I Hate Simkin

We're back with the last episode of our second plaque series! From Theory of a Deadman fighting the "Nickelback clone" label, to the controversy around My Darkest Days' "Porn Star Dancing," to the emotional fallout after Carly Rae Jepsen's "Call Me Maybe" era — this episode dives deep into the music industry politics, artist development, producer influence, and nostalgia resurgence bringing these bands back into the spotlight. Jonathan talks about: Chad Kroeger and Joey Moi's influence on modern rock How Theory of a Deadman finally escaped Nickelback comparisons The success and backlash of Porn Star Dancing Why 2000s post-grunge rock is suddenly huge again Carly Rae Jepsen's transition from pop phenomenon to respected songwriter Jonathan & Carly's relationship after Call Me Maybe Featuring discussion around: Theory of a Deadman, Nickelback, My Darkest Days, Carly Rae Jepsen, Three Days Grace, Chad Kroeger, Joey Moi, Faber Drive, Default, Thornley, Morgan Wallen and more. Each segment is also available on Youtube (or soon will be). Like, reviews, shares, subscribing etc. help us big time. Thank you for listening!

We're back with the plaque series for three more episodes! Jonathan Simkin reacts to some of the biggest records and strangest success stories of his career. He breaks down how Matthew Good went from playing small Vancouver cafes to becoming one of the biggest bands in Canada, why Two Heads exploded worldwide, what major labels get wrong after a hit song, and how a funeral ballad quietly became one of 604 Records' most streamed songs ever. The episode also dives into: The early Matthew Good Band years CFOX Seeds and Vancouver rock history Why some artists become "one-hit wonders" How losing the person who signed you to a label can put your music career on the shelf The emotional impact of Dancing in the Sky Coleman Hell, Mad Dog Jones, and Thunder Bay's weird creative scene Why some Canadian bands never fully crossed into the US Canadian Live rock scenes in the 90s Featuring stories about Matthew Good, Coleman Hell, Dani and Lizzy, Nickelback, Mad Dog Jones, 21 Pilots, Carly Rae Jepsen, Pure, Dreamworks Records, Columbia Records and more. Each segment is also available on Youtube (or soon will be). Like, reviews, shares, subscribing etc. help us big time. Thank you for listening!

Vancouver historian, musician, and author Aaron Chapman joins the show for a wide-ranging conversation that moves from punk rock stages to city politics. Aaron spent over 20 years working inside Vancouver's live music world, including at major venues like The Commodore Ballroom during the shift from House of Blues to Live Nation. He shares what changed behind the scenes as the industry became more corporate—and what that meant for musicians, venues, and audiences. The conversation dives into the rise and fall of Vancouver's live music ecosystem, why mid-level bands struggle today, and how licensing laws, rising costs, and shifting nightlife habits reshaped the city's entertainment culture. Aaron also discusses his decision to leave Live Nation after two decades and pursue a run for Vancouver City Council with the OneCity party. He explains what pushed him toward politics, what he believes the city is getting wrong, and the small practical changes he thinks could make a real difference—especially for arts, venues, and local businesses. This episode is also available on all audio podcast platforms. Subscribe to I Hate Simkin for bi-weekly deep dives into iconic Canadian music stories, behind-the-scenes label moments, and artist's career turning points. Likes, comments, and feedback help massively — thank you for supporting the show.

Emma Higgins and Kesi Smyth join I Hate Simkin for a full-circle conversation about building careers in music, film, and everything in between. Emma went from PA'ing on music video sets to becoming an award-winning music director with a feature film now streaming. Kesi helped shape 604 Records from the ground up and now runs the label as General Manager. Topics include: Starting at the bottom and breaking into directing The collapse of music video budgets (and what replaced them) What it really takes to make a feature film The difference between talent vs confidence in creative careers Industry gatekeeping, funding, and how projects actually get made The reality of touring with major artists like Justin Bieber Emma also breaks down how her film Sweetness went from idea to theaters, including funding, casting, and surviving production. This episode is also available on all audio podcast platforms and in video on YouTube. Subscribe to I Hate Simkin for bi-weekly deep dives into iconic Canadian music stories, behind-the-scenes label moments, and artist career turning points. Likes, comments, and feedback help massively — thank you for supporting the show.

