
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 20 chart positions in 20 markets.
By chart position
- 🇬🇧GB · Music History#6300K to 1M
- 🇦🇺AU · Music History#8300K to 1M
- 🇨🇦CA · Music History#7830K to 100K
- 🇺🇸US · Music History#9130K to 100K
- 🇩🇪DE · Music History#1595K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
360K to 1.2M🎙 Daily cadence·253 episodes·Last published yesterday - Monthly Reach
Unique listeners across all episodes (30 days)
1.2M to 3.9M🇬🇧26%🇦🇺26%🇳🇱8%+17 more - Active Followers
Loyal subscribers who consistently listen
480K to 1.6M
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 20 epsHosts
Recent guests
Recent episodes
Paul Dowling - Director of Marketing, Go! Discs (1990-1993)
Jun 23, 2026
Unknown duration
John Reed - Author of Paul Weller: My Ever Changing Moods
Jun 19, 2026
Unknown duration
Jun Sato - International A&R, Pony Canyon Inc., Japan (1990–2002)
Jun 16, 2026
Unknown duration
Richard Ogden - Polydor - Head of International Marketing + Managing Director
Jun 9, 2026
42m 07s
John Lewis - Arts critic, Journalist, Editor and Musician
Jun 2, 2026
40m 09s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/23/26 | ![]() Paul Dowling - Director of Marketing, Go! Discs (1990-1993) | In this episode, Paul Dowling - director of marketing at Go! Discs in the early ‘90s - tells the story of how he helped Paul Weller find a new home and a fresh start after The Style Council and Polydor rejected him.A teenage Jam fan who witnessed the band’s energy first-hand, Paul started work in an indie record shop job before moving in marketing within the record industry and then landing at Go! Discs just as the label was building on it's reputation for artist-friendly culture and creative risk-taking.Paul takes us inside the DIY campaign for 'Into Tomorrow' - Weller’s first solo single - explaining how a tight team of trusted industry figures and Weller’s own clear vision turned an independent release into a Top 40 hit, and led directly to a new label deal in the UK.He describes hearing those early demos, smoking spliffs with Andy McDonald, and realising just how wild, raw, and ready Weller was for his comeback. Drawing on his unique perspective, Paul reflects on the label’s role in supporting Weller’s creative freedom, the transition through Wild Wood and toward Britpop’s peak, and the sheer thrill - and surprise - of working with an artist who had provided the “soundtrack of my life.”He offers candid observations on Go! Discs’ staff, its culture of collaboration and love of music, and the shared social and political energy that ran through both the label and the acts it signed. Paul also describes the magic of that era: small teams, big nights out, and a sense that, somehow, the stars had aligned for Weller’s reinvention.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 6/19/26 | ![]() John Reed - Author of Paul Weller: My Ever Changing Moods | In this conversation, John Reed - music journalist, a former Research Editor of Record Collector magazine, Director of Catalogue at Cherry Red, and author of Paul Weller: My Ever Changing Moods - takes us on a journey through the many stages of Weller’s remarkable career. Growing up entrenched in the Mod revival and drawn into The Jam’s world as a teenager, John became the “kid at school who liked The Jam,” long before he would ever dig deep into his music as a writer.John shares stories from his early days as a fan (his first Jam shows in Brighton, his coming of age as a mod, and surviving the territorial world of Harrington jacket colours), to building a career in music journalism and becoming a trusted member of the Weller story’s inner circle. We hear his unique perspective on the trio dynamic of The Jam, his view on Bruce and Rick’s underrated contributions, and why Weller’s break-up of the band was both brave and necessary.As a journalist and Record Collector writer, John’s work bridges the worlds of the fan and the chronicler - penning features, sleeve notes, and, ultimately, a much-loved biography. He shares what went into writing My Ever Changing Moods (often by chance: “I just made it up” - the pitch, not the research!), the responsibility of telling the story for fans, and how he balanced candidness with sensitivity. From interviewing Paul Weller during pivotal moments in the ’90s and 2000s, to discussing album sequencing, adversity, and his restless creativity, John brings the experience of both a listener and an expert.His reflections move through Weller’s post-Jam doubts, The Style Council’s misunderstood experiments, the energy of “comeback” records like As Is Now and 22 Dreams, and a decades-long relationship balancing proximity, critique, and admiration. John also shares personal memories: a surreal night with Weller and Ocean Colour Scene, phone calls from “Paul Weller, ya c—t,” and thoughts on what would make the ultimate Weller companion release.