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On the show
From 11 epsHosts
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Recent episodes
Olivia Rodrigo and the second verse massacre
May 5, 2026
44m 16s
Hrishikesh Hirway made an album about running out of time — in no time
Apr 28, 2026
43m 12s
BTS is back. But K Pop is not the same.
Apr 21, 2026
48m 29s
Maggie Rogers: going viral is a trap
Apr 17, 2026
37m 36s
Learning to Love Train: "Drops of Jupiter" is back in the atmosphere
Apr 14, 2026
47m 25s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 5/5/26 | ![]() Olivia Rodrigo and the second verse massacre | Olivia Rodrigo's chart-topping new single "drop dead," the lead single from her forthcoming third album you seem pretty sad for a girl so in love, breaks one of pop's oldest rules by abandoning the traditional second verse and replacing it with something entirely new. From Mariah Carey's "Fantasy" to Sabrina Carpenter's "Manchild" and Chappell Roan's "Super Graphic Ultra Modern Girl," a growing wave of today's biggest pop stars are ditching the verse-chorus formula listeners have been trained to expect for decades. Rodrigo didn't invent the second-verse switch-up, but on "drop dead" she may have just killed off the predictable second verse for good. Songs Discussed Frank Zappa "Charlene" Olivia Rodrigo "drop dead" The Cure "Just Like Heaven" Jean-Baptiste Lully "The Tragey of Armide" Ryan Brown conducting Opera Lafayette Olivia Rodrigo "drivers license" Olivia Rodrigo "good 4 u" Olivia Rodrigo "vampire" Olivia Rodrigo "ballad of a homeschooled girl" Arnold Schoenberg Pierrot Lunaire — Patricia Kopatchinskaja Mariah Carey "Fantasy" (ft. Ol' Dirty Bastard) Blackstreet "No Diggity" (ft. Dr. Dre, Queen Pen) Peter Gabriel "Don't Give Up" (ft. Kate Bush) Kendrick Lamar, SZA "luther" Lady Gaga, Bruno Mars "Die With a Smile" Post Malone, Swae Lee "Sunflower" HUNTR/X "Golden" Joshua Bassett, Olivia Rodrigo "Start of Something New" Matt Cornett, Olivia Rodrigo "What I've Been Looking For" Olivia Rodrigo "All I Want" The Avett Brothers "I and Love and You" Sheryl Crow "Strong Enough" Sabrina Carpenter "Please Please Please" Sabrina Carpenter "Manchild" Chappell Roan "Super Graphic Ultra Modern Girl" Chappell Roan "HOT TO GO!" Chappell Roan "Red Wine Supernova" Learn more about your ad choices. Visit podcastchoices.com/adchoices | 44m 16s | ||||||
| 4/28/26 | ![]() Hrishikesh Hirway made an album about running out of time — in no time✨ | music productionmemory+4 | — | In the Last Hour of LightThings Change Even Now+14 | — | Hrishikesh HirwayIn the Last Hour of Light+5 | — | 43m 12s | |
| 4/21/26 | ![]() BTS is back. But K Pop is not the same.✨ | BTSK Pop+4 | Hye Jin Lee | BTSUSC+23 | — | BTSK Pop+7 | — | 48m 29s | |
| 4/17/26 | ![]() Maggie Rogers: going viral is a trap✨ | Maggie Rogersmusic industry+5 | Maggie Rogers | Harvard Divinity SchoolThe Late Show with Stephen Colbert+6 | — | Maggie RogersPharrell Williams+7 | — | 37m 36s | |
| 4/14/26 | ![]() Learning to Love Train: "Drops of Jupiter" is back in the atmosphere✨ | Trainmusic analysis+3 | Pat Monahan | TrainDrops of Jupiter+2 | — | TrainDrops of Jupiter+5 | — | 47m 25s | |
| 4/7/26 | ![]() Slayyyter might actually be the 'Worst Girl in America'✨ | music industryartist struggles+4 | Slayyyter | Worst Girl in AmericaDaddy AF+12 | — | SlayyyterWorst Girl in America+5 | — | 38m 11s | |
| 4/3/26 | ![]() How Charlie Puth honored Whitney Houston for 125 million people (live at Berklee NYC)✨ | music influencesnational anthem+3 | Charlie Puth | Switched On PopPower Station+14 | — | Charlie PuthWhitney Houston+3 | — | 55m 53s | |
| 3/31/26 | ![]() RAYE’s maximalist masterpiece is the hope we need✨ | RAYEmusic analysis+4 | RAYE | London Symphony OrchestraThis Music May Contain Hope+12 | — | RAYEThis Music May Contain Hope+5 | — | 42m 47s | |
