The Getcha Some Productions Podcast

https://www.salantsound.com/Reverb Affiliation: https://tidd.ly/3O5lme6The crux of our discussion centers on the intricate dynamics of music production and the innovative collaboration we seek to establish. In this episode, I, Keith Fredrickson, engage with esteemed guest Josh Salant, whose expertise in the realm of sound and recording is both profound and inspiring. We explore the multifaceted process of music creation, from conceptualization to the final mix, emphasizing the importance of thorough preparation and collaboration. Josh elaborates on his studio practice, aimed at facilitating a seamless recording experience for artists, and we consider how to effectively integrate a structured questionnaire to better understand artists’ visions. As we navigate through the nuances of music production, we aim to empower aspiring musicians to produce high-quality recordings that resonate with their artistic intent.The podcast episode featuring the esteemed Keith Fredrickson and the talented Josh Salant delves into the intricacies of music production, providing listeners with a comprehensive understanding of the creative process involved in producing original music. The conversation begins with an exploration of Fredrickson's ambitious plans to transition from podcasting to actual music production, emphasizing the significance of collaboration and the necessity of structured processes in achieving artistic goals. Salant shares his insights as a seasoned drummer and producer, shedding light on the importance of preparation and communication between artists and producers to ensure successful recording sessions. Throughout the dialogue, the pair discuss the establishment of a new production service aimed at assisting aspiring musicians in navigating the complexities of the recording process, highlighting the value of pre-production planning and the role of questionnaires to clarify artistic visions. As the discussion evolves, both Fredrickson and Salant articulate their shared vision of fostering a supportive environment for musicians, particularly those who may lack experience in the studio setting. They emphasize the need for artists to focus on crafting individual songs rather than overwhelming themselves with entire albums, advocating for a more measured approach to recording that prioritizes quality over quantity. Salant recounts his experiences working with various bands, offering practical advice on managing expectations and effectively utilizing studio time to produce polished tracks. The episode culminates in a forward-looking perspective, with Fredrickson expressing his eagerness to embark on his own musical journey, armed with the knowledge gained from his conversation with Salant. The pair leave listeners with a sense of optimism about the potential for collaboration and creativity in the music industry, encouraging aspiring artists to engage with the production process thoughtfully and purposefully. This enlightening exchange serves not only as a guide for those interested in music production but also as a testament to the enduring power of collaboration in the artistic realm.Takeaways: The podcast episode features an engaging discussion between host Keith Fredrickson and guest Josh Salant about music production. Keith expresses a desire to collaborate with Josh on producing original music and recording services. Josh shares insights into his studio, Salant Sound, and the importance of preparing artists before recording sessions. The conversation touches on the significance of focusing on one song at a time to ensure quality over quantity in music production. They explore the logistics of recording, including the need for proper equipment and rehearsal before entering the studio. A questionnaire for artists is proposed, which will help clarify their artistic vision and production needs before recording. Companies mentioned in this episode: Reverb Salant Sound Coffin Daggers Marzana and the Bandits Power Chords No Call, No Show Getcha Some Productions Getcha Some Guitar Zen and the Art of Producing Affiliate: https://amzn.to/3EuxsvX Zen in the Art of Mixing affiliate: https://amzn.to/42BWVgl Zen in the Art of Recording affiliate: https://amzn.to/42KIoxx Shinobi Ninja Mixer Man Eric Serafine

The salient point of our discussion revolves around the concept of the "Masters of the Universe Club," which we envision as a platform for self-improvement and personal development. Throughout the dialogue, we dissect the importance of purpose in one's life, particularly within the context of masculinity, emphasizing that true mastery comes from self-governance rather than the subjugation of others. We reflect on our journey as podcasters, nearing the milestone of our hundredth episode, highlighting the growth and evolution of our show and its audience. Additionally, we explore the potential for new formats, such as guest interviews and book reviews, that could enrich our content and engage listeners more deeply. Ultimately, our aim is to create a community that fosters personal transformation and inspires individuals to realize their fullest potential.The dialogue commenced with a technical discussion surrounding the optimal recording settings for their podcast sessions, particularly focusing on achieving a gallery view during Zoom recordings. This conversation highlighted the persistent challenges they faced with the recording software and their attempts to rectify these issues over the course of numerous episodes. Keith Fredrickson and Daniel Kutcher reflect on their journey as podcasters, noting the impending milestone of approaching their 100th episode, a significant marker that they believe symbolizes the maturation of their podcasting venture. They draw inspiration from prominent figures in the podcasting world, such as James Altucher, stressing the importance of establishing one's own platform and the myriad benefits that come with owning a podcast. This contemplation serves as a prelude to deeper discussions about the evolving nature of their show, embracing their niche audience, and the steady influx of guests that have enriched their content.Takeaways: In the realm of podcasting, it is imperative to cultivate a unique platform that one can control, as articulated by James Altucher and Gary Vaynerchuk. The impending milestone of approaching episode 100 serves as a significant marker of growth and evolution for our podcasting journey. The concept of the Masters of the Universe Club aims to foster a community dedicated to self-improvement and the exploration of personal purpose. The integration of authentic storytelling from guests is envisioned as a means to inspire listeners through shared human experiences and personal journeys. The importance of establishing a coherent format for the podcast is recognized as a key factor in enhancing its impact and accessibility for the audience. Through the proposed branding, the intention is to redefine traditional notions of masculinity by promoting a more compassionate and constructive approach. Companies mentioned in this episode: James Altucher Gary Vaynerchuk Gacha Some Productions Masters of the Universe Club

