Opera For Everyone

The young Aida loves the dashing military commander Radamès, and he adores her with a burning passion.Their mutual love is, however, somewhat complicated by the fact that Aida is a slave, enslaved by a princess who is equally smitten with the heroic warrior. Further complicating matters, Radamès’ military renown is founded on successfully prosecuting a war against Aida’s people. In this violent clash of the personal and political, Aida triumphs in her quest to be together “ever after” with Radamès, but certainly not in the way they had hoped. Join us this episode to marvel at the spectacle and scale of Giuseppe Verdi’s enduringly popular epic opera, Aida. Hosted by Pat with guest co-host Gerald Malone. Gerald Malone’s website, TheRestIsOpera.com is brimming with commentary on opera productions that he has seen around the world, and “scuttlebutt” about opera from a suspiciously well-informed canine. Gerald Malone is also the Opera Critic of ReactionLife, a UK-based online current affairs and cultural publication.

Once upon a time, there was a heroic knight, the greatest of Charlamagne’s famed paladins, and his name was Orlando (or Roland, depending on whom you ask.) Among his many heroic deeds and great journeys was this: a quest to a magical isle to abduct the headstrong princess Angelica and steal the ashes of Melin (yes, that Merlin). As his failure to win Angelica’s heart leads him down the path to madness, we must ask: is there hope for this broken hero after all? Antonio Vivaldi, famed composer of The Four Seasons, is not widely known for his operas, however, he composed between 70 and 100 in his lifetime. Join us for a discussion of this treasure of Baroque opera. Hosted by Pat and Jeff Counts (General Manager of the Grand Teton Music Festival, and KHOL’s film critic) Grand Teton Music Festival

What can one woman do, when set against the entire world? Quite a lot, if she happens to be the sorceress Medea. This French Baroque opera written by Marc Antoine Charpentier takes on the ancient tale of Medea’s struggle to find a place for herself in the world of mythic Greece’s heroes and kingdoms, which eventually descends into fire, chaos, and death. Hosted by Pat, with guest host Petria Fossel

Ill-fated lovers caught up in a world incapable of supporting love not sanctioned by officialdom… it’s a story for the ages. Join Pat and Kathleen for their third look at the Romeo and Juliet story in operatic form, I Capuleti e I Montecchi, by bel canto master, Vincenzo Bellini. If you haven’t already, we invite you to listen to Episode 120 on Gounod’s Roméo et Juliette, and Episode 124 on Nicola Vaccai’s Giulietta e Romeo. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

A great story is one that we are never done with, and there are few stories in human history with as many retellings and reimaginings as the epic tale of Romeo and Juliet. Nicola Vaccai wrote this 1825 opera based not on the Elizabethan play, but on the source materials from which Shakespeare drew. Here, the Montagues and Capulets are not merely feuding families, but armies waging war as a part of the titanic power struggles between the Holy Roman Empire and the Papacy that wracked medieval and renaissance Italy. However, the heart of the story remains the doomed romance between young lovers caught in a maelstrom beyond their control. This is the second in a (non-contiguous) series in which Pat and Kathleen closely consider the Romeo and Juliet story in opera. For an episode that presents an operatic take on Shakespeare’s play about these famous lovers, please listen to Opera for Everyone, Episode 120. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

It’s a battle for the fate of the universe as the Dark Side plots, schemes, and fights to gain dominance over the Light Side. Though this opera predates Mozart’s The Magic Flute by several decades, you may find echoes here of Mozart’s beloved work, as it is also heavily influenced by the ideals of the Enlightenment and the principles of Freemasonry. Jean-Philippe Rameau was the pre-eminent French composer of his day, and close with thinkers such as Voltaire. Rameau’s librettist for Zoroastre, Louis de Cahusac, was the secretary for the Grand Master of the Freemasonry’s Grand Lodge in Paris. Join Pat and Grant for a deep dive into this grand, mythical story’s cosmic stakes and spiritual resonances.

Of all the love stories ever told, none quite compare to the enduring power of Romeo and Juliet. Over four centuries ago, English playwright William Shakespeare crafted a timeless story harnessing both the powers of profound love and deep hatred, and his tale of “star-crossed lovers” has become an inspiration to countless artists. Two and a half centuries later, French composer Charles Gounod and his librettists took Shakespeare’s play as a starting point, and crafted it into an exquisitely beautiful and heart-rending opera. Join us for an in-depth discussion of how this story plays out as a French grand opéra. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.