
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 4 chart positions in 4 markets.
By chart position
- 🇨🇴CO · After Shows#703K to 10K
- 🇳🇿NZ · After Shows#133500 to 3K
- 🇫🇮FI · After Shows#167500 to 3K
- 🇮🇪IE · After Shows#191500 to 3K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
1.4K to 5.7K🎙 Daily cadence·1,000 episodes·Last published yesterday - Monthly Reach
Unique listeners across all episodes (30 days)
4.5K to 19K🇨🇴53%🇳🇿16%🇫🇮16%+1 more - Active Followers
Loyal subscribers who consistently listen
1.8K to 7.6K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
—
* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 11 epsHost
Recent guests
Recent episodes
Long Road to Ruin: Grease and Grease 2
Jun 5, 2026
1h 32m 37s
TV Party Tonight: The Boys (Season 5)
Jun 2, 2026
1h 59m 12s
Triple Feature: Bad Lieutenant/Cop Land/The Duellists
May 29, 2026
1h 55m 36s
Damn You Hollywood: The Mandalorian and Grogu
May 26, 2026
2h 30m 06s
Metal Hammer of Doom: Poppy - Empty Hands
May 25, 2026
1h 11m 50s
Social Links & Contact
Official channels & resources
Official Website
Login
RSS Feed
Login
| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/5/26 | ![]() Long Road to Ruin: Grease and Grease 2 | Tonight on the Long Road to Ruin, we look back at Grease and Grease 2! One of the most successful movie musicals ever made spawned one of Hollywood's most infamous sequels, and we're breaking down how it happened. We examine Grease as both a beloved coming-of-age romance and a 1970s nostalgia machine, exploring how a rough-edged stage musical evolved into a polished cinematic fantasy of 1950s adolescence. Then we shift gears into Grease 2, a sequel that kept the leather jackets, motorcycles, Pink Ladies, and T-Birds but seemingly lost the magic that made the original a cultural phenomenon. Was Grease 2 truly the disaster its reputation suggests, or was it simply misunderstood? Join us as we discuss the music, performances, production history, themes of identity and belonging, the economics of sequels, and why one film became a timeless classic while the other became a cautionary tale of franchise filmmaking. Grab your leather jacket and join us at Rydell High!Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 32m 37s | ||||||
| 6/2/26 | ![]() TV Party Tonight: The Boys (Season 5) | Tonight on TV Party Tonight, we're reviewing Season 5 of The Boys, the fifth and final chapter of Eric Kripke's satirical superhero saga based on the comic by Garth Ennis and Darick Robertson. Produced by Amazon MGM Studios and Sony Pictures Television, the season brings back Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Karen Fukuhara, Chace Crawford, Laz Alonso, and the rest of the core cast, with Daveed Diggs joining the ensemble. As Homelander tightens his grip on America and seeks the original Compound V formula that could make him effectively immortal, Billy Butcher and The Boys unite for one final mission, armed with a virus capable of wiping out every Supe on Earth. Premiering on Prime Video in April 2026 and concluding in May, the season earned generally favorable reviews for its action, performances, social commentary, humor, and emotional payoff, though some critics cited pacing issues and a lack of focus. Tonight, we'll see if the finale sticks the landing.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 59m 12s | ||||||
| 5/29/26 | ![]() Triple Feature: Bad Lieutenant/Cop Land/The Duellists | Few actors have embodied obsession, corruption, guilt, and authority quite like Harvey Keitel. In this Triple Feature actor focus, we examine three defining performances across three decades of filmmaking: The Duellists (1977), Bad Lieutenant (1992), and Cop Land (1997). From Ridley Scott's visually stunning debut feature, where Keitel plays a Napoleonic officer consumed by honor and vengeance, to Abel Ferrara's infamous portrait of addiction, moral collapse, and redemption in Bad Lieutenant, to James Mangold's examination of loyalty, corruption, and institutional decay in Cop Land, these films showcase the remarkable range and intensity that made Keitel one of the essential actors of the New Hollywood generation. Along the way, we'll discuss masculinity, power, violence, faith, police culture, and the evolution of American cinema from the 1970s through the 1990s. Join Mark Radulich and company as they explore three unforgettable films connected by one of the most compelling screen presences of the last fifty years.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 55m 36s | ||||||