This podcast features an engaging discussion with John Esposito, a seasoned jazz pianist and composer, who shares his profound insights on the evolution of jazz education and the challenges faced by musicians in the industry. John reflects on his experiences teaching at Bard College and the importance of fostering individuality and innovation in music, moving beyond traditional frameworks. He recounts his close relationship with the late Arthur Rhames, detailing how their collaboration shaped his understanding of improvisation and expression in jazz. As they delve into the complexities of the jazz scene, they highlight the need for musicians to embrace their unique voices while navigating the pressures of conformity. The episode also touches on the historical context of jazz, exploring its roots and the impact of cultural influences on its evolution, making it a rich resource for both aspiring musicians and jazz enthusiasts alike. For more information about John and his work, visit http://sunjumprecords.com.John Esposito's journey through the world of jazz unfolds with a captivating narrative that intertwines personal anecdotes and broader themes of musical evolution. The discussion highlights Esposito's transition from student to educator, emphasizing the transformative power of mentorship in jazz. He reflects on his experiences studying under influential musicians and how those relationships have informed his teaching style at Bard College. Esposito's philosophy centers around the idea that jazz is not just a genre but a living, breathing art form that thrives on individual expression and innovation. He contrasts the conventional approaches of classical music education with the need for improvisation and creativity in jazz, advocating for an educational framework that empowers students to explore their unique voices.The episode further delves into the life and artistry of Arthur Rhames, a talented musician whose legacy resonates within the jazz community. Esposito shares poignant stories about Rhames, spotlighting the challenges he faced as an avant-garde artist in a landscape that often favors tradition over experimentation. Through these narratives, the episode underscores the importance of preserving and honoring the contributions of artists who dare to redefine boundaries. The conversation also touches on the significance of community in jazz, illustrating how collaborations and shared experiences foster growth and understanding among musicians.As the dialogue progresses, Esposito and his co-hosts candidly discuss the intricacies of music production and the realities of running a podcast dedicated to jazz. They share insights into the creative process behind the podcast, revealing the effort and dedication required to cultivate a platform for musical dialogue. This behind-the-scenes perspective enriches the conversation, allowing listeners to appreciate the labor that goes into advocating for jazz and its artists. The episode culminates in a celebration of the resilience and adaptability of jazz, affirming its role as a cultural touchstone that continues to inspire and connect individuals across generations.Takeaways: Jazz music has evolved significantly over the decades, incorporating diverse influences and styles. The importance of individuality in jazz is essential for artistic expression and innovation. Education in jazz often lacks the inclusivity of different musical styles and influences. Personal experiences, such as those shared between musicians, shape the understanding of jazz. Improvisation is a core element of jazz, allowing musicians to express themselves freely. The history of jazz highlights the struggles and triumphs of African American musicians. Links referenced in this episode:sunjumprecords.comen.wikipedia.org/wiki/Arthur_Rhames

To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQA podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.Join Saint Uno in a dynamic hip hop masterclass where the core lesson emphasizes that the job of an MC is not to overshadow the beat but to enhance it. Through engaging conversation with Keith, they explore the essential elements of hip hop, including the importance of freestyling, the significance of a rapper’s name, and the art of storytelling. The discussion delves into literary devices such as metaphors, similes, hyperboles, and entendres, highlighting how they can elevate lyrics and create deeper meanings. Keith shares his experiences and aspirations, while Saint Uno offers insights on how to cultivate authenticity and creativity in music. This session is both a practical guide and a philosophical exploration of what it means to be a hip hop artist, encouraging listeners to embrace their unique voices and stories.Saint Uno leads an engaging hip-hop masterclass with Keith, diving deep into the essence of freestyling and the importance of music in personal expression. The conversation begins with Keith's hesitance about freestyling, but Saint Uno encourages him to embrace the discomfort that comes with trying something new. This sets the tone for the episode, where the importance of spontaneity in hip-hop is emphasized. The duo discusses the significance of being authentic in one's music, with Saint Uno sharing insights on how freestyling can help artists connect with their true selves. He highlights that music is about thinking on your feet and being