
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
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Total monthly reach
Estimated from 16 chart positions in 16 markets.
By chart position
- 🇩🇪DE · Music Interviews#46100K to 300K
- 🇦🇺AU · Music Interviews#1665K to 30K
- 🇰🇷KR · Music Interviews#10100K to 300K
- 🇮🇹IT · Music Interviews#1421K to 10K
- 🇸🇪SE · Music Interviews#1831K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
117K to 373K🎙 ~2x weekly·202 episodes·Last published 1mo ago - Monthly Reach
Unique listeners across all episodes (30 days)
235K to 745K🇩🇪40%🇰🇷40%🇦🇺4%+13 more - Active Followers
Loyal subscribers who consistently listen
94K to 298K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 1 epsHost
Recent guests
Recent episodes
Tiga
Mar 31, 2026
52m 41s
Anastasia Kristensen
Mar 24, 2026
56m 32s
Yu Su
Mar 18, 2026
50m 11s
José Gonzáles
Mar 11, 2026
1h 02m 06s
Alexis Taylor
Mar 5, 2026
1h 01m 47s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 3/31/26 | ![]() Tiga✨ | rave historyelectroclash+3 | Tiga | Hudson MohawkeFCUKERS | — | raveelectroclash+5 | — | 52m 41s | |
| 3/24/26 | ![]() Anastasia Kristensen | Techno doesn’t need more rules, it needs more nerve. On Lost and Sound, I’m joined by Copenhagen-based DJ and producer Anastasia Kristensen, an artist whose work sits right on the edge between club functionality and something far more exploratory. After approaching a decade in the spotlight, her debut album Bestiarium Sombre (out 8 May on Intercept Records) is the perfect entry point into that mindset. Every track is tied to an animal, some real and some imagined. Anastasia uses this as a t... | 56m 32s | ||||||
| 3/18/26 | ![]() Yu Su | Episode 200 calls for a guest who thinks towards the future. DJ and musician Yu Su has a composer’s ear for detail and a chef’s instinct for serving up textured sonic platters. We talk about sound as material, about burning and melting ideas down, then reshaping them into something new, and about why minimal arrangements can feel more dynamic when every layer has room to breathe. Along the way we get into dancefloor culture as a sensory ritual, the strange power of rules and instructions, and... | 50m 11s | ||||||
| 3/11/26 | ![]() José Gonzáles | José Gonzáles makes quiet music full of loud ideas. I sat down with him in person to trace his journey from playing in hardcore punk bands to the intimate arpeggios that turned Veneer and Heartbeats into global touchstones. Jose opens up about writing “humble accusations,” using minimal sound to deliver maximal ideas, and how a scientist’s method—shaped by his biochemistry background—helps him build tension, release, and meaning inside quiet music. It all gets a bit Dawkins: Jose unpacks meme... | 1h 02m 06s | ||||||
| 3/5/26 | ![]() Alexis Taylor | Alexis Taylor has somehow racked up 25 years now as a founding member of Hot Chip and is about to release his seventh album, the rather magnificent Paris In Spring. How did that happen? I spoke to Alexis about balancing songcraft with production. We talk about how a busy year sharpened his focus, why finishing isn’t real until the music meets an audience, and how a strong melody and a few true lines can carry a track across any arrangement. Alexis opens up about writing from feeling without t... | 1h 01m 47s | ||||||
| 2/25/26 | ![]() Green-House | Everything is political, even nature. That spark leads us into a wide-ranging conversation with Green-House—Olive Ardizoni and Michael Flanagan—whose new album Hinterlands on Ghostly International proves that quiet, spacious music can still carry teeth. We trace the project’s beginnings in LA: Olive escaping a soulless service job by walking Griffith Park, Michael offering early tech scaffolding, and the two slowly dissolving roles until the songs breathed on their own. Think Japanese environ... | 1h 05m 04s | ||||||
| 2/18/26 | ![]() UFO95 | I sat down with Parisian‑born, Brussels‑based producer UFO95 to trace the line between brutalist architecture, Detroit machine soul, and live techno. From early days in punk bands and birthdays above his parents’ club to a Tresor residency and a nerve‑tight Berghain performance, he unpacks how structure, space, and human error can turn a set into something physical. We dive into the design choices behind the new UFO95 album A Brutalist Dystopian Society Part 2: concrete‑solid kicks, saturated... | 44m 43s | ||||||
| 2/11/26 | ![]() Nathan Fake | I sat down with Nathan Fake, one of the UK’s most distinctive electronic music producers, to chart his journey from rural Norfolk to the forefront of techno, IDM and experimental electronic music — and to unpack Evaporator, his seventh studio album. The record marks a clear pivot away from drum-heavy habits toward mood, melody and atmosphere, growing out of an intentional “ambient-only” brief. We dig into the nuts and bolts of music production: why Nathan still sketches ideas in old versions ... | 1h 02m 43s | ||||||
