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- 🇸🇬SG · Music Interviews#793K to 10K
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Recent episodes
Ep 675 THE ALARM releases MIke Peters final music with Jules Peters to talk about MIke & the album.
May 29, 2026
51m 32s
Ep 677 Greg Norton from HUSKER DU to UltraBomb and the journey it took!
May 27, 2026
40m 48s
Ep 676 VOIVOD Michel Langevin talks SYMPHONIQUE and all things in the VOIVOD universe
May 27, 2026
26m 24s
Ep 674 King Coffey on them preparing to release their long-lost album After the Astronaut.
May 26, 2026
32m 41s
Ep 673 Jared James NIchols on his new album LOUDER THAN FATE and what he is leaving behind from it!
May 26, 2026
28m 13s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/29/26 | ![]() Ep 675 THE ALARM releases MIke Peters final music with Jules Peters to talk about MIke & the album. | The final chapter of The Alarm carries a weight that goes far beyond music. Before his passing, Mike Peters completed what stands as a powerful final statement — an album shaped by perseverance, reflection, hope, and the same unbreakable spirit that defined his entire career.For decades, Mike Peters was more than just the voice of The Alarm. He became a symbol of resilience inside and outside of music, openly facing cancer battles while continuing to create, perform, and inspire people around the world. His songs always carried themes of survival, belief, unity, and finding strength even in the darkest moments, and this final work feels deeply connected to that legacy.Recently on Laughing Monkey, I had the privilege of speaking with Jules Peters, whose honesty and strength brought even deeper perspective to Mike’s journey. Our conversation explored not only the music itself, but the human side behind it — the challenges they faced together, the hope they continued to carry forward, and the way music became both a lifeline and a message to others going through difficult times.What makes this final album especially meaningful is that it doesn’t feel like a goodbye built around sadness. Instead, it feels like Mike Peters doing what he always did best: turning struggle into connection and reminding listeners to keep moving forward no matter what life puts in front of them.The Alarm’s music has always balanced passion, defiance, melody, and purpose, and this final release stands as both a continuation of that spirit and a lasting testament to Mike Peters’ impact on generations of listeners. Through every challenge, he never stopped creating, never stopped believing, and never stopped reaching people through music.This conversation with Jules Peters is more than an interview — it’s a reflection on legacy, love, endurance, and the lasting power of music to give people hope when they need it most. | 51m 32s | ||||||
| 5/27/26 | ![]() Ep 677 Greg Norton from HUSKER DU to UltraBomb and the journey it took! | Former Hüsker Dü bassist Greg Norton returns to the spotlight with his hard-hitting new band UltraBomb, bringing punk rock energy, melodic aggression, and raw intensity back to the forefront. Featuring an all-star lineup of veteran underground musicians, UltraBomb is quickly making noise with new music and an expanding tour schedule that reconnects fans with the spirit and urgency that made Hüsker Dü legendary.In this interview, Greg discusses the formation of UltraBomb, the band’s songwriting approach, upcoming releases, and life on the road again. We also dive into reflections on the lasting influence of Hüsker Dü, the evolution of punk and alternative music, and what still fuels his passion for creating loud, honest music decades later.For fans of classic punk, underground rock history, and high-energy modern releases, this is a conversation you won’t want to miss. | 40m 48s | ||||||
| 5/27/26 | ![]() Ep 676 VOIVOD Michel Langevin talks SYMPHONIQUE and all things in the VOIVOD universe | Legendary Voivod drummer Michel “Away” Langevin joins the show to discuss the band’s powerful new release, Symphoniqïne. In this interview, Away talks about the creative vision behind combining Voivod’s progressive metal sound with a full symphonic experience, revisiting the band’s classic material in a completely new way while still pushing forward artistically.We also discuss the evolution of Voivod through the decades, the challenges of arranging complex metal compositions for orchestra, the visual concepts tied to the project, and what continues to drive one of metal’s most innovative and respected bands.A must-watch conversation for longtime Voivod fans, progressive metal listeners, and anyone interested in the intersection of heavy music and orchestral experimentation. | 26m 24s | ||||||