present, which is crucial for aspiring artists looking to make their mark in the industry.As the episode progresses, the conversation shifts to the intricacies of music creation, particularly focusing on the role of beats and rhythm. Saint Uno illustrates how the beat is central to hip-hop, reminding listeners that while lyrics are important, they should complement the music rather than overshadow it. This leads to a discussion on the various elements that contribute to effective lyrics, including the use of rhymes, metaphors, and storytelling. Keith and Saint Uno explore how personal stories can resonate with audiences, regardless of their grandeur, and the value of authenticity in crafting narratives through music.The episode culminates in a call to action for listeners to embrace their unique voices and experiences in their artistry. Keith expresses his desire to create original music, and Saint Uno provides practical advice on finding beats and developing a personal style. Their dialogue serves as both a tutorial and an inspiring reminder that hip-hop is about more than just lyrical prowess; it is about connection, creativity, and the joy of making music that reflects one's journey. By the end, listeners are left with a sense of empowerment and a clearer understanding of how to navigate their own artistic paths in the world of hip-hop.Takeaways: Freestyling is crucial for developing your spontaneous creativity and comfort with hip hop. Your name plays an essential role in shaping your identity and lyrical content. Authenticity in storytelling matters more than the excitement of the story itself. Using literary devices like metaphors and similes enhances the depth of your lyrics. Allow the beat to guide your flow and prevent writer's block in your writing. Hip hop is about both rhythm and rhyme, not just deep lyrical content.

This podcast episode delves into the concept of creating a series of musical compositions that traverse all twelve keys, inspired by the lineage of jazz and the methodology of notable musicians like Coltrane and Arthur Rhames. Keith and Daniel engage in a candid discussion about the potential for writing a grant to support this innovative project, emphasizing the importance of education and collaboration with other musicians. They explore the historical significance of Arthur Rhames, debating how best to integrate his influence into their narrative while ensuring it resonates with grantors. The conversation touches on the necessity of storytelling in grant writing, aiming to highlight both the artistic and educational merits of their work. Through this dialogue, they seek to crystallize their vision and actionable steps moving forward, including reaching out to key figures in the jazz community for insights and support.In an engaging dialogue, Daniel and Keith delve into the world of jazz music and the intricacies of grant writing, creating a thought-provoking episode that blends humor with serious discussions. The episode begins with a light exchange about recording conversations, establishing a laid-back tone before transitioning to more profound topics. Keith shares his vision for a project that would create a series of compositions exploring all twelve keys, drawing inspiration from jazz luminaries like John Coltrane. This concept not only pays homage to the complexities of jazz but also aims to push the boundaries of traditional music education.As the conversation unfolds, the two hosts explore the historical context of jazz and the significance of figures like Arthur Rhames, emphasizing the need for a narrative that honors the past while looking toward the future. Keith articulates his idea for a grant proposal that seeks to involve students in the creative process, fostering a new generation of musicians who appreciate the lineage of jazz. Daniel’s role becomes pivotal as he offers constructive feedback, encouraging Keith to refine the educational aspect of the grant and ensure that it resonates with potential funders.Towards the end of the episode, the hosts express their eagerness to collaborate with musicians and educators, highlighting the project’s potential to inspire creativity and innovation within the jazz community. They emphasize the need for storytelling and the importance of personal connections to the music as they navigate the complexities of grant writing. This conversation serves as a reminder of the value of jazz as an evolving art form, encouraging listeners to embrace their own creative journeys in the vibrant world of music.In an engaging dialogue, Daniel and Keith delve into the world of jazz music and the intricacies of grant writing, creating a thought-provoking episode that blends humor with serious discussions. The episode begins with a light exchange about recording conversations, establishing a laid-back tone before transitioning to more profound topics. Keith shares his vision for a project that would create a series of compositions exploring all twelve keys, drawing inspiration from jazz luminaries like John Coltrane. This concept not only pays homage to the complexities of jazz but also aims to push the boundaries of traditional music education.As the conversation unfolds, the two hosts explore the historical context of jazz and the significance of figures like Arthur Rhames, emphasizing the need for a narrative that honors the past while looking toward the future. Keith articulates his idea for a grant proposal that seeks to involve students in the creative process, fostering a new generation of musicians who appreciate the lineage of jazz. Daniel’s role becomes pivotal as he offers constructive feedback, encouraging Keith to refine the educational aspect of the grant and ensure that it resonates with potential funders.Towards the end of the episode, the hosts express their eagerness to collaborate with musicians and educators, highlighting the project’s potential to inspire creativity and innovation within the jazz community. They emphasize the need for storytelling and the importance of personal connections to the music as they navigate the complexities of grant writing. This conversation serves as a reminder of the value of jazz as an evolving art form, encouraging listeners to embrace their own creative journeys in the vibrant world of music.

