Gig Gab - The Working Musician's Podcast

Ready to make the leap from wedges to in-ear monitors? Or finally get the stage mix you’ve always wanted? Dave Hamilton welcomes back monitor engineer Paul Klimson, the man who mixed 32 stereo IEM feeds for Justin Timberlake, for a working musician’s deep dive on monitor world. You’ll learn how to build a default mix from scratch (start yourself at 0dB, your instrument at -5, everything else at -15), why drummers have an easier transition to in-ears than most assume, and how a split snake lets you take care of yourself when the gig demands it. Paul digs into hi-hat pitfalls, drum overheads as stage wash, and why bands who mix themselves on stage make life better for their FOH engineer, too. Then it gets practical. Paul walks you through IEM fittings (pain is always bad, the seal is everything, and yes, drop an AirTag in your case) plus the universal-versus-custom decision, vetting vendor customer service before you buy, and the repair costs nobody talks about until they need to. You’ll get honest talkback etiquette (keep the drama off-stage, give everyone a voice, remember that your monitor engineer is a short-order cook), the post-mortem habit every band should adopt, and a peek at SoulSeed.tv. Wherever you sit on stage, this is the episode that sharpens how you Always Be Performing. 00:00:00 Gig Gab 532 – Monday, May 4th, 2026 May 4th: Dave Brubeck Day Guest co-host: Paul Klimson 00:03:24 Start with headphones in your practice space Start with earplugs 00:05:09 Drums are a dynamic instrument, which may be why drummers have an easy transition to IEMs (usually) 00:08:33 What do you want in your wedge? What’s your reference? 00:09:11 The artist/engineer relationship 00:11:03 Building a default mix Start yourself at 0dB Instrument at -5dB Everything else at -15dB 00:12:58 Using a Split Snake When possible, take care of yourself 00:14:47 Timing of a mix Don’t forget about hi-hats Work with your engineer to dial-in your own mix 00:19:18 Drum overheads for stage wash effect 00:22:21 In-ears help you listen better Bands who mix themselves on stage makes your ears AND the FOH engineers job ears 00:23:54 Learn where you and your instrument fit into the mix of your band And change it if you don’t fit. You’re not the most important thing! 00:26:40 What’s going to make you stand out when someone comes to see you at clubs of any size? Do you hear the lyrics? Do you hear the intent of the story of the song? Watch your instagram videos and evaluate honestly 00:30:28 Knowing when the studio mix is done. 00:33:27 Fittings for IEMs Things to look for: Pain is bad Is the seal functioning correctly? Listen for sound leakage (including when you open your mouth and move around) Are the ports aimed down the canal wrong Do you hear high-end better when you rock the mold around? 00:37:36 Put an AirTag in your IEM case! 00:39:28 Figuring out which model to order Try universal fits first to learn the musical qualities 00:41:16 Test the customer service of vendors before you choose 00:42:55 The origin of IEMs 00:44:44 Find out repair costs Comply Foam Strips 00:48:20 Talkback Use Keep the drama off-stage Give everyone a voice Monitor engineers are like short-order cooks… be kind! 00:58:23 Always post-mortem the problems from the gig And also “what happens if?” conversations 01:03:22 Soulseed.TV 01:06:05 Gig Gab 532 Outtro Follow Paul Klimson SoulSeed.tv @TheRoadieClinic Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From Wedges to In-Ears: A Monitor Engineer’s Playbook with Paul Klimson – Gig Gab 532 appeared first on Gig Gab.

