Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 13 chart positions in 13 markets.
By chart position
- 🇬🇧GB · Music Interviews#1655K to 30K
- 🇸🇪SE · Music Interviews#1251K to 10K
- 🇫🇷FR · Music Interviews#1341K to 10K
- 🇳🇿NZ · Music Interviews#630K to 100K
- 🇵🇹PT · Music Interviews#2810K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
42K to 150K🎙 ~2x weekly·89 episodes·Last published 1w ago - Monthly Reach
Unique listeners across all episodes (30 days)
85K to 299K🇳🇿33%🇬🇧10%🇵🇹10%+10 more - Active Followers
Loyal subscribers who consistently listen
34K to 120K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
—
* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Reissue: DJ Nu-Mark (episode 34)
Jun 18, 2026
Unknown duration
Cut Chemist: The deepest of deep dives
Jun 11, 2026
Unknown duration
Eddie Otchere - The Spirit Behind The Lens
May 20, 2026
Unknown duration
DJ Mag's Carl Loben: "Everyone had to leave their DMs at the door" — 2 Tone and beyond
Apr 30, 2026
Unknown duration
"We were limited to 30 minutes of funk" - how Debo established a worldwide funk and boogie brand
Apr 16, 2026
Unknown duration
Social Links & Contact
Official channels & resources
Official Website
Login
RSS Feed
Login
| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6/18/26 |  Reissue: DJ Nu-Mark (episode 34) | I thought I'd re-publish this one for any of the heads who missed it first time round.He doesn't really need an introduction round here — one half of the production team behind Jurassic 5, and honestly one of the best DJs I've ever seen live. I got Nu-Mark on to talk about his new book Amunu, which is part Persian cookbook, part memoir, part travel guide, and really a celebration of togetherness — family, food and music all woven together. What I love is how much ground we covered getting there.He told me about the mum who raised him with total freedom (and who, 24 years ago, told him to start making Middle Eastern beats — advice he's only just taken), about growing up half-Iranian in the States during the hostage crisis, and about buying 20,000 records for $500 as a teenager, a haul that ended up powering 85–90% of those early J5 productions. We got deep into the group: how it became Jurassic 5 when there were six of them, why he refused the single deal that everyone else signed, the fact that the UK recognised them before the US would, and the whole first EP being made on an eight-track. He's wonderfully honest about confidence too — something he says he's still working on — and about losing his father, and how it was putting his dad's old records on that finally let him cry. We finish on Lesson 6, two record collections meant to meet, and the kebabs-on-site book launch in LA. A proper one, this.In this episode:His mum, Nowruz, and the Middle Eastern beats advice he ignored for 24 yearsGrowing up half-Iranian during the Iran hostage crisisThe alphabetised 35,000-record collection (and the $500 haul of 20,000 records that built J5)Making peace with a tough upbringing, and music as therapyLosing his father, and the records that brought it outDrumming, Brazilian rhythm, and house parties that ended on slow jamsBum Rush Productions, $2 on the door and the 40 ounce posseWhy it's Jurassic 5 when there were six of themTurning down the Blunt single deal — and signing Kanye at Correct RecordsThe chemistry with Cut Chemist, and the art-first philosophyBreaking in the UK before the US, and touring like a rock bandRetaining the publishing, the long life of "What's Golden", and a surprise Pandora hitThe whole first EP made on an eight-trackThe Interscope era alongside Dre, Eminem and 50 Cent, and the Scott Storch sessionsGoing solo with the toy set, and building his own ecosystemHow Amunu came together — and the LA launch | — | ||||||
| 6/11/26 |  Cut Chemist: The deepest of deep dives | Cut Chemist has been on my list since the day I started this podcast, so getting him on for Episode 85 was a real full-circle moment. He's someone whose records genuinely shaped how I dig and how I think about putting samples together, and across this conversation he traces the whole arc — from kicking along to a Bobby Darin concert in the womb, to a McDonald's straw on a snare drum, to Star Wars soundtracks, to the moment hip hop landed for him in 1983.We get deep into the Hollywood scene that raised him, the Rhino Records parking-lot quarter bins where he and his friends amassed beats nobody had touched, and the Jungle Brothers album that made him realise he could make "a record made out of records."From Unity Committee into Jurassic 5, sharing the production chair with Nu-Mark, the all-45s leap into Brain Freeze with DJ Shadow, the solo tightrope of The Audience's Listening, and right up to his candlelit listening parties now — this one's a masterclass in following the unfamiliar. It's long, it's nerdy in all the right places, and I couldn't have asked for more from a guest who's influenced me this much.In this episode we cover:His earliest musical memories — parents, live drums, Carpenters and a deep sci-fi soundtrack obsessionDiscovering hip hop in 1983 via KDAY, breakdancing, graffiti and the elements one at a timePublic Enemy, Bomb Squad and why Main Source is his production templateThe Jungle Brothers album that turned him into a samplerLearning gear the hard way — reel-to-reel, Roland S10, MPC, the Pro Tools learning curveForming Jurassic 5 out of Unity Committee, and the east-coast heart in a west-coast cityPre-internet sample sleuthing and the legendary Rhino Records quarter binsFirst DJ gigs at 15, learning to cut, and the up-and-down fader style that became his ownQbert and the 1996 X-Men vs Scratch Pickles battleA digging philosophy: is the juice worth the squeeze?Sharing production with Nu-Mark, building Lesson 6, and breaking in Europe with Mr FormatThe Rare Equations mix, the Number Song remix and the all-45s origins of Brain FreezeOzomatli, Brazilian and African digging, and constructing a set like a compositionThe Audience's Listening at 20, The Garden in Brazil, and the Italy trip that changed everythingThe Good Life Cafe education and record shopping with Biz MarkieStable Sound, the Bandcamp subscription, and his candlelit psychedelic sound bathsOn Keb Darge, on Edan, and the Expert of None shows coming next | — | ||||||
