Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 2 chart positions in 2 markets.
By chart position
- 🇬🇧GB · Music#1495K to 30K
- 🇩🇰DK · Music#673K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
4K to 20K🎙 Weekly cadence·19 episodes·Last published 8mo ago - Monthly Reach
Unique listeners across all episodes (30 days)
8K to 40K🇬🇧75%🇩🇰25% - Active Followers
Loyal subscribers who consistently listen
2.4K to 12K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Plays
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 10 epsHost
Recent guests
Recent episodes
017 Tomorrow Never Knows
Nov 10, 2025
41m 51s
016 Now and Then
Jan 14, 2024
31m 40s
015a A closer look at the "Live and Let Die" orchestration-
Jan 14, 2024
5m 14s
015 Paul McCartney and Wings, "Live and Let Die""
Jan 14, 2024
28m 42s
014 George Harrison, "Isn't It A Pity"
Dec 20, 2022
23m 50s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 11/10/25 |  017 Tomorrow Never Knows✨ | Beatlesmusic production+3 | Joel FriedmanElizabeth Alker | Tomorrow Never KnowsRevolver+1 | — | Tomorrow Never KnowsBeatles+3 | — | 41m 51s | |
| 1/14/24 |  016 Now and Then✨ | Beatlesmusic production+4 | Ken WomackJonathan Pretus | Now and Then | — | BeatlesNow and Then+5 | — | 31m 40s | |
| 1/14/24 |  015a A closer look at the "Live and Let Die" orchestration-✨ | orchestrationLive and Let Die+3 | — | — | — | Live and Let DieGeorge Martin+3 | — | 5m 14s | |
| 1/14/24 |  015 Paul McCartney and Wings, "Live and Let Die""✨ | Paul McCartneyWings+5 | Allan Kozinn | Live and Let Die | — | Paul McCartneyWings+5 | — | 28m 42s | |
| 12/20/22 |  014 George Harrison, "Isn't It A Pity"✨ | George HarrisonAll Things Must Pass+3 | — | All Things Must Pass | — | George HarrisonIsn't It A Pity+5 | — | 23m 50s | |
| 4/25/22 |  013 George Harrison, "My Sweet Lord"✨ | George HarrisonMy Sweet Lord+5 | — | My Sweet LordAll Things Must Pass | — | George HarrisonMy Sweet Lord+5 | — | 38m 00s | |
| 2/22/21 |  012 John Lennon, "Love" (S1 bonus episode)✨ | solo BeatlesJohn Lennon+4 | — | John Lennon/Plastic Ono Band | — | John LennonLove+5 | — | 22m 02s | |
| 4/13/20 |  011 Nothing is Real: Strawberry Fields Forever, take 26✨ | Strawberry Fields Foreverrecording process+4 | Karen Ray | — | — | Strawberry Fields ForeverGeorge Martin+6 | — | 27m 20s | |
| 9/9/19 |  010 It's Gonna Be Alright: Revolution — Part II (single version)✨ | Beatlesmusic production+3 | — | Revolution | — | BeatlesRevolution+3 | — | 23m 32s | |
| 7/22/19 |  009 It's Gonna Be Alright: Revolution - Part I (Revolution 1 & 9)✨ | social upheavalmusic analysis+3 | Allan Kozinn | New York TimesRevolution+2 | — | RevolutionRevolution 1+6 | — | 36m 17s | |
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 3/11/19 |  008 Producing an "Unproduced" Album - Get Back/Let It Be | In this episode, we discover what role George Martin played in the infamous Get Back sessions of January 1969, a project where John Lennon made clear they didn't want any of Martin's "production shit." | — | ||||||
| 12/31/18 |  007 Changing Speeds - The 'Varispeed' Technique | Starting in 1966, George Martin and The Beatles used varispeed – variable speed recording – to change the textures of their recordings to create a variety of effects. | — | ||||||
| 11/20/18 |  006 Not So Simple - "From Me To You" and other early singles | Constructing The Beatles' first four singles, including "From Me To You" | — | ||||||
| 10/29/18 |  005 The clarinet score for "When I'm Sixty-Four" | We re-record George Martin's clarinet score in a recording studio and examine the arrangement with Professor of Music John Reeks to see what makes it tick. | — | ||||||
| 10/15/18 |  004 The Beatles on Multitrack, Part 2 | The Beatles push four-track to its limit, and finally make the jump to eight-track recording | — | ||||||
| 10/1/18 |  003 The Beatles on Multitrack, Part 1 | The Beatles learn the basics of recording on twin-track before transitioning to four-track, where they gradually learn the power of overdubbing. | — | ||||||
| 9/17/18 |  002 Look At Him Working - Writing the string score for "Eleanor Rigby" | George Martin’s score for “Eleanor Rigby” builds on the classical string quartet form that the producer introduced The Beatles to on the song “Yesterday.” In this episode, we examine the writing and recording of the score with cellist Karen Ray, and we also consider Martin’s unusual source of inspiration for this dramatic piece of music. | — | ||||||
| 9/3/18 |  001 Wind Up Piano - The "In My Life" solo and more | George Martin’s memorable piano solo for “In My Life” was one of his favorite contributions to any Beatles recording. In this episode, we examine the special technique Martin used to capture this solo on tape, as well as how he used this same technique in a variety of other recordings. We also look into Martin's background as a pianist, and we sit down with the organist from St Louis Cathedral, Jesse Reeks, to discuss the origins of this solo in Baroque music. | — | ||||||
| 8/16/18 |  Producing The Beatles - Podcast Intro | Welcome to the podcast dedicated to exploring the revolutionary collaboration between producer George Martin and The Beatles. Join us each episode as we not only discuss the making of Beatles songs from their producer's point of view, but also examine different aspects of George Martin's unique approach to production. | — | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.