| 3/24/26 | ![]() Where have all the white rappers gone?✨ | white rappersmusic genre shifts+4 | — | MonicaFirst Class+19 | — | Jack Harlowwhite rappers+5 | — | 50m 43s | |
| 3/17/26 | ![]() Jacob Collier can make anyone sing✨ | musicimprovisation+3 | Jacob CollierSam Sanders | VultureKCRW+3 | — | Jacob Colliermusic+5 | — | 55m 02s | |
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| 3/10/26 | ![]() Harry Styles loses himself to dance✨ | Harry Stylesdisco music+3 | — | Vulture | — | Harry StylesKiss All the Time+5 | — | 43m 38s | |
| 3/3/26 | ![]() Can Bruno Mars counterprogram his way to another hit album?✨ | Bruno Marsnew album+3 | — | The Romantic24k Magic+13 | — | Bruno MarsThe Romantic+3 | — | 44m 52s | |
| 2/24/26 | ![]() Charli XCX’s "Wuthering Heights" fever dream | Emerald Fennell's new adaptation of Emily Brontë's 1847 gothic romance "Wuthering Heights" is the most talked-about film of the year. But for pop lovers, the soundtrack is the real event: Charli xcx, asked to write one song, ended up recording an entire album for the movie while in the middle of the BRAT tour. If BRAT gave people permission to be messy on the dance floor, this score gives permission to be messy in your souls. But Charli isn't the first artist to channel "Wuthering Heights" into music. Line up her hyperpop strings and cavernous reverb against Kate Bush's winding harmonies, a Hollywood orchestral score from 1939, and Ryuichi Sakamoto's unsettled piano, and something surprising emerges: the most operatic, passionate, Wuthering Heights-obsessed recording of them all might belong to someone you'd never expect.Songs discussed: Charli xcx “Everything is Romantic” Charli xcx “Always Everywhere” Charli xcx “House” (feat. John Cale) Hans Zimmer “Inception score” Charli xcx “Wall of Sound” Ike & Tina Turner “River Deep, Mountain High” Charli xcx “Chains of Love” Charli xcx “Out of Myself” Charli xcx “Funny Mouth” (co-written with Joe Curie) Alfred Newman “Wuthering Heights score (1939)” Ryuichi Sakamoto “Wuthering Heights score (1992)” Kate Bush “Wuthering Heights” Celine Dion “It’s All Coming Back to Me Now” Learn more about your ad choices. Visit podcastchoices.com/adchoices | 48m 13s | ||||||
| 2/17/26 | ![]() Will Sinners do for blues what O Brother did for bluegrass? | It's the middle of award season, and Ryan Coogler's ode to the Black music canon Sinners has emerged as the Oscars frontrunner and the most nominated film in Academy Awards history. The love the movie has for the Delta blues is front and center, and begs the question: will the movie's legacy help bring the blues back into popular culture? There's already been a precedent for films reviving dead genres – think The Sting and its ragtime score, or O Brother Where Art Thou's relationship to bluegrass – and on this episode of Switched On Pop, Reanna and Nate talk with Vulture writer Fran Hoepfner about the times in which movie soundtracks have shifted the musical culture. Read Fran's piece on movie scoring, The Death of the Classic Film Score, here. Songs discussed: Miles Caton – I Lied to You Bee Gees – Stayin' Alive Underworld – Born Slippy (Nuxx) Marvin Hamlisch – The Entertainer Wu-Tang Clan – Fast Shadow Bee Gees – More Than A Woman Whitney Houston – I Have Nothing Harry McClintock – The Big Rock Candy Mountain Alison Krauss – Down To The River To Pray The Soggy Bottom Boys – I Am A Man Of Constant Sorrow *NSYNC – Bye Bye Bye The Brian Setzer Orchestra – Jump Jive An' Wail Cab Calloway – Minnie the Moocher Royal Crown Revue – Hey Pachuco! Caravan Palace – Lone Digger Big Bad Voodoo Daddy – Go Daddy O Squirrel Nut Zippers – Hell Fergie, Q-Tip, GoonRock – A Little Party Never Killed Nobody Lana Del Rey – Young And Beautiful Max Richter – On the Nature of Daylight Kavinsky – Nightcall College, Electric Youth – A Real Hero M83 – Midnight City The Weeknd – Take My Breath Learn more about your ad choices. Visit podcastchoices.com/adchoices | 51m 04s | ||||||
