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Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 2 chart positions in 2 markets.
By chart position
- 🇺🇸US · Film Reviews#1805K to 30K
- 🇸🇦SA · Film Reviews#943K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
4K to 20K🎙 ~2x weekly·34 episodes·Last published 5d ago - Monthly Reach
Unique listeners across all episodes (30 days)
8K to 40K🇺🇸75%🇸🇦25% - Active Followers
Loyal subscribers who consistently listen
3.2K to 16K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Allegories & Anchovies
May 15, 2026
Unknown duration
Noir Guys Finish Lost
May 1, 2026
Unknown duration
The (Meta) Movie Business
May 1, 2026
Unknown duration
The Abyss Stares Back
Apr 3, 2026
Unknown duration
Glass Story Parts 1 & 2
Mar 19, 2026
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/15/26 | ![]() Allegories & Anchovies | Ep. 35 - Bad Lieutenant & Dragged Across ConcreteThis week, we are looking at the law of the street with Abel Ferrara’s Bad Lieutenant (1992) and S. Craig Zahler’s Dragged Across Concrete (2018). We explore "cops crashing out," looking at how these films handle officers who have completely abandoned the rulebook. Bad Lieutenant serves as a visceral redemption story, suggesting that even the most irredeemable, drug-addled soul can find a moment of spiritual clarity. In contrast, Dragged Across Concrete functions as a pulpy reactionist fantasy. It presents a world of "white persecution" where the line between the badge and the mask is non-existent. We discuss how Zahler frames cops and criminals as two halves of the same coin, locked in a slow-burn cycle of suspicion and violence. 🎬 Movies DiscussedBad Lieutenant (1992, Dir. Abel Ferrara) Dragged Across Concrete (2018, Dir. S. Craig Zahler) 🕰️Chapters0:00 Intro2:34 Bad Lieutenant38:39 Dragged Across Concrete1:09:08 Conclusion or Final Thoughts Regarding "Morality in Media"📀 Physical Media Shoutouts@KinoLorber and @Lionsgate🔗 Find & Follow PhantasmaCastYouTube: youtube.com/@2certifiedbangersInstagram: instagram.com/2certifiedbangersTikTok: tiktok.com/@2certifiedbangersApple Podcasts: apple.co/phantasmacastSpotify: spoti.fi/phantasmacast💬 Join the ConversationDoes LT actually deserve redemption, or is Zahler's cynical worldview more realistic? Let us know in the comments. #BadLieutenant #DraggedAcrossConcrete #AbelFerrara #SCraigZahler #CinephileWho is the ultimate "crash out" cop in your opinion? Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 5/1/26 | ![]() Noir Guys Finish Lost | This week, we are walking the beat with Robert Altman’s The Long Goodbye (1973) and Shane Black’s The Nice Guys (2016).These films represent two sides of the same tarnished coin. We look at Philip Marlowe as a relic of a moral code that simply does not apply to the world anymore. In The Long Goodbye, Marlowe is a ghost in his own life, stumbling through a cynical, hazy L.A. that has no room for his brand of loyalty. Contrast that with The Nice Guys, where our leads are trying to affect change against an overwhelming tide of corporate and political corruption, only to realize the deck is stacked against them.It is a double feature about the failure of the private eye archetype. Whether it is the nihilistic malaise of the 70s or the frantic comedy of a modern action-noir, both films suggest that the truth does not set you free, it just makes you tired.🎬 Movies DiscussedThe Long Goodbye (1973, Dir. Robert Altman)The Nice Guys (2016, Dir. Shane Black)🕰️ Chapters0:00 Intro0:45 "95 KFM Home of PhantasmaCast"/Shane Black and Other Musings10:19 The Long Goodbye41:55 The Nice Guys1:10:46 Outro or "Never Trust a Billionaire"📀 Physical Media Shoutouts @KinoLorber and @WarnerArchive🔗 Find & Follow PhantasmaCastYouTube: https://youtube.com/@2certifiedbangersInstagram: https://instagram.com/2certifiedbangersTikTok: https://tiktok.com/@2certifiedbangersApple Podcasts: https://podcasts.apple.com/ca/podcast/phantasmacast/id1745055694Spotify: https://open.spotify.com/show/0eifTBsW1y8CkGQppn81Hp💬 Join the Conversation☝️ Does Philip Marlowe work better as a ghost in the machine or as a bumbling fixer trying to stay afloat? Let us know in the comments. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 5/1/26 | ![]() The (Meta) Movie Business | This week, we are stepping into the Hollywood house of mirrors with Robert Altman’s The Player (1992) and Spike Jonze’s Adaptation (2002).These aren't just movies about making movies; they are cynical, paranoid love letters to the nightmare of the creative process. We look at how Griffin Mill’s life in The Player becomes the very thriller he is trying to produce, and how Charlie Kaufman literally writes himself into a corner in Adaptation.It is a double feature about the high cost of the "pitch," the absurdity of the studio system, and the paralyzing fear that you might just be a hack. Whether it is a studio executive getting away with murder or a screenwriter having a nervous breakdown on the page, both films suggest that in Hollywood, the story eventually consumes the storyteller.