| 5/20/26 |  Eddie Otchere - The Spirit Behind The Lens | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsThis week I'm joined by Eddie Otchere — a name that might be new to some, but his work absolutely won't be. Eddie is the photographer behind some of the most iconic images of 90s hip hop, jungle and drum & bass, garage and grime. He was Metalheadz's official photographer, shot Wu-Tang Clan, Aaliyah, Biggie, Jay-Z, So Solid Crew, Estelle, Chronixx, and pretty much every rapper you cared about coming up. His work is currently exhibited at the V&A East, and he's spent the last 30 years documenting London's black music and dance culture.Eddie grew up in Brixton, Stockwell and Vauxhall, falling into record collecting at Groove Records in Soho when he was so small he couldn't see over the counter. He picked up his first camera in the late 80s — a Praktika left behind by a friend's granddad — and went on to build one of the most important visual archives of UK club culture. This is a long, deep, wide-ranging conversation, and one I came away from genuinely feeling like I'd learned something. I hope you do too.Topics covered:Growing up in South London and the village mentality of the areaEarly days at Groove Records, Red Records, Dub Vendor and the record shops of SohoGetting online in the mid-90s via Direct Connection in Stockwell — and how hip hop became the global languagePicking up a Praktika camera and falling into photography alongside record collectingWhy being analog matters in a "post-fact" world of remastered records and retconned historyThe Canon EOS 10 and learning to shoot in pitch-black clubsShooting jungle raves, Metalheadz, and protecting young people from tabloid demonisationHow Red Bull, smoking bans and changing crowd behaviour shifted the look and feel of clubsThe art of the loop — Alchemist, Dilla, No I.D. and chasing perfect samplesWorking with Wu-Tang as teenagers and learning to build a body of workPhotographing Aaliyah, Biggie, Jay-Z, Estelle and ChronixxAround the early days of grime and why he gravitated toward So Solid in South LondonDrum & bass being run by women, and the importance of Chemistry and StormThe General Levy "cancellation", gatekeeping, and protecting a cultureThe V&A East exhibition and the tension between DIY scenes and academic curationLee Scratch Perry, dub museums, and what music history should look likeMeta glasses, AI as a personal agent, and digital asset management for photographersHis advice for new photographers: intention is everything | — | ||||||
| 4/30/26 |  DJ Mag's Carl Loben: "Everyone had to leave their DMs at the door" — 2 Tone and beyond | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsThis week I'm joined by Carl Loben, Editor-in-Chief of DJ Mag and a man who's spent more than three decades chronicling dance music — from blagging his way into gigs as a freelance writer for Melody Maker in the early 90s, to running DJ Mag for the last decade. I wanted to sit down with Carl because he's seen the whole arc from a vantage point most people haven't: Two Tone gigs at Hammersmith Odeon (where everyone had to leave their DMs at the door), an acid house epiphany at Glastonbury, the drum & bass evangelism that defined his 90s, and a publishing career that's covered the rise of the superstar DJ, the bottle-service era and the digital revolution from the front row.We get into Carl's own DJing journey — the false start, the freestyle rooms in Hackney, the international gigs that came with the editor's chair — and the labels he's built along the way: Westway with Barry Ashworth from the Dub Pistols, and Jack Said What with Irvine Welsh and Steve Mac (the underground house Steve Mac, not the pop one — there's a great story in there). He's also really frank about the shifting cultural landscape: the whitewashing he and Ben Murphy set out to address with their book Renegade Snares, the wellbeing reckoning that's reshaping what DJ life looks like, and the sea-of-phones problem that's quietly killing the dancefloor.In this episode we cover:Growing up between Beatles, Buddy Holly and Two Tone, and his first gig at 13 (Madness, Hammersmith Odeon)His acid house epiphany at Glastonbury and the unsung heroes the history books missedThe Hackney freestyle rooms, becoming a drum & bass DJ, and almost painting himself into a cornerBlagging his first reviews for Melody Maker and what life was like as a 90s freelance music journoWhy Melody Maker went down the toilet and how he ended up at DJ Mag full timeInternational gigs in Brazil, Ecuador, Poland and China — and learning why touring DJs burn outThe cult of the superstar DJ and the hangover from rock and rollWestway Records, Jack Said What, and the realities of running a label after the vinyl crashRenegade Snares, the whitewashing of drum & bass, and the genre's reckoning with diversityWhy digital was a blessing and a curse, and what happens when 20,000 tracks a day hit SpotifyThe wellness shift, the sea of phones, and his advice for new DJs trying to break through | — | ||||||