| 2/10/26 | ![]() Jazz is A$AP Rocky’s secret weapon | A$AP Rocky’s latest album, Don’t Be Dumb, is a wild ride through a cacophony of sounds — punk, industrial, drum ‘n’ bass, indie rock, and of course, hip hop. But on one track, “Robbery,” he and the rising superstar Doechii sample the world of jazz, specifically Thelonious Monk’s 1955 cover of Duke Ellington’s “Caravan.” In the process, Rocky and Doechii don’t just loop and flow, they create a whole narrative of jazz age victors and villains inspired by the rhythms and harmonies of jazz greats. The result is a song, and album, that makes the case for why hip hop matters more than ever in 2026. A$AP Rocky – ROBBERY (feat. Doechii) A$AP Rocky – STOLE YA FLOW A$AP Rocky – ORDER OF PROTECTION A$AP Rocky – PLAYA A$AP Rocky – STFU (feat. Slay Squad) A$AP Rocky – AIR FORCE (BLACK DEMARCO) A$AP Rocky – THE END (feat. will.i.am & Jessica Pratt) Kendrick Lamar - For Free? - Interlude Clairo - Sinking Thelonious Monk - Caravan A$AP Rocky - L$D Lou Donaldson - Ode To Billie Joe Thelonious Monk - Black And Tan Fantasy Wu-Tang Clan - Shame On a N**** Duke Ellington, John Coltrane - My Little Brown Book Ghostface Killah - Malcolm Thundercat - Them Changes Learn more about your ad choices. Visit podcastchoices.com/adchoices | 35m 54s | ||||||
| 2/3/26 | ![]() Does humor belong in music? | What makes Weird Al songs so indelible? Why is Bo Burnham more than just a comic? How do the biggest pop hits make us crack up in the middle of a somber ballad? Humor is always present in music, but we rarely confront it head on. Until now. With the help of Comedian Chris Duffy, author of the book Humor Me: How Laughing Can Make You More Connected, Present, and Happy, and a series of lyrical submission from our listeners, we try to answer the question once posed by Frank Zappa, once and for all: Does humor belong in music? Songs discussed: Sabrina Carpenter – ManchildMarcia Belsky – 100 TamponsBo Burnham – From God’s PerspectiveSnoop Dogg – Gin and JuiceThe Gourds – Gin and JuiceTaylor Swift – All Too Well (10 Minute Version)“Weird Al” Yankovic – Amish Paradise“Weird Al” Yankovic – My BolognaStevie Wonder – Pastime ParadiseCoolio – Gangsta’s ParadiseBo Burnham – That Funny FeelingBo Burnham – FaceTime With My MomElaine Stritch – Are You Having Any Fun?Barenaked Ladies – If I Had $1,000,000Kendrick Lamar – Not Like UsEminem – The Real Slim Shady2 Chainz – Birthday SongLil Jon – Snap Yo FingersOlivia Rodrigo – Get Him BackChappell Roan – CasualAudrey Hobert – I like to touch peopleAudrey Hobert – Bowling alleyJensen McRae – Immune Learn more about your ad choices. Visit podcastchoices.com/adchoices | 48m 19s | ||||||
| 1/27/26 | ![]() And the Grammy goes to… | The ultimate gauntlet of popular music is upon us once again: it's Grammy season, and this year, the competition is pretty tight across the board. Big ticket A-listers like Bad Bunny, Sabrina Carpenter, Kendrick Lamar, and Lady Gaga occupy three of the four big categories (Song, Record, and Album of the Year), while folks like Olivia Dean, Lola Young, Leon Thomas, and Addison Rae duke it out in Best New Artist. On this episode of Switched on Pop, Charlie, Nate, and Reanna take a look at the "big four" categories, and stump for their respective frontrunners in order to predict who will be taking home a golden phonograph (or two). Links: Newsletter, YouTube Songs discussed: Bad Bunny – DtMF Lady Gaga – Abracadabra Sabrina Carpenter – Manchild Kendrick Lamar – squabble up Olivia Dean – Nice To Each Other Olivia Dean – Man I Need Lola Young – Messy Addison Rae – Headphones On Addison Rae – New York Addison Rae – Fame is a Gun Kendrick Lamar, SZA – luther Billie Eilish – WILDFLOWER HUNTR/X – Golden Chappell Roan – The Subway Kendrick Lamar – tv off (feat. lefty gunplay) Justin Bieber – ALL I CAN TAKE Bad Bunny – NUEVAYoL Bad Bunny – VOY A LLeVARTE PA PR Bad Bunny – LO QUE LE PASÓ A HAWAii Bad Bunny – LA MuDANZA Learn more about your ad choices. Visit podcastchoices.com/adchoices | 52m 12s | ||||||
