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- Per-Episode Audience
Est. listeners per new episode within ~30 days
1,001 - 10,000 - Monthly Reach
Unique listeners across all episodes (30 days)
5,001 - 25,000 - Active Followers
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501 - 5,000
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On the show
Recent episodes
Midweek Reggae Mix 5
Feb 11, 2026
59m 00s
1976 Roots Reggae Selection
Feb 6, 2026
1h 12m 00s
Midweek Reggae Mix 4
Feb 4, 2026
1h 02m 00s
Aram Scaram Sound So Nice V.2 (Guest Mix)
Jan 30, 2026
1h 00m 00s
Midweek Classic Ska & Rocksteady Mix
Jan 28, 2026
58m 58s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 2/11/26 | ![]() Midweek Reggae Mix 5 | This week’s mix brings together legends and new artists from around the globe - from Linval Thompson, Prince Alla to Jah Garvey and Jar - this is a tossed salad of grooves ready for your ears. | 59m 00s | ||||||
| 2/6/26 | ![]() 1976 Roots Reggae Selection | This mix brings together a focused selection of reggae recordings from around 1976, a period when roots reggae was at its most confident and clearly defined. The songs reflect the era’s balance: strong rhythm sections, thoughtful lyrics, and a deep connection to Rastafarian beliefs, social commentary, and everyday life in Jamaica. | 1h 12m 00s | ||||||
| 2/4/26 | ![]() Midweek Reggae Mix 4 | Midweek Reggae Mix 4 - new, old and everything in between. | 1h 02m 00s | ||||||
| 1/30/26 | ![]() Aram Scaram Sound So Nice V.2 (Guest Mix) | Aram Scaram returns with round two, picking up right where the last session left off. Blending reggae, dancehall, dub, afrobeats, and global grooves, this mix is a deep dive into sound system culture. Featuring selections from his weekly radio show Sound So Nice, airing Saturdays 9–10 PM EST on CFRU 93.3 FM in Guelph, Canada, and streaming online at cfru.ca. | 1h 00m 00s | ||||||
| 1/28/26 | ![]() Midweek Classic Ska & Rocksteady Mix | This selection focuses on early Jamaican ska and rocksteady recordings, highlighting classic artists such as Desmond Dekker, Prince Buster, Derrick Morgan, and Delroy Wilson. The tracks feature vintage rhythms, simple arrangements, and early deejay versions that shaped the foundation of reggae. | 58m 58s | ||||||
| 1/25/26 | ![]() Sunday Soul Session 2 | For today’s mix, it’s all about Soul and easing into a Sunday. | 1h 00m 00s | ||||||
| 1/22/26 | ![]() Zion Train 35+ Years Of Music (Mix) | Zion Train are widely regarded as a bridge between classic Jamaican dub and modern electronic bass music. They helped bring dub into European club culture and festivals, influencing dub techno, ambient dub, and live dub performance acts worldwide. Their use of live mixing as a performance instrument has become a standard approach for many modern dub and electronic artists. | 1h 00m 00s | ||||||
| 1/21/26 | ![]() Midweek Reggae Mix | A mid-week reggae mix with some current cuts to some classics. | 1h 00m 00s | ||||||
| 1/16/26 | ![]() Raw Funk & Soul Cuts | This mix digs deep into the nasty, bad funk of late-60s and 70s funk and soul, where rhythm came first, and polish came last. From the tight New Orleans groove of The Meters – Good Old Funky Music to the explosive call-and-response of James Brown – Mother Popcorn, every track is built around drums, bass, and attitude. | 1h 00m 00s | ||||||
| 1/14/26 | ![]() Leroy Sibbles - Studio One, Heptones & His Iconic Basslines | Today’s mix is a follow-up to my post about Leroy Sibbles, his life and legacy, which you can read here. This mix covers a few of his iconic basslines, solo material, including a 2025 release, and a few hits with The Heptones. | 1h 00m 00s | ||||||
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| 1/9/26 | ![]() Junior Murvin - Classics from the Falsetto | Junior Murvin was born Murvin Smith on July 22, 1946, in Port Antonio, Jamaica, and raised in Kingston, where he began singing in the 1960s as part of local harmony groups. His early recordings leaned toward rocksteady and soul-influenced reggae, but it wasn’t until the mid-1970s that his voice, a high, falsetto style sometimes compared to Curtis Mayfield, became fully recognized. Murvin’s sound stood out in an era dominated by heavy roots vocals, giving his music an emotional, haunting quality that would later define his most important work. | 1h 03m 00s | ||||||
| 12/31/25 | ![]() Jungle Ravers | For this New Year’s Eve, I thought a rumble in the jungle would provide a lift to your night. Have a great time and see you in 2026. | 1h 03m 00s | ||||||
| 12/23/25 | ![]() Funk Disco House - Holiday Mix | This mix leans into disco and modern funk, keeping the groove locked down for 60 minutes. Classic late-70s and early-80s grooves sit comfortably alongside newer edits and remixes that respect the original feel while adding a modern touch. | 1h 00m 00s | ||||||