| 4/16/26 |  "We were limited to 30 minutes of funk" - how Debo established a worldwide funk and boogie brand | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsThis week we're heading to the West Coast to sit down with Debo (Ivan) — the man behind Funk Freaks, one of the most authentic funk communities operating anywhere in the world right now.Born and raised on the west side of Costa Mesa in Orange County, California, Debo's story is one of music as lifeline. From breaking a needle on a Sesame Street turntable at five years old, to getting his hands on a beat-up pair of mismatched Technics at age 12 — after his older brother borrowed them from a friend who was heading to prison — to teaching himself to mix at 4am before school every day for six months straight. The obsession was always there.We talk about what makes Orange County's relationship with 80s boogie and funk so deep-rooted and distinct from LA, the lowrider culture that kept this music alive for generations, and how Funk Freaks went from backyard boogies and house parties to a nine-year residency at the legendary OG Mics in Santa Ana — and eventually to chapters across Europe, South America and beyond.Debo also opens up about the blood, sweat and tears it took to break the stigma of "cholo music" in bars and clubs, his year living in Barcelona, touring European funk bars with nothing but a tourist visa and a crate of records, and how all of that led to opening the record shop and launching the Funk Freaks label.A genuinely inspiring conversation about community, culture, creativity and the power of music to change the direction of a life.In this episode:Growing up on the west side of Costa Mesa and how the environment shaped himLearning to DJ on a borrowed mismatched pair of Technics and a busted crossfaderThe Stanton DJ-in-a-Box moment and the mother who matched his first paycheckThe Beat Junkies influence and applying hip hop technique to funk recordsBackyard boogies, house parties and the stigma of "cholo music" in venuesOG Mics — the Santa Ana residency that became the capital of funk in Southern CaliforniaLiving in Barcelona, buying Euro funk pressings for cents and building the international networkHow the Funk Freaks chapters work (think: graffiti crew ethics applied to record collecting)Digging road trips from New Orleans to New York to Baltimore and why California is slim pickings nowThe Funk Freaks record label — limited pressings, DJ tools, and the story behind the Colors movie recreationWhy there's no such thing as overpaying for a record that means something to youWhat the DJ's job actually is — and why Europe gets it rightLinks:Funk Freaks Instagram: @funkfreaksRemote Control (production): http://www.remote-ctrl.co.uk | — | ||||||
| 4/3/26 |  Throwback Episode: DANNY DANN BEAT MANN (RIP) | The Bronx legend responsible for Dusty Fingers and Schoolyard Breaks, a true scholar, a man with some great stories, Danny Dann Beat Mann, rest in peace.He was a north start for me from day 1 so it was great to get him on the show.RIP a true king of digging. | — | ||||||
| 3/25/26 |  "It helped me to escape family life" - Dan Lish on hip hop, his NY pilgrimage and life as an artist | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDan't IG: https://www.instagram.com/danlish1/The first ever live Once A DJ — recorded at Canopy Menswear, DerbyDan Lish is an illustrator and lifelong hip hop head whose work sits right at the intersection of culture, art and memory. In this special live episode — the first Once A DJ has taken out of the studio and in front of an audience — recorded earlier this year at Canopy Menswear in Derby, he tells the story of how B-boying and hip hop found him at exactly the right moment — and never really let go.He opens up about a difficult childhood, moving between families and a stint in boarding school, and how the battle culture of B-boying gave him a platform to express things he couldn't yet put into words. From erecting coat hangers around his bedroom window to pull in the Capital Rap Show on pirate radio, to catching second-hand American records in tiny Suffolk shops thanks to nearby US Air Force bases — Dan's path into the culture was shaped by scarcity, which made it all the more precious.He eventually made it to New York, where he spent around seven years immersed in the grassroots scene: practicing in the Bronx, attending block parties in Queens, linking with Spike from Zulu Nation, hanging with original writers like Stay High 149, and entering battles despite — by his own admission — being stiff as a plank when the nerves hit.Back in England, his illustration career took off through a series of portraits of hip hop icons drawn during his train commute — work that went around the world, got bootlegged onto mixtapes, and caught the attention of Rakim, Pete Rock, Paradise Gray from X Clan, the RZA and De La Soul among others.He rounds out the episode talking about his upcoming illustrated book Wonder Love, a love letter to Stevie Wonder's classic 70s albums, published by W.W. Norton.Show notes:Dan Lish's work: danlish.com (verify current link)Velocity Press: velocitypress.ukCanopy Menswear Derby: canopyonline.co.ukBook mentioned: Brakesploitation seriesUpcoming: Wonder Love — illustrated Stevie Wonder book, W.W. Norton | — | ||||||