| 5/26/26 | ![]() Damn You Hollywood: The Mandalorian and Grogu | Tonight on Damn You Hollywood, we’re reviewing Star Wars: The Mandalorian and Grogu, the first theatrical Star Wars film since The Rise of Skywalker and the cinematic continuation of the hit Disney+ series. Directed by Jon Favreau and co-written with Dave Filoni and Noah Kloor, the film follows Din Djarin and Grogu as they work with the New Republic to rescue Rotta the Hutt while uncovering new Imperial threats in the fractured post-Empire galaxy. Pedro Pascal returns alongside Sigourney Weaver, Jeremy Allen White, and Jonny Coyne, with Ludwig Göransson once again handling the score. Originally conceived as The Mandalorian Season 4 before the Hollywood strikes and Lucasfilm’s pivot back toward theatrical releases, the film represents Disney’s attempt to transform streaming-era Star Wars back into event cinema. Mixed critical reactions have praised Pascal and Göransson while questioning whether the series’ episodic DNA fully translates to the big screen.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 2h 30m 06s | ||||||
| 5/25/26 | ![]() Metal Hammer of Doom: Poppy - Empty Hands | Tonight on the Metal Hammer of Doom, Mark Radulich and Jesse Starcher review Empty Hands, the latest album from Poppy. Once dismissed as an internet-art curiosity built on surreal YouTube performance pieces and synthetic pop aesthetics, Poppy has evolved into one of the more fascinating figures in modern heavy music. Empty Hands pushes deeper into industrial metal, metalcore, glitch electronics, and emotionally raw songwriting, blending crushing riffs and breakdowns with hyper-polished hooks and digital-age anxiety. Produced by Jordan Fish (formerly of Bring Me the Horizon), the album explores identity collapse, emotional exhaustion, fame, alienation, and the cost of living inside algorithmic culture. Is this Poppy’s strongest statement yet, or another example of modern genre mashups substituting style for substance? We break down the music, themes, performances, and where Empty Hands fits in the evolving landscape of contemporary metal.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 11m 50s | ||||||
| 5/22/26 | ![]() Sessions vol 2: Jupiter's Legacy (Who Could Stop Us?) | Sessions returns to one of the strongest conversations in the Radulich in Broadcasting Network archive: the Jupiter’s Legacy review with Robert Winfree. What begins as a discussion of a Netflix superhero series becomes a sharper debate about power, restraint, morality, and the terrifying question at the center of the whole thing: if people don’t agree with what those in power are doing, who could stop them? The show frames that conflict through Sheldon and Walter, two men arguing over whether power should be limited by principle or used to reshape the world. From there, the conversation expands into modern anxiety about oligarchs, sealed files, private justice, public decay, and systems that no longer seem answerable to anyone. The result is “WHO COULD STOP US?”, an industrial rock track built like propaganda music for a collapsing empire: mechanical, confrontational, danceable, and paranoid in all the right ways. This is what Sessions is for—not recap, but extraction. Find the argument. Turn it into a song.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 2h 20m 45s | ||||||
| 5/19/26 | ![]() Triple Feature: Pretty Lethal/Mike & Nick & Nick & Alice/Thrash | Tonight on Triple Feature, we’re diving into three 2026 streaming-era genre swings: Mike & Nick & Nick & Alice, Pretty Lethal, and Thrash. On paper, each one has the kind of premise that sells itself before the movie even starts: gangsters, romance, crime, and time travel; ballerinas forced into violent survival mode; and a hurricane-flooded coastal town where sharks are suddenly part of the disaster plan. But that is also the problem. These are not old-fashioned star vehicles or theatrical events. They are premise-first movies built for the thumbnail age, where the logline has to do most of the work. So the question tonight is not simply whether these movies are good or bad. It’s whether the modern streaming B-movie still has personality, danger, and invention — or whether it has become a content slot wearing the skin of exploitation cinema. Are these sharp little genre machines, disposable algorithm bait, or proof that dumb fun still has a pulse? Gangsters, ballerinas, hurricane sharks — the algorithm wants blood.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 32m 26s | ||||||