🎬 Movies DiscussedThe Player (1992, Dir. Robert Altman)Adaptation (2002, Dir. Spike Jonze)🕰️ Chapters0:00 Intro0:45 Favorite movies "about" movies11:50 "The Player" (1992)47:31 "Adaptation." (2002)1:14:57 (very) Final Thoughts📀 Physical Media Shoutouts @criterioncollection and @ShoutFactoryVEVO 🔗 Find & Follow PhantasmaCastYouTube: https://youtube.com/@2certifiedbangersInstagram: https://instagram.com/2certifiedbangersTikTok: https://tiktok.com/@2certifiedbangersApple Podcasts: https://podcasts.apple.com/ca/podcast/phantasmacast/id1745055694Spotify: https://open.spotify.com/show/0eifTBsW1y8CkGQppn81Hp💬 Join the ConversationDo you prefer the cynical Hollywood satire of The Player or the neurotic self reflection of Adaptation? Let us know in the comments. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 4/3/26 | ![]() The Abyss Stares Back | "When you stare into the abyss, does it also stare back?"This week, Jake and Derek are obsessing over the "Auteur Procedural." We are pairing Bong Joon Ho’s 2003 masterpiece Memories of Murder with David Fincher’s 2007 magnum opus Zodiac. Both films are meticulously researched, deeply atmospheric, and focused on the cost of the chase rather than the identity of the killer.We are looking at the nature of obsession through the lens of these intense investigations. These films mirror the fixations of their protagonists in the very way they were made, with David Fincher and Bong Joon Ho displaying an almost clinical level of research and technical precision. It is a look at how a search for the truth can consume everyone involved, from the detectives on the ground to the directors behind the camera.0:00 Introduction1:38 2 Certified Questions...4:37 Content Warning: Films we discuss feature SA and true crimes10:15 Memories of Murder (2003)43:22 Zodiac (2007)1:11:46 Wrap up/Final ThoughtsJoin the Conversation:Which of these films leaves you feeling more unsettled? Have you picked up the 4K restorations yet? Let us know in the comments!Support the Show:🍎 Apple Podcasts: https://podcasts.apple.com/ca/podcast/phantasmacast/id1745055694🟢 Spotify: https://open.spotify.com/show/0eifTBsW1y8CkGQppn81Hp?si=dc5901c049b3410e📸 Instagram: @2certifiedbangers🎥 TikTok: @2certifiedbangers#PhantasmaCast #2CertifiedBangers #ZodiacMovie #MemoriesOfMurder #BongJoonHo #DavidFincher #PhysicalMedia #TrueCrimeCinema ☝️ Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 3/19/26 | ![]() Glass Story Parts 1 & 2 | This week, we’re diving headfirst through multiple panes of glass with a pair of Certified Bangers: Police Story (1985) and Police Story 2 (1988).We’re tracing Jackie Chan’s rise from stuntman to global action icon, and breaking down how he didn’t just star in these films, he built them from the ground up. Part director, part stuntman, but ALL star, Jackie crafts a completely unique auteur style rooted in precision choreography, bone-crunching physical comedy, and a drive to always stay ahead of the curve. From gravity-defying mall showdowns to explosive set pieces that feel one missed step away from disaster, we’re talking about what makes these films tick... and why nobody else has ever quite done it like Jackie.🎬 Movies DiscussedPolice Story (1985, Dir. Jackie Chan)Police Story 2 (1988, Dir. Jackie Chan)🕰️ Chapters00:00 – Intro & Certified Banger Check00:00 – Jackie Chan: From Stuntman to Superstar00:00 – Police Story breakdown00:00 – Police Story 2 breakdown00:00 – Stuntwork as authorship00:00 – Final thoughts & pairing verdict📀 Physical Media ShoutoutsCriterion 🎥 Watch With UsIf you haven’t seen these yet—fix that immediately. Then come back and let’s compare notes.🔗 Find & Follow PhantasmaCastYouTube: https://youtube.com/@2certifiedbangersInstagram: https://instagram.com/2certifiedbangersTikTok: https://tiktok.com/@2certifiedbangersApple Podcasts: https://podcasts.apple.com/ca/podcast/phantasmacast/id1745055694Spotify: https://open.spotify.com/show/0eifTBsW1y8CkGQppn81Hp💬 Join the ConversationWhich Police Story hits harder for you? And what’s your favorite Jackie Chan stunt? Let us know in the comments. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 11/6/25 | ![]() Darkness Down Under | This week, we're unearthing the dark side of Aussie cinema. We tackle the terrifying Alison's Birthday (1981), a film fueled by the era's satanic panic anxieties. Then, get ready for the masterful slow-burn of Next of Kin (1982), a stunning blend of Giallo suspense and classic haunted house tropes where a nursing home hides deadly secrets. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 10/24/25 | ![]() Love Hurts | This week, we're watching Andrzej Zulawski's Possession (1981) and William Friedkin's Bug (2006), two movies that test the limits of love and madness. These films take the 'will they/won't they' trope to new heights by asking not whether our two leads will finally hook up, but rather: Will these two people kill each other by the time the credits roll? Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 10/2/25 | ![]() Schlock Value | This week, we're plunging headfirst into the glorious trash bin of '80s independent horror with a double dose of cinematic absurdity: Troma's cult classic The Toxic Avenger (1984) and the wild, cannibalistic horror comedy Blood Diner (1987). Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 9/13/25 | ![]() Mind Crimes | Get ready for a double feature that will really mess with your head! This week, we're watching two films that are so good at challenging reality: Christopher Nolan's 2010 masterpiece Inception and Brandon Cronenberg's shocking 2020 body-swap thriller Possessor. We're talking dream heists and visceral sci-fi/horror—you won't want to miss it! Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 8/27/25 | ![]() Filthy and Fabulous | This week, we're twisting and shouting our way back to the Eisenhower years to explore how two iconic greaser musicals—Grease and Cry-Baby—tackle the "Teen Problem" head-on. Get ready for a rock 'n' rolling look into a world of leather jackets, fast cars, and teenage rebellion. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
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| 8/14/25 | ![]() Invoking Love | This week, we attempt to unravel the knot of love and infidelity with two films that couldn't be more different in their approach: Ingmar Bergman's playful classic, Smiles of a Summer Night (1955) and Mike Nichols' modern, biting drama, Closer (2004). We'll see how these two wildly different takes on intimacy and humiliation reveal the uncomfortable truths about what it means to love someone deeply - and to completely mess it up. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 7/31/25 | ![]() Peak Satire | This week, we're watching two mockumentaries that offer unsparing takes on Americana: Drop Dead Gorgeous (1999) and Best in Show (2000). Discover how these films cleverly expose the dark (and often hilarious) truths behind the competitive subcultures of beauty pageants and dog shows, revealing broader insights into the quirks and aspirations that define us. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 7/17/25 | ![]() Vice Vice Baby | This week, we’re watching Sergio Martino’s Torso (1973) and Dario Argento’s Tenebrae (1982), two standouts of the Italian Giallo, and how they laid the bloody groundwork for the slashers and erotic thrillers of the 80s and 90s. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 7/2/25 | ![]() Big Giallo Energy | This week, we re-examine two Brian De Palma classics: the sexy slasher Dressed to Kill (1980) and the gripping Blow Out (1981). We'll uncover how De Palma masterfully draws from Giallo's dark heart and stylistic flair to craft dazzling displays of danger, dripping with suspense and oh so much style.#BrianDePalma #DressedToKill #BlowOut #Giallo #FilmAnalysis #MoviePodcast #HorrorMovies #ThrillerFilm #Cinephile #80sMovies #CultClassics #FilmMaking #Suspense #PodcastLife #NeoNoir Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 6/11/25 | ![]() The Female Gays | This week, we're keeping the erotic thriller conversation going with two intense queer entries to the genre! First up is the Wachowskis' directorial debut, Bound, a stylish and suspenseful tale of star-crossed lovers looking to rip off the mob. Then, we dive into Rose Glass' sophomore film, Love Lies Bleeding, a steroid-fueled case of dangerous love that ratchets up the tension and the stakes! Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 5/28/25 | ![]() Thriller? I Hardly Know Her | This week, we're watching a pair of films that truly pushed the boundaries of the erotic thriller. First up is Brian De Palma's voyeuristic Body Double (1984), followed by John McNaughton's pulpy capstone to the genre, Wild Things (1998). Both films deliver their stories through a predominant male gaze, proving to be as controversial as they are horny. