Recording Studio Rockstars

What happens when you sit down with a songwriter who’s done everything from early fan-funded records, to major-label pop, to K-pop, to sync, to teaching songwriting at Berklee - and ask him what really matters in the studio today?Bleu McAuley and I go deep into the intersection of creativity, workflow, sync licensing, AI, and staying inspired at a time when music creation is changing fast. We start with his early days in Boston, learning four-tracks and alternate tunings, following Ducky Carlisle around Room 9 From Outer Space, and eventually being pushed by producer John Fields to take a real swing in Los Angeles. Bleu talks about shaping his voice as a solo artist, capturing inspiration quickly, and why most of the battle in the studio is simply removing friction.We dig into sync: how commercial music is its own ecosystem, why high-dollar sync often has nothing to do with the pop charts, and how entire micro-genres exist only inside advertising. Bleu breaks down the difference between library production music and custom sync, how briefs actually work, what trends supervisors follow, and how studying commercial catalogs (not Spotify playlists) changes your instincts. He explains why inspiration disappears in moments, why setups must be instant, why inspiration beats fidelity, and how he builds his studio workflow - from synth routing to outboard to leaving drums mic’d up permanently - so artists never lose the spark.In the second half, we talk about AI’s impact on music production and why it’s already reshaping expectations, budgets, and the perceived value of human-created work. Bleu predicts that production music will be “decimated,” that executives are already asking “can’t you just AI that?”, and why musicians must prepare for a world where non-AI work has to be obviously human. We talk cassette 4-track records, reel-to-reel inspiration, talent that shines through limitations, and why unique sonic imperfections may soon become a calling card. Bleu also breaks down vocal technique, why control matters more than range, and why producers should avoid technical talk during emotional takes. Finally, we look at career longevity, creative spaces, studio setup philosophy, and what advice he’d give his younger self (hint: invest early, learn piano, and chase control over perfection).Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Apple Music:https://music.apple.com/us/playlist/bleu-production-highlights/pl.u-KVXB2eLtm8P9MyIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/558

What happens when you finally get to mix Spinal Tap in Dubly Atmos? You turn it up to 11, of course!My guest today is Grammy-nominated engineer and mixer Steve Genewick, joining us from his Atmos room in Los Angeles to walk us through the wild, hilarious, and surprisingly heartfelt process of capturing and mixing the new "Spinal Tap II: The End Continues" soundtrack and album. In this episode, Steve talks about working directly with Christopher Guest, Michael McKean, and Harry Shearer; recording their live vocals; tracking the band as a real rock group; and assembling a full dubly Atmos experience that honors the original film while pushing the new one into immersive territory.We dig into the whole workflow - from the Beyerdynamic M500 ribbon mics he labeled as Nigel, David, and Derek… to tracking full songs live at The Village… to mixing the concert sequences for the film… to remixing "Break Like the Wind" in Atmos using the original 1990s analog tapes that had to be transferred from tape box track sheets. Steve also talks about Spinal Tap's actual backstory, the improvised nature of the films, working directly with Rob Reiner, and why the guys are not in character in the studio - except when it's time to sound "more Nigel."We also go deep into Atmos and orchestral recording, Steve's work on classic jazz records (Miles Davis, Art Blakey, Freddie Hubbard), his remixing of the "Jaws" and "Jaws 2" soundtracks, and how immersive music translates between speakers, earbuds, and soundbars. Steve explains LFE strategy, subwoofer layouts, mixing bass into objects, and why a great Atmos mix is not about flying things around the room — it's about clarity, space, and emotional impact. And yes, we do talk about Stonehenge… the pizza pedal… the cheese guitar… and whether mixing break like the wind is allowed in the control room.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK30 to get 1 month free of NI 360!https://www.spectra1964.comhttps://gracedesign.com/https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Apple Music:https://music.apple.com/us/playlist/steve-genewick-atmos-mixes/pl.u-76oNkrMF1JKbpIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/556

What actually makes a mix feel musical before you ever touch an EQ?Get access to FREE mixing mini-course: https://MixMasterBundle.comMy guest today is Eric Sarafin, better known as Mixerman - a gold- and platinum-selling producer, mixer, and engineer with credits ranging from The Pharcyde and Tone-Lōc to Ben Harper, Lifehouse, Barenaked Ladies, Foreigner, and Pete Murray. He's also the author of Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, and his newest book, Mixerman's Ultimate Guide to Producing Records, Music & Songs. In this episode, Eric and I get straight into what really makes mixes work - not plugins, presets, or loudness targets, but arrangement, balance, and the way instruments naturally interact. We talk about masking as something musical rather than something to eliminate, why most of the "music" lives in the midrange, and how perceived loudness comes from balance, not hype at the top or bottom. We also dig into how listening quietly can reveal problems faster, why speed and familiarity with your tools matter more than features, and how motion and distortion bring life to otherwise static tracks. Eric shares his perspective on working fast, stepping away to regain objectivity, and making decisions that serve the song instead of the tech. Along the way, we cover practical mic strategies for home studios, why placement matters more than price, and how knowing why you're choosing a tool is more important than following trends. This one is about thinking musically first - and letting the mix follow.THANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.adam-audio.com/https://www.spectra1964.comhttps://gracedesign.com/ https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusicListen to this guest's discography on Muso:https://credits.muso.ai/profile/925b8031-48bb-40d5-af32-c289cd7663a7If you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/544

