Discord and Rhyme: An Album Podcast

In late 1995, Stone Temple Pilots were one of the most popular bands in the United States, but they were still widely disliked by critics. The band responded with Tiny Music... Song From The Vatican Gift Shop, where they forged their own unique identity and branched out to try a bunch of styles far from the 90's grunge music they had long been associated with. Phil has been fascinated by this record for a long time and is thrilled to share his appreciation with Rich and Dan.

If there was ever a song that deserved a whole episode to itself, it's the Beach Boys' "Good Vibrations." A psychedelic masterpiece assembled bit by bit over several months and several studios, on paper it shouldn't have worked - but with the help of the Wrecking Crew, the Beach Boys successfully brought Brian Wilson's musical vision to life. It's become so familiar to everyone at this point that you might not even notice how brilliant it really is, so Ben, Rich, and special guest Sean are breaking it down piece by piece to illustrate its true genius.

This quarterly double feature is about Fleetwood Mac for a couple of reasons: because they’re a very interesting and important band, and because they have two self-titled albums that sound nothing like each other. Launched by Peter Green in 1968 as a British blues band, in less than a decade they became an unstoppable California pop-rock monster. Their progression from one to the other is one of the most fascinating stories in rock history, and includes a lot of incredible music that you might not have known about. Mike, John, and Amanda had a great time talking about the various forms of Fleetwood Mac, and if you’re not familiar with their earlier incarnations, we hope you end up loving them as much as we do. And even if you don’t, the later version of the band is still every bit as good as their reputation says they are.

Buenas tardes, amigos, and happy Hallo-Ween, my good friends. It took us way, way too long to get the bright idea to devote our annual All Hallow’s Eve episode to the Brothers Ween, but now that we have, it seems appropriate to discuss 1994’s Chocolate and Cheese, an album where Deaner and Gener try on a whole bunch of different musical costumes. While C&C isn’t their major-label debut, it’s the first album they produced in a major-label fashion, and the songs cover a lot of stylistic ground, including Tom Jones Vegas rockabilly lounge, kaleidoscopic Prince psychedelia, a sweeping Morricone murder ballad, smooth Philly soul, and a few songs that completely defy categorization. While this album is often ranked behind powerhouse Ween classics like The Mollusk and Quebec, many of its songs have gone on to become live standards, and there’s an argument to be made that it formed the bedrock of the band’s musical legacy. So join John, Mike, Phil, and Rich as they make a return pilgrimage to the shrine of the mighty Boognish, and remember: don’t believe the florist when he tells you that the roses are free.

Creedence Clearwater Revival’s 1969 album Willy and the Poor Boys sounds like something out of 1965, or even 1865 - but definitely not the heavy, psychedelic late 1960s. But even though CCR’s music feels like it's outside of time - or maybe because of it - it became the soundtrack of a generation. Ben, Amanda, and Rich make the case that Willy and the Poor Boys should be pulled down from the cultural wallpaper and appreciated as the fresh, crackling music it still is.