Talking Flutes

Unlocking the Magic of Your Flute’s HeadJoint The head joint of a flute is often overlooked, but it plays a crucial role in defining the instrument's sound quality. In the latest episode of Talking Flutes Extra, Jean Paul Wright takes us on a fascinating journey through the world of flute head joints, revealing how this small component can make or break your performance. Jean Paul begins by explaining that the head joint is essentially the flute’s voice box. It’s where your breath transforms into sound, and its design directly impacts your tone quality, articulation, and projection. While many flute players focus on embouchure, posture, and technique, the design and cut of the head joint are equally important. The episode delves into the specifics of head joint design, particularly the embouchure hole and lip plate. Jean Paul explains that tiny adjustments in the embouchure hole's design can make an enormous difference in sound production. For instance, a sharper edge on the embouchure hole can create a more focused and penetrating sound, ideal for large ensembles. In contrast, a softer or rounded cut offers a warmer, more flexible tone, making it desirable for soloists. The podcast also explores the evolution of head joint design from the Baroque era to modern times. Jean Paul takes us through historical milestones, highlighting the contributions of renowned flute makers like Louis Lot and Albert Cooper. Lot’s innovations in the 19th century, such as larger, more rectangular embouchure holes, allowed for greater projection and tonal brilliance. Cooper, on the other hand, revolutionised the head joint by experimenting with new shapes, balancing brightness with warmth. 'Talking Flutes' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

Is this really that important?! To some apparently it is! Hello, flute enthusiasts! This week on Talking Flutes, we dive into a topic that has sparked much debate within the flute-playing community: should we call ourselves flautists or flutists? Jean-Paul takes us on an engaging journey through the history, cultural context, and personal preferences that shape this ongoing discussion. The origins of the terms flautist and flutist are as varied as the music we play. The word "flute" itself comes from the Latin "flatus," meaning blowing or breath, which is central to the instrument's identity. The term "flautist" first appeared in English literature in the early 19th century, derived from the Italian "flautista." This Italian influence was significant during a period when many English-speaking musicians looked to Italy for musical inspiration. But why did we borrow an Italian term when "flutist" already existed? Some suggest that "flautist" added a sense of sophistication and prestige, reflective of the European classical tradition. Others believe it was simply a matter of style and preference. Today's use of these terms varies by region. In the United States and Canada, "flutist" is overwhelmingly preferred, likely due to the American emphasis on linguistic efficiency. Major musical institutions like the National Flute Association have standardised this term. Across the pond in the United Kingdom, "flautist" is the term of choice, aligning with the British love for tradition and European musical terms. In Australia and New Zealand, the British influence means "flautist" is more common, though American influences bring some variation. In South Africa, British English has historically dominated, making "flautist" more prevalent. Interestingly, in non-English speaking countries, the term used is often a straightforward derivation of the word "flute," with less controversy. For instance, French speakers use "flûtiste," and Germans use "Flötist," both aligning more closely with "flautist." So, why does this matter so much to people? For many musicians, the term they use is closely tied to their identity. In the classical music world, where tradition is paramount, calling oneself a "flautist" connects to the rich history of European classical music. Conversely, "flutist" feels more modern and accessible, appealing to those who find "flautist" elitist or pretentious. The debate also has professional implications. In the US, using "flautist" might be seen as unusual, while in the UK, "flutist" might come across as overly Americanised. This choice can reflect broader questions of professionalism and authority within the flute community. Ultimately, whether you call yourself a flautist, flutist, or simply a flute player, what truly matters is the music you create and the connection you make with your audience. Language evolves, and so do we as musicians. So, let's celebrate the diversity in our community and focus on what unites us: our love for the flute. 'Talking Flutes', Talking Flutes Extra', 'Bitesize' & Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