| 3/11/26 |  DJ Super Dmitry on Deee-Lite, Nauti Siren & his musical roots "Elektra didn't think it'd go anywhere" | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDJ Super Dmitry | Dee-Lite, Nauti Siren & The Sound of a Life Lived in MusicThis week on Once A DJ, Adam is joined by DJ Super Dmitry — one third of Dee-Lite, the group behind one of the most joyful and enduring records in dance music history. But Dmitry's story goes far beyond 'Groove Is in the Heart', and this conversation goes all the way back to the beginning.Dmitry grew up in Soviet Ukraine as a third-generation musician. His grandmother — unable to afford a piano during the disruptions of the Russian Revolution, Civil War and World War Two — cut piano keys from paper so she could practise by hand. That love of music carried through the family, and Dmitry began lessons at five, was attending a conservatory music school by seven, and was already writing his own compositions in the style of Gershwin and Scott Joplin by eight.Western music was tightly controlled. Records could only be obtained on the black market — for around $50 each — and were copied onto reel-to-reel before being traded on. A track from Jesus Christ Superstar introduced him to something funky he couldn't yet name, and the search for that sound would shape the rest of his life.At 14, Dmitry and his family left the Soviet Union — the first in their town to do so, and treated as traitors for it. After periods in Austria and Italy, where he discovered punk (the Pistols, the Damned, X-Ray Spex, Iggy Pop), the family arrived in New York in 1978. On Halloween. In a Black neighbourhood in Brooklyn. Having never seen Black people before.From a 50-cent bin in a record shop, he picked up 'The Clones of Dr. Funkenstein' by Parliament because the cover looked insane. That was the moment. 'There it is,' he thought. 'That's the sound I've been looking for.' He's been a funkateer ever since.New York in the late 70s and early 80s was extraordinary — punk, disco, hip hop, and house all converging in the same sweaty rooms. Dmitry became an elevator operator at Danceteria, practising guitar in the lift between floors while Sisters of Mercy and the Sugar Hill Gang did soundchecks below. He ran into the pre-fame Beastie Boys regularly, worked at the Pyramid Club (run by drag queens, and a real education in showmanship), and played for Kool Herc and Grandmaster Flash at block parties in Harlem and the Bronx.Dee-Lite formed as a direct attempt to bridge the gap between house and funk. They built a following through monthly shows drawing up to 1,500 people, which caught the attention of a Billboard writer and eventually sparked a label bidding war. They signed to Elektra — choosing them because their A&R, Nancy Jeffries, had signed Iggy Pop and Bjork, and that felt like the right kind of open-mindedness.Elektra didn't believe 'Groove Is in the Heart' had any traction. They let Dee-Lite do the video anyway, and Dmitry remembers the precise moment he knew it had crossed over: standing in a grocery store queue when it came on the radio and the cashier started dancing at her till. 'That's my jam,' she said. 'That's my jam.'Q-Tip turned up to the studio, listened for 15 minutes, jotted notes, and nailed it in two takes. Bootsy Collins casually mentioned he had 'some friends' who might be able to play horns — those friends were Fred Wesley and Maceo Parker, who arrived as near-strangers to each other after five years apart and immediately played like they'd never stopped.Their first proper gig with a full live band was in front of 300,000 people at Rock in Rio. The second album was recorded expensively in a big studio; Dmitry considers it their weakest. The third, Dewdrops in the Garden, went back to basics and home recording, and he's proud of how well it still sounds.The band broke up when Dmitry and Kier's relationship ended, and he eventually made his way to Berlin — partly drawn by its thriving club culture, partly pushed out of New York by Giuliani's crackdown on clubs. He played Tresor, won a Best Techno DJ award at Ibiza despite not really being a techno DJ, worked with Julie Cruz, remixed Chaka Khan and Ziggy Marley, and kept making music.Then during the pandemic, a friend sent him a vocalist called Jessie Evans. He sent her some dub tracks that had been sitting on his computer for years. She recorded them one by one, sending back a finished song every couple of days from Brazil — while caring for two young children. Before they had ever met on video, they had an album's worth of material. That project became Nauti Siren. She moved to Germany, they got married, and they now have around five albums' worth of music ready to release. The first, 'Rising', is out now.This is a remarkable conversation with someone who has lived inside the history of popular music for fifty years — and who still has plenty more to say.Find DJ Super Dmitry:Instagram: @superdjdmitryNauti Siren 'Rising' — out on Bandcamp and all streaming platformsOnce A DJThe podcast that looks at what brings us together and what sets us apart. Subscribe wherever you listen to podcasts. | — | ||||||
| 2/25/26 |  "I saw a sea of masks of my face" - Steve Davis on his unexpected journey into Djing | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clamps6-time snooker champ and lifelong record collector Steve Davis took the mainstream by surprise when he started DJing...his career blossomed quickly, but he'd been paying his dues with digging and collecting for decades previous...In this interview we get into the day job and also the new hustle, and how they complement each other, and also how they're very different.In this fascinating episode, we sit down with one of Britain's most famous sporting icons - six-time world snooker champion Steve Davis - to explore his journey into electronic music, DJing, and his band The Utopia Strong.Steve shares incredible stories about the golden age of snooker in the 1980s, including the legendary 1985 World Championship final against Dennis Taylor that 18.5 million people watched until the early hours of the morning. But more importantly, we dive deep into his lifelong love of music, from discovering prog rock and psychedelic music as a teenager, to becoming a respected DJ on the alternative electronic music scene, to creating experimental instrumental music with The Utopia Strong.This conversation explores the parallels between elite sport and creative pursuits, the importance of obsession and dedication, dealing with success and failure, the power of humor and perspective, and why at 