GSP 90Keith and Daniel discuss the Getcha Some Productions podcast, highlighting their affiliation with Reverb (https://tidd.ly/3O5lme6) , which provides a commission for listeners who use their referral link (https://tidd.ly/3O5lme6). They express regret over losing an episode due to a platform conversion. The conversation shifts to their new animated intro, which they plan to introduce in episode 90. They also discuss potential guests for future episodes, including a jazz-rock-Middle Eastern fusion band, a 1960s-70s artist, a hip-hop artist from Atlanta, and an opera singer who creates vocal-only music. They decide to respond to all four inquiries and encourage more Bard alumni to reach out.Transcripthttps://otter.ai/u/kO6Xlgx5DNddszHmiiqYi_3-VCMAction items• [] Respond to all 4 people who reached out about being interviewed on the podcast• [] Tell those who reached out that they should share the podcast contact info with other Bard alumni musicians• [] Schedule an interview with Nephew Cube or whoever is first availableOutlineIntroduction and Podcast Setup• Keith introduces the podcast, "Getcha some productions," and mentions that this episode is a business meeting with Daniel.• Keith encourages listeners to like, subscribe, and leave reviews for the podcast.• Keith and Daniel discuss the importance of clicking the Reverb link in the show notes to support the podcast financially.• Keith explains their affiliation with Reverb.com and how it helps them financially without additional cost to listeners.Technical Issues and Past Episodes• Keith mentions that the last episode was with Michelle Green, and there was an interim episode with Andy that was lost due to a platform change.• Keith explains the technical issue where audio data was deleted during a platform conversion, affecting an episode on grant writing.• Keith and Daniel discuss the possibility of revisiting the grant writing topic in a future episode.• Keith expresses frustration over the lost data and the potential to redo the episode.New Animation and Podcast Format• Keith introduces the new animation for the podcast, which will be featured in this episode.• Keith mentions that he will not do fancy editing but will crudely slap the animation together.• Daniel expresses excitement about the new animation, which he believes elevates the podcast's production value.• Keith shares details about the animation process, including the use of Fiverr and the cost involved.Upcoming Podcast Episodes and Potential Guests• Keith mentions that four people from Bard have reached out to do podcasts, and he plans to respond to them.• Keith introduces the potential guests: Julia Morin and her band Nephew Cube, Terence Boylan, Saint Uno, and Katarzyna Saday.• Keith provides background information on each guest, including their musical styles and recent releases.• Daniel expresses interest in the Nephew Cube band and the acapella opera singer, while the other guests are ranked based on interest.Scheduling and Future Plans• Keith and Daniel discuss the challenges of scheduling interviews with potential guests.• Keith plans to reply to all four guests and ask them to reach out to other Bard alumni for future podcast episodes.• Keith emphasizes the importance of having a steady stream of guests to keep the podcast content fresh.• The conversation ends with Keith and Daniel looking forward to seeing who responds first and scheduling the next episode.

