
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 2 chart positions in 2 markets.
By chart position
- 🇦🇺AU · Music Commentary#46100K to 300K
- 🇨🇦CA · Music Commentary#1875K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
53K to 165K🎙 Weekly cadence·66 episodes·Last published 2w ago - Monthly Reach
Unique listeners across all episodes (30 days)
105K to 330K🇦🇺91%🇨🇦9% - Active Followers
Loyal subscribers who consistently listen
32K to 99K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Episode 66: The Story of Kindercore Records, Part 1
May 6, 2026
1h 02m 53s
Episode 65: Squalls by Squalls
Nov 26, 2025
50m 01s
Episode 64: Is It...Man or Astroman? by Man or Astro-man?
Aug 6, 2025
1h 38m 16s
Episode 63: So Rebellious a Lover by Gene Clark and Carla Olson
Jul 30, 2025
1h 35m 45s
Episode 62: Sylvie by Sylvie
Jul 23, 2025
1h 27m 58s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/6/26 | ![]() Episode 66: The Story of Kindercore Records, Part 1 | In the spring of 1996, two friends would attend a show together and decide to start a label. In celebration of Kindercore Records’ 30th anniversary, co-founders Dan Geller and Ryan Lewis tell the story of how the beloved, Athens-based indie label came to be. Featuring insights from kincaid.’s Greg Harmelink, filmmaker Marc Pilvinsky, and Elf Power’s Andrew Rieger, Episode 66 chronicles the events that would lead to the label’s first official release: The Treble Revolution. | 1h 02m 53s | ||||||
| 11/26/25 | ![]() Episode 65: Squalls by Squalls | After spending a couple of years playing around their hometown, as well as venturing up the East Coast, the Athens, Georgia quartet Squalls would enter Electro-Acoustic Systems Studio in September of 1984 and make a record. In Episode 65, the band’s frontman and primary songwriter, Bob Hay, tells the story of how Squalls’ 1984 self-titled ep came to be. Recounting the events and inspirations that led to its creation, the native Midwesterner touches on his journey to Athens and the supportive environment there that helped facilitate the band’s formation. | 50m 01s | ||||||
| 8/6/25 | ![]() Episode 64: Is It...Man or Astroman? by Man or Astro-man? | Nearly 35 years ago, a group of extraterrestrials became stranded on Earth. Posing as college students attending Auburn University, they would make the most of the situation by starting a band and making a record. In Episode 64, Brian Teasley aka Birdstuff tells the story of how Man or Astro-man?’s 1993 debut full-length Is It…Man or Astroman? came to be. Recorded in a 100 year old house in rural Alabama, Teasley touches on the band’s experience working there with engineer Jim Marrer as well as the events that led to the album’s creation. | 1h 38m 16s | ||||||
| 7/30/25 | ![]() Episode 63: So Rebellious a Lover by Gene Clark and Carla Olson | In the fall of 1984, singer-songwriter Carla Olson of the Los Angeles based band The Textones would visit Madame Wong’s West for an evening of live music. It is there, after being pulled on stage to sing with that night’s performer, that she would meet and befriend her future duet partner– the late, great Gene Clark. In Episode 63, Olson tells the story of hers and Clark’s 1987 album So Rebellious a Lover. Considered to be one the first true Americana albums, Olson recounts the events and influences that brought about its creation including her musical journey from Texas to Los Angeles, the living room singalongs that would inspire the album’s specific sound, and the transformative experience of working with the legendary songwriter and founding member of The Byrds. | 1h 35m 45s | ||||||
| 7/23/25 | ![]() Episode 62: Sylvie by Sylvie | After spending some years contributing to various projects within the Los Angeles music community, musician Ben Schwab would take advantage of the time afforded to him through the Covid 19 lockdown, as well as a new sense of creative freedom, to focus his energy towards the creation of Sylvie. In Episode 62, the California by way of Ohio songwriter tells the story of how Sylvie's 2022 self-titled debut came to be, touching on the key events and influences that inspired the album’s conception. | 1h 27m 58s | ||||||