| 5/26/26 | ![]() Ep 674 King Coffey on them preparing to release their long-lost album After the Astronaut. | Legendary psychedelic punk innovators Butthole Surfers are finally preparing to release their long-lost album After the Astronaut, a record originally shelved in 1998 following the commercial success of Electriclarryland. In a recent conversation with drummer King Coffey, he described the album as a return to the band’s experimental roots, driven by electronic textures, industrial rhythms, and the bizarre sonic chaos that made the group underground icons. Coffey explained that the band intentionally moved away from the alternative rock trends dominating radio at the time, instead diving deeper into psychedelic sound manipulation and digital experimentation. Nearly three decades later, the album is finally being released exactly as the band originally intended. Set for release on June 26, 2026 through Sunset Blvd. Records, After the Astronaut represents the first official studio release of new archival material from the band in over twenty years. Early singles including “Jet Fighter” and “Imbuya” capture the surreal, unhinged atmosphere that has always defined the Butthole Surfers’ sound. Coffey noted that making the record felt similar to the creative insanity surrounding their landmark 1987 album Locust Abortion Technician, with the band embracing every strange idea possible in the studio. The album’s release also follows renewed interest in the band after reunion performances and the documentary The Hole Truth and Nothing Butt, reintroducing a new generation to one of alternative rock’s most unpredictable and influential acts. | 32m 41s | ||||||
| 5/26/26 | ![]() Ep 673 Jared James NIchols on his new album LOUDER THAN FATE and what he is leaving behind from it! | Jared James Nichols continues to establish himself as one of modern rock’s most explosive guitar players with the upcoming release of his fourth studio album, Louder Than Fate. Scheduled for release on June 5, 2026 through Frontiers Mussic,The album showcases Nichols at his heaviest, rawest, and most emotionally driven point yet. Known for his aggressive pick-free playing style, thick blues-rock riffs, and soulful vocals, Nichols blends classic hard rock influences with a modern production approach that gives the new material a powerful edge. Early singles including “Pretend” and “Killing Time” highlight thunderous guitar tones, melodic hooks, and the gritty energy that has become his trademark. Produced and mixed by Jay Ruston, Louder Than Fate appears to push Nichols deeper into the territory of vintage-inspired hard rock while still maintaining his blues foundation. Recent interviews surrounding the album also revealed Nichols’ switch to Marshall amplifiers after years with Blackstar, a tonal shift he says helped inspire the record’s massive sound and renewed creative energy. The album captures the intensity and authenticity that fans have come to expect from his live performances, while expanding his songwriting into darker and more cinematic territory. With a growing international audience, major touring plans, and a reputation as one of the standout guitarists of his generation, Nichols seems poised to make Louder Than Fate a defining release in his career. | 28m 13s | ||||||
| 5/20/26 | ![]() Ep 671 Attila Csihar on Mayhem, Chaos, Black Metal & Extreme Music | From the earliest chaos of the Norwegian black metal movement to some of the most experimental extreme music ever recorded, Attila Csihar remains one of the most unique and unsettling voices in heavy music history.Best known for his work with Mayhem, Attila delivered the haunting vocals on the legendary album De Mysteriis Dom Sathanas — a release that helped define black metal forever. His style was never about conventional singing. It was ritualistic, theatrical, eerie, and completely unpredictable. Growls, chants, whispers, and otherworldly sounds became part of his signature approach.Long before joining Mayhem permanently, Attila was already making underground waves with the Hungarian band Tormentor. Their cult classic album “Anno Domini” became highly influential in the early extreme metal scene and caught the attention of the Norwegian underground.What separates Attila from many metal vocalists is his commitment to atmosphere and artistic experimentation. Beyond black metal, he has collaborated with artists across avant-garde, doom, industrial, and experimental music circles. His live performances often feel more like dark ceremonies than standard concerts. | 50m 01s | ||||||