Getcha Some Productions Podcast Episode 88To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:http://doceoperator.com**Episode 88 - Interview with Raja on Music Production and the 'Stay Automatik' EP**In this episode, Keith and Daniel welcome Raja, an old friend and electronic music producer. The trio dives into a fascinating conversation about Raja's musical journey, his creative process, and the inspiration behind the new EP "Stay Automatik" by his band, Doce Operator. Here’s what to expect:1. **Background and Origins**: Learn about Raja's musical origins, from moving to the U.S. in 1985 to discovering a passion for piano and synthesis during college. He shares how working with modular synthesizers sparked his fascination with electronic music.2. **Inspiration and Process**: Raja explains the intriguing concept behind the band's name "Doce Operator," which hints at the electronic music term "operator" and Portuguese influences. The discussion also explores the creative journey from the band's formation to the release of "Stay Automatik."3. **EP and Production Insights**: Get an insider's look at the new EP, including the challenges Raja faced in self-producing, mixing, and mastering. Hear how he overcame obstacles and pushed creative boundaries, achieving a distinctive blend of funky, irreverent sounds.4. **Album Artwork and Tech**: Discover how the album artwork was created using AI tools like MidJourney, and the importance of community in supporting creative projects. The episode also touches on the benefits of working with synthesizers and innovative software.5. **Final Thoughts and Future Plans**: The episode wraps up with Raja sharing his hopes for the band's future and giving insights into upcoming projects. He also discusses the evolution of electronic music and the excitement of continuing his creative pursuits.88 Show Notes Continued In this episode, musicians Raja and Keith and Daniel dive deep into music production. They discuss their experiences with audio mixing and mastering, revealing the challenges and nuances that come with achieving a professional sound. **Key Highlights:**1. **The Art of Compression:**    - Raja explains how managing frequency clashes between vocals and synths using sidechain compression can create clarity without sacrificing quality.   - He emphasizes that compression controls dynamic range, but overuse can diminish the track's life and dynamics.2. **Evolution of Skills:**   - Raja describes his journey of learning production techniques through YouTube channels like Streaky and Produce Like a Pro. He shares how his mixing style evolved over time, with noticeable improvements between his earlier tracks and the most recent EP.   - He also notes the importance of volume automation, a technique preferred by renowned producer Andy Wallace to keep music alive and dynamic.3. **DIY Recording Challenges:**   - Keith reflects on his past recording experiences, noting how excessive post-production work can make tracks feel one-dimensional. He expresses a preference for capturing the vitality of live performances.4. **Physical vs. Digital Media:**   - Raja plans to release his music on 3.5-inch floppy disks, valuing physical formats that provide a lasting, tangible connection to music. He also discusses losing access to music on streaming platforms and emphasizes the importance of owning a physical copy.5. **Working with Nick:**   - Raja talks about collaborating with Nick, his bandmate in Dozer Operator, highlighting how their complementary skills foster creativity while minimizing conflicts.http://doceoperator.comListen to their new EP and immerse yourself in their unique, carefully crafted sound!#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#Creative Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#ServantsOfUniversalLove

Getcha Some Productions Podcast Episode 86Artemy’s website: https://artemys.artTo support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:  https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.  We create music and inspire others to do the same.  Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Interview with Artemy Mukhin.Born in Boston.  Lived there for 5 years but moved to Pennsylvania.  Lived outside of Philadelphia.  Started learning piano around 6 or 7 years old.  Started improvising a lot as a child.  With the help of a great teacher, he stated writing down music and so was improvising and composing.  He moved to NY when he was 11 years old.  Started learning composition more seriously at that time.He writes most of his music through improvisation.  He improvises, records it and tries to find stuff he likes.  He says that he can’t compose without the piano.The connection for us is that Artemy goes to Bard College where Dan and I graduated from.  He is currently a sophomore.  He is in the conservatory which is a 5-year program.He studies with Joan Tower.  Dan comments that Joan was an inspiration for him in how she forced him to work with rhythmic subdivisions.We discuss Artemy’s compositional process in more detail.  He improvises until he finds something he likes.  Then he manually types it into Sibelius.  “It’s good to hear different things you can do which are hard to imagine on pen and paper.”  “I’m used to using the computer as a compositional tool.”He’s composed for many different types of orchestrations.  Hasn’t done solo piano In a while.  Recently did a string quartet composition.  Did an ensemble with flute, clarinet, piano, cello.  Orchestra.  Solo pieces.“Singing out loud helps you figure out intuitively what you think should be the next thing.”“I think of the ensemble that I’m going to write for.  I have hopefully people in mind to play it.”  “I want to have people in mind to work with.”When asked which composers he likes: Ravel, Debussy, Beethoven, Bach.  Joan Tower.  Philip Glass.  John Adams.  Julia Wolf.  Missy Muzzoli.“I love harmony.  Good harmony in a simple pop song.”“I like Disco.”You can check out all of Artemy’s recordings on his website with links to soundcloud.https://artemys.artHe took a class on film composition and he wants to pursue that in addition to composing for the concert stage.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#Creative Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#ServantsOfUniversalLove