In the latest episode of our 'Revisited' podcast series, we had the pleasure of diving deep into the world of flute study books with the esteemed Elizabeth Walker. Alongside our host Clare Southworth, Elizabeth shared invaluable insights into how these books can transform your flute playing by honing your tone, finger technique, and articulation. Why Study Books? Study books are more than just pages of notes and exercises. They are essential tools that provide structured guidance and targeted practice to develop specific aspects of your flute playing. As Elizabeth aptly puts it, "Studies are so important because they help you develop your tone, your finger technique and articulation amongst many other things." By incorporating these books into your routine, you can systematically address and improve various technical challenges. The Categories of Study Books Elizabeth and Clare highlighted the importance of differentiating between various types of study books. Some are daily exercises focusing on technique and scale patterns, while others are more instructional, offering insights and wisdom from experienced players. There are also study books that double as pieces, providing musical extensions to your repertoire. Among the daily exercise books, Moyes' "De la Sonorite" stands out as a timeless classic. Elizabeth shared her personal experience of attending a masterclass with Sir James Galway, who spent two hours on this book, leaving a lasting impact on her approach to tone development. Clare also praised the book for its simplicity and effectiveness, noting that it can be memorised and integrated into daily practice. For those looking to explore new material, Philippe Bernard's "Le Sonorité, the Wind, the Sound" offers a fresh perspective. This book focuses on connecting notes through breathing and breath control, drawing parallels to legato singing. Elizabeth finds it resonates deeply with her, helping her students achieve flexibility and control in their playing. The Role of Lockdown in Study Book Creation Interestingly, the lockdown period has spurred a surge in the creation of new study books. With more time on their hands, teachers and musicians have been able to document their techniques and insights, resulting in a wealth of new resources. Claire and Elizabeth discussed how this period of reflection and creativity has led to the publication of valuable new study materials. Choosing the Right Study Books Selecting the right study books depends on your level and specific needs. Clare emphasised the importance of choosing books that are challenging yet not demoralising. It's crucial to find studies that stimulate progression without overwhelming you. For example, Moyes' "24 Little Melodious Studies" are excellent for beginners and advanced players alike, offering musical grammar, phrasing, and articulation practice. Advanced players can benefit from more challenging books like Robert Dick's "Tone Development through Extended Techniques" or the "Paganini Caprices." These books push the boundaries of traditional flute playing, incorporating modern techniques and complex articulations. The Importance of Integrating Studies Ultimately, integrating study books into your practice routine can significantly enhance your overall playing. By addressing specific techniques and challenges before diving into repertoire pieces, you can improve your performance and musicality. Clare and Elizabeth's discussion underscores the value of disciplined, focused practice and the transformative power of study books. Whether you're a beginner or an advanced player, there's a study book out there that can help you reach your full potential. Tune in to this week's episode to discover which books Clare and Elizabeth recommend and how you can incorporate them into your practice routine. Happy playing! 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information v

