PAST 10s: A Top 10 Time Machine - Music of the 70s, 80s and More

Things take a turn for the cosmic. Thanks to a special introduction from our old pal George Clooney, we learn that Elon Musk has apparently purchased Past Tens, folded it into SpaceX, and blasted Dave and Milt into separate pods orbiting somewhere above Earth. Fortunately, we were able to transmit this episode back to civilization before running out of Tang. The mission? Count down our picks for the most underrated songs of the 1970s. Now, whenever you do a list like this, you've got to define your terms. Milt comes out firing with a whole taxonomy of underratedness. Some songs were overshadowed by bigger hits. Some were unfairly dismissed by critics. Others were forgotten despite being huge at the time. And a few are simply masterpieces that never got the attention they deserved. Milt's list includes Bruce Springsteen's epic New York City Serenade, Player's silky smooth Baby Come Back, Joe Tex's forgotten smash I Gotcha, Sniff 'n' the Tears' Driver's Seat, and Stevie Wonder's breathtaking As. As for Dave, he took a different route. He championed the Bay City Rollers' terrific cover of I Only Want to Be with You, Aerosmith's bluesy rocker Chip Away at the Stone, the criminally overlooked studio version of the Jackson 5's Going Back to Indiana, Devo's wonderfully weird Uncontrollable Urge—complete with a story involving Mark Mothersbaugh and John Lennon—and Dr. Hook's Sylvia's Mother, penned by none other than Shel Silverstein. Along the way, listener Al Nadel checks in with some underrated gems of his own, and we spend a little time wondering whether NASA, SpaceX, Matt Damon, or literally anybody is coming to rescue us. So grab your headphones, fire up the oxygen generator, and join us for a journey through some of the most overlooked songs of the decade that gave us disco, punk, yacht rock, and bell-bottoms. Topics 00:00 – George Clooney Cold Open From Orbit02:02 – Establishing the Rules of "Underrated"02:50 – Our Number Five Picks06:32 – Number Four Selections10:57 – The Forgotten Hit Category12:41 – Listener Al Nadel's Picks14:43 – Jackson 5 Deep Cut Spotlight16:51 – Songs That Should Have Been Bigger18:30 – Devo's New Wave Masterpiece20:49 – The Number One Showdown24:18 – Final Transmission From Space

Dave and the Chartmeister Michael “Milt” Wolfe review the Billboard Top 10 for the week ending March 10, 1973, after chatting about Milt’s trip to Savannah, snow in Massachusetts, and assorted pop-culture tangents. They cover period context including Dark Side of the Moon’s U.S. release, the “Great Michigan pizza funeral,” KISS’s first makeup show, and the death of Grateful Dead member Pigpen. The countdown includes Jermaine Jackson’s “Daddy’s Home,” John Denver’s “Rocky Mountain High,” Dr. Hook’s “Cover of the Rolling Stone,” Elton John’s “Crocodile Rock,” Deodato’s “Also Sprach Zarathustra (2001),” the O’Jays’ “Love Train,” the Spinners’ “Could It Be I’m Falling in Love,” Edward Bear’s “Last Song,” “Dueling Banjos,” and Roberta Flack’s “Killing Me Softly.” They pick weekly winners, swap out songs for Steely Dan’s “Reelin’ in the Years” and the Moody Blues’ “I’m Just a Singer (In a Rock and Roll Band),” run a train-themed riddle game, grade the week a B, and preview a Rock & Roll Hall of Fame nominees episode. Topics 00:26 Hosts Return And Updates 02:24 Savannah Vs Snow Talk 05:09 Time Machine To 1973 06:40 Week In History Highlights 10:59 Pop Culture Backdrop 15:06 Top 10 Begins Number 10 23:46 John Denver Rocky Mountain High 29:16 Dr Hook Cover Of Rolling Stone 37:39 Elton John Crocodile Rock 40:24 Silly Song Breakdown 41:34 Funky 2001 Theme 45:59 Walk On Music Talk 51:03 Love Train Origins 53:32 Love Train In Pop Culture 57:06 Train Riddle Playdate 01:10:39 Spinners Philly Soul 01:14:32 Paul Stanley Soul Covers 01:17:52 Kiss Makeup Debate 01:19:29 Edward Bear Deep Dive 01:23:55 Dueling Banjos Origins 01:32:45 Roberta Flack Breakdown 01:38:53 Recap and Awards 01:41:33 Substitutions and Swaps 01:50:55 Week Grade and Wrap 01:54:34 Next Week Tease