| 5/18/26 | ![]() Ep 672 Angry Anderson on the end of Rose Tattoo or is it? Angry explains. | Angry Anderson (born Gary Stephen Anderson on August 5, 1947, in Melbourne, Australia) is best known as the longtime lead vocalist of the Australian hard rock band Rose Tattoo, a group that became one of the defining acts of Australian pub rock alongside AC/DC and The Angels. Rose Tattoo formed in Sydney in 1976 and built an international reputation with songs including “Bad Boy for Love,” “Rock ’n’ Roll Outlaw,” “Scarred for Life,” and “We Can’t Be Beaten.” Their early albums were produced by legendary Australian songwriting and production team Harry Vanda and George Young. Anderson is instantly recognizable for his gravel-heavy voice, tattooed image, bald head, and aggressive stage presence. Despite his “Angry” nickname and outlaw image, he became widely respected in Australia for charity work and youth advocacy. In 1993 he was appointed a Member of the Order of Australia (AM) for service to the community, particularly helping disadvantaged youth. Outside of Rose Tattoo, Anderson had a successful solo career. His 1987 ballad “Suddenly” became an international hit after being featured during the wedding scene of Scott and Charlene on the Australian TV series Neighbours starring Kylie Minogue and Jason Donovan. The song reached the Top 10 in several countries including the UK. He also worked extensively in television and film, appearing in Mad Max Beyond Thunderdome alongside Mel Gibson and Tina Turner, where he played the character Ironbar Bassey. Anderson has spoken openly about surviving abuse during childhood and difficult early life experiences. Over time he became heavily involved in charity and community causes, supporting youth homelessness programs, children’s hospitals, cancer awareness campaigns, mental health initiatives, and disaster relief projects. Rose Tattoo were inducted into the ARIA Hall of Fame in 2006, cementing their status as one of Australia’s most influential hard rock bands. Their music influenced later hard rock and punk acts internationally, including bands associated with the street rock and working-class rock scenes. In recent years Anderson has continued touring with Rose Tattoo, including anniversary tours celebrating the band’s long history. Some scheduled performances in 2023 were postponed due to non-life-threatening health issues that required treatment and recovery time. | 44m 45s | ||||||
| 5/16/26 | ![]() Ep 669 Geoff Tate on his releases of the Operation Mindcrime 3 album & touring for it! | 00:00 - The "Dangerous" Autobiography Geoff discusses his finished autobiography and why his lawyer thinks it's currently too "dangerous" and litigious to release.00:30 - Welcome & Catching Up Shawn welcomes Geoff Tate back to the show and they recap his recent tour successes.01:12 - Operation Mindcrime 3: A Labor of Love Geoff talks about the process of releasing the new album and the emotional connection fans have with the original trilogy.02:54 - Writing for Yourself, Not the Labels A look into Geoff's creative philosophy—writing music for personal fulfillment rather than record company demands.04:15 - Going Independent The freedom and challenges of self-financing the album without a record label.06:23 - How Music Connection Changes Over Time Reflecting on how fans' tastes evolve and how albums like Promised Land were appreciated much later.07:13 - Recording in 18 Different Countries Geoff shares the unique experience of recording in hotel rooms, tour buses, and even a castle in France.09:30 - Developing the Character of Dr. X Exploring the "audio painting" of the new album and fleshing out the backstory of the mysterious Dr. X.11:58 - The Influence of Music vs. Silence Geoff explains how deeply music affects him and why he often seeks out silence to hear his own thoughts.14:21 - Operation Mindcrime: The Movie? The history of film options for the story and the possibility of a future visual series.16:20 - Doubts in the Age of AI A deep dive into how AI and modern media are creating a "seed of doubt" regarding what is real.20:25 - Autotune & Authenticity in Rock A discussion on the use of technology in vocal performances and the value of live authenticity.23:34 - Pioneering Digital Recording in 1988 Geoff looks back at the original Mindcrime being one of the first digital recordings and how technology has evolved since.26:39 - Touring & New Setlists Details on adding new songs to the live show and upcoming tour dates in America and Europe.27:22 - Final Thoughts & Venting Shawn and Geoff wrap up the interview with a look at the modern world. | 27m 52s | ||||||
