
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 13 chart positions in 13 markets.
By chart position
- 🇺🇸US · Performing Arts#9830K to 100K
- 🇩🇪DE · Performing Arts#1955K to 30K
- 🇸🇪SE · Performing Arts#5610K to 30K
- 🇫🇷FR · Performing Arts#1401K to 10K
- 🇰🇷KR · Performing Arts#1411K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
33K to 117K🎙 Daily cadence·250 episodes·Last published today - Monthly Reach
Unique listeners across all episodes (30 days)
110K to 389K🇺🇸26%🇨🇿26%🇩🇪8%+10 more - Active Followers
Loyal subscribers who consistently listen
44K to 156K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Anjimile
Jun 25, 2026
Unknown duration
Elizabeth and the Catapult Slows Down Enough and Stays Present (In-Studio)
Jun 22, 2026
Unknown duration
Rhiannon Giddens and Francesco Turrisi Discover Common Roots Through Music, In-Studio
Jun 18, 2026
Unknown duration
Art Rock Trio Mary in the Junkyard Embraces the Light with the Dark, In-Studio
Jun 15, 2026
Unknown duration
Composer and Bassoonist Joy Guidry Transforms Via Music, In-Studio
Jun 11, 2026
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6/25/26 | ![]() Anjimile | For Dallas-born folk singer-songwriter Anjimile, who grew up in a conservative Christian family with immigrant parents from Malawi, life wasn’t always easy to figure out. Their journey as a young adult, trans man, while simultaneously battling addiction, resulted in the brutally honest 2020 album, Giver Taker, which the artist deemed to be full of prayers. A few years later came The King, his most defiant and intense record to date, which helped Anjimile deal with the complex emotions that stem from existing as a Black, trans person in the current political climate. And though that album felt like one filled with curses, the latest addition to their discography, titled You’re Free to Go, appears to be “an album of blooming.” As Anjimile puts it, “a lot of the themes are related to transformation and/or growing pains… a blooming spring is a beautiful thing but it’s also a disruption to the status quo.” As his voice deepened and grew in confidence, Anjimile discovered “a newfound level of comfort”, both in singing and composing his music. And though he appeared on Soundcheck before, he returns with a new sonic palette and stories, encapsulating moments of acceptance and eagerness to let love in. (- Sırma Munyar) Set list: 1. Rust and Wire 2. The Store 3. Waits For Me Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 6/22/26 | ![]() Elizabeth and the Catapult Slows Down Enough and Stays Present (In-Studio) | Elizabeth Ziman, who performs as Elizabeth and the Catapult, is a singer-songwriter from Brooklyn. She plays new songs from her latest, "Responsible Friend", in-Studio. | — | ||||||
| 6/18/26 | ![]() Rhiannon Giddens and Francesco Turrisi Discover Common Roots Through Music, In-Studio | On this episode of Soundcheck, revisit a special live performance and interview from our archives, recorded in 2019. Multi-instrumentalist, composer, host of the podcast Aria Code, and MacArthur Fellow Rhiannon Giddens collaborated with Italian pianist and percussionist, Francesco Turrisi on there is no Other: twelve songs that explore the connections between European, Arabic, African-American, and Mediterranean sounds with an opposition to "othering" and “a celebration of the spread of ideas, connectivity, and shared experience” (Nonesuch Records). The duo’s artistic cross-pollinations and discoveries draw from Italy, Ireland, Iran, Africa, and Brazil, among other places, and reflect the history of the movement of both people and instruments (with particular attention paid to both the trans-Saharan and the trans-Atlantic slave trade). Giddens and Turrisi have mentioned in interviews that audiences probably won’t be thinking about how cultures meet, collide, and create new forms. But perhaps as the players weave their magic, the result might also be that the music will start deep and productive conversations about migrations. Rhiannon Giddens and Francesco Turrisi, along with bassist Jason Sypher, join us in-studio to perform some of these songs. – Caryn Havlik Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 6/15/26 | ![]() Art Rock Trio Mary in the Junkyard Embraces the Light with the Dark, In-Studio | The London-based art rock band, Mary in the Junkyard, is getting ready to release their debut album after four years of trying to make sense of strange things in life through music. “I think that life is very surreal,” says