This week on Past Tens: A Top 10 Time Machine, Milt and Dave crank the amps, lace up the shell-tops, and dive headfirst into one of the great musical collisions of the last 50 years: when rock and hip hop stopped flirting… and started throwing punches together. Our guest is Steven Blush — rock journalist, historian, and author of When Rock Met Hip Hop. The guy knows this terrain cold. We’re talking real-deal moments where guitars and 808s didn’t just coexist — they rewired the culture. We start with Rapture by Blondie — because yes, Debbie Harry walked so a lot of crossovers could run. Then we move into Rock Box by Run-DMC, which basically kicked the studio door off its hinges. From there? Chaos. Beautiful chaos. We hit the Def Jam Recordings origin story. The Beastie Boys pivot from punk brats to rap juggernauts with No Sleep Till Brooklyn. Rick Rubin running dual sessions like a mad scientist. Guitars. Regrets. Comebacks. We get into Walk This Way and how it resurrected Aerosmith. Then the volume somehow goes even higher with Anthrax and Public Enemy, Biohazard and Onyx, the rise of nu metal via Faith No More, and the politically explosive force of Rage Against the Machine. And yes — we land the plane (or maybe stage-dive it) with Jump Around by House of Pain, a song that has probably caused more minor arena injuries than any other track of the ’90s. Blush brings the receipts — stories, context, perspective — and we do what we always do: connect the dots, argue about legacy, and try not to blow out the speakers. Because this wasn’t just a genre mashup. It was a cultural jailbreak. Plug in. Turn it up. And come time-travel with us. GET THE BOOK: https://a.co/d/0gARAtdT Topics 00:44 Special Guest: Steven Blush 02:32 Steven Blush's Musical Journey 08:11 The Evolution of Rock and Hip Hop 29:56 The Birth of Def Jam 33:53 Beastie Boys' Breakthrough 38:02 Rick Rubin's Dual Studio Sessions 38:18 Guitar Contributions and Regrets 39:23 Beastie Boys' Rock Appeal 39:54 The Evolution of Beastie Boys 42:07 The Impact of 'Walk This Way' 43:40 Aerosmith's Comeback 50:43 Anthrax and Public Enemy Collaboration 55:10 Biohazard and Onyx Fusion 57:43 Faith No More and the Rise of Nu Metal 01:02:16 Rage Against the Machine's Influence 01:06:12 House of Pain's 'Jump Around' 01:10:48 Conclusion and Final Thoughts

Dave and Milt hop back into the Past Tens time machine and land in February 1965—a time when the Billboard Top 10 didn’t mess around. This is peak-era stuff: songs you know, artists you trust, and records that somehow still sound better than half the things clogging your algorithm today. As always, the guys do more than just count them down. They break apart the songs, talk about where they hit in their own musical DNA, and wander into side streets involving movies, memories, and the occasional “how did we get here?” tangent. The chart itself is loaded: Sam Cooke, Marvin Gaye, The Temptations, The Righteous Brothers, The Kinks—basically a greatest-hits album disguised as a single week in ’65. Somewhere along the way, a perfectly reasonable discussion turns into a full-blown “sweet” song playdate, because once you open that door, you’re not closing it quietly. The episode wraps with debates about longevity, covers that worked (and didn’t), and the usual Past Tens soul-searching about which songs are truly immortal—and which ones just had a really good run. Topics 00:00 – Welcome to Past Tens (set your dials accordingly)01:17 – Listener Feedback & Shoutouts04:09 – Time Machine Locked In: February 196505:30 – What 1965 Looked Like Outside the Radio15:55 – Countdown Begins (no wasted notes) 34:06 – Sweet Talkin’ Woman – ELO39:45 – My Girl – The Temptations (yes, that moment)48:35 – All Day and All of the Night – The Kinks57:24 – Love Potion No. 9 – The Searchers01:06:07 – Hold What You’ve Got – Joe Tex 01:11:31 – This Diamond Ring – Gary Lewis & The Playboys 01:13:21 – The Ed Sullivan Show Question01:14:02 – Gary Lewis’ Chart Run01:14:55 – Al Kooper’s Vision for This Diamond Ring01:16:49 – The Name Game – Shirley Ellis01:24:12 – Petula Clark Takes Us Downtown01:30:12 – The Righteous Brothers and That Vocal01:36:11 – Covers, Substitutions, and Tough Calls01:38:47 – Final Thoughts, Personal Stories, and Why 1965 Still Wins