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 6/16/26 | ![]() Jun Sato - International A&R, Pony Canyon Inc., Japan (1990–2002) | In this conversation, Jun Sato - International A&R at Pony Canyon, Japan - shares the remarkable story of how he helped get Paul Weller’s solo career off the ground when everyone else had written him off. In the early 1990s, as the UK industry dismissed Weller as an ‘80s has-been, Jun trusted his own taste, his love of British blue-eyed soul, and a very special demo cassette that landed on his desk. He quickly negotiated a three-album deal with John Weller and gave Paul the artistic freedom to launch a new chapter.Jun reflects on what it meant to sign a living legend at a crossroads, championing Paul Weller at a time when old fans in Japan were still fiercely loyal but the industry wanted “Style Council 2.0.” Determined to support Weller’s vision, he battled conservatism inside Pony Canyon, orchestrated secret club gigs to “start from the underground again,” and staged meet-and-greets that deepened the Weller-Japan love affair. Working closely with John Weller, Jun experienced both the tough negotiations and the genuine warmth of the Weller family. He oversaw the Japanese release of Paul Weller months ahead of its UK debut, watched it rocket to the top of the charts, and then promoted Wild Wood and Stanley Road as Weller’s comeback exploded into an artistic and commercial triumph.Looking back on his unique A&R role, Jun shares memories of trust, creative freedom, and a personal connection that only grew as Paul’s career flourished. He describes the enduring backstage camaraderie, the Mod culture’s roots in Japan, and why he feels pride every time Weller thanks him publicly for believing in “chapter three.” Today, as Weller continues to innovate, Sato remains inspired - grateful for a musical journey and friendship that both changed their lives.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 6/9/26 | ![]() Richard Ogden - Polydor - Head of International Marketing + Managing Director✨ | music industryPaul Weller+4 | Richard Ogden | Polydor RecordsGeffen+2 | — | Richard OgdenPaul Weller+5 | — | 42m 07s | |
| 6/2/26 | ![]() John Lewis - Arts critic, Journalist, Editor and Musician✨ | music journalisminterviews+3 | John Lewis | UncutTime Out+4 | — | John LewisPaul Weller+5 | — | 40m 09s | |
| 5/28/26 | ![]() Jim Cook - Head of A&R at Polydor (1975-1984) - The Jam / The Style Council✨ | A&Rmusic history+4 | Jim Cook | Polydor RecordsThe Jam+1 | — | A&RPolydor+6 | — | 39m 27s | |
| 5/21/26 | ![]() Erica Echenberg - Punk Photographer✨ | punk photographyUK punk explosion+4 | Erica Echenberg | The JamThe Damned+3 | LondonRoxy+1 | punkphotography+6 | — | 27m 47s | |
| 5/19/26 | ![]() Craig McLean - Music Writer & Editor, The Face, The Word etc✨ | interviewing Paul Wellermusic journalism+4 | Craig McLean | The FaceThe Word+2 | Isle of WightBlack Barn | Paul WellerCraig McLean+7 | — | 35m 16s | |
| 5/14/26 | ![]() Richard Engler - Marketing Director at V2 Records✨ | music industrypersonal journey+4 | Richard Engler | V2 RecordsHenFred Studio+1 | Manchester | Richard EnglerPaul Weller+5 | — | 21m 59s | |
| 5/12/26 | ![]() Jamie Telford - Touring Keyboardist for The Jam (1982)✨ | The Jamtouring+4 | Jamie Telford | The JamMy Glass World+1 | Scotland | Jamie TelfordThe Jam+6 | — | 32m 05s | |
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| 5/7/26 | ![]() Detail Magazine - Guest Editor, Paul Weller ... the full story from Claire Mahoney.✨ | Paul Wellermodernism+4 | Paul WellerClaire Mahoney | Detail MagazinePaul Weller: Dancing Through the Fire – The Authorised Oral History | — | Paul WellerDetail Magazine+5 | — | 29m 58s | |
| 5/5/26 | ![]() Miles Leonard – Former Chairman, Parlophone Records / Warner Music✨ | music industryrecord executive+3 | Miles Leonard | Parlophone RecordsWarner Music+4 | — | Miles LeonardPaul Weller+5 | — | 40m 05s | |
| 4/29/26 | ![]() Sean O’Hagan – The High Llamas, String Arranger on Paul Weller’s Sonik Kicks✨ | music collaborationstring arrangement+5 | Sean O’Hagan | The High LlamasSonik Kicks+2 | — | Sean O’HaganPaul Weller+5 | — | 20m 02s | |