the vocalist of the group, Clari Freeman-Taylor, as she explains why she enjoys “writing about things that may be a little bit unsettling”. Nothing about the order of life is rehearsed, so why should their music be? Their practice relies heavily on their songwriting and arranging rituals where they carefully piece each layer of sound together. But preparations for live performances are enforced with a spirit of spontaneity, which, as the viola and bass player Saya Barbaglia points out, is a big part of their sound. The duo blurred the rigid lines of classical music together as they grew into their teenage years with rock music. They traded hours of sight-reading for jam sessions that led to endless scraps of ideas. Those ideas would eventually become fully fleshed-out songs with the addition of drummer David Addison to the band. Mary in the Junkyard’s upcoming LP, Role Model Hermit, carries hints of Freeman-Taylor and Barbaglia’s classical music background, as dense string arrangements pop up every now and then. But in our studio, the trio reveals the core of each song they perform: raw, skeletal, dark, and light, all at the same time. (- Sırma Munyar) Setlist: 1. New Muscles 2. Myrtle 3. Blood Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 6/11/26 | ![]() Composer and Bassoonist Joy Guidry Transforms Via Music, In-Studio | Bassoonist Joy Guidry is a versatile improviser, performance artist, and composer of experimental ambient electronic music, who has founded her own record label, Jaid Records. While she is classically-trained, she has also listened deeply to some of the spiritual jazz of Pharoah Sanders, Alice Coltrane, Shabaka, and Nala Sinephro, and collaborates widely, most recently at the Park Avenue Armory in New York with Jessie Cox, Tcheser Holmes, and Scott Li. Her latest album Five Prayers, is a collection of works for bassoon with electronics, in which the Houston-born musician and sound architect takes inspiration from the spirit of the Black church and atmospheric sounds of ambient music. Joy Guidry performs in-studio. Set list: 1. Georges 2. Dear June 3. You've Done What You Can Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 6/8/26 | ![]() Latin Dance Duo Ruido Tovar Combines Old Traditions with Modern Sounds, In-Studio | Imagine the tropical grooves of Colombia and Mexico in an avant-garde setting. That’s the ethos of Ruido Tovar; the new collaborative project between Eblis Alvarez of Meridian Brothers and Camilo Lara of the Mexican Institute of Sound. Before releasing their debut self-titled record together, both Alvarez and Lara were known to experiment with electronics, fusing modern sounds with music styles that are typically considered traditional. Alvarez put a spin on cumbia and salsa with his band Meridian Brothers, while Lara pushed the electronica movement in Mexico forward with his project, the Mexican Institute of Sound. Coming together as Ruido Tovar, the duo joins the Soundcheck host, John Schaefer, with their pocket-sized effects pedals and compact synthesizers to perform some new songs from their new record and discuss their journey in music thus far. (- Sırma Munyar) Setlist: 1. El Campeon 2. Concorde 3. Ritmo Babilonia Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 6/4/26 | ![]() Paris Paloma Offers Darkly Sharp Pop Songcraft, In-Studio | British singer and songwriter Paris Paloma, a very sharp and thoughtful young artist who considers grief, politics, creativity, love, art, Greek mythology, and power structures in her music and in interviews, has opened for Florence & the Machine, played Glastonbury, and lent her voice to the Tolkien universe. She has built a community – her fairies –over the past few years, from her first EP, 2021’s cemeteries and socials (you want dark? Folk-horror-pop? She’s got you) to what will be her latest album, The Fatal Flaw, due out in September 2026. [View the artwork for the single “Good Boy”] Paris Paloma offers the anti-AI song “Miyazaki”, about the unstoppable human need to create – and yes, named after the legendary Studio Ghibli director Hayao Miyazaki. Plus, she plays an intimate version of her feminist anthem, “Labour”, (which she played with the Resistance Revival Chorus on the Late Show with Stephen Colbert in 2025), in-studio. Set list: 1. Labour 2. Miyazaki 3. Stem the Flow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 6/1/26 | ![]() Tank and the Bangas Stay Lifted With Playful Tunes, In-Studio | The New Orleans band Tank and the Bangas have built