The Clave Chronicles

Part 2 of Rebecca's conversation with Cuban music historian Rosa Marquetti. The second edition of her book Celia en Cuba (1925-1962) was recently published in Spanish, and will be translated into English next year. Conversation in Spanish. Follow along with an English-language transcript here: https://docs.google.com/document/d/1W8qgbzs7DHwP2JlTl3FDZfbCc2aLSFovv2SVxZSw3Xc/edit?usp=sharing Songs played: Quédate Negra, Celia con La Orquesta Leonard Melody La Sopa en Botella, Celia con La So...

Ethnomusicologist Edwin Porras joins Rebecca to speak about Chinese musical influences in Cuba, which date back to the mid-19th century. The double-reeded suona was adopted by Santiago conga groups around 1915, becoming an unmistakable musical signifier for conga santiaguera. **Fun fact: Cuba was the first destination for Chinese laborers in the Americas, before even the U.S.** Songs played: Example of Cantonese opera Lion dancing musical accompaniment (field recording) Caridad Amaran and G...

This week The Clave Chronicles is sharing an episode of Cuban Serenade, a podcast exploring the history of Cuban music in Canada that's hosted by Freddy Monasterio and Karen Dubinsky. This episode focuses on the genius of Cuban-Canadian pianist/composer/arranger Hilario Durán. Follow Cuban Serenade on your favorite podcast platform! Send us Fan Mail Support the show You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps! If you like t...

Anthropologist and prolific scholar Umi Vaughan, author of Rebel Dance, Renegade Stance: Timba Music and Black Identity, joins Rebecca to speak about his 25 years of research on timba and how the genre has changed in the past three decades. Vaughan has been conducting research in Brazil more recently, and will soon be publishing a book on the repression of Afro-Brazilian religious practice and music. Songs played: La bola, Manolín El Médico de la Salsa De La Habana, Paulo FG No est...

Percussionist and educator David Peñalosa, author of the book The Clave Matrix, joins Rebecca for an in-depth discussion on the concept of clave, delving into its origins, variations and the way it works in various Afro-Cuban genres. If you've ever wondered what 3-2 or 2-3 clave means or what the difference is between "son clave," "rumba clave" and 6/8 clave, this episode is for you! Songs played: Eco (bembé-abakuá), Julito Collazo and Mongo Santamaria Los beodos, Los Muñequitos de Matanzas ...

Scholar and singer Hannah Burgé Luviano joins Rebecca to discuss the career of the "King of Mambo," Dámaso Perez Prado. Unable to achieve much acclaim in Cuba because of his unique compositional style, Pérez Prado struck gold after relocating to Mexico in the 1940s. Songs played: México Lindo Mi Gallo Mambo Politécnico Pianola Send us Fan Mail Support the show You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps! If you like this podcast...

Cuban dancer, musician, and educator Roberto Borrell speaks with Rebecca about his incredibly versatile career, spanning popular and folkloric styles. He talks about growing up hearing the legendary bands of the 1950s like Orquesta Aragón and Chappottín y Sus Estrellas, and attending the Black social clubs that were eliminated in the early years of the Revolution. Songs played: Linda cubana, Orquesta de Antonio Maria Romeu Mambo, Arcaño y Sus Maravillas La engañadora, Orquesta América ...

(Rerun of nueva trova episode, first aired in July 2023) Nueva trova is one of the few Cuban genres that is for listening and reflecting instead of dancing - it's sung poetry, much like other Latin American singer-songwriter genres, namely nueva canción. Rebecca has an in-depth conversation with independent scholar and former Cuban diplomat Eva Silot Bravo about the major figures of nueva trova and how it came to be closely identified with the ideology of the Cuban Revolution. The genre's re...