Discord and Rhyme: An Album Podcast

For this year's Q&A episode, we asked you guys what artists and albums you'd like to hear us cover on the show, and you did not disappoint! We got literally hundreds of suggestions, and we did our best to narrow them down but we still ended up having to split this episode into two parts. Part 1 is right here, and you'll hear Part 2 next week. We had a great time talking about everything from Bob Dylan to Dennis Wilson, and we hope you enjoy it too.

Of all the casualties of the Beatles’ Apple label, Badfinger is the most tragic. They had a very promising start, helped along by the Beatles and their associates, but a combination of bad management and personal tragedy stopped them from being as successful as they should have been. However, for a brief period everything worked out exactly right, and Badfinger came up with an album that deserves to be ranked among the all-time classics. From power pop to boogie rock and various points in between, Straight Up is a no-skips album that deserves your attention, so listen up.

Power pop legend Matthew Sweet has had a rough go of it lately, suffering a debilitating stroke last year while setting out on tour, and it’s possible that he may never play music again. So today’s episode is both a bittersweet tribute to his career and a joyous celebration of his music, which is exactly the emotional tightrope that his 1991 cult classic Girlfriend walks from start to finish. Sweet recorded this album during the interim between going through a painful divorce and meeting his now-wife, and while his lyrics aren’t strictly autobiographical, the album’s 15 songs run the gamut from desperate yearning (“Don’t Go,” “You Don’t Love Me”) to pure ebullience (“I’ve Been Waiting,” “Girlfriend”). And it’s all topped off with crisp, direct production that evoked Crazy Horse and the Beatles’ Revolver during a period when many rock albums were soaked in reverb and drained of personality. So kick back as Rich, Phil, and returning guest Libby Cudmore deconstruct and consume an album that’s perfect in so many ways.

Shut up, already. Damn! Prince was one of the most interesting popular artists of the late 20th and early 21st centuries, and Sign o’ the Times from 1987 was the culmination of one of the most interesting periods in a career full of interesting periods. After various circumstances caused him to abandon a double album (Dream Factory), and other circumstances caused him to abandon a single album (Camille) that he didn’t plan to release under his own name, he initially tried to release a triple album before Warner Bros. made him cut it down to a double. Sign o’ the Times (the resulting double album) has its fair share of hits, yet it’s also messy in a way that appeals to many critics and fans but has also left many people puzzled by some of Prince’s decisions. This episode’s panel has three outright fans of the album (John, Mike, and Rich) and one moderate skeptic (Ben), and this combined with the album’s sprawl results in a lengthy but incredibly dense discussion. Prince was somebody who could appeal to many different people for many different reasons, and in this episode we make a case for why he’s worth digging into beyond a handful of ubiquitous radio hits.

A quick State of the Podcast update and info on our release schedule for the rest of this year.

You might think we’re scraping the bottom of the barrel by choosing The Present for our annual Moody Blues episode, but that’s not true at all. Even though the band themselves hated it, and it’s quite polarizing among Moody Blues fans, all of us here at Discord and Rhyme think it’s terrific. As with Long Distance Voyager, you need to be prepared for the ultra-slick ‘80s production, but underneath that gloss there are some top-notch Moody Blues songs and super great instrumental details, including Patrick Moraz’s keyboards. If you’re a The Present skeptic, we hope you’ll listen to this episode and end up convinced that it’s a truly great album.

Whether you’re a fan of ‘60s jazz, ‘70s funk, ‘80s electro, or things inspired by any of the above (or you just watched a lot of Sesame Street growing up), the music of Herbie Hancock has probably affected your life in some way. So Mike thought it was time to take us all on a good old fashioned head hunt. 1973’s Head Hunters redefined the course of Hancock’s career, was enormously influential on music as a whole, became the first jazz album to ever go platinum, and to this day remains a blast to listen to. If you’re a rock fan who’s long been intimidated by jazz, this warm, funky, colorful album just might be the one that captures your head.