| 1/21/26 | ![]() Robyn’s new songs bring “drum 'n' grace” to the dance floor | Swedish pop star Robyn emerged as a phenomenon in the mid 1990s, an ingenue whose work with Max Martin presaged the R&B crossover hits of acts like Britney and the Backstreet Boys. Since her debut, she’s released a string of albums that have shaped the sound of dance music as we know it. Now, Robyn is releasing her first new album in eight years, Sexistential, and she’s given us three singles made up of her signature combination of thumping bass and ethereal vocals, while innovating into new personal –and vulnerable — territory. With raps about IVF, references to Blondie, a return to her collaboration with Max Martin, and our introduction of “drum n grace” to the lexicon, this episode is manna for Robyn fans and tyros alike. Stick around as we unveil a new feature, “Quick Hits,” a down-and-dirty carousel ride through the most interesting new releases, from ASAP Rocky to Zach Bryan. Songs discussed: Robyn – Dopamine Robyn – Show Me Love Charli XCX, Robyn, Yung Lean – 360 remix Jamie XX, Robyn – Life Robyn – Konichiwa Bitches Blondie – Rapture Robyn – Honey Robyn – Missing U Robyn – Call Your Girlfriend Taio Cruz – Dynamite Robyn – Play Robyn – Talk to Me Robyn – Do You Know (What It Takes) Robyn – Sexistential Andre 3000 – I Swear, I Really Wanted to Make a 'Rap' Album but This Is Literally the Way the Wind Blew Me This Time Robyn – Cobrastyle Robyn – Dancing On My Own A$AP Rocky – PUNK ROCKY Zach Bryan – Plastic Cigarette David Byrne – Driver's License Moonchild – Up From Here Learn more about your ad choices. Visit podcastchoices.com/adchoices | 46m 20s | ||||||
| 1/13/26 | ![]() Audrey Hobert says the quiet part out loud | Two years ago, Audrey Hobert had never written a song. She was a staff writer on a Nickelodeon series and had recently moved in with her childhood friend Gracie Abrams in Los Angeles. About six months later, a phrase spoken by a heartbroken acquaintance caught their attention; Hobert and Abrams sang it back to each other and wrote a complete song that night. Within the following year, Hobert co-wrote songs including “I Love You, I’m Sorry” and “Risk” for Abrams’s number-two album The Secret of Us. When the television show she was working on was later canceled, Hobert made a hard pivot into her own music. What happened was Who's the Clown, a debut album where every track came from Hobert's own pen. In this live conversation recorded at NYU Steinhardt's Music and Performing Arts Professions program at Chelsea Studios, Hobert traces her path from dance classes choreographed to One Direction to eight-hour writing sessions that yield two good lines on a lucky day. She explains why she can't write in front of anyone, why she refuses to repeat a chorus three times, and why the Steve Martin documentary made her open her album with the disarmingly strange declaration: "I like to touch people." The conversation moves from craft to confession as Hobert reflects on what it means to finally be looked at, and whether the view from inside the spotlight is everything she'd imagined. Subscribe to the Newsletter to play along with our annual bingo predictions (last episode) SONGS DISCUSSED Gracie Abrams "I Love You, I'm Sorry" Gracie Abrams "That's So True" Smash Mouth "All Star" One Direction "Kiss You" Audrey Hobert "Wet Hair" Audrey Hobert "Chateau" Audrey Hobert "I Like to Touch People" Audrey Hobert "Sex in the City" Audrey Hobert "Sue Me" Audrey Hobert "Bowling Alley" Semisonic "Closing Time" Audrey Hobert "Silver Jubilee" Audrey Hobert "Don't Go Back to His Ass" Audrey Hobert "Shooting Star" Black Eyed Peas "I Gotta Feeling" Learn more about your ad choices. Visit podcastchoices.com/adchoices | 55m 16s | ||||||