You jump into this episode balancing the reality of working gigs with the mindset that keeps musicians moving forward. From Dave’s recent experiences playing atypical rooms with Bitter Pill to cramming new material for Casual Gravity, you’re reminded that momentum matters even when the crowd is small. Always Be Performing is not about scale, it’s about consistency. That theme carries straight into the conversation with Laura Whitmore, whose career has been shaped by connecting people, creating opportunities, and knowing when to pull back just enough to build a sustainable life alongside the work. As Laura walks you through the birth and growth of the She Rocks Awards, you hear what it actually takes to build something lasting. It started small, grew through trust and partnerships, and evolved by treating the event like a show, with pacing, flow, and intention. You dig into what real visibility looks like, how to define success on your own terms, and why borrowed platforms are never enough to build a career. The takeaway is practical and clear: start with a big vision, set measurable goals, build community deliberately, and own your audience. This episode is a reminder that longevity comes from intention, preparation, and showing up with purpose, gig after gig. 00:00:00 Gig Gab 520 – Monday, February 9th, 2026 February 9th: National Pizza Day 00:01:00 Dave’s Gig Updates Playing atypical venues with Bitter Pill Learning new songs with Casual Gravity Always Be Performing…even for the small crowds! 00:17:10 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:18:34 Guest co-host: Laura Whitmore 00:22:20 The love of connecting people and making things happen 00:23:08 Pulling back a little…to have a life Backstory in partnership with Guitar World and Parade 00:26:28 The green room at The She Rocks Awards is the ultimate networking event! 00:29:33 The Birth of the She Rocks Awards Writing a women-in-music blog at Guitar World, realizing the women in music didn’t know each other… yet! Started as a breakfast (with sponsors…the cheapest meal of the day!). Orianthi performed, serendipitously. After two successful years, NAMM invited She Rocks into the event officially, and The Bangles performed. “You don’t really know what you’re capable of until you’re challenged and take that leap of faith.” – Laura Whitmore 2026 was the 14th year of She Rocks Awards. 170 She Rocks Awards have been presented in the last 14 years. 00:34:51 “Is this ever going to come together?” is scary Reframe it with “how is this ever going to come together?” It takes a village, folks! 00:38:12 Having good partners helps 00:38:59 Create the event for yourself as an audience member That way you’ve got a stake in how it “feels” to attend, which means the audience is represented 00:41:16 Assembling the featured women Nominations at TheWimn.com Crafting the arc of the night by slotting the right people at the right spot. It’s a show! 00:43:49 Managing the flow of the night She Rocks Awards YouTube Channel 00:46:58 People whose names became known after they were on She Rocks Queen Herby (as Amy Heidemann) Beaches PRS Guitars brings in the opening act, with a fantastic Artist Relations team 00:49:40 Defining valuable visibility What’s your end goal? What are your metrics? What defines success? For your band, those might be: Did I get contact information? Did I build on success that I had before? Did this exposure opportunity help me grow to a new place/level? Start with big vision, small goals 00:54:16 You don’t own social media platforms, so don’t leave your audience there. Facebook used to let you message all your followers. Used to! If your audience is a subset of Facebook’s audience, that’s not your audience. Give them a reason to give you their email address. Gather those email addresses. Keep those pieces of paper – scan them! Spam laws might require you to prove it! 01:00:18 Gear Gab! Laura Whitmore is Sr. VP of Marketing at Positive Grid Spark practice amps (with an app!) Project BIAS X – Standalone or Plugin 01:07:36 Designing high-quality technology for a market with a budget 01:13:02 Gig Gab 520 Outtro Follow Laura Whitmore Check out TheWIMN.com (sign up for the mailing list for free! On Instagram On LinkedIn Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Creating the Room You Want to Be In: Laura Whitmore and the She Rocks Story – Gig Gab 520 appeared first on Gig Gab.