68, Steve feels like Peter Pan with no intention of retiring.Whether you're interested in snooker history, electronic music, or the mindset of elite performers, this episode offers unique insights from someone who's mastered multiple crafts.GuestSteve Davis OBE - Six-time world snooker champion (1981, 1983, 1984, 1987, 1988, 1989), BBC snooker commentator, DJ, and member of electronic music trio The Utopia Strong.Known as the "Romford Terminator" during his dominance of snooker in the 1980s, Steve has become equally respected in the alternative electronic music scene.Key Topics CoveredThe golden age of snooker in 1980s BritainThe 1985 World Championship final - 18.5 million viewersFinding your obsession early in life (snooker at age 14)Parallel journey with music from teenage yearsDiscovering prog rock, psychedelic music, and krautrockThe transition from sport to musicDealing with success, failure, and being replaced (Stephen Hendry era)The importance of humor and not taking yourself too seriouslyDJing philosophy and track selectionThe Utopia Strong - experimental electronic musicModular synthesis and improvisationWorking for the BBC on snooker coverageLife at 68 - feeling like Peter PanUpcoming gig: DJing in a sauna | — | ||||||
| 2/12/26 |  "What sets you apart is your records" - Supreme La Rock talks authenticity and developing your own sound | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampshttps://www.instagram.com/supremelarockhttps://linktr.ee/supremelarockIn this episode of Once A DJ, Adam Gow sits down with the "newly crowned king of the Drum Break", Supreme La Rock. What begins as a nostalgic look at a four-year-old mesmerised by a Christmas turntable evolves into a masterclass on the evolution of hip hop and the relentless pursuit of the perfect record. Supreme recounts his pivotal teenage summers in New York, where witnessing block parties and B-boys first-hand sparked a mission to bring that burgeoning culture back to a then-untouched Seattle.The conversation captures the emotional weight of a life built on "real hip hop," moving from DIY mixers fashioned with toothpicks to international tours and deep-seated friendships with legends like Biz Markie. Supreme reflects on the transition from an "outcast" teen to a world-renowned digger, detailing the shift from 99-cent gambles to chasing rare acetates. It is a reflective journey through the philosophy of selection, the importance of community, and the simple, enduring power of soul music that makes you want to move. | — | ||||||
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 1/29/26 |  "We had a machine behind us" - Amadeus Mozart Pt. 2 - on the story of Tidy Trax | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsThis one picks up where we left off - right at the moment when a mobile DJ dressed as Dr. Stiff meets a pop star called Andy Pickles and accidentally builds one of the biggest hard house labels in the country. Amadeus takes us through the Tidy Trax origin story properly this time: the Hit the Decks albums, the handshake deal that launched everything, and why sometimes the best business moves happen when you're just trying to help a mate out.There's a proper detour into wedding DJing (Amadeus has got opinions), stories about turning up to gigs dressed as a doctor with his wife as a nurse, and the moment he realized he'd gone from making tracks in his bedroom to running a business with 40-odd staff. The conversation wanders through sampling culture, remixing everything, and why nothing's truly original - from disco to hip hop to hard house to the ATV logo. It's not a linear career journey; it's more like watching someone accidentally stumble into their life's work and then double down on it.By the end, we're talking AI, Paul McCartney getting paid for robot Rihanna tracks, and why you can't build a wall to stop a train. | — | ||||||
| 1/15/26 |  "You Think It's Sh*t Then You Realise You Like It" - Amadeus Mozart on Discovering House Music | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsAmo/Tidy Trax links:https://www.instagram.com/tidytrax/ (label)https://www.instagram.com/tidyamo/ (Amo)https://www.youtube.com/@tidytraxIn part one of this two-part conversation, we sit down with Amadeus Mozart (Lee Marlow), one half of The Tidy Boys and the architect of the Tidy Empire that defined UK hard house.Born in Kettering in 1965 into a working-class family, Amadeus traces his musical journey from his audiophile father's obsession with the Moog synthesizer to becoming a disco devotee in the punk rock era. We explore his formative years being bullied at school for loving Village People while his classmates embraced The Clash, his discovery of London's underground gay club scene in the 1980s, and navigating the AIDS crisis while waving the flag for gay rights.This episode covers the crucial early years: his friendship with Darren Kennedy, the influence of classical music through his gay housemate Norman, and the loss of his father in 1996 just before his breakthrough success. It's a story of passion, persistence, and staying true to your musical vision against the odds.Key Topics:Growing up with Spotlight on the Moog (1968) - the pre-Kraftwerk electronic revolutionBeing into disco during the punk rock movement (1977-79)The UK's reaction to the "Disco Sucks" movementDiscovering London's gay club scene in the 1980sLiving through the AIDS crisis and fighting for gay rightsThe influence of classical music on electronic musicWorking-class roots and the journey to music industry successGuest: Amadeus Mozart (The Tidy Boys, Handbaggers) Recorded at: Tileyard North, WakefieldPart two coming soon, covering the Hit the Decks era, the birth of Tidy, and 30+ years of UK dance music history. | — | ||||||