| 4/21/26 | ![]() Roger Pilling - Paul Weller’s School Friend✨ | Paul Wellerfriendship+3 | Roger Pilling | Sheerwater SchoolAcast+1 | — | Paul WellerRoger Pilling+5 | — | 42m 05s | |
| 4/19/26 | ![]() Joeri Saal – Recording Engineer and Producer, Studio 150 (Amsterdam)✨ | recording engineeringmusic production+4 | Joeri Saal | Studio 150Acast+1 | — | Joeri SaalPaul Weller+5 | — | 21m 32s | |
| 4/17/26 | ![]() Benjamin Herman - Jazz Saxophonist, Composer and Bandleader talks Studio 150 and As is Now...✨ | jazzmusic collaboration+4 | Benjamin Herman | AcastStudio 150+1 | — | jazz saxophonistcomposer+6 | — | 28m 05s | |
| 4/15/26 | ![]() Paul Lester - Record Collector and Uncut - Paul Weller 'Last Man Standing'✨ | music journalismPaul Weller+3 | Paul Lester | Record CollectorUncut Magazine+1 | — | Paul LesterPaul Weller+5 | — | 31m 33s | |
| 4/7/26 | ![]() Dean Rudland - Acid Jazz Records✨ | music journeyPaul Weller+3 | Dean Rudland | Acid JazzThe Beatles+2 | — | Dean RudlandAcid Jazz+5 | — | 38m 46s | |
| 3/24/26 | ![]() Joe Beckett - Percussionist, Paul Weller Movement 1990✨ | Paul Weller Movementmusic history+3 | Joe Beckett | Solid Bond StudiosKosmos+1 | DingwallsLondon+3 | Joe BeckettPaul Weller+7 | — | 24m 25s | |
| 3/10/26 | ![]() Chas De Whalley - Stories of The Jam for Sounds Magazine...✨ | The Jammusic history+4 | Chas De Whalley | Sounds magazinePolydor Records | Nashville RoomsThe Roxy+1 | The JamChas De Whalley+6 | — | 51m 27s | |
| 2/24/26 | ![]() Matt Askem - Live Music Director - Hyde Park, Braehead, Studio 150, As Is Now...✨ | live musicconcert films+4 | Matt Askem | As Is Now | Hyde ParkBraehead+2 | live musicconcert films+7 | — | 36m 25s | |
| 2/10/26 | ![]() Roger Armstrong - Rock On + Chiswick / Ace Records✨ | Paul Weller's early daysrecord collecting+5 | Roger Armstrong | Rock OnChiswick+2 | Soho MarketPolydor | Paul WellerRoger Armstrong+7 | — | 20m 29s | |
| 2/3/26 | ![]() Keith Cameron - Music Writer - Sounds, NME, Mojo✨ | music journalisminterviews+4 | Keith Cameron | MOJOSounds+5 | — | Keith CameronPaul Weller+8 | — | 29m 31s | |
| 1/27/26 | ![]() Dee C. Lee - Singer, Songwriter - The Style Council, Solo, Wham! and more... | For this special episode, I bring you a conversation with Dee C. Lee - singer, songwriter and essential member of The Style Council.This chat was recorded in a riverside pub back in January 2025 for my book Paul Weller: Dancing Through The Fire and Dee has been kind enough to let me share this as a podcast episode. What better timing than the release week for the new Café Bleu Deluxe Edition boxset!From her early breakthrough as a backing singer with Wham! to Paul Weller inviting her to Solid Bond Studios, Dee recalls how she became part of a new band without fully realising the shadow The Jam cast - and how quickly she found her place at the heart of it.She reflects on life inside The Style Council: the collaborative atmosphere at Solid Bond, the camaraderie and chaos of touring, muddy misadventures at Glastonbury, nerves at Live Aid, and the confidence she developed performing her own material alongside the band.She also speaks candidly about creativity, motherhood, stepping away from the spotlight, and finding her way back to music on her own terms. Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 1/20/26 | ![]() John Mealing - Composer and Arranger - The Style Council | In this episode of the Paul Weller Fan Podcast, I talk to composer and arranger John Mealing, whose work helped define The Style Council’s orchestral and cinematic edge. John shares how he first connected with Paul Weller, starting with 'Shout To The Top', and goes deep into the making of Our Favourite Shop, The Cost of Loving and Confessions of a Pop Group - including strings, horns, live performances and studio experiments.Along the way, John reflects on his jazz roots, his unlikely journey into arranging, and a parallel career creating some of British television’s most memorable theme tunes. He also offers a warm, revealing portrait of Paul Weller as a collaborator - meticulous, open-eared, and deeply committed to the music - and explains why, decades on, The Style Council’s boldest work is finally getting its due.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
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Chart Positions
24 placements across 20 markets.
Chart Positions
24 placements across 20 markets.
