Dave’s back from NAMM 2026 and has a little something to share about that. Actually three little somethings, so that’s where we start. But there’s more to say about that, and it’s not yet time, so we’ll extend the NAMM discussions into next week (and beyond?). For today, well, you don’t become the Sauce Boss by chasing a gimmick. You hear how Bill Wharton built a real, working-musician career by leaning hard into what felt natural to him, starting with a Datil pepper, a pot of gumbo, and a simple idea: turn the gig into a gathering. From cooking onstage on New Year’s Eve 1989 to feeding hundreds of people at festivals and never charging a dime for the food, Bill shows how blending music and food transformed shows from transactions into shared experiences. By creating a kitchen onstage, he stopped entertaining people just long enough to take their money and run, and instead built something with a life of its own, something that keeps audiences leaning in and coming back. As the conversation unfolds, you trace Bill’s path from top-40 bar gigs to one-man-band independence, full-band firepower, and stages as far-flung as Saudi Arabia. You hear why learning your strengths and ruthlessly discarding what doesn’t matter is not selfish, it’s survival. From dynamics, gear choices, and in-ear monitors to the lessons behind Blind Boy Billy, Bill makes the case that longevity comes from clarity, connection, and doing your thing without apology. The message for working musicians is direct and empowering: build the show you want to play, build the life that supports it, and keep showing up ready to give. Always Be Performing. 00:00:00 Gig Gab 518 – Monday, January 26th, 2026 January 26th: National Spouse Day Guest co-host: Bill Wharton NAMM Coverage Sponsors Ultimate Ears Professional Earthworks Audio Rock-n-Roller 00:14:31 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:16:21 Guest co-host: Bill Wharton 00:18:41 How to become a sauce boss magnate…while also being a musician Bill found the Datil pepper. Spicy and flavorful. People would eat all the sauce at his house So he made Liquid Summer hot sauce But he wanted to sell hot sauce at gigs. December 31, 1989 – made a pot of gumbo on stage to demo the hot sauce No one would ever have to pay for for my gumbo… 240,000 bowls later, here we are! 00:23:26 Blending music and food. It’s better than entertaining people, taking the money, and run! 00:25:12 Food and music are good together Every good party has everyone hanging out in the kitchen Bill creates the kitchen on stage 00:26:33 That first Sauce Boss gig 00:28:16 It has a life of its own and takes care of itself It took 3.5 hours to know that this was going to work long-term 00:30:38 Bill: “Always looking for something distinctively mine…something unique” It’s hard to do your own thing. 00:33:15 The typical sauce boss gig means cooking for 100 (or more) people 400 people at a festival (it took TWO pots of gumbo) 00:35:07 From Florida to Saudi Arabia Sauce Boss plays/cooks at an Air Force base in Saudi Arabia 00:37:09 A soul-shouting picnic of Rock and Roll Brotherhood One or two 75-minute sets The show never ends 00:40:16 Learn, and then KNOW your strengths Started playing top-40 gigs as a kid …and then realized that’s a rat trap. Bill made a point of putting only the stuff that matters to him in his day…and his show. Being “greedy” about putting my thing out there. If I can do this, you can do this Discard the things you don’t enjoy, embrace the things you do. Story Time, it turns out! 00:43:23 Jimmy Buffett wrote a song about the Sauce Boss – “I Will Play For Gumbo” Playing a gig at Jimmy Buffett’s club in New Orleans… and Jimmy was there! “This is the best (bar) band I’ve seen in a long time.” 00:47:13 Where did “Sauce Boss” come from? Tobacco Road, in Miami 00:49:47 Bread and Butter is the One Man Band “But I have a music problem, and I like jammin’ with my buds!” There’s something that happens when you have a little more firepower of a full band 00:53:13 Bill is his own funky one-man band with a kick drum, hi-hat, and a guitar 00:55:16 Dynamics are everything in terms of keeping a crowd 00:57:09 Bill’s thoughts on in-ear monitors Future Sonics 01:02:17 Gear Gab: Create a portable screen/keyboard/mouse for your home studio 01:06:24 The Life and Times of Blind Boy Billy A songbook, a recipe book, and Bill’s memoir. 01:09:29 Gig Gab 519 Outtro Follow Bill Wharton, the Sauce Boss Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Gumbo, Gigs, and Grit: Bill Wharton’s Sauce Boss Path — Gig Gab 518 appeared first on Gig Gab.