| 1/8/26 | Once A DJ's going live! A couple of updates | Just wanted to share a couple of thoughts in lieu of new episodes for 2026! | — | ||||||
| 12/22/25 |  "Failure is an essential part of success" - J Period on becoming a master of the mixtape | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsIn this special episode, we sit down with mixtape legend J.Period for an in-depth conversation about his journey from LA to New York, the craft of storytelling through music, and what it takes to sustain a prolific creative career in the ever-changing music industry.J.Period shares intimate insights into his creative process, from his early days discovering hip hop through Beat Street to becoming one of the most respected mixtape curators in the game. We explore his collaborations with icons like The Roots, Lauryn Hill, Nas, and Q-Tip, and discuss how he's adapted his craft in the streaming era while maintaining artistic integrity.This conversation goes deep into the philosophy of curation, the importance of resilience in creative work, and how to balance prolific output with quality and family life. Whether you're a DJ, producer, or creative professional, there's invaluable wisdom here about staying authentic and building a sustainable career in music.GuestJ.Period - Legendary mixtape DJ, curator, and storyteller known for his innovative blends and narrative-driven projects. Creator of iconic mixtapes including The Best of Lauryn Hill, collaborations with The Roots, Nas, Q-Tip, and many more.Key Topics CoveredEarly influences: Growing up in LA and discovering hip hop through Beat StreetThe move to New York in 1999 and starting the DJ journeyThe craft of mixtape curation and storytelling through musicBuilding relationships with artists like The Roots, Lauryn Hill, and NasThe evolution from physical mixtapes to streaming platformsApple Music's DJ program and finally getting DJs compensatedThe philosophy of resilience: handling rejection and failureBalancing prolific creative output with family and personal lifeThe importance of authenticity and gratitude in the music industryUpcoming projects and live performancesNotable Quotes"Failure is an essential part of success. I would not have been able to do any of these things unless I tried and failed eight, nine, ten times on the road to figuring it out.""The only thing they've ever been able to do is pay the copyright holders. No one has ever figured out how to pay the DJs until Apple Music.""If you tell me no, I'm just going to figure out another way to do it. That's why I'm where I'm at.""What you bring to a thing is what you will get from it. The amount of arrogance and ego and expectation you bring will be matched. But if you're grateful and humble, that will affect the outcome too."Connect with J PeriodInstagram: @jperiodbkTwitter: @jperiodbkFacebook: J Period BKYouTube: J Period BKSpecial ThanksBig thanks to Dan Lish for connecting us for this conversation.Upcoming EventsLive Podcast Recording with Dan LishDate: January 30th, 2026Location: Canopy Menswear, DerbyContact the show for details | — | ||||||
| 12/11/25 |  "What am I gonna do with all these records?" - Aidy West on Vinyl Underground and 30 Years of Chicago, Detroit, and Underground House | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsAidy West, owner of Vinyl Underground for over 30 years, shares his journey from breakdancing kid to underground record dealer. From attending Fresh '86 at age 14 to shipping directly from Detroit, surviving vinyl's dark days, and witnessing the Record Store Day boom - this is the story of passion over profit in the record game.Chapter MarkersPart 1: Musical Origins (00:02:03 - 00:17:45)00:02:03 - Introduction00:02:41 - Growing up with Madness and two-tone00:04:16 - First records: Buggles and WH Smith Saturdays00:05:09 - The Jam's "Going Underground" changes everything00:06:36 - Breakdancing and electro: "Oral sex spelled A-U-R-L"00:09:33 - Fresh '86: Afrika Bambaataa and the Wembley pilgrimage00:13:21 - The legendary Hammersmith Public Enemy gig at 1400:15:24 - Record shop culture and getting ignored in LondonPart 2: Hip Hop & Early House (00:17:45 - 00:30:26)00:17:45 - Northampton's healthy hip hop scene00:19:23 - Hip house and Doug Lazy's "Let It Roll" obsession00:21:12 - First DJ experience at college parties00:22:13 - A-level results and joining the family business00:24:54 - Buying Technics with summer warehouse job money00:26:17 - Meeting Alton and discovering Chicago/Detroit00:26:51 - Yorkshire Bleep: The origins of UK bass musicPart 3: Building Vinyl Underground (00:30:26 - 00:48:13)00:30:26 - ESP/Dreamscape and early rave scene00:33:12 - Moving to Brighton and the scene there00:38:09 - The Orbital "Chime" hunt across London00:40:44 - Adam Naked: "Talk about giving up food for funk"00:42:33 - The NEC record fair that started everything00:46:10 - "I'm gonna start a shop" - birth of 80s Vinyl Underground00:47:11 - First advert in Echoes magazine00:48:13 - The first customer: Stevie from BirminghamPart 4: Going Direct to America (00:48:13 - 00:59:12)00:48:58 - First Underground Resistance record and Submerge00:50:56 - Calling Detroit on expensive international rates00:53:04 - Why London couldn't get the records Aidy wanted00:56:28 - Passion first, business second00:57:14 - Eddie Richards buying records in Aidy's parents' bedroom00:59:01 - Specializing in what others ignoredPart 5: The American Dream (00:59:12 - 01:13:11)01:00:16 - The 1997 American buying trip01:01:50 - £5,000 cash in a bum bag01:04:05 - Walking into Guidance Records Chicago01:06:35 - Meeting Mike Banks at Underground Resistance01:07:48 - The Detroit tour that never happened01:09:11 - Getting tracked down in KalamazooPart 6: Growth & Technology (01:13:11 - 01:29:25)01:13:11 - Early website in 199801:15:22 - The rush to get new releases online first01:20:46 - Tech house boom and expanding the shop01:22:57 - The Moody Man effect: Bridging hip hop and house01:25:11 - Mathematics and "coming full circle" in 200901:28:34 - Dark days: Moving to London during the crash01:29:25 - The Saturday pilgrimage when he came backPart 7: Vinyl's Death & Resurrection (01:29:25 - 01:37:36)01:31:06 - Limited 300-copy pressings save the scene01:33:02 - When did vinyl come back?01:33:28 - Record Store Day: Love it or hate it01:34:55 - Too many record shops now?01:36:42 - 30 years to learn the DJ craft01:37:36 - Working with NRK and Dimitri from Paris01:39:20 - Driving American house legends01:40:59 - Angel Moralez and the Paradise Garage | — | ||||||
