Only Three Lads - Classic Alternative Music Podcast

In the 1980s, college radio served as a vital alternative to increasingly corporate and playlist-driven commercial radio. These stations became incubators for emerging alternative genres, provided early exposure for artists who would later become influential acts, and championed independent labels, local scenes, and adventurous programming. In a tenth anniversary book issued in 1989, CMJ, the trade journal for college radio, published a list of the Top 250 most played songs from the publication's first decade (1979 - 1988). These week, we are picking our Top 5 lists from the CMJ chart. The full list is here: https://pulsemusic.proboards.com/thread/171053/cmjs-top-singles-1979-1989? Joining us is an indie rock icon who is no stranger to college radio airplay. Tammy Ealom is the force of nature behind one of the coolest indie bands ever to roam the earth and part of the Elephant 6 collective, Denver's Dressy Bessy. After a few singles and EPs, Dressy Bessy released their classic 1999 debut, Pink Hearts Yellow Moons, which many listeners discovered through prominent placement in Jamie Babbit's cult film But I'm A Cheerleader (starring Natasha Lyonne). In 2017, Tammy played a solo gig at the Athens Popfest under the name of The Tammy Shine; in February 2026, the first album by The Tammy Shine, OK Shine OK, was released by Happy Happy Birthday To Me Records. It's a showcase of Tammy's "clutterpunk" vision, balancing toughness with vulnerability, and grit with melodic charm. Plus...the single dumbest O3L game? You be the judge, as the gang TRIES to get through the radio call letter game "KO3L". Thanks to Mike Turner from HHBTM for the introduction, and John Hill (Tammy's husband, Dressy Bessy bandmate, and Apples In Stereo guitarist) for the coordination! Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Climb aboard the mothership...because we wants to funk YOU up! This week, we celebrate the music of the P-Funk universe - revolving around the nucleus of the George Clinton-led Rock & Roll Hame of Fame bands, Parliament and Funkadelic. Joining us as our Third Lad is none other than "Kidd Funkadelic" himself, P-Funk guitar hero Michael Hampton! Led by visionary bandleader George Clinton, the wildly influential collective known as Parliament and Funkadelic — together dubbed “P-Funk” — revolutionized funk music in the 1970s by blending deep grooves, psychedelic rock, outrageous sci-fi mythology, and fearless social commentary into a universe all their own. Featuring an ever-evolving cast of legendary musicians including Bootsy Collins, Bernie Worrell, Eddie Hazel, Michael Hampton, and Maceo Parker, P-Funk produced a staggering run of groundbreaking albums and hits that helped shape funk, hip-hop, R&B, rock, and electronic music for generations to come. Equal parts musical movement, cosmic philosophy, and extravagant stage spectacle, P-Funk remains one of the most creative and influential forces in popular music history. After receiving his first guitar at age 10, a determined Michael became self-taught with the help of his bedroom radio, spending days on end playing along with Jimi Hendrix, Wes Montgomery and B.B. King records. After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name “Kidd Funkadelic”. Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents. Among Hampton’s Funkadelic writing credits are group staples like “Who Says a Funk Band Can’t Play Rock?!” and “Funk Gets Stronger”, both released during the group’s late-’70s/early-’80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop’s G-Funk movement—Dr. Dre’s “Let Me Ride” samples Parliament’s “Mothership Connection”, Ice Cube’s “Bop Gun” borrows elements of Funkadelic’s “One Nation Under a Groove”, while De La Soul’s “Me Myself and I”, Digital Underground’s “Kiss You Back”, and Snoop Dogg’s “What’s My Name?” all draw from Funkadelic’s “(Not Just) Knee Deep”. Learn more about your ad choices. Visit megaphone.fm/adchoices

We've got another six pack of fresh tunes for you in our "show within the show" bonus! This week, Brett chats with composer/keyboardist Johnny Iguana from Chicago band The Claudettes, as they prepare to release their 7th album, Garage Glamour, due June 5th from Pravda Records. “Garage glamour” is about as apt a term as you can get to describe a band who has defied neat categorization over the years - mixing gritty blues, passionate soul, rabid rock n’ roll, cabaret jazz, cinematic drama, slinky funk, and a DIY punk spirit into a sound that’s all theirs. Outside of the band, Johnny has made an international name for himself as the co-composer of the score for the hit TV show The Bear, as well as playing with legendary musicians like Mick Jagger, Keith Richards, Junior Wells, and Johnny Winter. We bookend the six pack with two tracks from The Claudettes (including a duet between Claudettes chanteuse Rachel Williams and Chicago blues legend John Primer), plus four other songs that we think you will dig as much as we do! During this six pack, you will hear: 1) The Claudettes (with John Primer) - "(You Are My) Whole World" (from the upcoming LP Garage Glamour, Pravda Records) 2) Grey Disco - "Vigil" (from the LP Shades) 3) J. Mau & The Kiss Off - "Poison" (single) 4) The Rallies - "I Believe" (from the LP No Better Time) 5) The Get Alongs - "Sunday Afternoon" (from the forthcoming LP Second To None, Having Fun/We Are Busy Bodies) 6) The Claudettes - "That Could Be Arranged" (from the LP Garage Glamour, Pravda Records) Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we celebrate the life and music of Elliott Smith, tracing his journey from noisy indie rocker to lo-fi DIY troubadour to the reluctant voice of a generation. Elliott released three records with his band Heatmiser and five solo classics before his untimely passing at the age of 34 in 2003 (with two posthumous collections that followed), leaving a rich, beautiful, emotionally wrought catalogue of music that continues to influence artists today. We explore the complex, brilliant, funny, but ultimately tragic figure that was Elliott Smith, and we are fortunate to have a Third Lad who had a front row seat to his musical development - Lucas Ward from The