You jump straight into the deep end with Richie Castellano as you explore what happens when preparation collides with opportunity. You follow his path from mixing weddings to standing behind massive analog rigs, wrangling six guitar channels, chasing down mysterious hums, and learning fast that the gremlins always show up when you least expect them. When the call comes to go from being Blue Oyster Cult’s sub sound engineer to bass player in four days with 21 songs to learn, the lesson is clear: play something you know, rehearse smart, and build a Just In Case bag that saves the gig. Success is not luck. It is preparation meeting the moment, and you are either ready or you are not. In order to Always Be Performing you need to Always Be Preparing! As the conversation deepens, you learn how adaptability gets and keeps gigs, from joining the culture of a band to solving problems so painlessly you become indispensable. Richie breaks down the craft of learning, teaching, and arranging vocal harmonies, including Yes music at the highest level, where not nailing the vocals means the whole thing falls apart. You hear why simplifying is sometimes the smart move, how spreadsheets can ease rehearsals, and why blending matters more than showing off. The episode closes with practical wisdom on collaboration with front of house, constant communication inside the band, and surrounding yourself with people on the same mission. This is a masterclass in being prepared, predictable, drama-free, and trusted when it counts. 00:00:00 Gig Gab 516 – Monday, January 12th, 2026 January 12th: National Hot Tea Day Guest co-host: Richie Castellano NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:01:40 From mixing weddings to arenas overnight Called to sub as Blue Oyster Cult’s sound engineer Steve “Woody” La Cerra “Make them sound like a big bad rock band” 00:06:53 The differences doing sound in a big room? Six channels of guitar for 3 guitar players! Where’s the cowbell?!? 00:10:28 Arriving ten minutes before downbeat with the biggest system of my life And it’s analog! What’s that low hum 00:12:49 The Gremlins That Run Around On Stage When You’re Not Looking Play something you know 00:17:46 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:19:10 From sound to…playing bass in four days! Here’s 18 songs… I mean 21 songs. Be ready to play this by Friday Success is when preparation meets opportunity. Here’s the opportunity. Now you have to prepare for it! Buck Dharma on Gig Gab First gig was canceled… But that led to a rehearsal Time to talk about the JustInCase…aka the Idiot Bag! Plugged into the TV to rehearse 00:22:39 “If you can do this five times in a row, this will be your gig.” 00:25:02 Do you just want me to join the band? If you solve a problem for someone painlessly, you’re not likely to be replaced. Be Prepared and Predictable And No Drama 00:28:41 Joining the culture of a band Matt Beck on guitar for the recent Jon Anderson tour fit perfectly Being adaptable gets and keeps gigs 00:33:22 Learning and teaching harmonies Learning how to soften and blend 40th Anniversary of Agents of Fortune A trick: learn how to do impressions. “Sing this like Peter Gabriel”, “Sing this like Michael McDonald” 00:39:51 Arranging Harmonies for Yes music Don’t be afraid to simplify, folks Use a spreadsheet! Get it to “the best WE can do it” Then ask “how can we make this blend better?” 00:45:13 If we don’t nail the vocals, we suck! 00:48:29 The collaboration between band and front of house Ask front of house engineer: What do you need from me to sound good? End sound check with an a capella vocal moment 00:52:24 Talk to your bandmates and continually tweak things “Why does your snare drum sound different today?” 00:54:11 Surround yourself with bandmates who are on the same mission 00:59:58 When bands write vocal harmonies 01:04:18 Gig Gab 514 Outtro Follow Richie Castellano Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Be Prepared and Predictable: How Richie Castellano Stays Gig-Ready — Gig Gab 516 appeared first on Gig Gab.