Steve Bays, singer of Hot Hot Heat, joins I Hate Simkin for an in-depth conversation about the realities of success in the music industry. From recording DIY demos and signing with Sub Pop and Warner Bros to touring internationally and landing major radio hits, Steve reflects on how fame reshaped his life and career. They explore why most bands don't last, how AI is changing music creation, the pressures of major labels, and what it takes to build a sustainable creative life after commercial success. Steve also discusses Mounties, Left Field Messiah, producing, fatherhood, and why longevity matters more than viral moments. This episode is also available on all audio podcast platforms and in video on YouTube. Subscribe to I Hate Simkin for bi-weekly deep dives into iconic Canadian music stories, behind-the-scenes label moments, and artist career turning points. Likes, comments, and feedback help massively — thank you for supporting the show.

Fionn (Alanna & Brianne Finn Morris) sit down for an honest, unfiltered conversation about building a music career from childhood. From nearly losing their first audition to extortion pressure, to busking with their own speakers, to finally earning their first-ever Billboard #1 plaque, this episode breaks down the realities of artists people don't see online. They talk about: The night someone tried to cancel their audition unless they were paid Why people often expect female artists to be bad before they play Bringing their own speakers to a record label audition Why it really takes 10 years to build a music career Embarrassing early TikToks and learning the hard way How Canadian radio still changes careers Going from living together their entire lives to finally living apart This episode is about patience, growth, gender bias, and surviving the long middle of a creative career. 🎧 This episode is available on Youtube in video form. Subscribe to IHS for more biweekly nostalgic music interviews. Likes & comments help us out big time. Thank you to everyone who feeds back! 🎤 Guest: Fionn (Alanna & Brianne Finn Morris) 🎙️ Hosted by Jonathan Simkin

In this episode of I Hate Simkin, Jonathan Simkin sits down with Tyler Connolly and Dean Back of Theory of a Deadman for a brutally honest conversation about record labels, ownership, and what it actually means to be a rock band in today's music industry. They break down why major label deals stopped making sense, the most exciting moments of their career, and the "old-but-new" sound they're chasing in their next chapter. From masters and short-term deals to cancel culture, social media backlash, and the illusion of success, this episode pulls back the curtain on what longevity in modern rock really looks like. The conversation also dives into early Vancouver days, Greenhouse Studios, Juno politics, international touring, and why simplifying the business side of the band became the key to staying sane — and independent — after 25 years. Timestamps 00:00 – The tweet controversy and why they left 604 Records 05:25 – Why they'll never sign to a label again 09:57 – How Nickelback changed their perspective 13:09 – Chris Baseford, production, and the direction of the new music 18:46 – The most exciting days of Theory of a Deadman 23:25 – What their kids listen to and getting in "under the wire" 32:40 – Why touring is better than ever and what's next This episode is available on all audio podcast platforms. Subscribe to I Hate Simkin for bi-weekly, behind-the-scenes conversations with iconic rock artists, industry veterans, and the people who shaped Canadian music. Likes, comments, and feedback help the show massively — thank you for supporting.

What really happens when a band suddenly explodes? Jonathan Simkin sits down with legendary Canadian manager Jeff Rogers (Crash Test Dummies, The Pursuit of Happiness, Rusty) to break it down. Jeff dives into: 🎵 How ignoring "industry rules" helped his career 🎵 Why Canada's music scene pushes bands coast-to-coast instead of down to New York 🎵 Booking DIY tours before social media 🎵 The moment Crash Test Dummies started selling 80,000 albums a week 🎵 How MTV, Letterman, SNL, and KROQ changed everything 🎵 The wild truth about sudden success: new relationships, burned bridges, and massive pressure 🎵 Touring with Elvis Costello, parties at Donald Trump's house, Carly Simon on stage, and navigating the biggest opportunities of his career 🎵 The darker side of having a global hit (and the NDAs that come with it) Jonathan shares his own parallel experience with Call Me Maybe, comparing the highs, lows, and long-term impact of having a song take over the world. This is a rare, honest look at fame, artist development, radio politics, risk-taking, and the parts of the music industry you never see. Episode out now — hosted by Jonathan Simkin.

