025
1h 04m 40s
Christopher Bear & Daniel Rossen (Grizzly Bear)
Jan 27, 2025
54m 12s
Laura Karpman
Jan 27, 2025
52m 53s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 1/27/25 | Jeff Russo | Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television. | 47m 18s | ||||||
| 1/27/25 | Leopold Ross | Leo Ross’s occupation as a composer has certainly been gaining steam. After an early music career of playing in and writing music for his bands, Ross transitioned into scoring under the wing of his older brother Atticus, merging the ethos of band culture into his new field while collaborating with Atticus and others on all of his projects. Now Leo Ross’s immersion into the scoring life is full fledged. His collaborative score for Shōgun was the belle of this TV season, and his solo score for ... | 44m 01s | ||||||
| 1/27/25 | Ryan Lott of Son Lux | A lot of what has transpired in Ryan Lott’s life as a musician has been unexpected, mainly in as much as his unfearing forays into the potentiality of his medium has expanded his zone of interest, and that of his band Son Lux. The gumption of Son Lux has landed them in some unusual places, not least of which was at the helm of scoring one of the most unusual films ever made – Everything Everywhere All at Once. Listen along as Lott gets open about being a part of the first ever Oscar nominated... | 1h 04m 40s | ||||||
| 1/27/25 | Christopher Bear & Daniel Rossen (Grizzly Bear) | Christopher Bear and Daniel Rossen spent the better part of the last two decades captivating the indie rock world as members of Grizzly Bear. They re-emerged this past year to score the Oscar-nominated Past Lives, a film that has captivated its entire audience. | 54m 12s | ||||||
| 1/27/25 | Laura Karpman | In this run-up to the 96th Academy Awards, we are delighted to share this conversation with nominee for best original score, Laura Karpman. Karpman's score for American Fiction, which has five nominations, gently twirls in and out of what is quietly one of the best films of 2023. It showcases a different side of Karpman than the grand-scale Marvel projects for which she's known. | 52m 53s | ||||||
| 1/27/25 | Cristobal Tapia de Veer, Part 2 | No description provided. | 29m 28s | ||||||
| 1/27/25 | Cristobal Tapia de Veer, Part 1 | For the third episode of the Composer Magazine Podcast this season, we‘re joined by one of the most distinct, unusual and immediately recognisable contemporary composers: Cristobal Tapia de Veer, the wild creator of the music for The White Lotus and Smile. | 34m 05s | ||||||
| 1/27/25 | Este Haim & Amanda Yamate, Part 2 | Este & Amanda had a lot to share, and Charles & Natalie were very curious. So, here is Part 2 of their long conversation. | 1h 05m 32s | ||||||
| 1/27/25 | Este Haim & Amanda Yamate, Part 1 | An unexpected harmony took shape when Este Haim and Amanda Yamate found each other. Now the composing tandem have a bond that transcends their art form. In this episode, they talk about their special relationship in scoring and in life. | 49m 07s | ||||||
| 1/27/25 | Carter Burwell, Part 2 | Part 2 of our talk with the honorable Carter Burwell. Class resumes session. | 31m 20s | ||||||
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| 1/27/25 | Carter Burwell, Part 1 | We're starting off Season 2 with the bar set high! The great composer Natalie Holt joins Charles as co-host for this next round of talks with some of the most talented composers in the world, and our first guest is none other than Carter Buwell. Get ready to get schooled! | 42m 34s | ||||||
| 1/27/25 | David Wingo, Part 2 ('Barry' Season 4) | Incoming just before the series finale of Barry! Here is part 2 of our 2 part conversation with series composer, David Wingo. Charles caught up with David midway through this fourth and final season, just as he had put the finishing polish on this season's music. | 26m 40s | ||||||
| 1/27/25 | David Wingo, Part 1 ('Barry' Season 3) | Incoming just before the series finale of Barry! Here is part 1 of our 2 part conversation with series composer, David Wingo. This chat took place just as season 3 had ended, when Charles visited David in LA. | 31m 32s | ||||||
| 1/27/25 | Natalie Holt | Natalie Holt is Composer Magazine's Composer of the Year! One marvels at Holt's recent body of work, highlighted by her scores for Marvel's Loki and Star Wars chapter Obi-Wan Kenobi, not to mention a theme that became instantly iconic in Loki's TVA. Charles caught up with Natalie for some much deserved basking in the glow of her glorious year and some holiday cheer. | 54m 01s | ||||||
| 1/27/25 | Nathan Micay | Two seasons in, the HBO/BBC series Industry has become one the sharpest, most riveting productions on television. The key to its success is how it invites the audience into the elite domain of London finance from the perspective of aspirational newcomers to the trade, looking to get ahead at all costs. Nathan Micay is a relative newcomer himself – to scoring – and his slick, intricate synth-based score is clearly the guide through it all, mirroring the aspiration and tension that permeates ch... | 37m 13s | ||||||
| 1/27/25 | Dave Porter | The timing couldn’t have been better. Just as Dave Porter was winding down from his career-defining charge to compose all of the music for Breaking Bad, and its subsequent prequel Better Call Saul, we caught up with him to get his perspectives on being the musical anchor for one of the great stories told on television. Whether or not you are a Breaking Bad heavy, listen in and get to know one of our major contemporary composers. It's the stuff of legends. | 50m 01s | ||||||
| 1/27/25 | Michael Abels | For our very first episode of the Composer Magazine Podcast, we spoke to the composer behind Us and Get Out on reuniting with Oscar-winning director Jordan Peele and figuring out the sound for their new pop nightmare, Nope. Chatting to our host Charles Steinberg at his LA-based studio, Michael shares his perspective the indisputable horror of rabbits, the surprise that often comes when watching the finished film, as well as chairing the Composers Diversity Collective. | 1h 06m 27s | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.