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Stewart Lee joins Armando to look at the detail, or lack thereof in the US and Iran deal.What is a memorandum of understanding? Does the language of UFC apply to this deal? And are Shoreditch hipsters running Iran's social media campaign?It's by-election day, and while broadcast rules prevent us from discussing the events in Makerfield, there's no rule to stop us discussing the broadcasting rules themselves. Outgoing Ofcom chair Michael Grade has been vocal about the state of broadcast journalism in the UK, so we take a close look at his recent language.Elsewhere, we talk Ghibli Grandads, soiled underpants, and 'the Islington of the Mind'.Got a strong message for Armando? Email us at strongmessagehere@bbc.co.ukSound editing: Chris Maclean Production Coordinator: Asha Osborne-Grinter Executive Producer: Richard Morris Recorded at The Sound CompanyProduced by Gwyn Rhys Davies. A BBC Studios production for Radio 4.

Armando is joined by Natalie Haynes and Michael Gove to discuss the true meaning of transparency.With his experience as both a politician and a journalist, Michael Gove gives his insight into how transparency can often mean the opposite. He also explains the perverse incentive for ministers to go out and defend tricky positions, and what it feels like to have your private communications laid bare in an inquiry.And with Natalie on the show, we look at historical examples of turbulent leadership, and find out who has the dubious honour of being 'the Liz Truss of ancient Rome'.Got a strong message for Armando? Email us at strongmessagehere@bbc.co.ukSound editing: Chris Maclean Production Coordinator: Asha Osborne-Grinter Executive Producer: Richard Morris Recorded at The Sound CompanyProduced by Gwyn Rhys Davies. A BBC Studios production for Radio 4.

Has a man once described as 'teflon' finally run out of spin? Peter Mandelson suggests he needs to run an investigation into himself, but to do an investigation into his language, Armando is joined by host of the News Agents, Emily Maitlis.We discuss revelations in the Epstein files, and why it brings to mind Dickens. Are we wiser to the language of political scandal than we used to be? And is it impossible to spin a story in the modern media environment. We also look at why it's so frustrating, if politically wise, how often political figures suffer bouts of selective amnesia.Got a strong message for Armando? Email us at strongmessagehere@bbc.co.ukSound editing: Chris Maclean Production Coordinator: Asha Osborne-Grinter Executive Producer: James Robinson Recorded at The Sound CompanyProduced by Gwyn Rhys Davies and Sasha Bobak. A BBC Studios production for Radio 4.

With the backdrop of tariffs and territorial land grabs, Stewart and Armando look at the political language of U-turns and turncoats.With politicians having to advocate for a position they used to be in direct opposition to, we ask if political language exists in a quantum state inside Robert Jenrick's head, or, failing that are we really expected to believe defectors like him have had a damascene conversion?Stewart gives an update to an tired political joke, Armando finds a nifty Peace Prize related fix for the Greenland dispute, and they both give a run-down the shifty, shifting responses from Government officials on their numerous U-turns.Got a strong message for Armando? Email us at strongmessagehere@bbc.co.ukSound editing: Chris Maclean Production Coordinator: Jodie Charman and Caroline Barlow Executive Producer: Pete Strauss Recorded at The Sound CompanyProduced by Gwyn Rhys Davies and Sasha Bobak. A BBC Studios production for Radio 4.

New Year, and Venezuela is under new management. The fallout from the "extraction" of Maduro has thrown up some interesting political language. Why aren't the US calling it 'regime change'? Why is Starmer damned if he does or doesn't say anything? and is Trump the first politician to use the word 'literally' correctly?In the extended version, we also look at Natalie's pedometer, Armando as the Elder of Taskmaster, and why a 'mild zombie apocalypse' has been described as 'encouraging'.Sound editing: Chris Maclean Production Coordinator: Jodie Charman and Giulia Mazzu Executive Producer: Richard Morris Recorded at The Sound CompanyProduced by Gwyn Rhys Davies. A BBC Studios production for Radio 4.