In the world of music, innovation is the key to keeping the art form alive and evolving. This week, we revisit a transformative episode from 2020 featuring the incredibly talented electric flutist and author, Melissa Keeling. Join us on a journey that will forever change the way you perceive flute performance. Melissa Keeling, a New York-based flutist, has been making waves with her unique approach to the flute, incorporating a specialised glissando head joint and various effect pedals to create sounds that are nothing short of revolutionary. In our conversation, Melissa introduces us to the glissando head joint, an invention by Robert Dick that has opened up new realms of possibilities for flutists. Imagine hearing a flute that mimics the expressiveness of an electric guitar, complete with slides and bends. That's exactly what the glissando head joint allows. Melissa describes it as doing for the flute what the whammy bar does for the electric guitar, and the analogy couldn't be more accurate. This head joint consists of two tubes that slide in and out of each other, enabling the flutist to lower the pitch and create a variety of expressive sounds. But Melissa's innovation doesn't stop there. She pairs the glissando head joint with looping and effect pedals, adding layers of complexity and depth to her performances. These tools allow her to create a rich tapestry of sound, transforming the flute from a monophonic instrument into a multi-dimensional powerhouse. In the episode, we get to hear some of Melissa's chosen works performed with this setup, showcasing her incredible versatility and creativity. One of the highlights of our conversation is Melissa's discussion about her new book, "The Glissando Flute Handbook for Composers and Performers." This comprehensive guide is a must-have for any flutist looking to explore the capabilities of the glissando head joint. It covers everything from basic techniques to advanced applications, making it an invaluable resource for both beginners and seasoned professionals. Melissa's journey with the glissando head joint began in a moment of serendipity. Inspired by a performance from Robert Dick, she knew she had found her musical voice. This head joint has not only expanded her musical expression but also inspired her to create original compositions that push the boundaries of what the flute can do. In this episode, we also delve into the impact of social media and YouTube in spreading the word about such innovations. Melissa acknowledges that these platforms have been instrumental in allowing musicians to share their work with a global audience, thus accelerating the adoption of new tools and techniques. So, whether you're a flutist, a music educator, or simply a lover of innovative music, this episode is a treasure trove of inspiration and knowledge. Tune in to hear Melissa Keeling's mesmerising performances and insightful discussions, and prepare to see the flute in a whole new light. Listen to this full episode now and let the magic of the glissando head joint and effect pedals inspire you to explore new horizons in your musical journey. Talking Flutes, Talking Flutes Extra, Bitesize & Revisited are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

In the world of music, innovation is key to keeping the art form alive and engaging. One such innovator is Greg Pattillo, a name synonymous with the unique blend of beatboxing and flute playing. In a special 'Revisited' episode of "Talking Flutes," hosted by Jean Paul Wright, listeners are treated to an insightful conversation with Greg, who has over the years taken the world by storm, starting with his viral Super Mario video and over 150 million YouTube views. The episode takes us back to 2020, a year that, despite its challenges, was filled with remarkable guests and extraordinary music. Greg Pattillo, described by the New York Times as "the best in the world at what he does," shares his journey from being an acting principal flute player in an orchestra to becoming a global sensation with his beatbox flute techniques. Greg's story is one of perseverance and creativity. After moving to California and struggling to find work, he reinvented his flute playing by incorporating beatboxing, a skill he honed by being around other beatboxers and practicing relentlessly. This innovative approach not only provided him with a unique sound but also a platform to inspire others. One of the highlights of the episode is Greg's discussion about his tutor book, "Beatbox Flute, Volume 1." This book is a comprehensive guide for flute players of all levels, introducing them to the art and sounds of beatboxing. It includes detailed instructions on how to produce five basic sounds, how to incorporate them into flute playing, and even how to improvise with these sounds. The book is a testament to Greg's dedication to making beatboxing accessible to everyone, from beginners to seasoned professionals. The conversation also delves into the technical aspects of beatboxing on the flute. Greg explains how he uses different parts of his mouth to create various sounds and how these techniques have evolved over the years. He emphasises the importance of practice and experimentation, encouraging listeners to try beatboxing while walking or even at parties. Jean Paul Wright and Greg Pattillo's camaraderie is evident throughout the episode, making it not only informative but also entertaining. Their shared history and mutual respect add depth to the conversation, providing listeners with a behind-the-scenes look at the world of flute beatboxing. For those who missed the original episode or are new to the concept of flute beatboxing, this revisited episode is a must-listen. It offers a fascinating glimpse into the mind of an innovator who is pushing the boundaries of what is possible with a flute. So, sit back, relax, and let Greg Pattillo take you on a journey into the exciting world of beatboxing on the flute. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit https://tjflutes.com

