Meet Our Makers

In this chat, we get to meet aja monet. aja is a poet and songwriter and composer, who has just released her 2nd album of jazzy, inviting, varied, potent spoken word music, entitled the color of rain. And in this conversation, she and I talk a lot about this record. We get into what led to its inception, what some of the songs touch on specifically, as well as the musicality inherent in poetry itself. We talk about the people who worked with her on this record, what inspires her, and more. We also touch on poetry as an art form, and reading and writing moreover, which was especially intriguing for me as an English educator myself. It's a wide-ranging, warm, intellectual conversation that I'm so happy I got to have, with such a poetic force as aja. Thank you for listening.

In this episode, we get to meet Gay Meat - aka Karl Kuehn. In this conversation, Karl and I dig right in to his brand new debut full-length solo LP, Blue Water. The album was written all about his mother - both the deep relationship he had with her, and her passing a couple years ago after a prolonged health battle. Karl was super candid, and was ready to talk all about his mother. In her health journey, Karl eventually became her caretaker, which brought him back home for a number of years, dealing with hospital care, paper work; it was a lot, but he showed up out of the profound love he has for her. The songs are sometimes a bit downcast, but also sometimes quite fun and bright, and Karl hasn't lost his sense of joy or humor in the process. While this talk does touch on many very serious and heavy topics, I think it's a rather funny and light conversation ultimately, owing to Karl's humor and candor. Thanks for listening.

In this chat, we get to meet Asher White. Asher is a singer, songwriter, producer, multi-instrumentalist, and lots of other things, and has just put out a special new project: a full-album cover of Jessica Pratt's self-titled debut record. It's an odd choice, perhaps, but it pays off in a really lovely and intriguing rendition of a great modern folk album. In this conversation, Asher and I do get deep into the Jessica Pratt of it all, talking about what pulled her to this album and this project, what continues to pull her - and me (and many of us!) - into Jessica's song world. We also talk about songwriting, recording, the life of being a DIY musician, and much much more. Asher is a very personable and conversational person, and this is a very free-flowing and joyous talk. What a nice way to start 2026! Thanks for listening.

Ok, catch up part two. Now, in this episode, we get to meet singer-songwriter Edith Frost. Edith released her first record in about twenty years this past winter, called In Space, and in late spring I got the chance to chat with the underground folk icon all about the album, her road back to making music, studying jazz chords, and more. We talked about her infamous Twitter ban, the delights of Drag City (her longtime record label), and beyond. It was such a lovely and bubbly chat with a buoyant and personable figure, someone whose music has been with me probably since that 2005 record came out, so it was great to be able to link up for an hour. I regret that it took so long to share, but, especially as I am a totally one-man show, occasionally that's just how it all works out. And I'm thrilled to get to share it with you now. Thanks for listening.

In this episode, we get to meet Laura Burhenn - aka The Mynabirds. Laura has just released her first album as the Mynabirds in about eight years, and it consists of several piano re-recordings of older tracks, alongside some brand new ones (which came as a bit of a surprise to Laura, who up to then hadn't written a new song in six years). In this chat, Laura and I dive deep into this new LP, including how she came to the decision to make this particular kind of record, as well as how she chose which songs to rebuild. But even more importantly, we talk about her rediscovery of how much she likes to sing and make music, thereby ending her many-years-long musical silence and refinding her voice. We talk about the goingson on of the world, too, and how one might carry the weight of that in these trying times. And much more, too. Laura was very candid and generous, and so sharp and passionate about these topics, it was a delight to have her. Thanks for listening.

On this episode, we get to meet Julian Brave NoiseCat. Julian is a filmmaker, documentarian, and writer, who just put out his first book, called We Survived the Night. Part memoir, part cultural ethnography, the book traces through Julian's own story - including the stories of his parents and family - and weaves in elements of Indigenous stories and mythologies of the communities he is a part of: the Canim Lake Band Tsq'secen of the Secwepemc (Shuswap) in British Columbia. Last year, Julian also received an Oscar nomination for his first documentary film, Sugarcane, which he co-directed with Emily Kassie, which made him the first North American Indigenous filmmaker to be nominated at the Academy Awards. The film studies the impact of the Canadian Indian Residential School System, and the lingering effects and ongoing trauma of the experiences children had there - including some members of his own family. It's a serious conversation, and a very serious topic - but a vital one. I was very grateful to Julian for taking the time to have a deep conversation about this deep subject. Thanks for listening.

