Sound Perimeter

Today's Sound Perimeter features two works by Canadian composers: "The Bessborough Hotel" by Nicole Lizée and "Pièce pour violon et clarinette" by Claude Vivier. While these pieces sound very different from one another, both composers invite us into imaginative and unexpected musical worlds.Lizée draws on ghost stories, popular culture, and technology, while Vivier explores color, mystery and the expressive possibilities of sound itself. Together, they offer two distinct perspectives on Canadian contemporary music and remind us that music can tell stories, spark curiosity, and transport us somewhere new. Performances by Nicole Lizée and Ensemble Made in Canada. Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter listens to two different versions of “Motherless Child”, one by Jubilant Sykes, and the other by Cécile McLorin Salvant. Each rendition holds the same spiritual at its center, yet each opens a distinct emotional world. Sykes offers the song with warmth, grace, and a sense of outward offering, shaped by movement, conversation, and color. Salvant, in contrast, brings an intimate, prayer-like reading, transparent, inward, and quietly intense.Together, these performances reveal the many lives a single song can live.

Today's Sound Perimeter steps into winter through three very different musical moods. We began with Thea Musgrave’s "A Winter’s Morning", a quiet, atmospheric setting of a Robert Burns poem that captures the sting of cold air and the stillness of a snowy dawn. Then we moved into Tchaikovsky’s magical world with the "Adagio and Waltz of the Snowflakes" from "The Nutcracker", where snowfall becomes dance. And we ended with the Jerry Granelli Trio performing Vince Guaraldi’s "Skating", a piece that glides and sparkles with the lightness of ice underfoot. Together, these works remind us that winter holds more than chill, it’s a season full of sound, memory, and movement.Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter presents two pieces that reflect one another across time: Frédéric Chopin’s Mazurka in A minor, Op. 17 No. 4, and Caroline Shaw’s Gustave Le Gray , which reimagines and reframes Chopin’s melody through a contemporary lens. Both works explore the delicate space between reflection and reinvention where memory becomes music, and the past lingers, reshaped, in the present.Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter features two pieces inspired by oranges, both the fruit itself and the color it embodies.

Today's Sound Perimeter, Postcard from Mexico City, written as host Lia Uribe's present to you, after a short visit to Mexico this past week. Listen across three vibrant voices: Guadalupe Perales’ Intertwined: Color Changes for bassoon duo, Nubia Jaime Donjuan’s danzón Frida, and Andrea Sarahi’s “Piece for Bassoon Solo” from Calladita: Five Pieces About Violence. Lines crossed, colors shifted, and music moved from city bustle to interior resolve. Host Lia Uribe hopes you enjoy these fresh and innovative voices, and her favorite instrument, her own instrument, the bassoon. Sound Perimeter is a segment hosted by Lia Uribe and dedicated to diverse voices in and around music. We hope it’ll expand your knowledge and connection to inclusive sounds and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter includes two journeys of motion and momentum: Gity Razaz’s 'The Strange Highway', racing forward with eight cellos like headlights through shifting landscapes; then a cello quartet in Carlos Gardel’s “Por una cabeza” leaning into tango’s sway, where a heartbeat rhythm meets a bittersweet tune. Together, they reveal the cello’s range, choral and intimate, resonant and lyrical, and how music can carry us through desire, risk and release. Featuring performances by Gity Razaz, Erin Murphy Snedecor and the Galvin Cello Quartet.

Today’s Sound Perimeter episode spends time with the piano trio: violin, cello and piano, and sees how much music can come from just three instruments.