| 1/6/26 | ![]() 2026 Pop Predictions: big beat, animated avatars, and Bruno Mars | It’s a brand new year, and what better way to ring it in than with the second annual Switched On Pop bingo? Like last year, Charlie, Nate, and Reanna polish their crystal balls and play Popstradamus, each throwing out eight outlandish pop predictions for the coming months. This time, there’s piano ballads, cover songs, and what Charlie calls the impending “death of auto-tune.” Get your own bingo card to play along through our Newsletter! Find us on YouTube! Songs discussed: The Prodigy – Firestarter The Chemical Brothers – Block Rockin’ Beats Basement Jaxx – Jump ’N Shout Fatboy Slim – The Rockafeller Skank Lady Gaga, Bruno Mars – Die With A Smile Benson Boone – Beautiful Things Post Malone, Ozzy Osbourne, Travis Scott – Take What You Want LCD Soundsystem – Losing My Edge Anamanaguchi, Hatsune Miku – Miku Crazy Frog – Axel F Hampton The Hamster – Hampsters Get the Blues K/DA – POP/STARS Madison Beer – make you mine Forrest Frank – YOUR WAY’S BETTER Tate McRae – Sports car Tata Taktumi, Timbaland – Pulse x Glitch PARTYNEXTDOOR, Drake, Yebba – DIE TRYING The Mighty Mighty Bosstones – The Impression That I Get Maddox Batson – Tears In The River JAY-Z – D.O.A. (Death Of Autotune) Adele – Someone Like You Bruno Mars – When I Was Your Man Lewis Capaldi – Someone You Loved Rihanna, Mikky Ekko – Stay Baauer – Harlem Shake Billie Eilish – bury a friend This Is Lorelei, MJ Lenderman – Dancing in the Club – MJ Lenderman Version WITCH – Once In A Lifetime MOLIY, Shenseea, Silent Addy, Skillibeng – Shake It To The Max (FLY) – Remix Geese – Bow Down Turnstile – LOOK OUT FOR ME Rebecca Black – Sugar Water Cyanide Bad Bunny – DtMF Learn more about your ad choices. Visit podcastchoices.com/adchoices | 58m 47s | ||||||
| 12/30/25 | ![]() The Sound of Silence from Unexplainable | A scientist asked people to sit in a silent room for 15 minutes. Almost half of them decided to give themselves a painful electric shock instead. What is it about our brains that makes our relationship with silence so strange? And should we learn how to listen to it? This is the third episode of the four-part Unexplainable series, The Sound Barrier. Links: Newsletter, YouTube Learn more about your ad choices. Visit podcastchoices.com/adchoices | 30m 59s | ||||||
| 12/23/25 | ![]() Naughty or nice? The 2025 holiday music round up | Every Christmas season, pop stars far and wide throw their Santa hats into the ring to see who has the next "All I Want for Christmas Is You," and this year is no exception. It's a yearly tradition on Switched On Pop to explore the deluge of holiday hits, and 2025 sees formidable entries to the canon from folks like Kylie Minogue, Leon Bridges, and Willie Nelson. Links: Newsletter, YouTube Songs discussed: Ariana Grande – Santa Tell Me Kelly Clarkson – Underneath the Tree Cher – Christmas Is Here Cher – Believe Kylie Minogue – Hot in December Zach Top – For You For Christmas Willie Nelson – Christmas Love Song Mickey Guyton – Sugar Cookie Meghan Trainor – Gifts For Me The Ronettes – Sleigh Ride Gwen Stefani – Hot Cocoa Train – Let's Stay in Tonight Brenda Lee – Rockin' Around the Christmas Tree Leon Bridges, Norah Jones – This Christmas I'm Coming Home Elysia Biro – The Christmas Song Learn more about your ad choices. Visit podcastchoices.com/adchoices | 37m 06s | ||||||