In this chat, we get to meet Avery Tucker. Avery is a singer, songwriter, and multi-instrumentalist who is probably up to know best known as one half of the indie rock band Girlpool. That band, however, is now on indefinite hiatus (no animosity there - don't sweat!), but it has freed up Avery to release his first full-length album, Paw. Out now, his debut is full of vulnerable songwriting and performances that are often stripped pretty bare. We talk a lot about this new album, including the production, the lyrical themes, the nakedness of it, and what led him to this point in his career. We also touch on solitude, living in the moment, and the greatness that is Gillian Welch's Time (The Revelator). It's a chill and laid back talk, and I think you'll enjoy it. Thanks for listening.

In the latest installment of my re-interview subseries, We Meet Again, we get to chat for a second time with luminous, talented, and hilarious Madi Diaz. Madi just put out a brand new LP called Fatal Optimist, and we definitely deep into it in this chat. We talk about what led to this record being so spare and stripped back, the magic of demos, the effect of space on sound, and more. We also get into her "heartbreak trilogy," her experience earning two Grammy nominations for her last record Weird Faith, and her utter relentlessness - as an artist, as a writer, and as a curious human. I always have immense fun talking with Madi, and this talk is a blast. I hope you enjoy. Thanks for listening.

Time for another edition of We Meet Again, the subseries of Meet Our Makers where I re-interview folks from the show's past, this time with niceties and introductions out of the way, clearing the room for more intimate and casual conversation. This time we have Nina Nastasia back on, who I had on last time alongside Jeff MacLeod to talk about their band Jolie Laide's debut LP. Now the band is back with their sophomore album, Creatures, which is out now, but this time I have Nina solo. We chat about the new album, how it's been growing the band (they've since added two new members), as well as how her songwriting and relationship to music-making has changed over time. We also talk about her new solo release, Songs for a World of Trouble, which at the time of this recording hadn't even been announced yet, but is now out - and only on her Bandcamp. We talk about a lot more, too - guitar, Steve Albini, Spotify - and it was so lovely to have her back. Thanks for listening.

In this episode, we get to meet singer, songwriter, producer, multi-instrumentalist Patrick Wolf. Patrick is back after a 14-year album absence with a brand new collection called Crying The Neck (an archaic phrase we get into the symbolism of), which is out now. In this chat, Patrick and I talk a lot about the new album - its themes of loss, mourning, celebration - and why this album means so much to him, not only because it was inspired largely by the loss of his mother, but because it exists. This album follows on the heels of that absence, and he feels so excited to be back, happy, and healthy. We touch on those years spent in between, what was going on, and how and why he found himself leaving that time and entering this new era. He's stoked to get onto the next project, and that fire is palpable. I was honored to chat with him. Thank you for listening.

In this chat, we get to meet Amy Millan. Amy is best known as co-bandleader of the Canadian band Stars, as well as her side gig as a member of Broken Social Scene. But now, she has a brand new solo record out - her third, in fact, and first since 2009 - called I Went to Find You. In this conversation, we talk a lot about this new record, from its thematic inspirations to its initiation, from the close collaboration she found with co-songwriter and co-producer Jay McCarrol to what it means for her to back in a solo capacity after all these years. We do, of course, talk about Stars, especially their 2004 album Set Yourself on Fire, whose 20th birthday the band is still celebrating. We touch on what that album means to her now, to us the listeners now, some band lore, and more. It's been many years in the making, this conversation, and I'm thrilled it finally happened. Thank you for listening.

In this chat, we get to meet Lido Pimienta. Lido is a singer, songwriter, producer, who just put out her newest record, La Belleza, via ANTI-. We talk a lot about the album, with special focus on the genre of it — which, for Lido, is something new: classical music. Where her previous work was sort of an avant-garde electronic pop kind of thing, La Belleza is steeped in classical music tradition, composition, and structure. We talk about what led Lido to try her hand at this style, which she had previously felt was sort of blocked off from her, and how she feels like she got in there and made a space for herself to belong. We talk about the writing of the record, genre pigeon holing, shirking societal expectations, working with coproducer Owen Pallett, and more. Thank you for listening.

In this episode, we get to meet Uwade. Uwade a Cailfornia-by-way-of-North Carolina singer-songwriter, who has just released her new debut album, Florilegium. You may have - like I did - first encountered her, though, as the first voice on the opening track of the last Fleet Foxes record Shore, called "Wading in the Waist-High Water". In this chat, she and I discuss the writing and process of creating this first solo LP, what it means for her to be going out on her own, the musical touchstones of her childhood that found their ways into these songs, and more. We do also touch on her work with Robin Pecknold & co. and the subsequent tours she shared with Fleet Foxes, and what she learned from that. Finally, we touch on her academic life, as she is currently working toward a PhD. Thank you for listening.