| 7/16/25 | ![]() Episode 61: 2 by Coco | Shortly after the release of their debut album in October of 2021, the band Coco would begin work on its follow-up. In Episode 61, Maia Friedman, Oliver Hill, and Dan Molad discuss the making of their 2024 sophomore effort 2. Written and recorded during significant transitions within their personal lives, the members of Coco touch on the catalysts that would result in the album’s creation including their shared and unshared histories, formation, and experiences recording in both Virginia and Yucca Valley. | 1h 54m 46s | ||||||
| 7/9/25 | ![]() Episode 60: Call and Response by Call and Response | In August of 2000, the San Francisco based indie pop band Call and Response would travel to the other side of the country and make a record in the sleepy college town of Athens, Georgia. For Episode 60, Call and Response’s Carrie Clough, Dan Judd, Terri Loewenthal, and Simone Rubi tell the story of how their 2001 self-titled debut came to be. Recounting the events that led to the album’s creation, the bandmates touch on the key influences that would guide its lyrical and sonic directions as well as their experience working with the late, great Bill Doss. | 1h 54m 03s | ||||||
| 7/2/25 | ![]() Episode 59: Spirit Stereo Frequency by All Night Radio | In 2002, the Los Angeles based country psyche band Beachwood Sparks would go on an extended hiatus. Making the most of the opportunity presented, multi-instrumentalist Farmer Dave Scher would begin to construct a record, enlisting the help of his Beachwood bandmate Jimi Hey. In Episode 59, Scher tells the story of Spirit Stereo Frequency, the lone full-length effort by All Night Radio. Sharing insight into the experiences and events that helped shape its creation, Scher touches on the painstaking process of recording the album in his Echo Park apartment as well as the concepts and influences that inspired its overall sound. | 1h 22m 57s | ||||||
| 11/13/24 | ![]() Episode 58: Stands for deciBels by The dB's | After forming in 1978, the New York City based band The dB’s would, by the next year, begin recording material at Blue Rock Studio in Manhattan. The end result would become a seminal classic. In Episode 58, Peter Holsapple and Will Rigby tell the story of their band’s 1981 debut full-length Stands for deciBels. Recounting their formation and the recording of the album, the two bandmates detail their long history of playing music together which first began during their youth in Winston-Salem, North Carolina. | 1h 28m 29s | ||||||
| 10/9/24 | ![]() Episode 57: Bucksport Motel by Milan McAlevey | In the Spring of 2022, singer-songwriter Milan McAlevey would begin to develop the material that would make up his 3rd solo release. Working in his home studio in South Portland, Maine, the songs would start to move in a specific direction while still maintaining the same darkness, humor, and sincerity of his past works. In Episode 57, McAlevey tells the story of his 2024 album Bucksport Motel, discussing its lyrical inspirations, the influence country music had over its musical direction, and the people that would help color the finished product. | 1h 32m 53s | ||||||
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| 6/12/24 | ![]() Episode 56: Kerosene Hat by Cracker | After a day spent searching for a place to make a record, members of the Richmond, VA by way of Redlands, CA band Cracker would decide to make a detour and get something to eat at Pappy and Harriet’s Pioneertown Palace. It was there that everything would seemingly fall into place. In Episode 56, Cracker’s David Lowery tells the story of his band's 1993 sophomore effort Kerosene Hat. Recorded with producer Don Smith in Pioneertown, Lowery touches on the band’s experience making the album in an old barn that once served as a soundstage and the unexpected commercial success that would follow its release. | 1h 57m 58s | ||||||
| 6/5/24 | ![]() Episode 55: Why That Doesn't Surprise Me by The Lucksmiths | In the summer of 2000/2001, Melbourne, Australia's The Lucksmiths would enter Audrey Studios in the Melbourne suburb of Richmond to record with producer Craig Pilkington. When the sessions were complete, the band would emerge with an ambitious new album. In Episode 55, The Lucksmiths’ Marty Donald and Mark Monnone tell the story of their 2001 indie pop classic Why That Doesn’t Surprise Me. Detailing the events and experiences that led to its creation, the bandmates discuss the writing and recording process as well as the people that helped shape the album’s direction and sound. | 1h 36m 00s | ||||||