You love the music, but being a working musician comes with friction, and this episode tackles it head-on. You dig into the real difference between tribute bands and celebration projects, how to prep when multiple gigs stack up fast, and why anxiety creeps in when preparation gets sloppy. You explore how much rehearsal is enough, when studio versions help versus live recordings, and why fun disappears when expectations are unclear. The big takeaway is simple: intention matters. When you walk into rehearsal with a plan, a personal worklist, and shared expectations, you protect your energy and stay focused on what matters most. That focus is how you keep growing while Always Be Performing. From rehearsals to gig day, you learn how systems save your sanity. You hear why rehearsal recordings only work if someone is actually assigned to listen, how shared calendars prevent chaos, and why group texts quietly sabotage bands. You break down practical tools for managing gigs, promotion, and communication, from punchlist spreadsheets to task masters who own the details. You even get into tech expectations for bandmates and why alignment matters more than gear. The message is clear: externalize the details, reduce decision fatigue, and free your head to show up present, prepared, and confident on stage. 00:00:00 Gig Gab 514 – Monday, December 29th, 2025 December 29th: Tick Tock Day Guest co-host: Richard Page 00:02:03 Richard’s got some tribute shows happening The difference between a tribute band and a celebration project Pure Petty, Hot Atlanta, Remedy at Ardmore Music Hall Rocks This Way 00:06:07 Dave’s got three different shows to learn and play in 2 weeks The anxiety of preparing for too many gigs at once When prepping celebration shows, do you do all studio? Some live? 00:24:33 SPONSOR: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at rula.com/giggab #rulapod 00:26:19 NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:26:55 Being a working musician comes with a lot of friction to have fun 00:28:48 Setting rehearsal intention Have a plan! Be careful of repeating songs and consuming time Set expectations. Ensure everyone arrives on the same page. Keep a “personal worklist” note going on your phone during rehearsals 00:33:41 Maximizing rehearsal recordings Rotate between band-members for listening to rehearsal recordings You inspect what you expect! 00:38:49 Scheduling rehearsals Use a Google Calendar 00:42:36 Inter-band communication Group Messages…SUCK (especially now with RCS, that was supposed to fix it) You’ve gotta have a task-master! WheresTheGig.com BandHelper 00:50:46 Creating a Spreadsheet punchlist for gigs Keeps you from forgetting the Facebook event, the mailer, etc Using BandsInTown for Artists 00:55:55 Tech requirements for new band members Green Bubble Prejudice! 01:02:12 Three iPads Stage Ninja Clamp for iPad forScore 01:10:17 Gig Gab 514 Outtro Follow Richard Page on Facebook Remedy Dead Band Rocks This Way Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post The Hidden Work of Fun: Systems for Working Musicians — Gig Gab 514 with Richard Page appeared first on Gig Gab.

You follow Demetri Papanicolau’s winding path from Fidelity financial consultant to full-time booking agent and working musician, discovering how taking risks, saying yes to scary gigs, and learning from every stage moment shaped his career. You hear how singing AC/DC and Zeppelin in high school, drilling Beatles harmonies, and navigating the evolution from originals to covers built the chops he still relies on today. As you ride through stories of surprise band formations, COVID-era pivots, and the birth of Rotten Apple, you’re reminded that you must Always Be Performing, even when the gig you expected turns into something entirely different. You also step inside Demetri’s world at Notso Costley Productions, where booking is equal parts diplomacy, coaching, and reading the room. He breaks down what venues actually want, what musicians consistently get wrong, and how reliability wins more than draw. You learn how he balances the needs of solos, duos, trios, and full bands; why non-verbal communication and a good hang matter; how to build an EPK that gets you on a roster; and what happens when rates rise across the scene. Through it all, Demetri shows how being both booker and performer lets him guide bands and venues toward smoother nights, stronger partnerships, and gigs that keep everyone coming back. 00:00:00 Gig Gab 512 – Monday, December 15th, 2025 December 15th: National Cupcake Day Guest co-host: Demetri Papanicolau from Notso Costley Productions NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:02:19 From Fidelity Financial Consultant to Acquiring and running a Booking Agency Josh Logan, local to New Hampshire, did Rock Star Supernova and then The Voice And then…Demetri wins the Black Brimmer’s Rock Star ManchVegas Doors opened! 