In the realm of music, the flute holds a special place, weaving melodies that can be both hauntingly beautiful and strikingly powerful. In the latest episode of Talking Flutes, we revisit a gem from our archives featuring none other than the renowned flute player Paul Edmund-Davies. His insights into the world of flute playing are as refreshing as they are provocative, challenging the norms and urging us to look forward rather than backward for inspiration. The conversation plunges into the depths of musical education and its evolution. Paul, with his rich experience and candid demeanour, discusses the revered French school of flute playing, paying homage to its greats like Taffanel, Gobert, Moyse, and Rampal. Yet, he insists that while the past is to be respected, it is the present that should be seized. He argues that fixation on historical methods may hinder our own creative expression and growth as musicians. Listeners are treated to a sneak peek into Edmund-Davies' own struggles and triumphs with the instrument. He shares the origin story of his '28 Day Warm Up Book', born out of a personal quest to overcome technical hurdles on the flute. His approach to finger independence is as enlightening as it is practical, emphasising the need for exercises that strengthen the fingers in both directions. The episode is sprinkled with humour and wisdom, as Edmund-Davies draws parallels between musical performance and storytelling, insisting that each note should be treated as a word in an unfolding narrative. He also touches on the controversial topic of metronomes and tuning machines, which he humorously suggests should be banished to outer space. His rationale? These tools, while useful, can become crutches that prevent musicians from developing their innate sense of timing and pitch. Paul Edmund-Davies' philosophy extends beyond technique to the very essence of music-making. He advocates for a practice that is musically driven rather than mechanically repetitive, one that takes the audience on a journey. His views on performance anxiety and the quest for constant innovation in interpreting familiar pieces are particularly resonant. The episode concludes with a call to action for all musicians to bring life to every piece of music they touch, making the familiar unfamiliar and the mundane magical. It's a powerful message that resonates with anyone who has ever picked up an instrument or been moved by a melody. For those who wish to dive deeper into the conversation, the full podcast is available, promising to be as musically fulfilling as the excerpt suggests. So, whether you're a seasoned flutist or simply someone who appreciates the beauty of music, this episode of Talking Flutes is not to be missed. Tune in to episode 117, "Metronomes and Tuning Forks Should Be Banished to Outer Space," and let your musical horizons expand. Remember, as the host bids us farewell, may your week be filled with harmonious discoveries, and may your own third octave f sharp find its perfect resonance. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

Are you ready to discover the 'F word' in music? No, it's not what you think. It's something much more exhilarating – it's FUN! In a delightful episode of Talking Flutes revisited, hosts Jean Paul Wright takes us on a musical journey with the exceptional talents of Jose Valentino (flute) and Gualo (guitar). The podcast revisits a gem from March 2019, which deserves a second listen (or perhaps your very first). Recorded in a hotel room in Los Angeles, this episode is brimming with laughter, wisdom, and spontaneous music that transcends the traditional boundaries of flute and guitar. Jose Valentino, a multi-award-winning musician, and Gualo, a master of guitar, have a chemistry that's palpable. Their conversation veers from the serious to the silly, from discussing the nuances of love in music to the sheer joy of playing for the sake of playing. They remind us that music is not just about precision and technique; it's about expression, service, and connecting with the audience. The duo discusses the importance of having fun while playing music, a sentiment that resonates deeply in an industry often bogged down by perfectionism. They emphasise that music should be a playful adventure, akin to children in a sandbox, exploring and expressing without fear of judgment. Their performances within the podcast are a testament to their philosophy. With Valentino's flute beatboxing and Gualo's rhythmic guitar grooves, they create a soundscape that's both innovative and infectious. Their original composition "Love Has to Do with It" is a response to Tina Turner's classic hit, delving into the profound aspects of love and how it influences their music. Listeners will find themselves nodding along when Valentino and Gualo discuss the pitfalls of taking music too seriously. They encourage everyone, whether a seasoned musician or a beginner, to embrace improvisation and the creative freedom it brings. Their advice is simple yet profound – look in the mirror, smile, and remind yourself to have fun before you play. The podcast wraps up with a soulful performance of "It's My Promise," leaving us with the lingering question: Do we need more of the 'F word' in our lives? If you're looking to reignite your passion for music or simply need a reminder to enjoy the simple pleasures of playing an instrument, this episode is a must-listen. So, grab your headphones, settle in, and let the sounds of Talking Flutes revisited fill your room. Who knows, you might just find yourself tapping your feet, or better yet, picking up an instrument to join in the fun. Listen to the episode now and unlock the joy of music that's been waiting for you all along. 'Talking Flutes', 'Talking Flutes Extra', 'Bitesize' and 'Revisited' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

