The Band: A History

Before Jericho, there was Tombstone. In this episode, we examine the Band’s abandoned 1990 Sony sessions, recorded with Jules Shear and ultimately rejected by the label. Through the music and the context, we piece together what this project was meant to be and what it tells us about the Band’s struggle to redefine themselves in the early 1990s. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode follows guitarist Jim Weider, from growing up in Woodstock to finding his way onto the road with Levon, Rick, Richard, and Garth. We trace how he joined The Band in the mid-’80s, held things together through years of hard touring, helped shape their final studio records in the ’90s. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we revisit The Band’s unexpected 1983 reunion six years after The Last Waltz. With Robbie Robertson absent, Levon Helm, Rick Danko, Richard Manuel, and Garth Hudson came together once again, proving their music still carried power and soul. We trace their individual journeys in the late ’70s and early ’80s, the spark that brought them back, and the raw energy of their “The Band Is Back” tour. From theatre gigs and surprise Bob Dylan appearances to sold-out shows across Canada, Japan, and the U.S., this was more than a comeback, it was a second life. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our series Odds & Ends we dig into Band deep-cut, “Get Up Jake”. You’ll hear how a scrappy LA studio outtake grew into a live showstopper on Rock of Ages, and even survives as a raw hotel-room demo. We’ll break down its driving groove, Helm’s backbeat, Danko’s bouncing bass and that shout-along chorus and compare the lean, two-minute studio take to the full-throttle live version and the stripped-down Calgary jam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Levon Helm’s move to Capitol Records in the early '80s was his final shot at keeping his musical vision alive. His bold choice to record at the iconic Muscle Shoals Sound Studio represented his commitment to authentic Southern rock at a time when synth-pop and MTV hits dominated the airwaves. Featuring a remarkable lineup of musicians, his second solo album, simply titled "Levon Helm," embodied his dedication to musical honesty over commercial success. Songs like "You Can't Win 'Em All" and "Money" showcase Helm’s gritty realism and uncompromising style. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special episode, I pay tribute to the late Garth Hudson, a true legend in the music world. Known for his innovation, unparalleled creativity, and distinctive style, Garth was more than just a musician—he was a visionary who left a mark on the industry. I reflect on his extraordinary career, his contributions to iconic music moments, and the unique legacy he leaves behind. Learn more about your ad choices. Visit megaphone.fm/adchoices

This holiday season, we’re diving into The Band’s heartfelt Christmas track, Christmas Must Be Tonight. Written during their Northern Lights – Southern Cross sessions, the song blends timeless storytelling, soulful harmonies, and a fresh take on the Nativity. I explore its origins, musical brilliance, and why it’s a hidden gem that deserves a place on your Christmas playlist. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Band: A History, we explore Robbie Robertson's journey into crafting his debut solo album, influenced by his vision of "The Shadowland." After focusing on film scoring, Robertson returned to music in the mid-1980s, collaborating with key figures like producer Daniel Lanois to create an atmospheric, cinematic sound. We dive into the making of the album, Robertson’s strategic decisions, and partnerships with renowned musicians and producers. Learn more about your ad choices. Visit megaphone.fm/adchoices

By the end of the 1970s, Rick Danko found himself in an unexpected place. After the release of his first solo album on Arista Records didn’t sell well, and with management in flux, Arista dropped him. Despite this, Danko continued to tour, collaborate, and perform in smaller, more intimate venues, showcasing his character and musicianship. Collaborations with former Beach Boy Blondie Chaplin, Richard Manuel, Paul Butterfield, and even actor Gary Busey highlighted his versatility. Woodstock ‘79, a smaller and less impactful event than the original, featured Danko performing with Butterfield. This era also saw Danko contributing to Joe Cocker’s chaotic version of “I Heard It Through The Grapevine” and Larry Lee’s album “Marooned.” This period of triumph and tribulation is a testament to Danko’s enduring spirit and love for music. Learn more about your ad choices. Visit megaphone.fm/adchoices

After navigating a tumultuous phase in his life marked by heavy drinking and the disbandment of The Band, Richard Manuel entered rehab, marking a pivotal step toward reclaiming his passion for music. In 1978, returned to the studio with old friend Happy Traum, contributing to Traum's debut solo album "Bright Morning Stars." He also collaborated with musicians Terry Danko and Marty Grebb and reconnected with Gerry Goffin for songwriting. Manuel's musical revival included working with Bonnie Raitt on her critically acclaimed album "Greenlight" and joining Willie Nelson and Webb Pierce for a spirited session on "In The Jailhouse Now." This period marked a creative resurgence for Manuel, blending his soulful voice and piano mastery across diverse projects while reflecting on his enduring connection to The Band. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Levon's solo albums are pure, egalitarian magic and joy." - Matty Wishnow After a dedicated grind in the late '70s, Helm ventured to Nashville, inspired by his role in the lauded film Coal Miner's Daughter. There, with the city's top session players, he created his seminal album, American Son, in 1980. Helm, almost forty, forged a path to new creative horizons, trying to position himself for a new musical renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to another installment of Odds & Ends, a series of mini-episodes that invites you to explore the hidden treasures within The Band's extensive musical library. This episode reveals the depths of Richard Manuel and Robbie Robertson's artistic collaboration within the 1967 composition "Katie's Been Gone." From the exquisite composition to the speculated ties with Greenwich Village folk luminary Karen Dalton and the enigmatic drummer behind the scenes, this episode of Odds & Ends is a comprehensive exploration of everything. Learn more about your ad choices. Visit megaphone.fm/adchoices