Silver Snails. Lucas was a close friend of Elliott's (née Steven) in high school and college and shares an intimate portrait of the artist as a young man. But this episode has a dual purpose, as we also celebrate the release of the second Silver Snails album, Speed of Light. The Silver Snails are a glam rock space pop family band based in the wine country of Italy, consisting of Lucas, his wife Elisa Fantini, and aided and abetted by their three children. It's a cosmic delight of an album - a string of ten pearls lovingly crafted to uplift, inspire, and open the hearts of listeners. It draws from a stylistically diverse, spiritually enriched, globally connected palette. Oh, it also rocks and is a lot of fun! And if their cover and video of "Video Killed The Radio Star" doesn't have you smiling from ear to ear, consult a doctor immediately. Learn about Lucas's journey from Portland-raised Wall Street titan to Italian-dwelling psych-pop craftsman. Get a primer on Italian pop music. Laugh. Cry. Feel. Get reaffirmation that you are pretty. Be the faro d'amore. All this and more...only on O3L. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recycling is good, kids. Sometimes that even applies to song titles, as we look at pairs of tunes that share a title. Totally random example: "The Promise" is a fantastic song by both The Numbers and When In Rome. OK, we can't get anything past you. That wasn't random, because our Third Lads this week just so happen to be Terry & Larry Tutor from the aforementioned Numbers. L.A.-by-way-of-Texas band The Numbers cut some absolutely crucial singles between 1963 and 1967, as well as a couple of highly sought after albums. They were truly ahead of their time, crossing paths with The Who (whom they sued to , The Easybeats, Billy Gibbons, and the Grateful Dead. They were originally shoo-ins to be cast as The Monkees. Although they didn't get their due in their time, their influence on legions of power pop bands that followed is immeasurable. That is, of course, if you were to believe the extraordinarily detailed, myth-building liner notes and discography on the back of The Numbers' album Anthology '64-'67 , released on Bomp! subsidiary label Voxx Records in 1983. Truth is, the band, led by twin brothers Terry & Larry were barely old enough to remember the '60s. Yet, proudly wearing their influences on their paisley sleeves, they created one of the best, most collectible releases of the era (that part's true). Anthology is prime 1983 mod/power pop - brilliantly crafted, melodically rich, and harmonically deep pop music. Although the Tutors would only release one Numbers album in the '80s, they would morph into the "electrified Americana" of The Bordersnakes. Fast forward to 2025 (prompted by a rediscovery by YouTuber Matthew Street), The Numbers released their first new album under that moniker in more than 42 years, Mad Day Out (Bomp! Records). It finds the band with all of their strengths firmly intact, a chiming, harmony-filled blend of joyous folk rock and power pop. The guys say that this is the most fun they've ever had on a podcast...and who are we to argue with that? Plus, for those of who are into O3L games, we've got TWO for you this episode: "O3L by the Numbers", a Price Is Right-style trivia game; and "Twintuition", in which our twin guests reveal how much they know about each other. Turns out it's a lot! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ramones. Blondie. Television. Talking Heads. Patti Smith. New York Dolls. Everyone knows the big names that made New York City THE epicenter of American punk rock in the 1970s. But that's only a part of the story... For every band that "made it" in some way, there were hundreds of bands who either faded into obscurity or never got the break they deserved. They shared the same stages at legendary clubs like CBGB and Max's Kansas City. And their stories are essential to the NYC punk revolution of the era. One of those bands was Manhattan's The Rousers, whose drummer, Jerid O'Connell, joins us as Third Lad today! Rousers 1979 Sire Session is out now on Left For Dead Records on both black and translucent white individually numbered 12” LP vinyl and 2 x CD set (with bonus tracks). Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdi­vision Sire. But no one committed them to vinyl until their single “Party Boy” b/w “Don’t Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981. This oversight is corrected with the release of the demos that the original Rousers lineup cut for Sire in the label’s basement studio on New York’s Upper West Side in 1979. Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame’s Sire archives for decades, digitized and re­stored in 2024. This is not a footnote. It’s a rescue mission. Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors. We celebrate the true underground of NYC punk this week, including Jerid's incredible stories ranging from hanging out with Sid Vicious the week before his death to the Rousers' neighbor Madonna opening for them. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first Weekend Six Pack installment of 2026 - the "show within the show" where we spotlight six new tracks that have rocked our proverbial knickers off! Valentine's Day is coming a couple weeks early this year, because we've got two electrifying new tracks from Marc Valentine album bookending the show - the man who Vive Le Rock calls "the new king of British power pop". Both singles will feature on Marc's upcoming album Uncommon Side Effects, due April 10th from Wicked Cool Records. Better yet, Marc joins Brett to discuss the tunes! In this six pack: Marc Valentine - 'NY UAP' (from the upcoming LP Uncommon Side Effects, Wicked Cool Records) Blindness & Light - 'Fly Paper' (single, from their upcoming LP) Hauntees - 'All Over Again' (from the forthcoming LP Shadows Forming, Xonoring Records) The Legal Matters - 'Stuck With Me' (from the forthcoming LP Lost At Sea, Big Stir Records) Would-be-goods - 'Dr. Love' (from the forthcoming LP Tears Before Bedtime, Skep Wax Records) Marc Valentine - 'You Are The Jet' (from the upcoming LP Uncommon Side Effects, Wicked Cool Records) Learn more about your ad choices. Visit megaphone.fm/adchoices