| 5/14/26 | ![]() TV Party Tonight: Justified - City Primeval | Justified: City Primeval is an American neo-Western crime drama television miniseries developed by showrunners Dave Andron and Michael Dinner. The series continues the story from Justified taking inspiration from the Elmore Leonard novel City Primeval: High Noon in Detroit and short story "Fire in the Hole". Timothy Olyphant returns to star as Deputy U.S. Marshal Raylan Givens, with Paul Calderón also reprising his role as Detective Raymond Cruz from the 1998 crime comedy film Out of Sight, a film adaptation of Leonard's 1996 novel of the same name. A world premiere was held on June 1, 2023, at the 12th ATX Television Festival, and the series premiered on FX on July 18, 2023, with back-to-back episodes. It received generally positive reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 12m 49s | ||||||
| 5/12/26 | ![]() Damn You Hollywood: Mortal Kombat II (2026) | On this episode of Damn You Hollywood, Robert Winfree, Jason Teasley and Mark Radulich review Mortal Kombat II (2026), the long-awaited sequel to the 2021 reboot based on the legendary video game franchise created by Ed Boon and John Tobias. Directed by Simon McQuoid and written by Jeremy Slater, the film brings back Jessica McNamee, Josh Lawson, Ludi Lin, Mehcad Brooks, Lewis Tan, Joe Taslim and Hiroyuki Sanada, while adding Karl Urban as fan-favorite Johnny Cage alongside Adeline Rudolph as Kitana, Martyn Ford as Shao Kahn and Tati Gabrielle as Jade. This time the actual Mortal Kombat tournament takes center stage as Raiden’s Earthrealm warriors battle Outworld for the fate of humanity. Does the sequel finally deliver the crowd-pleasing martial arts spectacle fans wanted, or is it just another CGI-heavy nostalgia machine? We break it all down.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 2h 01m 15s | ||||||
| 5/9/26 | ![]() Comic Stripped: Whiteout | Tonight on Comic Stripped we head to Antarctica to compare Greg Rucka and Steve Lieber’s acclaimed indie noir graphic novel Whiteout with the 2009 film adaptation starring Kate Beckinsale. Originally published by Oni Press, Whiteout helped define the late-90s crime-comic boom with its blend of procedural mystery, environmental horror, and psychological isolation. But when Warner Bros. brought the story to theaters, the material was reshaped into a glossy late-2000s action thriller. We examine what was gained, what was lost, and why Hollywood often sands down strange, atmospheric stories into familiar formulas. From Carrie Stetko as a grounded, damaged professional to Antarctica itself functioning as a character, we break down adaptation choices, industry economics, noir storytelling, and whether Whiteout was simply ahead of its time.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 57m 00s | ||||||
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 5/8/26 | ![]() TV Party Tonight: The Newsroom (Season 1)✨ | HBOThe Newsroom+4 | Jesse | HBOACN+1 | — | The NewsroomHBO+5 | — | 1h 59m 14s | |
| 5/5/26 | ![]() Triple Feature: The Bluff/War Machine/Good Luck Have Fun Don't Die✨ | modern genre filmmakingfilm distribution+3 | — | AmazonNetflix+4 | — | The BluffWar Machine+5 | — | 1h 27m 13s | |
| 5/1/26 | ![]() Triple Feature: Volcano/Dante's Peak/The Core✨ | lava-driven disasterHollywood films+3 | — | Dante’s PeakVolcano+1 | — | Dante’s PeakVolcano+5 | — | 1h 35m 40s | |
| 4/28/26 | ![]() Damn You Hollywood: Apex (2026)✨ | survival thrillerfilm analysis+3 | — | NetflixChernin Entertainment+1 | — | Apexsurvival action thriller+3 | — | 1h 55m 18s | |
| 4/24/26 | ![]() Sessions Vol 2: The Boys Season 3 (Song)✨ | masculinityresponsibility+4 | — | Radulich in Broadcasting NetworkW2M Network+2 | — | The Boysmasculinity+6 | — | 1h 36m 06s | |
| 4/23/26 | ![]() Damn You Hollywood - Lee Cronin's The Mummy (2026)✨ | horror filmsfilm analysis+3 | Alexis Hejna | The MummyEvil Dead Rise | — | The MummyLee Cronin+5 | — | 1h 54m 45s | |
| 4/21/26 | ![]() The IndySiders: Wrestlemania 42✨ | WrestleManiawrestling+4 | — | WWE | Las Vegas | WrestleMania 42Las Vegas+4 | — | 2h 26m 27s | |
| 4/17/26 | ![]() Triple Feature: Irreversible/Baise Moi/Trouble Every Day✨ | New French Extremityfilm analysis+4 | — | W2M NetworkIrreversible+2 | — | IrreversibleBaise-moi+6 | — | 1h 21m 11s | |
| 4/16/26 | ![]() TV Party Tonight: Happy! (Seasons 1 and 2)✨ | black comedyaction series+3 | — | SyfyHappy!+2 | — | Happy!Christopher Meloni+3 | — | 1h 07m 26s | |
| 4/14/26 | ![]() Damn You Hollywood: In the Blink of an Eye (2026)✨ | film reviewscience fiction+3 | — | HuluRotten Tomatoes+5 | — | In the Blink of an EyeAndrew Stanton+6 | — | 1h 34m 53s | |