00:05:33 Singing AC/DC and Zeppelin in high school to vocal lessons 00:06:06 Learning harmonies by singing The Beatles 00:07:32 Playing in an original band that became a cover band 00:10:05 Learning while not playing…big ears! Submitted to America’s Got Talent 00:13:39 Taking new gigs even when they scare the heck out of you A Josh Logan cancelation leads to a band formation to sub! 00:16:02 It’s not about the gigs you take, it’s also about the gigs you don’t take Be selective! 00:17:17 Alice and Chains becomes the thread to the story 00:18:51 COVID derails (and delays) some gigs…oh how we remember! October and November, 2020 When an acoustic duo gig turns into a full band on stage Rotten Apple forms! A tribute to Alice and Chains 00:22:28 Always performing with passion …and perfection! Developing that non-verbal communication 00:28:22 Bonding as harmony singers When you find that magic formula with someone, stick with it! 00:33:41 Putting the time in for continuous growth Maintaining beginner’s mind 00:34:07 Finding those right partners where it’s a good hang When your FOH Jim Roese, FOH with Fuel, Melissa Etheridge, and also Rotten Apple 00:37:44 Running a booking agency Working for both the venue and the performer Having a roster of musicians: solos, duos, trios, full bands Being in the performer’s shoes helps Demetri be a coach to bands AND venues to ensure smooth sailing 00:42:48 Reading the room goes a long 00:44:15 Demetri’s advice for making it work (or not work) To get on the roster: Have a good EPK and promo kit Once you’re on: responsiveness, being available, managing your schedule 00:46:24 Demetri’s biggest juggling act: adapting to last-minute changes The time Casual Gravity cancelled last minute! Reliability is huge 00:54:17 Venue feedback Draw isn’t always the most important thing Be a pro on the mic. Represent the venue. Play the right songs. Keeping the venues happy allows Demetri to book his roster of performers 00:57:43 Raising rates for the performer New rates for 2025 $230-$250 for solo (from $170-$200 three years ago) $450-$500 for duo $660-$700 for trio $700-$1,000 for bands (or more for A-List prices) Balancing rates between performers and venues, ensuring everyone is profitable 01:05:03 Carrying on Paul Costley’s legacy and tradition with Nosto Costley Productions Took a voluntary buyout package from Fidelity to make the time to acquire the agency 12/31/2021 was the day Demetri took over…and stopped cutting his hair 01:09:20 Gig Gab 512 Outtro Follow Demetri Papanicolau Notso Costley Productions On IG @DemetriPapanicolau Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Booking Smarter, Singing Harder: Demetri Papanicolau on Gig Life — Gig Gab 512 appeared first on Gig Gab.

Get an exclusive behind-the-scenes look with Train’s drummer Matt Musty and host Dave Hamilton as they dive deep into gig wisdom, touring tips, and pro gear secrets. Learn why being on time, managing your role smartly, and balancing music, money, and the hang is essential for a successful music career. From handling days off and staying rested on the road to mastering in-ear monitors with creative mic setups, this episode is packed with actionable advice every touring musician needs. Always Be Performing with fresh insights that keep you inspired and ready for every show. Discover how Matt approaches touring with diplomacy, band dynamics, and staying connected to home life while on the road. Explore favorite microphones for perfect in-ear sound, how to avoid a sterile IEM mix, and the importance of scheduled fun time to keep social media engaging. Whether you’re a musician, live sound enthusiast, or fan of the tour life, this episode offers a masterclass in professionalism and passion to elevate your musical journey and keep your performance sharp night after night. 