| 5/29/24 | ![]() Episode 54: Is a Woman by Lambchop | After experiencing some success with the release of his band’s fifth album Nixon and quitting his long standing job with a flooring company, Lambchop’s Kurt Wagner would take advantage of the momentum and extra time by working on the songs that would make up the band’s next album. In Episode 54, Wagner tells the story of Lambchop’s 2002 album Is a Woman. Recorded with frequent collaborator Mark Nevers in their home base of Nashville, Tennessee, the band’s leader recounts the process of shaping the record’s sonic direction and the positive outcomes that occurred as a result of its creation. | 1h 47m 35s | ||||||
| 5/22/24 | ![]() Episode 53: The Jacket by Widowspeak | Having been based in Upstate New York for a time, Widowspeak’s Molly Hamilton and Robert Earl Thomas would make the decision in 2020 to return to the place where their band had first begun, Brooklyn, New York. Unfortunately, their return to the city would coincide with the entire world being shut down. It is under these abnormal circumstances that Hamilton and Thomas would begin to build the world in which their sixth album would exist. In Episode 53, the members of Widowspeak tell the story of their 2022 album The Jacket. Recounting the events that led to its creation, Hamilton and Thomas touch on the album’s concept and inspirations as well as their experience working with co-producer Homer Steinwiess at The Diamond Mine in Queens, New York. | 1h 53m 27s | ||||||
| 5/15/24 | ![]() Episode 52: Butter by Butter 08 | While on tour in Japan with the Jon Spencer Blues Explosion, musician Russell Simins would meet Japanese expatriates Miho Hatori and Yuka Honda of the New York City based band Cibo Matto. Once all three were back in New York, they would form the band Butter 08 with Skeleton Key’s Rick Lee and graphic designer/ filmmaker Mike Mills. In Episode 52, Simins tells the story of how the band’s only record, 1996’s Butter, came to be. Recorded primarily at Greene Street Recordings in Manhattan, Simins delves into the experience of working there and producing the effort alongside Honda as well as the inspirations, both sonically and lyrically, behind the album’s tracks. | 1h 15m 04s | ||||||
| 5/8/24 | ![]() Episode 51: Take a Picture by Margo Guryan | In the fall of 1968, Bell Records would release singer-songwriter Margo Guryan’s debut full-length Take a Picture. Initially, the album would fail to garner much attention due to the Guryan’s reluctance to perform and promote the record. Many years later, Take a Picture would begin to gain a cult following, leading to a reissue in the early 2000s and some long overdue acclaim. In Episode 51, Guryan’s stepson Jon Rosner and Take a Picture’s producer John Hill tell the story of the late songwriter’s lone studio album, touching on her early life in Far Rockaway, Queens, her transition from the world of jazz into pop, and the magical discovery that was made after double tracking her vocals. | 1h 07m 47s | ||||||
| 5/1/24 | ![]() Episode 50: Golden Time by The Rock*A*Teens | By the 1990s, the Atlanta mill village known as Cabbagetown had become a haven for artistic types due to its location and cheap rent. It is in this rich environment that The Rock*A*Teens would form and become the pride of the neighborhood’s musical community. In Episode 50 of In Loving Recollection, The Rock*A*Teens’ Chris Lopez tells the story of how the band’s 1999 album Golden Time came to be. | 1h 24m 29s | ||||||
| 4/24/24 | ![]() Episode 49: Protest a Dark Anniversary by Masters of the Hemisphere | Formed during the halcyon days of the late 90s/ early 2000s Athens, GA music scene, Masters of the Hemisphere would become the quintessential indie pop act of beloved local label Kindercore Records. In Episode 49, Adrian Finch, Jeff Griggs, Bren Mead, and Sean Rawls tell the story of their 2002 album Protest a Dark Anniversary. Recounting the events that led to the record’s creation, the members of the Masters touch on their experience recording at World as Myth Studio and the sense of an impending transition that permeated the whole proceeding. | 1h 38m 58s | ||||||
