The Choral Director's Toolbox

This week on The Choral Director’s Toolbox, Dr. William Baker challenges the old saying that “a rough dress rehearsal leads to a great concert.” In "Building a Great Dress Rehearsal," he offers practical strategies for creating a rehearsal that is efficient, professional, inspiring, and designed to set the stage for an exceptional performance. From preparing the performance space and welcoming guest artists to managing rehearsal time and communicating with singers, Dr. Baker outlines the details that can turn a good dress rehearsal into a great one. Today’s Question addresses a challenge familiar to many arts leaders: What should you do when a well-funded new choir suddenly appears in your community? Dr. Baker offers advice for responding with generosity and professionalism while using new competition as motivation to strengthen your own ensemble, relationships, promotion, and artistic standards. Today’s Inspiration is Eric Whitacre’s dramatic and imaginative "Cloudburst," performed by the William Baker Festival Singers with soloists Stephanie Sullivan and Michael Carter. Submit your question to The Choral Director's Toolbox by writing to us at [email protected].

In this week’s episode of The Choral Director’s Toolbox, William Baker addresses a difficult but important reality of choral life: when and how to step away from an ensemble with honesty, professionalism, and integrity. Framing choral participation as a covenantal relationship, he offers thoughtful guidance for singers and leaders facing unavoidable changes, conflict, or resignation, emphasizing the long-term impact such decisions have on people, institutions, and the art itself. Today’s Topic explores best practices for resigning responsibly, minimizing disruption, communicating truthfully, honoring commitments whenever possible, and preserving relationships within the choral community. Today’s Question considers the role of printed concert programs, balancing cost, content, and promotional value, with practical recommendations for what information best serves both audiences and organizations. Today’s Inspiration features O Crux by Knut Nystedt, performed by the St. Olaf Choir under the direction of Kenneth Jennings.

In this week’s episode of The Choral Director’s Toolbox, Dr. William Baker reflects on the unique power of the choir festival as both an artistic catalyst and a strategic tool for community engagement. Drawing from a recent multi-ensemble festival experience, he explores how thoughtfully curated choral gatherings can energize singers, expand audiences, strengthen inter-ensemble relationships, and provide invaluable promotional momentum for every participating organization. Today’s Question addresses repertoire selection for folk, spiritual, and multicultural music, with a focused discussion on authenticity as the single most important criterion in choosing arrangements. Today’s Inspiration features Moses Hogan's powerful spiritual "My God Is So High," performed by the William Baker Festival Singers.

This week on The Choral Director’s Toolbox, William Baker reflects on “The Juggler,” a powerful reminder that excellence in conducting, and in life, comes from personal responsibility, perseverance, and a willingness to do the hard work, even after dropping the balls thousands of times. In Today’s Question, a church music director asks how to navigate conflict and competition surrounding solo opportunities. The response offers clear, practical guidance for restoring unity, refocusing on service, and rebuilding a healthy choral culture. Today’s Inspiration features "Good Friday Anthems" by Russell Schulz-Widmar, performed by the William Baker Festival Singers. The selection is haunting, spare, and deeply moving music that rewards thoughtful, committed singing. Submit a listener question to [email protected]