| 12/21/25 | ![]() Johnny Osbourne - A Voice With Soul | Some artists belong to a moment. Johnny Osbourne is part of the evolution of reggae, dating back to the 1960s and the Studio One world, to the raw energy of 1980s dancehall. Osbourne didn’t just adapt to change; he carried his voice through it all while delivering his unique vocal style. | 1h 03m 00s | ||||||
| 12/17/25 | ![]() Bass Culture - 90s Dancehall Classics | We’re going back to a moment in time during the 90s when you had breakout stars from Jamaica - Shabba Ranks and iNi Kamoze hitting the mainstream charts and rotation on MTV and other music video stations. You also had the mixing of dancehall with hip-hop - Vicious with Doug E Fresh, Supercat, and others. This mix moves between street anthems, radio hits, and club staples. | 1h 04m 00s | ||||||
| 12/14/25 | ![]() When Punk Met Reggae in the '70s | There was a crossroads in the UK during the ’70s, as dub and reggae sound systems were spreading and building a wider audience. By mid-decade, the rise of punk began - a raw, gritty DIY ethos that opened the door for thousands of youth who wanted to play music. Anyone was welcome. Don Letts is well known for helping introduce the sounds of dub and reggae to the punk scene at The Roxy, as both shared a like-minded attitude toward inclusion and anti-establishment values. It was only a matter of time before both styles began to appear in the same songs. | 1h 00m 00s | ||||||
| 12/12/25 | ![]() Deep Crates, Hot Plates - The Jazz Funk Mix | This Funk Jazz mix leans hard into the groove, moving between modern jazz-funk burners, deep-pocket classics, and band-driven jams where feel is everything. Tight rhythm sections, loose nimble fingers, letting forth musical consciousness. New cuts sit beside genre classics - let your backbone go and dig what’s going on. | 1h 10m 00s | ||||||
| 12/10/25 | ![]() Aram Scaram (Guest Mix) | Aram Scaram began his DJ journey in Toronto’s late-90s underground, spinning at house parties and one-off club events before landing weekly residencies at the beloved lounges Ciao Eddie and Alto Basso. It was at Ciao Eddie where he met Sassa’le, founder of the influential Version Xcursion radio show on CKLN 88.1 FM — a connection that would shape the next chapter of his career. | 1h 00m 02s | ||||||
| 12/7/25 | ![]() Mid 90s Big Beat (aka Electronica / Breakbeat) Mix | Going back to a period in time in the 90s that seemed short-lived once it hit the mainstream media - Electronica / Big Beat. However you categorise it, it fused aggressive drums, breaks, dance, rave, and other genres to create something fresh. | 1h 11m 01s | ||||||
| 12/5/25 | ![]() New Funk Movement | For this mix, I dove into a selection of artists that bring old school funk and hip-hop together into modern times - New Funk, Modern Funk, however you describe it, FUNK is in each one of these tunes. | 1h 05m 00s | ||||||
| 11/30/25 | ![]() Guest Set: Eccodek DJ set (One Hour Mix) | Today I bring in a long-time brother-in-dub - Andrew (aka Eccodek). We’ve shared stages and music for almost 20 years now. I asked him to create the mix for today, and knowing his musical inspiration, it’s a good one. | 1h 00m 00s | ||||||
| 11/28/25 | ![]() The Beastie Boys - Brooklyn Beats To International Streets | When their debut “License To Ill” was released in 1986, almost 40 years ago - it was fresh and had a great sense of humour, playfullness that on the surface could be disregarded as white-boy rap, but if you took a close listen you’ll notice the attention to detail in the music - the use of sampling, 808 Drum Machine, experimentation, mixing and overall production - this was groundbreaking. | 1h 04m 00s | ||||||
| 11/25/25 | ![]() Jimmy Cliff – The Joyful & Uplifting Voice Of A Gentleman | Certain artists bring a feeling of soulful upliftment and leave a mark on your musical heart - Jimmy Cliff is one; you sense a man smiling and embracing life. He’s navigated Jamaica’s musical evolution from the start, with 1962’s Hurricane Hattie, to the soundtrack that put him front and centre on a global stage in 1972. He’s continued to release beautiful music that speaks to our spiritual sides, and his legacy will live on for generations to come. | 1h 03m 00s | ||||||
| 11/23/25 | ![]() Classic Jazz Excursion: The Roots of Ska | he link between jazz and what we now call reggae goes back 70+ years to the time of Count Basie and Duke Ellington’s big bands in the 1940s and ’50s, which were very popular in Jamaica. These records arrived through sailors, migrants, and sound-system operators like Coxsone Dodd and Duke Reid, who travelled to the U.S. specifically to buy jazz and R&B 78s. The island absorbed these sounds and fused them with mento (Jamaica’s folk music), African rhythmic traditions, New Orleans R&B (Fats Domino, Rosco Gordon), and bits of Country and Gospel. Out of this blend came the foundation of what would eventually become ska. | 1h 30m 00s | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.
