Grant Lawrence joins Jonathan for one of the most revealing, funny, and brutally honest conversations about the Canadian music industry you'll hear. Grant is a longtime CBC host, author, musician, and one of the most recognizable voices in Canadian music culture. He and Jonathan go deep into: CBC's Top 20 and how radio formats keep mutating 28 years inside the CBC and surviving the chaos of the music industry Mint Records stories from the Dominion Building days The ugliest parts of award-show politics The truth about diversity optics at award shows Why 54-40 has zero Junos Why Jonathan will never win the Walt Grealis Award How reputation, longevity, and grudges shape the Canadian music industry Stories involving Sarah McLachlan's early records, Skinny Puppy, Gob, and more The legendary "hirsute" moment with Jonathan's wife And how an immigration lawyer accidentally became a major entertainment lawyer This episode is full of Canadian music history, unbelievable industry stories, and the kind of behind-the-scenes honesty that makes I Hate Simkin what it is.

In this episode of I Hate Simkin, Jonathan Simkin (604 Records) sits down with Dave Genn (54-40) to look back on the wild early days of Vancouver's rock scene — from Dead Surf Kiss (DSK) and 24 Gone, to Holly McNarland, Matthew Good Band, and beyond. They revisit the chaos, the friendships, and the heartbreak that defined the 90s Vancouver music era — including a Detroit radio hit they never even knew about, record deals that almost happened, and how creative relationships can implode under pressure. 👉 You can watch the full episode now on Youtube (@IHateSimkin) — it's a crash course in Canadian music history, told by two people who lived it. If you're enjoying the podcast please leave a rating/review, it helps us big time!

Canadian Radio personality Todd Hancock sits down with Jonathan to look back on his career. They talk through the real reason CFOX fired him, how he built a better career for himself in podcasting, and his experience spending every morning on TV with his ex-fiancé. Todd & Jonathan also both update listeners requesting Chad Kroeger joins their pods, Jonathan explains why he had hard feelings about Theory of a Deadman leaving 604, and the difference between the likes of Josh Ramsay and Chad in dealing with the public. The full episode is available on Youtube in video also - Please leave a like/rating/comment wherever you watch or listen, it helps us with our reach a lot!

Gaye Delorme was one of Canada's most respected — and underrated — musicians. He never became a household name as a solo artist, but his fingerprints are all over legendary moments in music. From writing The Rodeo Song (a platinum-selling Canadian classic) to collaborating with Cheech & Chong on Earache My Eye, Gaye's career was unconventional, hilarious, and brilliant. In this episode, Jonathan shares personal stories of meeting Gaye near the end of his life and being gifted Gaye's own platinum record. We dive into why musicians revered him, how his larger-than-life personality left a lasting impression, and what it meant to be a "fixer" lawyer in the Canadian music industry. Jonathan also dives deep into the making of Nickelback's blockbuster album All the Right Reasons—from the pressure after The Long Road, to hearing "Photograph" for the first time at 2 a.m., to Daniel Adair joining the band and the wave of online hate that ironically helped them sell out arenas. Hear how late-night phone calls, unexpected country influences, and a medieval castle wedding all tie into the band's most successful era.

In this first episode of a brand-new I Hate Simkin mini-series, Jonathan Simkin—President of 604 Records—digs through the plaques he's been given over the years and shares the never-before-heard stories behind them. 🎶 Part One: Carly Rae Jepsen The untold story of her unreleased album that almost changed everything Why her admiration of Marianas Trench drew her to 604 Records The surprising ambition she had early on: starting her own label Her unique "listening party" feedback method that shaped her music The making of Tug of War and how Jonathan first signed her after Canadian Idol 🎸 Part Two: Matthew Good Band Jonathan's high-stakes gamble to land him a record deal without knowing the industry How label execs chose not to help during Matthew's bipolar struggles Why the angsty Canadian rock scene of the 2000s didn't fully break into the U.S. Honest reflections on an era of Canadian music that almost broke through globally This episode blends untold stories of Carly Rae Jepsen's rise and Matthew Good's struggles, giving you an unfiltered look at the Canadian music industry—straight from the guy who lived it. 👉 Don't miss this deep dive into Canadian music history. Full episode out now!