In this week’s enlightening episode of Talking Flutes Extra, host Jean Paul welcomes back Dr. Beth Wright, forensic psychologist and his daughter, to tackle a question that hits home for many musicians – dealing with impostor syndrome and self-doubt. With her expert insight, Dr. Beth Wright demystifies the concept of impostor syndrome, describing it as the nagging feeling of not belonging or undeserved success, despite evidence to the contrary. Dr. Beth guides us through the psychological roots of impostor syndrome, explaining how it's intertwined with our self-worth and past experiences. She reassures us that it can strike anyone, regardless of their confidence level, and often feeds on our deepest insecurities. But there's hope, as she shares practical strategies for challenging and reframing negative thoughts, highlighting the importance of seeking evidence against our self-doubts and recognising that our thoughts are not always facts. The conversation takes a deep dive into the power of thought challenging, especially for musicians who grapple with performance anxiety and the pressure of perfection. Dr. Beth encourages listeners to embrace the idea of growth and learning from every experience, rather than succumbing to the fear of failure. Jean Paul and Beth also explore the concept of flow state and how it can help performers stay present and focused, free from the intrusion of doubt. They discuss the delicate balance between adopting an alter ego on stage and staying true to one's unique essence as a musician. This episode is a must-listen for anyone who has ever felt like an impostor in their musical journey. Tune in to find out how to acknowledge and overcome the internal critic, and step into a space of confidence and authenticity in your artistry. 'Talking Flutes', 'Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ Flute Company. For more information, visit www.tjflutes.com.

The Complex Dance of Judgment and Opinion in Musical Performance In this captivating episode of Talking Flutes Extra, host Jean Paul Wright is once again joined by his daughter, forensic psychologist Dr. Beth Wright to delve into the intricate relationship between judgment and the mental and performance outcomes for musicians. The discussion kicks off with two thought-provoking listener questions about the effects of internal and external judgment and strategies to alleviate the burdens they impose. Dr. Beth Wright takes us on a journey from our primal roots to the modern-day, explaining how our evolutionary fight or flight response has shaped our perception of judgment and its significance in our lives. She eloquently differentiates between judgment and opinion, illuminating how the latter can be a source of growth despite its potential discomfort. Throughout the conversation, the pair tackle the elusive concept of perfection, the role of self-worth in musicianship, and the importance of embracing imperfection as a source of beauty and creativity. They also address the impact of social media on our perception of success, reminding us that what we often see is a curated version of reality, not a live, unedited performance. Dr. Beth introduces the concept of radical acceptance, encouraging musicians to embrace their vulnerabilities and accept that mistakes are a natural part of life and performance. She emphasises that growth often comes from discomfort, urging listeners to view these challenges as opportunities for personal and professional development. Tune in to this profound episode as Jean Paul and Dr. Beth Wright explore the psychological undercurrents that influence our musical journeys, offering insights on how to navigate the complex emotions tied to judgment and opinion. Whether you're a seasoned performer or an aspiring musician, this discussion promises to shed light on the path to a more fulfilling and liberated artistic expression. 'Talking Flutes' and 'Talking Flutes Extra' are podcast productions by the TJ Flute Company. For more information, visit www.tjflutes.com.