| 5/14/26 | ![]() Ep 668 Erik Gronwall Bad Bones the interview, plus song selection for the tour ! | 00:00 - Introduction & Song Selection for the Tour 01:19 - Welcome Back to Laughing Monkey 01:43 - Exploring Erik's "Perfect" Career Path 02:19 - Defining the Musical Identity of the New Solo Album 03:03 - Influences: From Karaoke Roots to Genre-Bending Covers 03:47 - The YouTube Channel as a Tool for Healing 04:52 - Challenging Vocals & The Whitney Houston Cover 05:51 - Soul-Searching for the Sound of Erik Grönwall 07:18 - Maintaining Identity While Collaborating with Others 08:04 - Working with the "Coolest" Michael Schenker 10:19 - Focusing on the Solo Journey 11:00 - Clarifying the Skid Row Departure & Health Recovery 13:10 - Moving Forward: Health Status & Touring Pressure 15:56 - Hopes for Skid Row’s Future Singer 16:24 - Building the Live Setlist: Originals vs. Covers 17:49 - Will there be songs from "The Gang's All Here"? 19:05 - Sharing the Story: Original Music & Upcoming Shows 20:42 - Introducing the New Solo Band Members 22:33 - The Strategy of Solo Musicians & Rotating Players 24:28 - Family Channel & Future YouTube Plans 24:45 - Working on the Second Album & Music Videos 26:42 - The Small but "Genius" Creative Team 28:32 - New Album "Bad Bones" Release & Final Thoughts | 32m 00s | ||||||
| 5/13/26 | ![]() Ep 670 Nick Oliveri: Reconnecting with Queens of the Stone Age & the "Road Dog" life in 2026 | 00:00 Introductions and the "Seven Degrees of Nick Oliveri" 01:00 Reconnecting and Performing with Queens of the Stone Age 05:00 New Projects: The Blast Record and Joining 13 08:20 Geography of Rock: From the Desert to the Swamp 09:40 Solo Work, Mondo Generator, and The Dwarves' New Record 11:45 The Creative Process and Balancing Multiple Bands 16:45 Life on the Road: Scheduling and "Road Dog" Mentality 21:30 High-Stress Gigs and Flying Across the World 23:15 Touring Australia and Performing Fan Favorites 25:30 Health Struggles: Touring with a Hernia 30:45 Overcoming Mistakes and Finding Improvement 34:45 Dealing with Media and Internet Comments 39:45 Perspective on Family and Personal Life 46:10 Songwriting as Therapy During Dark Times 51:30 Near-Death Experience in Hawaii 56:45 The Importance of Vinyl and Record Collections 01:01:30 The "Magic" in Guitars and Finding Your Sound 01:10:00 Final Thoughts and Upcoming Tour Dates | 1h 35m 02s | ||||||
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| 5/8/26 | ![]() Ep 667 Circus Of Power Alex Mitchell talks Double Album out soon and many more shows coming! | Alex Mitchell remains one of the true survivors of the late-’80s New York hard rock scene. As the founder and voice of Circus of Power, Mitchell helped build a band that mixed street-level biker culture, sleaze rock attitude, and bluesy hard rock into something distinctly their own. Formed in New York City in 1987, Circus of Power quickly developed a reputation for loud, dangerous live shows and albums that stood apart from the polished glam metal dominating MTV at the time. The band earned strong support from the rock press and toured with major acts including Black Sabbath during the “Tyr” era.Now back living in New York, Mitchell is entering a new creative chapter with a forthcoming double album scheduled for release this summer. The new material reportedly reflects both the grit of the band’s early years and the perspective gained from decades in music. Mitchell has also been revisiting stories from the classic Sunset Strip and New York club days, including memories involving David Lee Roth and the larger-than-life rock scene that surrounded bands in the late ’80s and early ’90s. Those stories capture an era when clubs, biker bars, and backstage chaos were all part of everyday life for touring hard rock bands.Despite lineup changes and long industry shifts, Circus of Power has continued to maintain its outlaw-rock identity. Mitchell remains the constant driving force behind the band, carrying forward the same raw energy that made their early records cult favorites among hard rock fans. Along with the upcoming album, the band also has several live appearances and shows being lined up, giving longtime fans another chance to experience the music in its natural environment — loud, unapologetic, and straight from the streets where Circus of Power first began. | 42m 20s | ||||||
