Switched on Pop

In the last episode of our feral pop miniseries, we take a look at the 22 year old rapper primed to take over the world: 2hollis. Splitting the difference between hardstyle and hip-hop while emanating an aura best described as “vampiric,” he’s been one of the most hyped musicians coming out of the underground. His music is distorted, chaotic, and over the top – literally – but he reflects a larger sentiment from younger audiences: the more sonic chaos the better. Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Ninajirachi – Fuck My Computer underscores – Music 2hollis – poster boy SUICIDAL-IDOL – ecstacy 2hollis – flash 2hollis – beginning 2hollis – sidekick underscores, 8485 – your favorite sidekick 2hollis – crush 2hollis – 3 Skrillex – Scary Monsters and Nice Sprites Learn more about your ad choices. Visit podcastchoices.com/adchoices

What would it sound like if pop music was reverted to its most wild state of being? It would sound hyper-digital, influenced by the electronic vanguard of the 2010s, and speak to a post-genre audience. And while the charts have been stagnant, Gen-Z has been crafting this exact sound: one that is exciting, unpredictable, and above all else, feral. After bubbling underground for the past few years, the subgenre we’ve coined “feral pop” is finally poised to have a breakout, best exemplified by the popularity of the computer-loving Ninajirachi, pop star underscores, and rave-rapper 2hollis. This week on Switched On Pop, Reanna, Charlie, and Nate are going to tap into all that this dubstep-influenced sound has to offer, starting with the Australian DJ Ninajirachi, and explore why everyone in pop music is finally getting feral. Links: ⁠⁠Newsletter⁠⁠, ⁠⁠YouTube⁠ Songs discussed: Ninajirachi – CSIRAC underscores – Music 2hollis – girl Skrillex – Scary Monsters and Nice Sprites Imogen Heap – Headlock SOPHIE – BIPP Ninajirachi – iPod touch Ninajirachi, Izzy Camina – Ninacamina Skrillex – Rock ’n’ Roll (Will Take You to the Mountain) Skrillex, Sirah – Bangarang Ninajirachi – Fuck My Computer Ninajirachi – London Song LCD Soundsystem – Sound of Silver Justice – Genesis Justice – Civilization Justice – Stress Learn more about your ad choices. Visit podcastchoices.com/adchoices

Emerald Fennell's new adaptation of Emily Brontë's 1847 gothic romance "Wuthering Heights" is the most talked-about film of the year. But for pop lovers, the soundtrack is the real event: Charli xcx, asked to write one song, ended up recording an entire album for the movie while in the middle of the BRAT tour. If BRAT gave people permission to be messy on the dance floor, this score gives permission to be messy in your souls. But Charli isn't the first artist to channel "Wuthering Heights" into music. Line up her hyperpop strings and cavernous reverb against Kate Bush's winding harmonies, a Hollywood orchestral score from 1939, and Ryuichi Sakamoto's unsettled piano, and something surprising emerges: the most operatic, passionate, Wuthering Heights-obsessed recording of them all might belong to someone you'd never expect.Songs discussed: Charli xcx “Everything is Romantic” Charli xcx “Always Everywhere” Charli xcx “House” (feat. John Cale) Hans Zimmer “Inception score” Charli xcx “Wall of Sound” Ike & Tina Turner “River Deep, Mountain High” Charli xcx “Chains of Love” Charli xcx “Out of Myself” Charli xcx “Funny Mouth” (co-written with Joe Curie) Alfred Newman “Wuthering Heights score (1939)” Ryuichi Sakamoto “Wuthering Heights score (1992)” Kate Bush “Wuthering Heights” Celine Dion “It’s All Coming Back to Me Now” Learn more about your ad choices. Visit podcastchoices.com/adchoices