How do you turn your studio skills into a thriving artist career? Ryan Prewett shares how funk, collaboration, and sync licensing helped him shift from producer-for-hire to full-time artist - and why building assets is the new record deal.Get access to FREE mixing mini-course: https://MixMasterBundle.comMy guest today is Ryan Prewett, a Nashville-based artist, producer, and mix engineer known for blending classic funk and soul with modern pop and groove-driven production. Ryan's work spans producing records, mixing, and building sample packs, and he's quickly carving out a name for himself in Nashville's creative community. His music captures the sweet spot between live musicianship and digital innovation - with an ear for timeless tone and modern punch.THANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.adam-audio.com/https://www.spectra1964.comhttps://gracedesign.com/ https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/60JKT1OkF9LpLFQ5SKBPg8If you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/542

What happens when you sit down with an engineer who helped define multiple eras of music - from Foreigner to Timbaland - and he tells you the secret is still just listening for what feels good?Get access to FREE mixing mini-course: https://MixMasterBundle.comMy guest today is Jimmy Douglass, legendary producer, mixer, and engineer whose career spans more than five decades. Jimmy began as a teenager at Atlantic Records in New York, making tape copies and quietly slipping into the back of sessions, where he learned by watching giants like Tom Dowd, Arif Mardin, and Jerry Wexler. He grew up in the era when you had to earn your way into the control room, and those lessons shaped everything that came after. Jimmy talked about working on classic records for Foreigner, including helping mix Follow You, Follow Me when Genesis was still emerging, and cutting his teeth editing music for radio versions - including early work on King Crimson. He also shared memories of the post-punk era, mixing records for Gang of Four and Television, including the iconic Marquee Moon, and how those productions influenced his sense of space, energy, and performance. Then Jimmy walked us into the world that many people know him for - his long-running creative partnership with Timbaland. He explained how Tim's rhythmic sensibility forced him to rethink timing, movement, and pocket, and stories of respectful sessions working with Snoop Dogg. We also talked about longevity: how Jimmy stays inspired, how he keeps reinventing himself, why he still chases accidents and surprises in the studio, and the challenge of balancing instinct with intention across 50 years of making records. If you love stories from inside the control room or want to understand how great mixers think, this episode is loaded with wisdom and wild history. https://metalliance.com/ https://www.sheencenter.org/events/detail/studio-confidential-1THANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.adam-audio.com/https://www.spectra1964.comhttps://gracedesign.com/ https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/6voPl0icbbrLKCh7MqFiHe?si=7MKSFLWmT76HunqSyUQHLgIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/540

What does a rooftop studio, a cold plunge, and a punk rock heart have in common? Producer Toby Lloyd shares how surrender, discipline, and creative flow helped him build Tiny Triumph Recordings and rediscover joy in making music.Get access to FREE mixing mini-course: https://MixMasterBundle.comHowdy Rockstars, my guest today is Toby Lloyd, a music producer, studio engineer, and mixing engineer who runs Tiny Triumph Recordings, a boutique rooftop recording studio in Wellington, New Zealand. Toby has worked with artists like Shapeshifter, Hollie Smith, Stan Walker, and Nightmares on Wax, and he's contributed to major film projects including Avatar 2, The Hobbit Trilogy, Mortal Engines, and Hunt for the Wilderpeople, as well as mixing scores for acclaimed films such as Savage, Stylebender, and Ka Whawhai Tonu (pronounced Car Far Fie Toe Nu). In addition to his studio and film work, Toby is also making new music as an artist himself. Big thanks to Matt Boudreau from Working Class Audio for making today's introduction!THANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.adam-audio.com/https://www.spectra1964.comhttps://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/4KcgK6N3gowUGrKLxBGkgy?si=65a448e9f89c42e6If you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/538

Get access to FREE mixing mini-course: https://MixMasterBundle.comMy guest today is Ian Fitchuk, a two-time Grammy Award–winning musician, songwriter, and producer based in Nashville. You've heard his work on Golden Hour with Kacey Musgraves - a landmark record that helped redefine the sound of modern country and pop. Ian has also collaborated with artists like Maggie Rogers, Joy Oladokun, Chris Stapleton, and Beyoncé, bringing his versatile musicianship and deep sense of songcraft to every project he touches. In this conversation, Ian shares his journey from growing up in a musical family to finding his voice as both an artist and a producer. We talk about the evolution of the Nashville music scene, how collaboration shapes every great record, and why fear can actually be one of the most powerful creative tools in the studio. Ian opens up about rediscovering his own songwriting, balancing commercial work with personal expression, and learning to embrace uncertainty as part of the artistic process. Whether you're a songwriter, producer, or studio musician, this episode is packed with insight into what it really means to make music in Nashville today - not just as a profession, but as a lifelong creative pursuit.THANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.adam-audio.com/https://www.spectra1964.comhttps://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/6on3LJZ2s6RnTOkHEkDyCZ?si=e6896b3481a74242If you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/536

Learn why polar patterns matter more than EQ as Derek Bargaehr of Vanguard Audio Labs breaks down capsules, circuits, self-noise, phase tricks, stereo techniques, and practical mic placement you can use on your next session.Get access to FREE mixing mini-course: https://MixMasterBundle.comMy guest today is Derek Bargaehr. A lifelong tinkerer, he started out burning himself with a soldering iron and modding guitar pedals at 15, eventually working as Director of Operations for a successful microphone company. A freelancing engineer, producer, gear tech, and bassist, Derek earned a BA in Commercial Music – Audio Engineering & Music Business from Azusa Pacific University. Today, he runs Vanguard Audio Labs as the Chief Everything Officer, designing microphones and restoring priceless vintage AKG, Neumann, and Gefell mics.He was previously a guest on RSR249, and I'm excited to have him back to talk about his new line of microphones, including the V14 Variable-Voltage Tube Condenser, the V24 Stereo Tube Condenser, and the V1 Gen2 FET Pencil Condenser!THANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.adam-audio.com/https://www.spectra1964.comhttps://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusicIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/534