00:00:00 Gig Gab 510 – Monday, December 1st, 2025 December 1st: National Peppermint Bark Day Guest co-host: Matt Musty 00:02:22 Train continues to level up Train at Royal Albert Hall Train at Grand Ole Opry 00:03:40 Waking up the singer ten minutes before the gig! 00:06:10 Gig Advice from Musty: Be On Time 00:08:46 I’m not ever the guy who hangs around My job’s done 00:10:09 Managing your opinion 00:11:16 The long game of diplomacy is the key to a successful career The gig philosophy, 2 out of 3 aint bad: Music Money Hang 00:15:51 Days off are tough on the band and crew 00:18:26 The risk of hanging out with your road-hosts after the gig Prioritizing sleep on the road 00:23:42 The Zen of the connection between you and your gear The no-soundcheck days 00:28:48 PODCAST: Album Archives. Count down The Top 300 Albums of All Time — one record at a time — with Album Archives | The Vault of Music History. 00:29:46 IEM Talk! Sometimes a broken seal Ideas for avoiding a sterile IEM mix Matt put a “crotch mic in place: a Beyer M160 underneath the snare to grab the sound of the kit and put it through some reverb with compression AFTER the reverb Audience Mics Adding reverb to the drums and vocal mics Play every song like it’s the first time. Be inspired! 00:41:39 Finding the right microphones to capture your instrument for your in-ears Transparent mics like the Earthworks ETHOS on guitar amps or the Earthworks SR20-Gen2 on drum overheads 00:44:37 Favorite snare drum mics Beyerdynamic M201 Telefunken M80 Earthworks DM17 00:49:31 The short version of the Earthworks story 00:51:15 Keeping a connection to home while on the road 00:52:30 Enjoying the spoils of a high-level tour 00:56:42 Being recognized for your job 00:59:10 A quick social media discussion Scheduled Fun Time Gaby from Crush Management 01:02:48 Gig Gab 510 Outtro Find Matt Musty On IG @MattMusty Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Gig Wisdom & Scheduled Fun Time with Matt Musty of Train — Gig Gab 510 appeared first on Gig Gab.

You know that moment when a gig just clicks — when everyone on stage suddenly realizes it’s more than just a show? That’s where this episode starts. You’ll hear how saying “yes” to new gigs can lead to unexpected magic, how the right players bring out the best in each other, and why being open to unfamiliar styles can change everything. Then the conversation gets gloriously geeky as Dave Hamilton and guest co-host Daniel East dive into using Waves plugins live, connecting your Mac to a console via Dante, and why automixing is almost—but not quite—ready for primetime. From heart to hardware, it’s all about finding balance between feel and finesse. Always Be Performing. 00:00:00 Gig Gab 508 – Monday, November 17th, 2025 November 17th: Odd Socks Day Guest co-host: Daniel East 00:01:24 Playing with Brit Drozda Had lunch with a guitar player friend, and the gig came together! First gig, three songs in, and everyone knew it was more-than-just-a-gig 00:07:08 Lesson: take gigs even if it’s not your style Don’t say no because you don’t think it’s your style Don’t say no because you don’t (yet!) know the material You could be the missing piece of the puzzle that brings it to a completely different level 00:11:15 The magic that can just happen when the right people come together 00:14:24 Nerding out about drumsticks. Of course! Dan is now endorsing Headhunters Sticks Vic Firth 5B Double Glaze 00:23:02 Pitch Slap Percussion Cajons 00:26:03 SPONSOR: GigSalad. Always Be Performing means “Always Be Booking”, too. Head to GigSalad.com to create your free profile today! (and check out Gig Gab 482 with Mark Steiner from May, 2025, too!) 00:28:12 Waves plugins on any size gig…if you NEED it. Using a console with Dante, you can link via Ethernet to your MacBook Pro and use plugins Dan’s new favorite console: Yamaha DM3D ($2,000) console Waves Plugins to use when mixing live audio Waves SuperRack Performer ($99) Waves TRACT System Calibration ($399) Waves Feedback Hunter ($99.99) Waves Silk LIVE ($29.99) Waves F6 Dynamic EQ Waves L4 Maximizer ($49.99) Waves Primary Source Expander ($39.99) Waves Tune Real-Time ($49.99) Waves Clarix LB (what Dave SHOULD have tested in GG 508!) 01:10:06 Automixing is coming, folks! 01:11:16 Years ago, Robert Scovill taught Dan: pay attention. 01:12:35 Gig Gab 508 Outtro Find Daniel East DanielEast.net @eastd and @themixdoctor Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Live Music, Live Mix: The Magic and the Math — Gig Gab 508 appeared first on Gig Gab.