their considerable reputation on a high-energy, exuberant blend of R&B, funk, hip hop, spoken word, gospel, and pop. Listeners may recall how the band first introduced themselves to the public radio community in 2017 by winning the NPR Tiny Desk contest, and have since been awarded a GRAMMY. Their new album is called The Last Balloon, and it completes a trilogy that began with Green Balloon in 2019 and Red Balloon in 2022. Tank and the Bangas play a few fizzy-lifting, playful, and cathartic songs from the Last Balloon, in-studio. Set List: 1.Move 2. No Invite 3. Whole World Photo of Tank and the Bangas by Jeremy Tauriac Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 5/28/26 | ![]() English Post-Punk Duo Sleaford Mods Spares No Fury, In-Studio | Nottingham post-punk duo Sleaford Mods create minimalist danceable and ferocious rants against elite sleaze and fraud, in-studio. | — | ||||||
| 5/25/26 | ![]() Avant-folk Composer Em Spel Sings Beguiling Songs, In-Studio | Emma Hospelhorn is known as a flutist when she goes by her full name, especially as a member of Chicago’s Ensemble Dal Niente; the acclaimed collective that brings experimental chamber music to the masses. But when she steps into the universe of her solo project, Em Spel, she writes and sings surreal, beguiling songs that fall somewhere in between dream pop, art rock, and folk music. The multi-instrumentalist has a new album out, titled Bird or Snake, in which she occasionally breaches the constraints of tonality and uses layering techniques to texturize the organic elements that define her sound. The pandemic carved out enough space in Hospelhorn’s busy schedule for the creation of new Em Spel songs, some of which she performs live with her band for this episode of Soundcheck. (- Sırma Munyar) Setlist: 1. The Poet 2.Sea Wall 3.Geographic Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
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| 5/21/26 | ![]() The Klezmatics Were Made For These Times (In-Studio) | The Klezmatics have never been just a klezmer band. From their beginnings 40 years ago, they’ve fused klezmer music, rooted in the Jewish communities of Eastern Europe, with the sounds of jazz, psychedelia, Latin music, punk energy, gospel fervor, global rhythms, and even ambient music. They’re also a band whose music rises to meet the moment, from their debut album Shvaygn = Toyt, silence equals death, released during the height of the AIDS epidemic, to their latest album, which is a 40th-anniversary statement called We Were Made For These Times. It uses music as activist art to speak to questions of immigration, labor, and belonging - answering with urgency, care, faith, community, and collective action, (Bandcamp liner notes). The Klezmatics play some of these anthemic songs of resilience and joy, in-studio. Set list: 1. Un du akerst 2. Elegy for the Innocents 3. Plane Wreck at Los Gatos (Deportee) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 5/18/26 | ![]() Texas Aficionado Ryan Bingham Plays New Songs, In-Studio | Ryan Bingham may be known as the character, Walker, on the hit neo-Western television series Yellowstone by many; but he’s also built a fandom around his rich Americana discography, spanning seven studio albums in 19 years. Earning an Oscar and a Grammy for “The Weary Kind”, the theme song for the film Crazy Heart co-written with T Bone Burnett, jumpstarted Bingham’s music career back in 2010. Since then, he’s been composing, recording, and performing his heartfelt songs that sound like they belong in a different time from decades past. Playing slide guitar and singing raspy melodies with ease, Bingham embodies the persona of an artist who appreciates the melting pot of Texas – so much so that he recently starred in a short film called Love Letter to Texas, written and directed by Jeff Nichols. And though Bingham may not be a troubadour, he certainly performs like one, both in the studio and on stage. His latest album, titled They Call Us the Lucky Ones and recorded with the Dallas-based collective The Texas Gentlemen, is a testament to his willingness to welcome spontaneity, recounting his stories in the moment as they come. You can feel the same spirit on this episode of Soundcheck, as Bingham performs some of his new songs solo at our Manhattan studios. (- Sırma Munyar) Setlist: 1. Let the Big Dog Eat 2. Relevance 3. Blue Skies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 5/14/26 | ![]() Hiss Golden Messenger's Warm and Earthy Folk-Rock, In-Studio | Hiss Golden Messenger is the band led by singer/songwriter and guitarist M.C. Taylor, whose Americana folk and roots music has featured a rotating cast of characters, many but not all of them from North Carolina’s rich and varied musical scene. The band’s latest album is called I’m People, a simple enough title for a record that opens up onto some expansive ideas on what it means to be human and alive in America in 2026. Warm and twangy, soulful and jangly, M.C. Taylor and the current lineup of Hiss Golden Messenger play some of these songs, in-studio. Set list: 1. In The Middle of It 2. Last Orders 3. Mercy Avenue Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 5/11/26 | ![]() Multi-instrumentalist Julieta Venegas Lets Go of the Past, In-Studio | Mexican singer-songwriter Julieta Venegas is considered a living legend among her peers. But when it’s just her and her favorite musical instruments, like the piano, the accordion, or the Venezuelan cuatro guitar, her artistry is just as raw, honest, and vulnerable as it was in her early days in music. On her new record, Norteña, Venegas acknowledges the fact that none of us are as innocent as we used to be. Missing that pre-internet naïveté and going back to her roots played a big part in her writing process. Still, she’s not one to live in the past. As she puts it: “You have to let go of things… Even the things you think are really the best moments of your life are not going to be, because then you’re going to keep on going, and you’re going to find other best things in your life.” This art of being at peace with present time is most apparent on this edition of Soundcheck, where she performs two singles from her new album, as well as a beloved song from two decades ago. In the studio, Venegas is known to fuse pop, rock, and regional Mexican music with well-thought-out and expansive arrangements. But here, she picks up a different instrument for each song, singing and playing organically, as she injects her momentary emotions into every note. (- Sırma Munyar) Setlist: 1. La Línea 2. Tiempos Dorados 3. Oleada Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 5/7/26 | ![]() Gamelan Yowana Sari Brings the Brilliant Bursts of Metal | Gamelan Yowana Sari is a Balinese art ensemble in residence at the Aaron Copland School of Music at CUNY Queens College made up of students, alumni, faculty, and community patrons – all guided by GYS founder Michael Lipsey and co-directors Fred Trumpy and Ruka Shironishi. This contemporary group of percussionist ringers (ahem) are “fostering the creation of new works for gamelan”, and are “deeply committed to the transmission of Balinese culture through traditional music” (Bandcamp). GYS recently traveled to Bali to record some of these new works - some for gamelan and electric guitars- for their self-titled debut album, (which is out now on Cantaloupe Music.) Recently, they traveled from Queens and elsewhere with their heavy metal arsenal of traditional metallophones and gongs; 7- and 8- string guitars; and a hi-hat turtle to play (and count in cycles of fives and sevens) in the Jerome L. Greene Performance Space. Bonus - there's also a tour of the instruments! (- Caryn Havlik) 1. Stones Are the Flowers (Kyle Miller) 2. Guirlandes, mvt 1 (Theo Merigeau) 3. aERIFORm kiTE (Evan Ziporyn) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 5/4/26 | ![]() Sofía Rei Connects Traditional and Future Sounds, In-Studio | New York-based Sofia Rei is a Grammy-nominated vocalist, songwriter and producer from Buenos Aires, Argentina who was classically trained as a singer and fell in love with Brazilian music. Her new album, Antónima expands the concept of chamber music, looks to South American and Caribbean dance music (cumbia, candombe), and combines elements of Oya’s healing thunder and improvisation – all while flirting with jazz and experimental pop - as she and longtime collaborator and co-producer JC Maillard skillfully layer her voice and electronic sounds. Then there’s the all-star lineup of featured guest musicians on the album - many of them visionary Latin American women creators – who help Sofía Rei to celebrate future sounds. She and JC Maillard play in-studio. (- Caryn Havlik) Set list: 1. El Mundo Es Redondo (Anonimous) 2. Si Una Cae 3. Marciana Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 4/30/26 | ![]() Indie-rock Songwriter Morgan Nagler Sings Her Unfiltered Songs, In-Studio | Morgan Nagler writes new songs every day, whether she’s in a room with