| 4/13/26 | ![]() Metal Hammer of Doom: Megadeth (2026)✨ | Megadeththrash metal+3 | — | MetallicaMegadeth+11 | — | MegadethDave Mustaine+3 | — | 1h 39m 42s | |
| 4/10/26 | ![]() On Trial: Bulworth | Bulworth is a 1998 American political satire black comedy film co-written, co-produced, directed by, and starring Warren Beatty. It co-stars Halle Berry, Oliver Platt, Don Cheadle, Paul Sorvino, Jack Warden, and Isaiah Washington. The film follows the title character, California Senator Jay Billington Bulworth (Beatty), as he runs for re-election while trying to avoid a hired assassin. The film received generally positive reviews and a nomination for the Academy Award for Best Original Screenplay yet narrowly failed to break even on a $30 million budget. However, Beatty was praised for tackling race, poverty, dysfunction in the health care system, and corporate control of the political agenda, with eminent legal scholar Patricia J. Williams noting the film examined "racism's intersection with America's deep, and growing, class divide."Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 26m 45s | ||||||
| 4/7/26 | ![]() Damn You Hollywood: The Super Mario Galaxy Movie (2026) | The Super Mario Galaxy Movie (2026) is an animated adventure comedy sequel to The Super Mario Bros. Movie (2023), directed by Aaron Horvath and Michael Jelenic and written by Matthew Fogel. Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, and Keegan-Michael Key reprise their roles, joined by Benny Safdie, Donald Glover, Glen Powell, and Brie Larson. Produced by Illumination and Nintendo, the film follows Mario, Luigi, and their allies as they travel into space, meet Princess Rosalina, and battle Bowser and Bowser Jr.After the first film’s success, Nintendo and Illumination fast-tracked a sequel, drawing inspiration from Super Mario Galaxy and other Nintendo properties like Star Fox. The film premiered in Kyoto on March 28, 2026, and released in the U.S. on April 1. Despite negative critical reviews, it was a major commercial success, earning $373 million worldwide on a $110 million budget and becoming one of the highest-grossing films of 2026.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 2h 17m 21s | ||||||
| 4/3/26 | ![]() Triple Feature: The Pirates of Penzance/De-Lovely/A Prairie Home Companion | Tonight we examine a Kevin Kline Performance Trilogy—The Pirates of Penzance (1983), De-Lovely (2004), and A Prairie Home Companion (2006)—three films that showcase his command of musicality, wit, and character across eras. Pirates, adapted from the New York Shakespeare Festival production, was directed by Wilford Leach and preserves Gilbert & Sullivan’s operetta for film, with Kline’s Pirate King earning a Golden Globe nomination and cementing his theatrical pedigree. De-Lovely, directed by Irwin Winkler, casts Kline as Cole Porter in a stylized biopic featuring an ensemble of contemporary artists interpreting Porter’s catalog, blending stage sensibility with cinematic structure. Finally, Robert Altman’s A Prairie Home Companion captures Kline in a live-wire ensemble alongside Meryl Streep and Lily Tomlin, merging radio nostalgia with Altman’s signature overlapping dialogue. Together, these films chart Kline’s enduring legacy as a performer who bridges stage and screen, high art and populist entertainment.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 07m 20s | ||||||
| 3/31/26 | ![]() Damn You Hollywood: Ready or Not 2 - Here I Come | Ready or Not 2: Here I Come is a 2026 American comedy horror film directed by Matt Bettinelli-Olpin and Tyler Gillett, and written by Guy Busick and R. Christopher Murphy. It serves as a direct sequel to Ready or Not (2019), with Samara Weaving reprising her role as Grace MacCaullay. The film also stars Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, David Cronenberg, and Elijah Wood. Set immediately after the events of Ready or Not, it follows Grace as she must protect her estranged sister while being hunted by several elite families in a high-stakes ritual to claim a seat of ultimate power.Ready or Not 2: Here I Come premiered at the South by Southwest Film & TV Festival on March 13, 2026, and was released theatrically in the United States by Searchlight Pictures on March 20. The film received mixed-to-positive reviews[6] and has grossed $23 million.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 | 1h 38m 32s | ||||||
Showing 25 of 1000
Sponsor Intelligence
Sign in to see which brands sponsor this podcast, their ad offers, and promo codes.
Chart Positions
4 placements across 4 markets.
Chart Positions
4 placements across 4 markets.

