| 10/1/23 | ![]() Episode 48: ”Jimmy Carter” by Blue Mountain | In the summer of 1995, the Oxford, Mississippi based band Blue Mountain would release their sophomore effort Dog Days. The album would contain a tribute to our nation’s 39th president and all-around good human being, Jimmy Carter. In celebration of this great man’s 99th birthday, In Loving Recollection alumna Laurie Stirratt and her Blue Mountain bandmate Cary Hudson tell the story of their song “Jimmy Carter.” | 20m 23s | ||||||
| 7/4/23 | ![]() Episode 47: ”No More Kings” by Pavement | In the fall of 1975, the children’s educational program Schoolhouse Rock! would debut a song about the history of the Thirteen American Colonies titled “No More Kings.” Two decades later, quintessential American indie rock band Pavement would record a version of the song that would eventually appear on the 1996 tribute album Schoolhouse Rock! Rocks. In Episode 47, Pavement’s Bob Nastanovich returns to In Loving Recollection to tell the story of how their recording of “No More Kings” came to be. | 24m 41s | ||||||
| 4/26/23 | ![]() Episode 46: Good God by Cyrus Gengras | After several years of non-stop touring, Los Angeles based musician Cyrus Gengras would find himself stuck at home in the spring of 2020. Making the most of the situation, Gengras would order a digital 8 track recorder, break out the wah-wah pedal, and make a record. In Episode 46, Gengras tells the story of his 2022 album Good God, detailing the DIY nature of the album’s production and touching on the various characters he has known throughout his life that inspired much of its lyrical content. | 1h 13m 51s | ||||||
| 4/19/23 | ![]() Episode 45: The Spur by Joan Shelley | In the spring of 2021, singer-songwriter Joan Shelley would visit Earthwave Studio, a recording facility situated in the pastoral landscapes of Shelbyville, Kentucky. In this ideal environment, Shelley and her collaborators would record the collection of songs that would make up her next record. In Episode 45, the native Kentuckian tells the story of her 2022 album The Spur, discussing the lyrical themes and inspirations within the tracks as well as her experience recording them while 7 months pregnant. | 1h 24m 33s | ||||||
| 4/12/23 | ![]() Episode 44: Shake Some Action by Flamin’ Groovies | Following the release of Teenage Head in 1971, San Francisco’s Flamin’ Groovies would experience a significant amount of setbacks and change. Eventually, they would persevere and create a classic. In Episode 44, the Flamin’ Groovies’ Cyril Jordan tells the story of the band’s arduous journey in bringing their seminal 1976 record Shake Some Action to fruition. | 1h 20m 10s | ||||||
| 4/5/23 | ![]() Episode 43: Nobody But Me by The Human Beinz | In the summer of 1967, the Youngstown, Ohio band known as the Human Beingz would enter a Cleveland recording studio and make a hit record. A few months later, they would return to record a full length album. In Episode 43 of In Loving Recollection, guitarist Ting Markulin tells the story of The Human Beinz and their 1968 debut full-length Nobody But Me. Detailing the events that led to the album’s creation, Markulin touches on how the recording of the “Nobody But Me” single first came to be and how its eventual success would cause the band to permanently lose the “g” in their name. | 1h 25m 26s | ||||||
| 3/29/23 | ![]() Episode 42: Dirt Yard Street by Clay Harper | Having relocated as a teenager from the suburbs of Philadelphia to a small town in Georgia, singer-songwriter Clay Harper would eventually draw inspiration from the experience, and in the end, make a record. In Episode 42, the former Coolies frontman and restaurateur tells the story of his 2020 album Dirt Yard Street. Recorded at his home studio in Atlanta with help from the city’s music community, Harper recounts the events that led to the album’s creation and details the methods used during the writing and recording process. | 1h 03m 18s | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.