| 12/16/25 | ![]() The year that killed music (best and worst of 2025) | From big-ticket albums by Taylor and Gaga, to a revival of the stomp-clap revival – 2025 had it all, for better and for worse. Now that the year has come to a close, it's time to take a look back at the past twelve months: what happened in the zeitgeist, what we loved listening to, and what we missed here on the show. Reanna, Charlie, and Nate talk about it all, including a look back at our predictions from January to check off boxes for Switched On Pop bingo. Links: Newsletter, YouTube Songs discussed: Taylor Swift – The Fate of Ophelia Alex Warren – Ordinary HUNTR/X – Golden Morgan Wallen – I'm The Problem Bruno Mars, Lady Gaga – Die With A Smile Bruno Mars – 24K Magic ROSÉ, Bruno Mars – APT. Olivia Dean – Man I Need Ravyn Lenae – Love Me Not Justin Bieber, Dijon – DEVOTION Bon Iver, Dijon, Flock of Dimes – Day One Dijon – Baby! Dijon – Yamaha CA7RIEL – SHIPEA2 Paco Amoroso – Viuda Negra CA7RIEL & Paco Amoroso – EL ÚNICO - Live at NPR MUSIC's Tiny Desk CA7RIEL & Paco Amoroso – EL DÍA DEL AMIGO CA7RIEL & Paco Amoroso – #TETAS Breaking Rust – Walk My Walk Jack Black – Steve's Lava Chicken Saja Boys – Soda Pop Snocaps – Coast Miley Cyrus – Something Beautiful Bad Bunny – DtMF MOLIY, Shenseea, Silent Addy, Skillibeng – Shake It To The Max (FLY) - Remix Learn more about your ad choices. Visit podcastchoices.com/adchoices | 47m 27s | ||||||
| 12/12/25 | ![]() Why pop songwriters break the rules (ft. Amy Allen) | Grammy-winning songwriter Amy Allen joins NYU Steinhardt students live to trace her path from early pitch songs to co-writing some of the decade's defining hits. She explains why Halsey's "Without Me" needed an extended chorus but no pre-made chord loops, how Harry Styles' "Matilda" required character-driven writing for emotional safety, and what made the hypnotic groove of Tate McRae's "Greedy" demand a rare third verse. Allen also unpacks the spoken hook in Rosé and Bruno Mars' "APT" and the three-step key change powering Sabrina Carpenter's recent work. The result is a masterclass in why songs work—and why the rules worth breaking are the ones you've already learned. SONGS DISCUSSED Halsey "Without Me" Harry Styles "Adore You" Harry Styles "Matilda" Tate McRae "greedy" Rosé and Bruno Mars "ATA" Sabrina Carpenter "Please, please, please" Selena Gomez "Back to You" Justin Timberlake "Cry Me A River" (Interpolated in "Without Me") Olivia Rodrigo "Driver's License" Sabrina Carpenter "Espresso" Sabrina Carpenter Short and Sweet (Album) Sabrina Carpenter Man's Best Friend (Album) Beyoncé "Love on Top" Learn more about your ad choices. Visit podcastchoices.com/adchoices | 57m 10s | ||||||
| 12/9/25 | ![]() How Sombr’s bedroom recordings became his biggest hits | Sombr went from crafting raw, reverb soaked songs alone in his Lower East Side bedroom to finding his life shifting in ways he never could have predicted across 2024 and 2025. His biggest tracks kept their imperfections even as world class players at Sound City added new layers, and a disco groove he began as a late night joke transformed into a breakout moment that changed his career’s trajectory. He explains how he writes, why distortion carries emotional weight for him, how he navigates the pull between bedroom recordings and studio polish, and what it felt like to watch childhood dreams come true on national stages. The result is a portrait of an artist whose rise has been so quick and so unlikely that even Sombr is still piecing together how it all happened. Watch the interview on YouTube: https://www.youtube.com/@Switched-On-Pop Songs Discussed Sombr “12 to 12” Sombr “Back to Friends” Sombr “Undressed” Lizzo “About Damn Time” Chic “Good Times” Learn more about your ad choices. Visit podcastchoices.com/adchoices | 39m 21s | ||||||
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Chart Positions
38 placements across 23 markets.
Chart Positions
38 placements across 23 markets.

























