Everyday Shakespeare

Shakespeare's great tragedy Hamlet is having a moment. Between director Chloe Zhao's film adaptation of Maggie O'Farrell's bestselling novel, Hamnet, and Taylor Swift's song "The Fate of Ophelia," two of Shakespeare's most tragic characters have hit pop culture payday. In this episode, we explore these creative iterations of Shakespeare's life and work, and why Hamlet and Ophelia continue to resonate. We talk about the concept of Catholic Purgatory, and how Zhao's film captures the emotional power of this in-between spiritual space — one that haunts Shakespeare's original play and (as we discuss) his original audiences. In the second half of the episode, we give Ophelia extra time in the spotlight as we mine the Victorian origin stories that solidified her reputation as nothing more than a beautiful, hysterical girl who drowns herself; and then we turn to the play itself, where she's alive and fully sane most of the time, and listen to what she's really saying.

We've gone a little nuts when it comes to celebrating our kids' milestones, like their birthdays and graduations. We've even started inventing new ones (hello, Bed Parties??), which means we're buying even more party swag. In this episode, we explore how families in Shakespeare's day celebrated their kids' big rites of passage. Did they make themselves crazy planning the best christening party ever? How did they mark little William's gold medal in pee-wee fencing? What did life look like before bouncy castles and Gender Reveal cakes?

From Frankenstein to The Shining, tales of extreme wintery conditions have always been a hit. In this episode, we talk about some of the real-life fun people had when things got very cold in Shakespeare's day—like going to frost fairs on the frozen Thames river—and we discuss some of the not-so-fun tragedies they endured. Finally, we turn to the story of Demeter and Persephone (a Greek myth that explained why we have winter) and to Shakespeare's late play The Winter's Tale, which harnesses the joys and tragedies that underlie all of these real and mythical tales of winter.

We're getting our Season Three Party started by exploring the origins of a terrifying creature: the Childless Cat Lady. Whether she has warts and a broom, or she's selling out concert stadiums, this woman means Trouble. But when and how did this connection between single ladies and their feline friends get started? And was it always a negative thing? In this episode, we discover some answers as we travel back in time from the Target Halloween aisle to the Medieval Church and the Shakespearean stage. We guarantee you're in for some surprises. BOO!

These days, everyone seems to be talking about polyamory-- the practice of engaging simultaneously in more than one romantic and/or sexual relationship, with the full consent of everyone involved. According to a recent study, 1 in 9 Americans has tried polyamory, and 1 in 6 would like to try it. This got us wondering: Could people in Shakespeare's day have known about and experienced anything resembling what we now identify as polyamorous desires and lifestyles? In this episode, we take a deep dive into two of Shakespeare's cross-dressing comedies, As You Like It and Twelfth Night, to explore some potential polyamory prototypes.

Long before Photoshop and the Varsity Blues scandal, wealthy families have been trying to game the college admissions process. In this episode, we explore why affluent families started to outnumber "poor scholars" like Hamlet's friend Horatio during the mid-sixteenth century and how money and social class affected life at Oxford and Cambridge. Shakespeare, who never attended university, has an interesting perspective on all this, which we take a look at alongside a document that is the early modern equivalent of an insider's guide to college life. From rich slackers who believe themselves "above the law" to kids who come home from college preaching their "superior" knowledge to their weary parents, there's a lot that will sound familiar. Want more? Check out: https://www.mcsweeneys.net/articles/i-am-lady-macbeth-and-your-facebook-post-about-your-kids-early-acceptance-to-harvard-really-pisses-me-off https://www.mcsweeneys.net/articles/common-app-essays-by-shakespeare-characters

In this episode, we're talking with Austin Tichenor, co-Artistic Director of the Reduced Shakespeare Company, and longtime actor, author, podcaster, and Folger Shakespeare Library blogger. Austin takes us back to the early Renaissance Faire days of the RSC, and tells us about the Company's experiences reducing other Great Works and Notable Events—from being banned in Belfast for their Bible play to revising their "Compete History of America (Abridged)" to meet our current political moment.

Ever wonder where the line "My kingdom for a horse!" came from? Shakespeare wrote it for King Richard III when he decided to dramatize England's bloodiest civil war, ending it with the tyrant Richard fighting on foot, abandoned by his horse and all his former followers. It's just one of many ways Shakespeare spun the story of Richard and helped turn him into the notorious villain he remains today in our popular imagination. In this episode, we explore the blurry lines between fake news and recorded facts by taking a close look at Richard III, the man and the myth. We'll explore the "history" of his ominous birth and physical deformity, and we'll talk about how Shakespeare's theater was a political platform —a stage that rivals our modern-day media outlets. Shakespeare wasn't above using it to spread biased narratives, but he also used his history plays to reflect on why these stories are so seductive, and how they can erode civil discourse.

Shakespeare wasn't eating leftover Thanksgiving turkey and doing online shopping on Black Friday, but he definitely would have been gearing up for the Christmas season, which included twelve full days of festivities. In this episode, we explore the wild side of Christmas celebrations in Shakespeare's England, including the appointment of a Lord of Misrule as a designated agent of chaos. We also take a look at the Puritan Scrooges who wanted to cancel the holiday altogether, and read some dramatic defenses of Christmas inspired by all the controversy. Want more Shakespeare for the holidays? Check out Caroline and Michelle's "Letters To Santa Written By Shakespeare Characters" on McSweeney's.net.

We're excited to introduce you to Play On Podcasts—epic audio adventures that harness the power of live performance. Enjoy this act from Twelfth Night, directed by Christopher Liam Moore and starring the phenomenal Amy Brenneman as Olivia. This slice of Shakespeare's comedy touches on many of the themes we've explored on our podcast, including sad male friendships, dealing with drunken houseguests, and navigating tricky courtship rituals. Bonus challenge: keep an ear out for Olivia's comparison of love to the plague—a topic we took on in our very first episode!

Beliefs about labor, delivery, and postpartum care differ widely between cultures and eras. In this episode, we talk about how these stages were experienced and imagined in Shakespeare's day. We start with an example of a woman writing to her unborn child and then talk about the first English-language "What to Expect When You're Expecting" book. Finally, we dive into Shakespeare's many references to problematic births—including the tragedies that unfold when the rituals and support-systems surrounding childbirth are violated.

When it comes to the stages leading up to marriage, in Shakespeare's day and in ours, there's a recurring theme: the importance of having your commitment witnessed by other people every step of the way. In this episode, we take a look at the often tricky rituals of courtship, engagement, saying "I do," and celebrating the couple by flinging them around the dance floor and stalking them on their wedding night—and talk about what has and hasn't changed.

In this episode, we talk to Dr. John "Ray" Proctor, Assistant Professor of Theatre at Tulane University. Dr. Proctor is an expert on the intersection of race, casting, and the peculiarities and specifics of Identity-Conscious casting practices, especially in Shakespeare. He shares his experiences with us as a director, actor, teacher and researcher to help us take a deep dive into representations of blackness and whiteness on stage—then and now. To learn more about Dr. Proctor and his work, go to www.drjohnrayproctor.com.