| 5/4/26 | ![]() Ep 666 Venom INC has new music coming, BLS tour and more planned in 2026 | Venom Inc. are entering a new chapter with a refreshed lineup, new energy, and new music in the works. This is not just about looking back at the history of Venom or replaying the past. The band is focused on what comes next.Led by Tony “Demolition Man” Dolan, Venom Inc. continue to carry the blackened, aggressive, old-school metal sound that helped define generations of extreme music. The current lineup features Tony Dolan on bass and vocals, Curran “Beleth” Murphy on guitar, and Marc “JXN” Jackson on drums. The band’s last studio album, There’s Only Black, was released in 2022, and Dolan has confirmed that writing has been underway for the follow-up. He described the next phase as feeling like “a new beginning,” with demos, artwork, production plans, and new material already being worked on. The focus now is on the current band standing on its own. Venom Inc. still brings the fire, speed, darkness, and raw attitude fans expect, but the new material is about moving forward with this lineup as a real working band. Dolan has also spoken about wanting to record the current three-piece as a band, which gives the next release a different kind of importance: it will represent where Venom Inc. are now, not just where they came from. Fans can expect the classic Venom Inc. ingredients: heavy riffs, blackened atmosphere, punk-edged aggression, speed-metal attack, and that dirty, dangerous feeling that made the name matter in the first place. But this new era is also about proving that the band still has something fresh to say.In this episode, we talk about the new lineup, upcoming music, writing plans, touring, the band’s legacy, and what fans can expect from Venom Inc. going forward. | 1h 18m 09s | ||||||
| 4/30/26 | ![]() Ep 665 Carnivore A.D. talk new E.P. plus some Q & A with Joe Cangelosi and Chuck Lenihan | I recently interviewed Joe and Chuck from Carnivore A.D. to talk about the band’s new EP, their current touring plans, and the creative process behind the new material. The conversation dug into how the songs came together, what drives the writing, and how the band balances honoring the brutal legacy of Carnivore while still pushing forward with its own identity. Joe and Chuck shared insight into the energy behind the new release, the chemistry within the band, and what fans can expect when they bring the songs to the stage.We also went back into the early history of the band, discussing the roots of the Carnivore sound, the New York metal/hardcore attitude that shaped it, and how that history continues to influence Carnivore A.D. today. From songwriting stories to touring memories, the interview gives fans a closer look at the people behind the music and the mindset that keeps the band moving. It is a strong episode for anyone into heavy music, underground metal history, and the raw, confrontational sound that made Carnivore’s name stand out. | 41m 04s | ||||||
| 4/22/26 | ![]() Ep 662 Taime Downe of Faster Pussycat is back on & he shares next the chapter of band in 2026! | Taime Downe is back for his first interview in a while, and the conversation covers exactly what Faster Pussycat fans want to hear: touring, the band’s legacy, the writing and recording process, and what is next. Rising out of the mid-1980s Hollywood rock scene, Faster Pussycat built its reputation on a sound that sat somewhere between glam, punk, and sleaze rock, with early staples like “Babylon,” “Bathroom Wall,” “Cathouse,” and later “House of Pain” helping define the band’s identity. In this interview, Taime looks back at the history of Faster Pussycat and the staying power that has kept the band going for four decades. The band’s self-titled debut and its follow-up, Wake Me When It’s Over, established Faster Pussycat as one of the standout names from the Sunset Strip era, while later releases like Whipped! and The Power and the Glory Hole showed that the band was never interested in standing still creatively. Even after all these years, Faster Pussycat has continued to tour extensively, keeping the songs alive onstage for longtime fans and newer audiences alike. Taime also talks about the current chapter of the band, including new music. Faster Pussycat released the single “Motorbike” in May 2025, with Taime saying he had started writing it about a decade earlier and that the band recorded it more than once before landing on the version that felt right. The release also featured a cover of the INXS song “Don’t Change” as the B-side, giving fans both a new original track and a reworked favorite through the band’s own dirty, swaggering lens. It is a conversation that connects the past to the present: the history, the records, the road stories, the tours, and the new single that proves Faster Pussycat is still moving forward. For fans of Taime Downe and the band, this one is a chance to hear directly from the voice that helped shape one of the most distinct acts to come out of the late-’80s hard rock scene. | 52m 59s | ||||||
