The Secret Life of Songs

When Bruce Springsteen was asked why he was invited to write the theme song for 'Philadelphia', the first mainstream motion picture about the AIDS crisis, and one of the first films made in Hollywood featuring a gay protagonist, he responded that the film's director, Jonathan Demme, had 'wanted to take a subject that people didn’t feel safe with and were frightened by and put it together with people that they did feel safe with'. The song that Springsteen would create in response to this brie...

Of all the pop songs released in the era this series has been looking at, there are few which command the depth of love and affection as Cyndi Lauper's 'Time After Time'. It brings with it, for many listeners, a powerful weight of nostalgic associations and memories, which is one reason it’s the perfect choice for accompanying the mesmerising dance sequence at the end of the 1997 film, Romy and Michele’s High School Reunion, but is there something about the song itself - something which goes ...

‘When I was little, I really wanted to be a psychiatrist. That's what I always said at school. I had this idea of helping people, I suppose, but I found the idea of people's inner psychology fascinating, particularly in my teens.’ This is Kate Bush, talking about what she wanted to do before becoming a musician. In this episode I explore whether the trace of ideas from contemporary psychology can be found in the songs she would go on to write and what light it might shine on the meaning of on...

Has there ever been a pop band which has been as loved - and as hated - as ABBA? Even in the period before they appeared on the Eurovision Song Contest, when they were only well-known in Sweden, there were protests held and satirical songs written about them. In parallel with the long history of critical condemnations of ABBA, however, they have attracted greater love and admiration, from a wider range of listeners, than perhaps any other band of the era. What explains this range of reactions...

When Brian Eno first heard 'I Feel Love' by Donna Summer, produced by Giorgio Moroder in 1977, he declared that he had 'heard the sound of the future'. It was the first pop song to be entirely produced on a synthesiser and quickly came to be seen as an important milestone in the history of record production, pointing the way forward to the dominance of electronic technology in the decades following its release. Equally, it's a song which was immediately embraced by gay clubbing communities; w...

How does a record make us feel like we're in a vast space, one that we've never experienced, one that may not exist? In this episode, the last of the series, I look at the Phil Spector production, 'River Deep — Mountain High', performed in 1966 by Tina Turner, to explore how we hear space in music. It was a groundbreaking record in its time, costing an unprecedented amount of money to make, and it still sounds as if it's pushing at the outer limits of what can be captured on record. I'm inter...

When Patsy Cline first heard Willie Nelson's demo version of 'Crazy', she didn't like it, thinking it sounded too vulnerable and heartbroken. Talked into it by her husband and her producer, she would make a record that seemed to capture something fundamental about the lives of its contemporary listeners, but while much has been written on Cline's status as a pioneering woman in the male-dominated world of country music, the fact that the song and many of her other famous singles - like her fi...

The history of rock music is in large part a history of men writing condescending and degrading songs about women, so it's interesting when a songwriter like John Lennon - with a track record of some of rock's most notoriously misogynistic lyrics - performs a song that at first listen appears to be apologetic and self-critical. In this episode, I look closely at the songwriting in his 1971 song, 'Jealous Guy', in the context of rock's historic sexism, to see how convincing this gesture of apo...

The story of the Beach Boys starting out as preppy Californian surf-popsters to become Rock n Roll Hall of Famers responsible for 'Greatest Albums Ever' list perennial 'Pet Sounds' is a familiar one. This narrative tends to overlook the currents of tension and angst rippling under the surface of both the early pop hits and the Phil-Spector-meets-Maurice-Ravel grandeur of their mature work. 'God Only Knows', one of the most analysed and acclaimed songs in pop, is a case in point: how does this...

The 1960s girl group genre might seem an odd place to find tragedy, particularly when it's wrapped in such apparently joyful music as The Chiffons' 'One Fine Day'. Legendary songwriting partners Gerry Goffin and Carole King manage the difficult trick of combining the bright-eyed optimism of new love with the sad certainty it'll never be realised in a song which takes in influences from both doo-wop and opera. It's a wonderful demonstration of the way minor chords and 'blue notes' can make a s...

‘The Secret Life of Songs’ is a new podcast series exploring ten classic pop recordings to get to the heart of why they mean so much to us. Hosted by Anthony T Jackson, a songwriter, it’s intended for musicians and non-musicians alike, a personal, reflective journey through some of pop’s greatest songs. The first three episodes will be released on May 21st, 2020, then fortnightly on Thursdays after that. The series is intended for anyone who loves music - musicians and non-musicians alike - ...