The Beatles: Note By Note

On this episode of our Beatles podcast, "small" George Harrison song becomes bigger once everyone brings their own meaning to it. This episode, we are joined by the hosts of The Inner Light Podcast, Sophie and Harry. Since this is only our second Harrison track, we got to dig deeper into George’s distinct voice, and why he fits so perfectly into the space John and Paul leave open as songwriters and personalities.We cover:-George's growing voice as a Beatles songwriter-The volume-pedal guitar sound-Strange instrumentation in the backing track-The song's afterlife at the Concert for GeorgeCheck out Sophie and Harry's socials:https://linktr.ee/innerlightpodcasthttps://beacons.ai/sophspacehttps://www.instagram.com/harryfitzWebsite: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

On this episode of our Beatles podcast, we are joined by guest Andrew Shakespeare to discuss one of the most intimate John Lennon songs so far. From there, we attempt to break down how it was written, how it was recorded, and what it could mean to us. Our track by track trip through Help! continues to give us surprises.We cover:-The Dylan comparisons-Pete Shotton's visit to the studio-Johnnie Scott's flute overdubs and the mystery of the tenor flute-The Silkie's cover, produced by The Beatles themselves-A broken glassWebsite: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

On this episode of our Beatles podcast, we really put this song up to the test. Growing up, Peter felt that this might be one of the greatest Beatles songs, but does he still feel that way today? Together, with our guest Rob Collier (Beatles Bass Lines), we dive deep into the song and see what is going on beneath the surface. By the end, we settle the score and decide where this song lands in the pecking order of Beatles songs.We cover:-The music theory of the song-Similarities to Yesterday-A deep dive on the Pianet C and related instruments-A storytime on how Northern Songs, the Beatles music publishing company, went public on the London Stock ExchangeCheck out Robhttps://www.patreon.com/cw/BeatlesBassLineshttps://linktr.ee/beatlesbasslinesWebsite: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

In this Beatles Lecture Series, Kenyon shows how I’m Down is doing several jobs at once: answering the emotional weight of the A-side, giving Paul a sharper and more frustrated voice, and building the whole song out of contradictions, call-and-response, and release. It makes you hear it not as throwaway chaos, but as a carefully placed Beatles move that is funny, tense, and explosive for very specific reasons.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

In this Beatles podcast, we are joined by bass player Erik McIntyre to discuss the B-side of the Help! single. Written on the back of a telegram, this song was conjured up as a replacement for Little Richard's Long Tall Sally in The Beatles' set list. In the conversation, we dive into the history of the song and, with Erik's help, explore why this song was necessary in the Beatles catalog at this exact moment.We cover:-Decoding Paul McCartney's bass lines-The protest song Eve of Destruction and its role in the Beatles' songwriting-The legedary recording session that produced this song-The politics of being in a band and the importance of keeping it funCheck out Erik McIntire:https://www.instagram.com/erik_mcintyre/https://www.acemonroe.com/Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

In this Beatles Lecture Series episode, Kenyon argues that “That Means a Lot” is one of Paul McCartney’s strangest songs, sounding deeply like Paul and strangely unlike him at the same time as an apparently simple love song turns anxious, vulnerable, and hard to pin down. It makes you hear the song less as a minor castoff and more as a fascinating anomaly, where emotional need, uncertainty, and real musical ambition are all pulling in different directions.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

On this episode of our Beatles podcast, we take a song Peter barely knew and turn it into one of the most spirited conversations in the series. On Bad Boy, Note by Note brings in Jesse Pollack from All You Need Is Pod to talk about this iconic track, one of the last of its kind.We cover:-Larry Williams’ original versus the Beatles version and what changed in the arrangement-John Lennon’s vocal performance and the debate over where it ranks among Beatles covers-The emergency Help-era session, Beatles VI, and the rush to get the song to America-The Hohner Pianet C, the Studer tape machine, and a new recording techniqueCheck out All You Need Is Pod: https://podcasts.apple.com/us/podcast/all-you-need-is-pod/id1857843520Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

This Beatles Lecture Series argues that Ticket to Ride is built on contradictions: the words keep flipping between heartbreak and irritation while the track itself feels bright enough to sound like a shrug. Once you hear how “not caring” can read like a mask instead of confidence, you’ll stop taking the song’s attitude at face value.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

Season 2 kicks off with Ticket To Ride on this Beatles podcast, and it turns into one of those conversations where the song keeps getting bigger the longer you sit with it. We jump through personal memories, the emotional push and pull of a happy-sad track, the feel of that unforgettable guitar line, and a few surprising detours that shed more light on this song's role in the Beatles canon.We cover:-How Ticket To Ride hits different as grown-ups-The rhythm, groove, and musical choices that give the track its tension and momentum-Lyrics, title meaning, and how our brains mishear songs we swear we know-A pop culture thread that unexpectedly preserves a piece of Beatles historyWebsite: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

This week on our Beatles podcast, we bring in a fourth voice and it gets delightfully nerdy fast. Guest Raymond Schillinger from You Can’t Unhear This joins us to re-hear “What You’re Doing” like it is hiding in plain sight.We cover:- Why “What You’re Doing” feels like a throwaway song- The song’s girl group fingerprints in the call and response vocals- The bass fill at the end, maybe the first time the Beatles had one- Recording breakdown: the September 1964 sessions- Seltaeb, NEMS, Stramsact, the lawsuit, and the merch money falloutRaymond's Youtube channel: https://www.youtube.com/@YouCantUnhearThisWebsite: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

In this Beatles podcast episode, we argue “I Don’t Want To Spoil The Party” only works because every Beatle leaves a crucial fingerprint. With special guest Dr. Terry Hamblin, we hear the song as a full-band fusion, not just a “John song.”We cover:- Songwriting origins on the 1964 North American tour and the country western frame- The September 29, 1964 session and the nine takes vs nineteen takes confusion- A debated vocal mystery and a Beatles first- Musical fingerprints: flat seven movement, the middle eight, Ringo’s toms, and George’s solo- Storytime on 1964 live TV performances, including Blackpool Night Out, Shindig, and Not Only...But AlsoWebsite: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

Every Little Thing is a Paul McCartney song that could fool you into thinking it is a John song, especially with John’s voice so forward in the verses. In this Beatles podcast episode of Note By Note, Peter, Kenyon, Josh, and guest TJ Byrnes break down the timpani punch, the Anthology 4 takes, and why this deep cut never quite plays by pop rules.We cover:- Recording sessions, the redo, and what Anthology 4 reveals in takes 6–7- Timpani as a claimed Beatles first, the piano credit debate, and the AKG D19 C drum mic switch- How it gets compared to What You’re Doing and the shift to arranged guitar solos- 1964 UK tour storytime, including the mid-tour nine-hour EMI sessionTJ Byrnes Youtube channel: https://www.youtube.com/channel/UCaqdTns-CVdVUMSk7xBhhmwWebsite: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.