the likes of Phoebe Bridgers and HAIM, or by herself playing an acoustic guitar in her bedroom. When she’s collaborating with other artists, there’s a lot of thought put into what each song is supposed to be about. But in private, Nagler refers to her tried and true “puke method”, eager to see what emerges, unfiltered. Then perhaps it shouldn’t come as a surprise that her debut album, which was born after a series of side projects, carries an intimate, conversational tone. Despite the layered electric guitar textures and thoroughly arranged instrumentals, Nagler sings as though she’s right there, sitting next to you. In her co-write sessions with other artists, she “shows up and there’s nothing, but by the end of the day, you’ve got a song with a nice demo recorded. And then, you can just wipe your hands of it.” Such is the privilege of a songwriter stepping into another artist’s universe. In her own universe though, Nagler assesses all her heartbreaks and existential crises, summing it all up with an appropriate album title: I’ve Got Nothing to Lose, and I’m Losing It In the making of her album, Nagler had “the time of her life”, having so many of her collaborators show up for her passion project. But for this edition of Soundcheck, she’s accompanied by nothing but her own guitar, putting her story in front and center. (- Sırma Munyar) Setlist: 1. Cradle the Pain 2. Hurt 3. Heartbreak City Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 4/27/26 | ![]() Cellist Alisa Weilerstein Wonders 'Bout Sound and Meaning, In-Studio | Alisa Weilerstein is more than just a virtuoso cellist; she is also a winner of the MacArthur Fellowship, the so-called “genius” award and is a master of connecting music of our time with core classical repertoire. She plays some of her series, "Fragments", in-studio. | — | ||||||
| 4/23/26 | ![]() Folk-Rock Trio The Lone Bellow Plays Some Hard-Won Songs, In-Studio | Brooklyn-based folk-rock band The Lone Bellow have stuck through thick and thin for the past 15 years. Their creative output has been fairly consistent, only disrupted recently by a burglary on the road. Strangely, the thieves who broke into their tour van stole the hard drives containing the vocal takes for their latest record and left the precious instruments behind. Still, the financial burden was significant enough to delay the release of What a Time to Be Alive. After a successful crowdfunding campaign, the trio had their second shot at realizing their vision. Now back on the road after a short break to promote their new album across the US, The Lone Bellow is once again ready to welcome “the alchemy of everybody together in the room” on stage. But first, they share their rich vocal harmonies, backed with acoustic guitars and a mandolin, at our Manhattan studios for the latest installment of Soundcheck. (- Sırma Munyar) Setlist: 1. I Did It for Love 2. You Were Leaving 3. No Getting Over You Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 4/20/26 | ![]() Texas-Born Folk Artist Jana Horn Weaves a Gentle Atmosphere, In-Studio | Texas-born folk singer-songwriter Jana Horn lives in Brooklyn, NY now. Perhaps it was this lifestyle change that established the introspective and fragmented nature of her eponymous third album. The calm in her voice, guided by instruments that sound as though they follow their own communal continuous clock, softens the blow of her existential lyrics: “Seeing eternity as a quality of time / Done with my dying / I can breathe again”. Drifting between melancholy and optimism, Horn writes and performs conversationally, blurring the line between speech and song. The core team of musicians she opens her heart to play a big part in weaving the delicate and gentle atmosphere around her vocals, both in the studio and on the road. Two of those musicians, bassist Jade Guterman and drummer Adam Jones join us for the latest edition of Soundcheck with Jana Horn. Hear their performance and the artist’s interview with our host, John Schaefer. (- Sırma Munyar) Setlist: 1. Come on 2. It's alright 3. Designer Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 4/16/26 | ![]() English Post-Punk Outfit Art Brut Doesn’t Seem Like It’s Planned! (In-Studio) | The band Art Brut has been making excitable, eccentric indie rock since their debut LP Bang Bang Rock N Roll was released in the UK back in 2005. They play a gleefully feral set of songs, in-studio. | — | ||||||