Dave and Milt crack open the Billboard Top 10 from January 14, 1984 — a chart absolutely stacked with heavy hitters like Lionel Richie, Michael Jackson, Duran Duran, Culture Club, Elton John, and more. It’s pop perfection, power ballads, synth hooks, and at least one harmonica discussion that gets wildly out of hand. Along the way, the guys dig into the songs, the lyrics, and the cultural moment — plus listener emails, high-school flashbacks, and a true story of Dave weaponizing song lyrics. There’s serious love for classics like “Owner of a Lonely Heart” and “Say Say Say,” plus some healthy debate when Milt swaps out “Break My Stride” for Chaka Khan’s “Ain’t Nobody,” and Dave pulls an audible by replacing “Talking in Your Sleep” with early-era U2. Expect deep dives, dumb tangents (baseball makes a surprise appearance), TikTok-era song revivals, harmonica legends, and the usual combination of nostalgia, nitpicking, and laughs that probably goes on five minutes longer than planned — as it should. Chapters: 01:59 Listener Mail 09:43 Back to 1984 14:21 The Countdown Begins 35:56 Harmonica Jealousy (Yes, Really) 37:40 Elton John Gets the Blues 42:55 “Break My Stride” (or Does It?) 45:33 Songs That Refuse to Die on TikTok 55:21 Olivia Newton-John Curveball 01:01:46 Duran Duran Era Begins 01:19:22 “Owner of a Lonely Heart” 01:25:54 McCartney + MJ 01:34:12 The Substitution Chaos 01:44:51 Final Thoughts & What’s Next

Hop in the Time Machine and buckle up, because in this episode of Past Tens, Dave and Milt do what they do best: stare directly into the pop-culture sun and ask, “So… how did we get here?” The fellas break down Billboard’s Top 10 songs of 2025 — praising the bangers, questioning the head-scratchers, and revisiting a few familiar names that refuse to leave the charts (looking at you, Bruno). Along the way, they dig into artist backstories, chart momentum, and whether these songs are future classics… or just temporarily living rent-free in our brains. As always, there’s a twist: every modern hit gets paired with an older song that shares its DNA — same vibe, same arc, same “I’ve heard this before but can’t quite place it” energy. Is pop music evolving, looping, or just wearing a new jacket? Dave and Milt investigate. Expect karaoke stories, party chaos, musical crescendos, country-rap identity crises, unexpected love songs, and at least one moment where someone asks, “Wait… how old is that guy?” It’s nostalgia, analysis, laughs, and just enough musical snobbery to feel like home. Topics (or: Things We Somehow Spent 90 Minutes Talking About) 01:02 – Karaoke and party highlights (regrets were made) 03:16 – Credit cards, cookies, and adult responsibility creeping in 03:50 – Reflecting on past music trends (and how we swore this wouldn’t happen again) 04:29 – The Top Songs of 2025, with a nostalgic twist 10:22 – Chappell Roan, Pink Pony Club, and the long road to overnight success 21:28 – Bruno Mars & ROSÉ: APT. and the art of pop precision 29:41 – Post Malone & Morgan Wallen: I Had Some Help (did they though?) 33:44 – Alex Warren: influencer → musician → wait, this kinda works 40:53 – Benson Boone and the beauty of a well-timed emotional explosion 44:01 – Music tastes, aging, and coming to terms with both 44:38 – The science of crescendos (aka “why this song suddenly slaps”) 47:32 – Billie Eilish and her ongoing evolution 52:02 – The Cure, because somehow they always come up 54:12 – Teddy Swims and vocal gymnastics 01:00:24 – Country-rap, reinvention, and genre identity crises 01:06:12 – Kendrick Lamar’s unexpected love song moment 01:15:33 – Bruno Mars & Lady Gaga: when pop royalty teams up 01:24:25 – Final thoughts, year-end reflections, and closing the book on 2025