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 5/15/25 | ![]() Shit Happened One Night | This week, we're staying up all night with two high-stakes odysseys through New York City's underbelly. First up, we're taking a look at Scorsese's underrated gem, After Hours, where one man's SoHo adventure spirals into a bizarre nightmare. Next, the Safdie Brothers' Good Time delivers a masterclass in anxiety as we follow a brother's desperate and disastrous descent into his own worst impulses. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 4/30/25 | ![]() Modern Love | This week, we're diving into Desperately Seeking Susan and You've Got Mail, two classic rom-coms whose love stories, driven by the communication tech of their time, hilariously prove that sometimes love is spelled "F-O-X". Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 4/16/25 | ![]() The Prequel Business | This week, we're watching prequels that don't suck! We're diving into the gritty brilliance of Rogue One: A Star Wars Story and the high-octane madness of Furiosa: A Mad Max Saga, exploring how these films expand their legendary universes and deliver serious cinematic punch. Forget tired tropes, these prequels rule!#moviepodcast #starwars #madmax #rogueoneastarwarsstory #rogueone #furiosaamadmaxsaga #furiosa #andor #andorseason2 #disneyplus #disney #roadwarrior #prequel #garethedwards #georgemiller #behindthescene Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 4/4/25 | ![]() The Definitive Ultimate Director's Final Cut | **CONTENT WARNING**One of the films in this week's episode includes literal pornography, graphic violence, and depictions that may be offensive to some viewers, including portrayals of self-harm and sexual assault. We will discuss these elements, but not show them. Consider this your official "proceed with caution" notice.This week, we're diving into the chaotic worlds of 1979's Caligula and 1982's Blade Runner, dissecting the wildly different cuts of each film. From the unsimulated debauchery shoehorned into Caligula to the existential Replicant debate sparked by Blade Runner's various editions, we're exploring how differing perspectives of authorship shaped (or warped) these iconic, and undeniably unconventional, cinematic experiences. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 3/20/25 | ![]() Psycho Thriller | From the sun-drenched guilt of "Insomnia" to the brutal, relentless vengeance of "I Saw the Devil," we dissect two films that dare to ask: what is the true cost of justice? We explore the moral compromises made by deeply flawed characters, and the cultural nuances that shape their actions. Join us as we examine how these genre-subverting thrillers expose the darkness within us all. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 3/5/25 | ![]() Evil is Good | Ep. 14 - Evil is GoodDive into the seductive shadows with our double feature spotlighting "Fright Night" and "Vampire in Brooklyn"! We're sinking our teeth into how these '80s and '90s gems championed the alluring vampire long before the current genre craze. Prepare for a deep dive into the magnetic performances of Chris Sarandon, Roddy McDowall, Eddie Murphy, Angela Bassett, and a stellar supporting cast. Get ready for an episode of fangs, laughs, and a whole lot of charisma.Follow us:Instagram - https://www.instagram.com/2certifiedbangers/TikTok - https://www.tiktok.com/@2certifiedbangers Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 2/19/25 | ![]() The Mechanism for Our Confusion | Ever wonder about that strange period when Tom Cruise, action hero extraordinaire, dabbled in art-house cinema? We’re diving deep into two films that define this era: Stanley Kubrick’s Eyes Wide Shut and Vanilla Sky. Both feature Cruise as a man trapped in a dream-turned-nightmare, but what do these films say about him, about filmmaking, and maybe even about us? Join us as we explore the surreal worlds of these cinematic puzzles. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 2/5/25 | ![]() Middle American | We're talking "The 'Burbs" and "Big" this week! Two classic Hanks flicks about growing up (or trying to avoid it). From creepy neighbors to giant keyboards, we're breaking down these 80s gems. Hit play and join the fun! Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
| 1/23/25 | ![]() We Must Be Doin' Somethin' Right | This week, we explore two films that reflect the cultural and political landscape of the 1970s. As entertaining as they are thought-provoking, these movies offer distinct perspectives on the narratives we're presented with and the stories we tell ourselves. Hosted on Acast. See acast.com/privacy for more information. | — | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.
