Gramophone Classical Music Podcast

In this week's episode of The Gramophone Listening Room, presented in partnership with dCS, host Charlotte Gardner welcomes trumpeter Matilda Lloyd and viola player Timothy Ridout to the studio to share two of their personal favourite recordings. Timothy Ridout is a multiple Gramophone Award-winner whose recent album 'Alto Appassionato' (with pianist Jonathan Ware) was an Editor's Choice in the June issue of Gramophone. Matilda Lloyd is the Royal Philharmonic Society's Young Artist of the Year for 2026.  Explore the featured recordings on our website: https://www.gramophone.co.uk/content/podcasts/the-gramophone-listening-room-episode-2-with-matilda-lloyd-and-timothy-ridout See omnystudio.com/listener for privacy information.

The conductor Klaus Tennstedt was born on June 6, 1926. After his arrival from East Germany to the West, he held chief conductor posts with the NDR Symphony Orchestra in Hamburg (1979-81), and with the London Philharmonic Orchestra (1983-87), with whom he recorded extensively, including a Mahler symphony cycle (of which No 8 won a Gramophone Award back in 1987). To mark the anniversary Warner Classics has issued a 41-CD set of all of the conductor's EMI recordings. Additionally, there is a substantial Tennstedt catalogue on the LPO's own label as well as numerous off-air performances on YouTube and various other record labels. A century on, we celebrate Tennstedt's artistry with a special Gramophone podcast in which the critic and broadcaster Edward Seckerson – who interviewed the conductor, attended recording sessions and heard him live many time – talks to James Jolly about what made him such an admired musician. See omnystudio.com/listener for privacy information.

In this week's Gramophone Podcast, Hugo Ticciati talks to Editor Martin Cullingford about the fascinating new album from his ensemble O/Modernt, released on the Signum label. Called Milestones, it marks 500 years since the death of Josquin, 50 since the death of Stravinsky, and 30 since that of Miles Davis, by exploring music from all three towering musical figures. Hugo Ticciati talks about the project, and about the unique Gramophone Award-winning group that has recorded it. This podcast is in association with Wigmore Hall.See omnystudio.com/listener for privacy information.

In this episode of the Gramophone Podcast, mezzo-soprano Helen Charlston speaks to Hattie Butterworht in Amsterdam during the run of Michel van der Aa's new opera Theory of Flames to discuss her latest album, A Poet's Love. Centred on Schumann's Dichterliebe, the recording places the celebrated song cycle alongside other works. Charlston reflects on recording such an iconic work, the shifting nature of interpretation, and the powerful interplay between poetry and musical storytelling. See omnystudio.com/listener for privacy information.

In this week's episode of the Gramophone Podcast, editor Martin Cullingford is joined by pianist Martin James Bartlett to discuss his new recording of the music of Bach, Britten and Mozart, available on the Warner Classics label from February the 27th. Bartlett reflects on the artistic ideas that shaped this programming. See omnystudio.com/listener for privacy information.

Kevin Puts' newest song cycle sets Emily Dickinson's poetry for mezzo and three instrumentalists. Hattie Butterworth speaks to Joyce DiDonato and ensemble Time for Three about this unique collaboration and recording, 'Emily: No Prisoner Be'See omnystudio.com/listener for privacy information.

Toronto's ARC Ensemble have been exploring the music of composers forced to flee their homeland by the Nazis. The most recent release in Chandos's Music in Exile series – of music by Ernest Kanitz (1894-1978) – drew an enthusiastic welcome by Gramophone's critic Richard Bratby, a review that closed with the hope that 'there's more Kanitz to come'. James Jolly spoke by Zoom to the ARC Ensemble's Artistic Director Simon Wynberg about the musicians of the Ensemble and the music that animates this important recording project, bringing this often totally forgotten music back to life – and also about their forthcoming visit to London's Wigmore Hall for a day of concerts on February 1.See omnystudio.com/listener for privacy information.

The soprano Marina Rebeka and her husband, the sound engineer Edgardo Vertanessian, founded their record label, Prima Classic in 2018, and in the years since have built up an impressive catalogue. To coincide with the release of their latest project, Verdi's Simon Boccanegra, recorded live in Naples, they talk to Gramophone's James Jolly about what inspired them to create the label and how they approach developing their catalogue. This podcast was made in association with Prima Classic, and all the music included in the podcast comes fom the Prima Classic catalogue. The new recording of Simon Boccanegra features Ludovic Tézier in the title role, Marina Rebeka as Amelia Grimaldi, Francesco Melli as Gabriele Adorno, Michele Pertusi as Jacopo Fiesco, Mattia Olivieri as Paolo, and Andrea Pellegrini as Pietro with the Chorus and Orchestra of Naples's Teatro San Carlo conducted by Michele Spotti.See omnystudio.com/listener for privacy information.