| 4/17/26 | ![]() Ep 664 Armored Saint's John Bush on "Emotion Factory Reset" & playing Anthrax solo shows! | Talking with John Bush was a reminder of why he remains one of heavy metal’s most respected frontmen. In our interview, Bush discussed Armored Saint’s new album, Emotion Factory Reset, due May 22, 2026 via Metal Blade, describing it as a record that pushes the band forward while still sounding unmistakably like Armored Saint. The band’s official bio frames it as a new chapter built on diverse songwriting and a willingness to stay adventurous, while Bush has said the material expands on Punching the Sky and Win Hands Down but carries its own distinct sound and vibe. We also looked back at the history of Armored Saint, one of Los Angeles metal’s most durable and underrated bands. Formed in the early 1980s, the group built its reputation with albums like March of the Saint and Delirious Nomad, then delivered what many fans consider a defining statement with Symbol of Salvation in 1991. Over the years, Armored Saint has endured lineup changes, industry shifts, and tragedy, including the loss of guitarist Dave Prichard, yet the band never lost its identity. That resilience is a huge part of why Armored Saint still commands such loyalty decades later. What came through most in this conversation was Bush’s loyalty to the band and the brotherhood behind it. Even with his long and celebrated run in Anthrax, Armored Saint has always remained central to his musical identity. Now, with Emotion Factory Reset set to become the band’s ninth full-length studio album, Bush sounds energized by where Armored Saint is right now: still heavy, still evolving, and still doing things on its own terms. Not bad for a band that has spent more than forty years proving that cult status and class can hit just as hard as mainstream fame. | 15m 16s | ||||||
| 4/16/26 | ![]() Ep 663 Autopsy Chris Reifert new music, select dates and reflection back on the genre! | Chris Reifert remains one of the most important and recognizable figures in death metal history. After first making a major mark as the drummer on Death’s Scream Bloody Gore, he went on to found Autopsy in 1987, helping shape a far filthier, darker, and more depraved branch of the genre. With Autopsy, Reifert became central to the band’s unmistakable identity, combining savage drumming, sickened vocal delivery, and a songwriting approach that fused raw death metal with doom-laden atmosphere. Records like Severed Survival and Mental Funeral helped establish Autopsy as one of the most influential acts in extreme metal, with a sound that was ugly, crawling, primitive, and completely their own.What has always separated Reifert from many of his peers is that Autopsy never felt like a museum piece. Even after decades in underground metal, the band has continued to create new material with the same diseased spirit that made them legends in the first place. Rather than simply trading on early classics, Autopsy has kept pushing forward, releasing later albums that still carry the band’s signature rot, heaviness, and warped sense of horror. Reifert’s long-running dedication to the genre has made him not only a pioneer, but also one of death metal’s most enduring lifers.In my interview with Chris Reifert, he also made it clear that Autopsy is not standing still. He said the band plans to start work on a new album toward the end of the year, a detail that should excite longtime fans who have followed the group’s relentless run of grotesque and punishing releases. That comment speaks to what has always defined Reifert’s career: even after helping build death metal from the ground up, he is still focused on creating the next wave of sickness rather than living in the past.For an interview introduction, Chris came across exactly as fans would expect: grounded, direct, and still completely committed to the underground spirit that made Autopsy essential in the first place. His reflections on the band’s legacy, past records, and future plans show that Autopsy continues to operate with purpose, and with the same morbid heart that has kept them vital for so many years. | 52m 18s | ||||||
| 4/15/26 | ![]() Ep 661 SVARTTJERN New 2026 interview with HansFyrste and Erik “HaaN” Sæther of Svarttjern. | In this interview, I spoke with HansFyrste (vocals) and Erik “HaaN” Sæther (guitars) of Svarttjern, the Oslo black metal band they founded in 2003. The conversation digs into the band’s history, their evolution from early demos into full-length releases like Misanthropic Path of Madness, Dødsskrik, and Shame Is Just a Word, and the path that has kept Svarttjern a respected name in Norwegian black metal.No filler. Just a proper talk with both men about the band, the records, and the road behind Svarttjern. | 40m 27s | ||||||
