Critical Darlings

Critical Darlings is going LIVE at The Savannah Film Festival! In our first live podcast recording, we’re doing an awards season kickoff at 2pm on Tuesday October 29th at The Gutstein Gallery in Savannah Georgia. We’ll be talking about the year’s awards narratives, the big races, and more. For more information and tickets, visit: ⁠https://filmfest.scad.edu/schedule/critical-darlings-awards-season-kickoff-live⁠ The Social Reckoning is Aaron Sorkin's semi-sequel to the Oscar-winning The Social Network. It updates the story of Silicon Valley boy-king Mark Zuckerberg and his Facebook to the near-present. Despite a more tech-skeptical public, critics and audiences seem to have rejected the film. Thankfully, we have an expert to help unpack it: former Facebook employee George Civeris of Straightiolab! Despite much of the press and promotional focus around the movie, Zuckerberg, now embodied by Jeremy Strong, ends up playing a supporting role to Mikey Madison and Jeremy Allen White's characters, Frances Haugen, a whistleblower, and Jeff Horwitz a journalist trying to expose Facebook's growth-at-any-cost mindset. We get into the inevitable comparisons to The Social Network, the lead performances (plus Betty Gilpin), and the mythology of Mark Zuckerberg as portrayed in both films. Learn more about your ad choices. Visit megaphone.fm/adchoices

Heads up to listeners, this episode includes sensitive discussions of abuse due to the nature of the film. It's Primetime! The new Robert Pattinson vehicle is a neon-lit, morally murky movie about ratings and perversions of justice that serves as an astonishing acting showcase for Pattinson and costars Merritt Weaver and Skyler Gisondo . It's also a hit, and yet another feather in Pattinson's cap, after The Drama succeeded earlier this year, and with Dune III on the horizon. We're joined by the incredibly well-traveled Jessica Kiang of Variety and The Berlin Film Festival to discuss. We discuss the film, its unintended documentary companion piece Predators, the phenomenon of To Catch A Predator, and how all of that is filtered through this very slick film, the first narrative feature from director Lance Oppenheim. Next week, we'll be having a very measured discussion of the normal-looking film "Digger". Email us: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Conflict of interest disclosure: Critical Darlings is a fully owned subsidiary of The Umbrella Corporation. Today we're joined by David Sims of Blank Check and "friend of" one of this film's featured performers (Critical Darlings' Executive Producer) Griffin Newman, to discuss Zach Cregger's adaptation of the Resident Evil video game series. Resident Evil is Cregger's third triumph in a row, after Barbarian and Weapons, and captures the game series' campy but grotesque sensibility in a completely fresh way that's resonating with audiences, critics, and even the vast majority of gamers. We go deep on Resident Evil lore, whether Resident Evil 4 is the greatest game of all time, and how the movie's bullet-counting, rummaging-through-drawers set pieces manage to evoke the series without introducing any classic Resident Evil lore. We also get into the history of the Resident Evil film series, different approaches to video game adaptations, and whether this movie will usher in a new age of less literal game adaptations. Next week, it's lights, camera, Pattinson, with Primetime! Email us! [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we’re Gunn-ing for Supergirl, with filmmaker and video essayist Patrick Willems! Supergirl is the second feature film in the new DC cinematic universe, now helmed by Guardians of the Galaxy mastermind James Gunn. Gunn’s 2025 Superman breathed new life into one of the genre’s biggest icons, but Supergirl blew a raspberry at the box office, despite the good vibes surrounding the new DCU. Supergirl, directed by I, Tonya's Craig Gillespie, borrows liberally from Gunn’s style, but in imitating Gunn, it shows just how difficult it is to pull off his deft mix of humor, spectacle, and heart. Patrick walks us through the movie’s source material, the acclaimed comics miniseries Woman of Tomorrow, and how the film follows and diverges from that book’s True Grit-inspired journey, often to negative effect. We also get into Milly Alcock’s performance as Supergirl, the needle drops, Krypto and the Superhorse (!), and what this movie means for the future of the DCU. Next week, we’re all in on Minions (Babylon Version) Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s Disclosure Week on Critical Darlings, with writer, podcaster, and E.T. super fan Starlee Kine! Almost five decades after Steven Spielberg reimagined aliens on screen with E.T. and Close Encounters, he’s delivered another story of extraterrestrial awe. The movie stars Emily Blunt and Josh O’Connor. But the figure who looms largest over Disclosure Day is Spielberg himself. We discuss our relationships to Spielberg’s work, how Disclosure Day fits into his slate of alien films, and how the movie worked on us. Like audiences and critics, we’re split. Despite some production quibbles (take off that sweater, Emily!), Spielberg remains a master of the camera. Still, the movie’s optimism for humanity feels behind the times: or, maybe we’re just jaded? Why not both? Other topics include ghosts vs. aliens, Spielberg’s longing for the monoculture, E.T. in the wig, and finally, we do a ranking of Spielberg’s alien films. Next week, we’re celebrating Pride with two flavors of gay film: the goofy Stop That Train, and the spooky Leviticus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we’re joined by the very liminal Ryan Broderick, proprietor of the great Garbage Day newsletter and host of the podcast Panic World, to discuss A24’s hit, Backrooms! Based on a 4-Chan thread, creepypasta, and web series, the movie has captured young filmgoers and its young director, Kane Parsons, has captured Hollywood’s attention. Compared to last week’s subject, Obsession, Backrooms is a much more ambitious blend of effects-driven horror: juggling mid-life ennui, childhood trauma, and corporate conspiracy against an endless fluorescent yellow backdrop. It turns out, men would rather go to the backrooms than engage with therapy. We discuss what works about Backrooms, what doesn’t, and continue our conversation about YouTube directors making the jump to Hollywood. Finally, we discuss the feel-good story of so many new films finding footing in the industry, and what might be next for Parsons and other YouTube crossovers. Next week, we’re getting shirtless and toyetic, with The Masters of the Universe! Learn more about your ad choices. Visit megaphone.fm/adchoices