| 11/28/25 |  "I was lucky until I wasn’t" - DJ Design Pt 2, the ups and downs of the music business | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDJ Design on Patreon: https://www.patreon.com/djdesignDJ Design on Instagram: https://www.instagram.com/djdesignIn our second sit down with DJ Design, we cover his experiences with his group, running a label Look Records, and when it all falls down.Get the lowdown on why he had such a good run producing, what led to Foreign Legion getting management, and what went wrong with the Beastie Boys remix. And what happens when everything you loved disappears and you have to start again. This is an honest and revealing insight into one artist’s experiences for the good, and for the bad, respect to Design for sharing so much. | — | ||||||
| 11/13/25 |  Beats from the Bay - DJ Design on DJing, Beatmaking, Visual Identity and the origins of Stones Throw | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDJ Design's links:Patreon: https://www.patreon.com/djdesignInstagram: https://www.instagram.com/djdesign/DJ Design, a pivotal figure in the Bay Area's vibrant music landscape, takes center stage in this compelling discourse, wherein we delve into his formative years and the profound influences that shaped his illustrious career. Having been deeply entrenched in the early days of Stones Throw Records, he shares with us insights into his artistic genesis, elucidating how the unique local scene and his familial ties to music laid the groundwork for his remarkable journey. From his early encounters with renowned artists to the serendipitous moments that led him to collaborate closely with Peanut Butter Wolf, DJ Design's narrative is one of camaraderie and creativity that resonates with the essence of hip-hop culture. We explore the nuances of DJing and music production, touching on the inspirations drawn from iconic figures and the collective spirit of the Bay Area artists who contributed to a rich tapestry of sound. With wit and candor, DJ Design reflects on the challenges and triumphs of his career, offering listeners an authentic glimpse into the world of a true musical innovator. | — | ||||||
| 10/31/25 |  The Good, the Bad and The Ugly of Open Format with Mojaxx | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsMojaxx's Links:https://www.instagram.com/mojaxx/https://www.youtube.com/djcitytvThis week I sat with trusted reviewer, gear head and open format Dj Mojaxx to discuss his journey through DJing, the good and the bad of open format, and naturally, we get into some pretty nerdy bits around effects chains, turntables and more. | — | ||||||
| 10/16/25 |  DJ Angelo - Spin cycles | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDJ Angelo's links:YouTube: https://www.youtube.com/@DJAngeloUKInstagram: http://instagram.com/djangeloukTikTok: https://www.tiktok.com/@djangeloukThis week, we delve into the remarkable journey of DJ Angelo, a luminary in the realm of turntablism, whose ascent from a modest beginning to becoming a highly respected figure in the DJ community serves as an inspiration to many. Having cultivated a friendship spanning two decades, I have had the privilege to witness Angelo's evolution not only as a turntablist but also as a creative director, shaping the landscape of DJing itself. Throughout our conversation, we traverse the tapestry of his early influences, the pivotal moments that ignited his passion for music, and the profound impact of community on his artistic development. Angelo's narrative is replete with insights into the relentless pursuit of excellence and the importance of adaptability in a rapidly changing industry. Join us as we explore the multifaceted dimensions of his career, punctuated by anecdotes that illuminate the challenges and triumphs that have defined his path.This week I’m honoured to be joined by one of my oldest friends in DJing, DJ Angelo. Very poignant that this comes out straight after DMC Weekend, given that he’s probably played a significant role in a lot of competitors learning their craft. Before terms like influencer existed, Angelo gained mass exposure through his YouTube tutorial videos, and has continued to contribute a lot to the scene as a performer, ambassador, competitor, tech advisor and more.In this episode we go right back to his roots, looking at the many different ways Angelo’s developed artistically and professionally, and we find out what keeps him growing, and how he feels about 25 years in the game. | — | ||||||
| 10/2/25 |  B+ Part 2: Capturing Hip Hop's Essence | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsEmbarking on a profound exploration of the multifaceted artistry of Brian Cross, also known as B+, this episode delves into his pivotal contributions to the realms of hip hop and DJ photography. As we dissect his significant works, we illuminate the intricate interplay between music and visual narrative, particularly focusing on his celebrated projects such as the Keeping Time and Brazilian Time documentaries. We will traverse the vibrant landscape of hip hop culture, examining notable moments like the Beat Battle between Will I Am and Thess One, while also paying homage to a luminary like J Dilla through the Sweet for My Dukes project, an endeavor that transcends mere tribute to achieve a resonant eulogy. Our discourse invites DJs and enthusiasts alike to engage with the sonic and visual tapestry that B+ has masterfully woven, promising insights that are as enlightening as they are entertaining. Prepare to immerse yourself in a conversation that is not only a celebration of artistry but also a testament to the enduring impact of hip hop culture on visual storytelling. | — | ||||||