The Flute Pad Revolution: A Symphony of Sustainability Are you a flute enthusiast always on the lookout for the next big thing in instrument care and maintenance? Well, prepare to be blown away by a recent innovation that's been the talk of the flute world, albeit in hushed tones until now. Welcome to the world of Poriflola, a groundbreaking padding system that's set to transform flutes globally. In this week's episode of Talking Flutes, we delve deep into this hush-hush topic that's been quietly making waves among the flute community. For too long, flutists have faced the perennial problem of sticky pads and the annual ritual of servicing. But the Poriflola padding system promises to put an end to these woes. Crafted from a unique composite material made from recycled fruit skins and olive oil, these pads are not just waterproof, but they also offer the perfect combination of resilience and flexibility. Imagine playing your flute with pads that guarantee a perfect hermetic seal every time. That's what Poriflola promises – a nirvana for flutists. And the best part? These eco-friendly pads are quicker for technicians to replace and contribute to a more sustainable future. Our host, Jean Paul Wright, takes us on a journey, revealing how a team of environmentally conscious flute repairers embarked on a quest to address the global shortage of flute pads. Their exploration into eco-baselines led them to this serendipitous discovery that's been tested in secret over the past 18 months. The result? A silent ode to the harmonious coexistence of music and sustainability. But there's a twist! These revolutionary pads have already been installed in flutes during routine maintenance, without the players' knowledge. The rationale? To avoid bias and truly test their effectiveness. Flutists have been playing, unaware of the sustainable symphony beneath their fingertips, only to be delighted upon discovering the truth about their instrument's brilliant response. This episode isn't just about a new product; it's a testament to the ingenuity and dedication of flute technicians – the unsung heroes of the music world. With Poriflola, the annual flute service has become a breeze. These pads can be cleaned in a washing machine, extending their life and reducing the need for frequent replacements. This podcast lifts the lid on this revolutionary new pad made from recycled fruit skins (Apricot, Pear, Red current, Ice apple, Lemon, Fig, Orange, Olive and Lychee) which will revolutionise padding, our annual flute servicing and COA. 'Talking Flutes', 'Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

As musicians, we often find ourselves caught up in a whirlwind of rehearsals, performances, and the pursuit of perfection. But have you ever stopped to consider where your sense of self-worth lies amidst this relentless chase? This is the heart of our latest podcast episode. In a candid conversation, Jean Paul Wright guides us through the often-overlooked aspect of a musician's life: the intrinsic value that goes beyond the applause and external validation. He addresses the pressures of the craft, the impact of external measures, and provides practical exercises to help musicians discover and appreciate their worth. Imagine the scene: a musician steps off the stage, the applause fades, and they're left with their thoughts. This episode delves into that intimate moment, questioning whether the applause is the only measure of success. Jean Paul argues that it's not – that our worth extends far beyond these fleeting moments of external recognition. Listeners are invited to explore self-reflection practices, setting intrinsic goals, embracing imperfection, and discerning feedback. The episode emphasises the importance of mindfulness and self-compassion in building emotional resilience. This is not just about becoming better musicians but about becoming more fulfilled individuals. Whether you're a seasoned performer or a student just starting, this episode speaks to the core of why we make music. It's a reminder that every note played, every piece perfected, and every performance given contributes to a larger symphony of our existence. So, if you're ready to embark on a journey of beautiful self-discovery and find solace in the understanding that your value extends far beyond the applause or criticism, then this episode is for you. Tune in and let the notes of self-worth resonate from within, turning external measures into harmonious echoes rather than defining chords. Remember, your musical journey is unique, and your contribution to the world of music is invaluable. Let this episode be the start of a new chapter in your life, one where you play the melody of self-worth with confidence and joy. Listen now and transform the way you perceive your place in the world of music. 'Talking Flutes', 'Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com

How to break free from the shackles of comparison! In the intricate tapestry of musical expression, the quest to be true to oneself often encounters a formidable obstacle—comparison. The impulse to measure one's musical journey against others can hinder creativity, stifle growth, and erode the joy of making music. In this short podcast recorded on the banks of a stream in the north of England on a cold day in March, Jean-Paul delves into the critical importance of freeing ourselves from self-limiting factors, particularly the pervasive influence of comparison. 'Talking Flutes', 'Talking Flutes Extra' and 'Bitesize' are podcast productions by the TJ flute company. For more information visit www.tjflutes.com