Coucou les cheris! As Cannes is underway on the Riviera, we take a break from our usual movie-of-the-week format to look back at the year so far, and look forward to this summer. We count down our top 5 favorite movies of the year (that haven’t been covered on the show), including big studio movies and European arthouse fare. We’ll also take a temperature check on the summer blockbuster slate, from The Mandalorian & Grogu, Disclosure Day, Spider-Man, The Odyssey, and more. Finally, we’ll hear a transmission from Alison and Richard, live from Cannes, to discuss the festival so far. Your wish has been granted! Next week, we’re talking about Obsession, from director Curry Barker and Blumhouse. Learn more about your ad choices. Visit megaphone.fm/adchoices

Description: “…You think that you've made a choice that exempts you from the podcast industry when, in fact, you're listening to a podcast that was selected for you by the people in the room…and Who? Weekly!” This week on the show, we’re joined by the hosts of ⁠Who? Weekly⁠, Lindsey Webber and Bobby Finger, to discuss The Devil Wears Prada 2, starring a list of all-star Thems: Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci. 20 years on, much has changed in the worlds of Miranda Priestly and Andy Sachs; amidst the cratering value of traditional media, Miranda and Andy reconnect to save Runway Magazine from bad billionaires. Despite its depressing subject matter, the movie is still breezy, funny, and surprisingly well observed. As veterans in the NYC media wars, we get into our histories with the original, recount our encounters with billionaire magazine owners, do a Meryl performance review, discuss the film’s elegy for tastemakers like Anna Wintour, and why we all still want (and need) publications like Vogue and Runway. Next week we’re talking about sheep and cozy mysteries with The Sheep Detectives! Learn more about your ad choices. Visit megaphone.fm/adchoices