| 4/13/26 | ![]() Alternative Rock Artist Mike Doughty Reinterprets Musical Memories, In-Studio | Mike Doughty is many things; a solo artist, founding bandmember of Soul Coughing and Ghost of Vroom, and a published writer – who not only wrote two memoirs but also an oratorio based on the biblical Book of Revelation that was staged at WNYC’s Greene Space. Simply put, Doughty has built a long-lasting career since his days of working as a doorman at the New York club, The Knitting Factory. On his way up, he embraced all aspects of the art of writing good songs, from welcoming “cowboy chords” when they come, to opening his mind up to the universe of avant-garde jazz – or even German grammar-inspired lyrics. Today, he is a storyteller who is honest with himself and transparent with his audience, composing and sharing new songs weekly with his patrons on Patreon while continuing to pour his heart out on the road, as he’s about to do so on his Solo Tour ’26, playing all over the United States. In the early days of this new adventure, Doughty joins our host, John Schaefer, with his collaborator, Andrew “Scrap” Livingston, for an intimate live performance and a warm chat for this edition of Soundcheck. (- Sırma Munyar) Setlist: 1. White Lexus 2. Mr. Bitterness 3. Light Will Keep Your Heart Beating in the Future Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 4/9/26 | ![]() Omar Offendum Fuses Hip-Hop, Poetry, and Arab Heritage, In-Studio | The Syrian-American rapper, poet, and peace activist Omar Offendum blends the sounds of hip hop and classical Arab music and literature into his stage works. He has spent much of the past few years on a New York-themed work called The Little Syria Show, named after a historical neighborhood in Lower Manhattan. In a celebration of Arab-American cultural heritage, Omar Offendum shares insights on diasporic memory and performs some of the songs from The Little Syria Show, in-studio. – "Sinsyrianly" Set list: 1. Peddling Dervish 2. Mojaddareh 3. Not Quite White Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 4/6/26 | ![]() Soulful Folk Music Composer Annahstasia Embraces Dynamism, In-Studio | American folk singer-songwriter Annahstasia’s music career blossomed since the day she got kicked out of her teenage choir. Her voice didn’t blend homogenously with others, as it always meant to stand out. Today, with her soulful contralto register, she often gets compared to the greats like Nina Simone, Tracy Chapman, and Sade. But the way she utilizes her voice and songwriting melds a distinct brand of her own. As a storyteller, Annahstasia doesn’t worry too much about predictable song structures with repeatable sections. Instead, she invites her collaborators and listeners into her safe space to participate as a communal sonic atmosphere begins to take shape. Like an “energy doula”, she approaches the dynamics in her music with the utmost care, birthing not only words and musical notes but also volumes of emotion. Sometimes, her melodies and harmonies are tethered so tightly to silence that you might miss them if you’re not listening closely. Then, they burst out again, like a thunderstorm that came out of nowhere to grasp your attention and never let go. Offering an inimitable aural experience, Annahstasia performs a solo set at our Manhattan studios for this edition of Soundcheck, ahead of her sold-out four-night residency at Public Records in Brooklyn. Hear her latest anecdotes about her journey in the music industry and how she defends the art of live music recording in the age of bedroom pop productions. (- Sırma Munyar) Setlist: 1. Be Kind 2. Take Care of Me 3. Slow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
| 4/2/26 | ![]() Storyteller Dessa Calls Attention to Current Events, In-Studio | Rapper, singer, and songwriter Dessa is a longtime member of Minneapolis’s influential Doomtree collective, has toured and recorded with orchestras, and been artist-in-residence at The Greene Space, our ground floor performance venue here in New York. But Dessa is also a writer, a poet, and a keen observer of the times. Her explicit commentary on the state of American politics, along with digressions on art, science, business, love, failure, and creativity fuel her latest songs, which she performs in-studio. Set list: 1. Camelot 2. Tough Call 3. What if I'm Not Ready Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising. | — | ||||||
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Chart Positions
13 placements across 13 markets.
Chart Positions
13 placements across 13 markets.

