| 4/10/26 | ![]() Ep 660 Kenny Hickey talks new band Sun Dont Shine and Type O Negative news | For heavy music fans, Kenny Hickey needs little introduction. Best known as the guitarist and vocalist from Type O Negative, Hickey helped shape one of the most distinctive sounds in gothic and doom metal. Now, he has returned with a new project, SUN DONT SHINE, a band that brings together veteran musicians from Type O Negative, Crowbar, and Down. Alongside Hickey are Johnny Kelly, Kirk Windstein, and Todd Strange, creating a lineup rooted in doom, sludge, and classic heavy rock sensibilities. SUN DONT SHINE is not just another side project. The band has been described as a meeting point between the bleak weight of doom metal and a broader, more dynamic songwriting approach. Hickey has said he did not want the music to be one-dimensional or trapped in one mood, emphasizing contrast, depth, and songs that feel lived-in rather than performatively dark. He has also spoken about wanting lyrics with more real-life weight, reflecting where he is now rather than trying to recreate the mindset of earlier decades. That perspective makes this project especially interesting for longtime Type O Negative fans. There is naturally a connection through Hickey and Kelly, but SUN DONT SHINE appears aimed at being its own entity rather than a nostalgia exercise. The group’s debut, From Birth To Death, positions itself as a fresh chapter built by musicians who have already left a permanent mark on heavy music and are now pushing into something more mature, reflective, and collaborative. What makes the band compelling is the chemistry of its members. Hickey’s melodic darkness, Kelly’s unmistakable rhythmic identity, and the Crowbar/Down side of the lineup give SUN DONT SHINE a foundation that feels both heavy and seasoned. Reports on the band’s formation describe it as growing out of collaboration among artists with shared roots but different regional and stylistic histories, especially the New York and New Orleans traditions that each member brings into the room. | 24m 21s | ||||||
| 4/5/26 | ![]() Ep 659 And Oceans the Finnish extreme metal innovators discuss the years aheads plans for touring ! | Finnish extreme metal innovators …And Oceans join the show for a conversation about one of the most distinctive and unpredictable careers in underground metal. Rising in the mid-1990s out of the ashes of death metal outfit Festerday, the band built its name by fusing symphonic black metal with industrial, electronic, and experimental elements, refusing to stay in one lane for very long. Their catalog has moved from the early ferocity of The Dynamic Gallery of Thoughts and The Symmetry of I – The Circle of O to the more futuristic and abrasive territory of A.M.G.O.D. and Cypher, making them one of Finland’s more adventurous extreme bands. In this interview, the band reflects on that evolution, the creative risks that shaped their sound, and how …And Oceansreturned in recent years with a renewed focus that reconnects their symphonic black metal roots to the more expansive vision they developed over time. Since reforming under the …And Oceans name, the group has released Cosmic World Mother and As in Gardens, So in Tombs, proving that their comeback was not nostalgia but a genuine continuation of the band’s identity. This episode is a deep dive into artistic reinvention, longevity, and the restless mindset that has kept …And Oceans both relevant and difficult to categorize. For longtime fans, it is a chance to hear the story behind one of metal’s most shape-shifting bands; for newer listeners, it is a strong entry point into a catalog that has always balanced extremity, atmosphere, and experimentation. | 25m 58s | ||||||
| 4/5/26 | ![]() Ep 658 SODOM Andy Brings on Deluxe Reissue of Get What You Deserve and why he left and how it is now | Andy Brings joins the show to talk about the new deluxe reissue of Sodom’s 1994 album Get What You Deserve, which was reissued on February 27, 2026 through BMG. The expanded edition was remastered and newly mixed by Brings himself, and it also includes the remastered/remixed Aber Bitte Mit Sahne EP, bonus live material, and additional archival content from that era. Sodom’s official channels have also been promoting Andy’s involvement through recent box set unboxing and playback features tied to the release. During the conversation, Andy looks back on his time in Sodom, where he served as guitarist in the early 1990s and played on Tapping the Vein and Get What You Deserve—two records that remain fan favorites for their intensity, rawness, and refusal to follow trends. In discussing the reissue, Brings has described Get What You Deserve as an intentionally hostile, stripped-down album, while Tom Angelripper has said the band was aiming for something more rooted in Venom and Motörhead, with Andy’s punk influence helping shape its short, aggressive attack. This episode is a chance to revisit a chaotic and underrated chapter in Sodom history with the guitarist who helped create it. From the band’s creative mindset at the time to the process of revisiting and remixing the material decades later, Andy offers an inside perspective on an album that still sounds like a bar fight pressed onto vinyl—in the best possible way. | 40m 41s | ||||||