| 2/4/26 | ![]() Nikki Nair | Nikki Nair gets serious about fun — the formerly Tennessee, formerly Atlanta, currently LA-based DJ and producer talks about how a punk sense of purpose, Detroit and Chicago foundations, and a love of “broken” sound converge into sets and tracks that surprise without losing the groove. Nikki gets into how a recent UK residency sharpened his instincts, the studio sessions that kept his mood afloat, and the tiny cultural artefacts (hello, Percy Pigs) that colour the journey as much as any plugi... | 52m 03s | ||||||
| 1/28/26 | ![]() Blue Lake | Blue Lake is the music of American artist Jason Dungan, shaped by living on a Copenhagen island where wild parkland sits on reclaimed industrial ground and flight paths cross the sky. We sit down to explore how place, practice, and people turn Americana and ambient textures into something fused with a European sensibility. Jason shares the pivot from visual art to sound, and why Don Cherry’s spirit sits at the project’s core—not as a template but as a way of working that welcomes risk, ... | 1h 05m 17s | ||||||
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| 1/21/26 | ![]() Eric Pulido – Midlake | What happens when a band outlives its own legend and keeps the spark anyway? I sat down with Eric Pulido of Midlake to trace how a group known for mythic, pastoral folk found a new centre after a seismic lineup change—and why the music still lands with the same autumnal glow. Eric takes us behind new album A Bridge Too Far, from sketching twenty ideas to recording live with producer Sam Evian, capturing a decades old chemistry. We talk about stepping into the vocalist role after Tim Smith’s d... | 47m 26s | ||||||
| 1/14/26 | ![]() Alejandra Cárdenas / Ale Hop | What happens when you stop working behind a project name, a pedal chain, or a layer of reverb, and let the music speak more directly? That question runs through my conversation with Alejandra Cárdenas aka Ale Hop. On her latest album, A Body Like A Home, she releases music under her own name for the first time, marking a shift not just in authorship, but in how the work is written, recorded, and left open for interpretation. Alejandra talks through her path from Lima’s punk and experimental u... | 59m 16s | ||||||
| 1/6/26 | ![]() Lea Bertucci | Kicking of 2026 on Lost and Sound with a composer who treats architecture as an instrument and refusal as a creative decision. I sat down with experimental composer Lea Bertucci to explore how spatial sound, politics, and process collide in work that feels both ancient and urgent. Lea’s most recent work, The Oracle, is a voice-led album shaped by site-specific acoustics and a climate of Trump-fuelled propaganda and fatigue. We get into the dynamics of spatial sound – how the resonances from r... | 1h 03m 01s | ||||||
| 12/31/25 | ![]() TEED | A decade after lighting up the UK post-dubstep landscape with his own brand of sadness-tinted bright-focus electronic pop, Orlando Higginbottom returns with a new shape and a sharper edge. Dropping the Totally Enourmous Extinct Dinosaurs nom de plume, now as TEED, he opens up about rebuilding a creative life, dropping that Dadaist moniker that became a barrier, and writing Always With Me as a front-to-back album designed for deep listening. We dig into the real cost of momentum, the strange m... | 1h 01m 33s | ||||||
| 12/23/25 | ![]() I. JORDAN | Just as everyone else is winding down for the seasonal break, Lost and Sound returns after my project sabbatical with one of UK club culture’s most vital voices: I. JORDAN. We trace a line from Doncaster fairgrounds and bassline bus journeys to festival stages — and to the 2024 debut album I Am Jordan, which places community, class, and queer belonging at the centre of contemporary dance music. It’s a fast-moving conversation about sound, craft, and care. We talk about why tempo is a feeling ... | 55m 00s | ||||||
| 10/14/25 | ![]() Gwenno | Gwenno definitely lives through her art. I sat down with the musician and producer to trace a decade-long arc from home-built studios to a Mercury-nominated breakthrough, and into Utopia—an album that weaves Welsh, Cornish, and English into vivid, human pop. The conversation opens with a simple idea that grows larger as we go: language changes what music can say. Welsh brings political sharpness; Cornish opens a deep, interior cave of comfort and myth; English, returned to with intent, become... | 56m 20s | ||||||