| 9/17/25 |  B Plus Pt 1: Limerick, Rhymes & Life | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsBrian Cross, known colloquially as B Plus, presents a compelling narrative as he delves into his remarkable odyssey from Limerick, Ireland, to the vibrant landscape of Los Angeles, where he has cultivated a multifaceted career as both a revered photographer and an integral figure within the hip-hop community. This episode encapsulates the essence of B Plus's journey, highlighting his deep-rooted connection to DJing and the transformative power of music in his life. Through a fascinating discourse, we explore how music has served as both a refuge and a catalyst for community, shaping his identity and artistic vision amidst the evolving cultural tapestry of America. With wit and insight, B Plus elucidates the intricacies of his craft, recounting the pivotal moments that have defined his trajectory, including collaborations with renowned artists and the nuanced dynamics of cultural representation in the visual arts. Join us as we traverse the intersections of music, photography, and community, gaining a profound appreciation for the artistry that transcends geographical boundaries and resonates universally. | — | ||||||
| 8/21/25 | A little update and a couple of weeks off | Keb Darge Tickets: https://www.ticketsource.co.uk/onceadj/once-a-dj-presents-paths-of-rhythm-keb-darge-60s-garage-punk-set-plus-q-a/e-mqkajeKeb Kickstarter: https://www.kickstarter.com/projects/kebdargedocumentary/who-the-fxxx-is-keb-dargeBeijinho Do Brasil: https://www.instagram.com/beijinhodobrasil/Talking Matters Podcast: https://podcasts.apple.com/gb/podcast/talking-matters-with-nick-halkes/id1750320438Swift & P Digital: swiftandp.bandcamp.comDinked Records: dinkedrecords.comOnce A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsA few updates from the Once A DJ Alumni. | — | ||||||
| 8/6/25 |  Patrick Forge pt2 - a rhythm runs through it | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsPatrick Forge shares his journey through the evolution of club culture in London, the rise of acid jazz, and the emergence of broken beat as a new genre. Patrick reflects on the significance of venues like Dingwalls and the impact of record labels in promoting new music. He also highlights the legacy of artists like Jamiroquai and the rapid changes in music during the 90s, emphasizing the importance of celebrating lesser-known musicians and producers. In this conversation, Patrick Forge shares his journey through the evolution of DJ culture, the birth of the broken beat scene, and his experiences with the band Batu and the project Delata. He reflects on his time in Japan, the challenges of being a single parent while maintaining a career in music, and his excitement for a new Da Lata album that showcases a more cohesive sound. Patrick also discusses the importance of understanding the audience as a DJ and the joy of playing music that resonates with both him and his listeners. | — | ||||||
| 7/23/25 |  Patrick Forge pt 1 -Talkin' All That Jazz | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsInstagram: https://www.instagram.com/patrickforge/Mixcloud: https://www.mixcloud.com/patrickforge5/In this conversation, Adam Gow and Patrick Forge explore the journey of music from overcoming self-doubt to the evolution of musical tastes. They discuss the impact of punk, the complexity of jazz, and the joy of DJing, emphasizing the emotional connections music creates. The dialogue highlights the eclectic nature of music and its ability to bridge cultural divides, as well as the personal growth that comes from exploring different genres and sounds. In this conversation, Patrick Forge shares his unexpected journey from studying the history of ideas to exploring jazz culture and its philosophical roots. He reflects on his experiences living in a squat, the vibrant music scene of the 80s, and the rise of warehouse parties. Patrick discusses his return to music through record shops and the birth of his radio show, highlighting the importance of community and creativity in shaping his musical journey. | — | ||||||
| 7/10/25 |  Dj Hype pt. 2 - reflections | Once A DJ is brought to you by:https://www.vinylunderground.co.uk - 10% off your next order using code onceadjhttps://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsDJ Hype's Links:https://www.instagram.com/djhype_playaz/Label: https://shop.playaz.co.uk/In this episode, we're back again with Jungle legend DJ Hype to discuss his career from the early 90s to the present day, looking at what he's done, the awards he's won, and really to take from his experience and wisdom in the scene. | — | ||||||
Showing 25 of 93
Pitch Fit is a Pro feature
See how bookable this show is for guests, which brands already advertise, the per-episode ad value, and the best-fit guest and sponsor profile. The numbers are blurred on the free plan.
How readily this show books outside guests like you.
How proven this show is for host-read sponsorships.
For Guests
ProFor Advertisers
ProUpgrade to Pro to unlock guest cadence, sponsor categories, fit scores, and per-episode ad value for this show.
Chart Positions
14 placements across 13 markets.
Chart Positions
14 placements across 13 markets.