| 3/28/26 | ![]() Ep 657 Immolation's Ross Dolan about the new album Decent & tour following! | In this episode, I sat down with Ross Dolan of Immolation to talk about the band’s latest chapter and the upcoming release of their new album, Descent, due out April 10, 2026 through Nuclear Blast. We got into the creative process behind the record, the mindset of the band going into this release, and what fans can expect from a record already previewed by the singles “Adversary” and “Attrition.”Ross spoke in depth about Immolation’s continued drive to push forward while staying true to the dark, punishing identity the band has built over decades. Our conversation covered the themes and intensity behind Descent, the evolution of the group’s songwriting, and how Immolation continue to stand as one of death metal’s most respected and uncompromising bands.We also talked about the response to the new material so far, especially the early impact of “Adversary” and “Attrition,” which have already given listeners a strong sense of the atmosphere and aggression surrounding this new album. Ross gave great insight into where the band is creatively right now and why Descent feels like an important record in Immolation’s ongoing legacy. | 38m 17s | ||||||
| 3/26/26 | ![]() Ep 656 EXHORDER Kyle Thomas talks new Trouble music and peels back the covers on EXHORDER updates! | Kyle Thomas of Exhorder joins the show for a great conversation about his voice, life touring on the road, and the reality of what goes on behind the scenes when a band is out performing night after night. He also talks about new music currently being worked on, first for Trouble and then for Exhorder, giving fans a look at what may be coming next from both camp | 35m 21s | ||||||
| 3/26/26 | ![]() Ep 655 Dark Angel Ron Rinehart goes deep into history and catches us up on future plans | Ron Rinehart of Dark Angel joins the show for a conversation about the band’s history, the intensity and legacy of their music, his approach to songwriting and singing, and what may be ahead for the band in the future. Ron reflects on Dark Angel’s place in thrash metal, the creative process behind the songs, and the passion that continues to drive the band forward.It’s a strong look at one of thrash metal’s most respected names, with insight into the past, the music, and the road ahead. | 1h 20m 27s | ||||||
| 3/26/26 | ![]() Ep 654 PRONG Tommy Victor breaks down the just released Live album plus new music coming soon! | Tommy Victor of Prong joins the show to talk about the band’s new live album, the energy of bringing Prong’s music to the stage, and what fans can expect next. Tommy also shares that new music is on the way, with a possible release coming around November. It’s a great conversation covering the current state of Prong, the live experience, and what’s ahead for one of heavy music’s most distinctive bands.For longtime fans and anyone into heavy, groove-driven metal, this is a solid look at where Prong stands now and where they’re heading next. | 53m 02s | ||||||
| 3/24/26 | ![]() Ep 653 John Corabi's new album New Day & working with Buckcherry, Guns n Roses plus Blackberry Smoke | John Corabi joins the show to discuss his new solo album, New Day, due out April 24, 2026 via Frontiers Music Srl. The album is being described as Corabi’s first full-length solo album of original material, and it was recorded in Nashville during the summer of 2025 and produced by Marti Frederiksen. The title track was released first, followed by the single “That Memory.” Corabi is widely known for his work with Mötley Crüe, The Scream, Union, ESP, and The Dead Daisies, and New Day marks a different chapter by putting the focus squarely on his own material. According to the album announcement, the record draws from classic ’70s rock, soul, and blues influences. The album’s announced track list includes “New Day,” “That Memory,” “Faith, Hope And Love,” “When I Was Young,” “One More Shot,” “1969,” “Laurel,” “Good To Be Back Here Again,” “Love That’ll Never Be,” “Cosi’ Bella,” “Your Own Worst Enemy,” and “Everyday People.” For this interview, John talks about the making of New Day, the songwriting and recording process behind the album, and where this release fits into the next stage of his career. No fake hype, no mystery smoke machine, just Corabi and the record. | 39m 00s | ||||||
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Chart Positions
4 placements across 4 markets.
Chart Positions
4 placements across 4 markets.

