| 9/30/25 | ![]() Peter Silberman – The Antlers | What does it mean to make music that faces the harshest truths while still holding beauty and hope? Peter Silberman of The Antlers seems to have made contemplating this question a major theme of his life's work, crafting albums that dive deep into emotional and existential territories without losing sight of sonic beauty. On the eve of releasing The Antlers' seventh album "Blights," Silberman spoke with me about how environmental concerns and our accelerating consumption have shaped his newes... | 55m 20s | ||||||
| 9/23/25 | ![]() JASSS | DJ, producer and multidisciplinery artist Silvia Jiménez Alvarez, better known as JASSS, makes work that spans raw industrial intensity, fragile emotional depth, and immersive audiovisual collaborations. Her debut album Weightless (iDEAL, 2017) marked her as one of the most exciting new voices in electronic music, blending noise, dancefloor frequencies and experimental atmospheres. With her follow-up A World Of Service on Ostgut Ton, she expanded her vision into a full sensory world, working ... | 51m 38s | ||||||
| 9/16/25 | ![]() Alexander Tucker | Alexander Tucker sits down with me to explore the twists and turns of his sound on his new MICROCORPS album "Clear Vortex Chambers." Our conversation takes us through a creative rebirth, sparked by crucial production advice from Regis (Karl O'Connor) that transformed his approach to electronic music and helped him to scrap a years work and start again. Like Sudan Archives last week, Tucker is fundamentally a visual thinker – "I feel like I'm a painter and probably never should have got into m... | 56m 48s | ||||||
| 9/10/25 | ![]() Sudan Archives | Sudan Archives aka LA-based composer, producer, performer and violinist Brittney Parks burst out of LA’s experimental electronic scene in 2017 with a distinctly visual approach to music making and a deep love of violin. One of the things that makes Sudan Archives' sound so captivating is her revolutionary approach to this instrument. Learning by ear in church rather than through classical training, Parks developed unconventional techniques through pure experimentation. Discovering that ... | 41m 29s | ||||||
| 9/2/25 | ![]() Devendra Banhart | Somehow, Devendra Banhart’s landmark album Cripple Crow is 20 years old. An album that somehow joined an ancient American spirit of song with a just-around-the-corner iPhone generation. So when he joined me on Lost and Sound, I presumed this would be our focus. But instead, right from the beginning, the conversation veered into completely unexpected territory. Banhart, who first rose to prominence in the early 2000s as a leading figure in the freak-folk movement and has since evolved into a m... | 50m 17s | ||||||
| 8/26/25 | ![]() Mabe Fratti | Mabe Fratti is everywhere these days, and for good reason. The Guatemalan-born, Mexico City-based cellist, vocalist, and composer has built a formidable reputation for creating music that seamlessly blurs between experimental pop and improvisation. We got into one, exploring Mabe's journey from her religious upbringing in Guatemala to becoming a consistently innovative artist. She candidly shares how playing improvisational cello in a 5,000-capacity neo-Pentecostal church connected her to "th... | 1h 06m 27s | ||||||
| 8/12/25 | ![]() Jagz Kooner | What does it mean to "Be More Weatherall"? This question looms deep in my conversation with Jagz Kooner, one-third of the pioneering electronic trio Sabres of Paradise, as we explore the reissue of their groundbreaking first two albums and reflect on the enduring legacy of the late Andrew Weatherall. Thirty years after their original release, Sabersonic and Haunted Dancehall have been given the reissue treatment by Warp Records, coinciding with a reformation of the band for performances... | 56m 00s | ||||||
| 8/5/25 | ![]() Damian Lazarus | Damian Lazarus joins me for a wide-ranging conversation tracing his path from the early 2000s electroclash scene to his position today as one of dance music’s most consistently influential figures. We talk about how it all began — from getting his first DJ residency at 16, to working as music editor at Dazed and Confused, to his A&R role at City Rockers, where he helped shape the early sound of electroclash alongside labels like Gigolo and Turbo. He shares stories from that era: warehouse... | 1h 11m 10s | ||||||
| 7/29/25 | ![]() Emerald | Emerald has built a name as a leading voice representing UK underground club culture, we spoke as she steps into a new chapter as label owner and producer. From growing up as "the laptop DJ" on the outskirts of London to becoming a champion of underground sounds on Rinse FM and beyond. Standing six feet tall, mixed-race, and bisexual, she describes feeling like "a clumsy giraffe on roller skates" yet transforms this feeling of otherness into her greatest strength. The origins of her new label... | 47m 13s | ||||||
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Chart Positions
17 placements across 16 markets.
Chart Positions
17 placements across 16 markets.
