
The Shakespeare and Company Interview
by Shakespeare and Company
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From 17 epsHosts
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Alternative Intelligence: Jeanette Winterson on storytelling, AI and the Power of Imagination
Oct 14, 2026
53m 42s
How Big Tech Took Control, with Beeban Kidron
Sep 30, 2026
1h 05m 55s
Dave Eggers: Contrapposto, Craft, and the Case Against AI
Sep 17, 2026
49m 10s
Editions - Episode 2 - Illusions with Megan Nolan
Sep 2, 2026
55m 29s
Paris, Deconstructed: Amit Chaudhuri’s Château Rouge
Jul 22, 2026
46m 46s
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- 🇬🇧United Kingdom · Books#591.5K to 9.6K
- 🇮🇹Italy · Books#64388 to 2.4K
- 🇧🇷Brazil · Books#159250 to 1.6K
- 🇫🇷France · Books#122244 to 1.5K
- 🇸🇪Sweden · Books#72163 to 1.0K
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3.4K to 21K🎙 Weekly cadence·213 episodes·Last published 4d ago - Monthly Reach
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6.9K to 43K🇺🇸71%🇬🇧13%🇮🇹3%+9 more - Active Followers
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2.7K to 17K
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 10/14/26 | Alternative Intelligence: Jeanette Winterson on storytelling, AI and the Power of Imagination | Jeanette Winterson joined us to celebrate the French edition of One Aladdin, Two Lamps, her book-length exploration of storytelling, built around One Thousand and One Nights. She recalls finding Shahrazad in her hometown library and the insight this led her to: that she could read herself as fiction as well as fact, and so rewrite her own story. The conversation moves from Freud, epigenetics and the plasticity of the brain to Manchester's Industrial Revolution and the lessons we failed to learn from it. Winterson traces AI from Ada Lovelace to Turing to today's tech moguls, making a case for cautious optimism and for calling it "alternative intelligence." She also argues for being present in the world, and looking at art without a phone. Buy One Aladdin Two Lamps here: https://www.shakespeareandcompany.com/books/one-aladdin-two-lamps-2*Jeanette Winterson CBE was born in Manchester. She published her first novel, Oranges Are Not the Only Fruit, at twenty-five. Over two decades later she revisited that material in her internationally bestselling memoir Why Be Happy When You Could Be Normal?. Winterson has written thirteen novels for adults and two previous collections of short stories, as well as children's books, non-fiction and screenplays. She is Professor of New Writing at the University of Manchester. She lives in the Cotswolds in a wood and in Spitalfields, London.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information. | 53m 42s | ||||||
| 9/30/26 | How Big Tech Took Control, with Beeban Kidron | “Childhood is once again a resource to be extracted at any cost.” Filmmaker-turned-legislator Beeban Kidron joined us to discuss Users: How Big Tech Took Control and How to Fight Back. Kidron traces her path from directing documentaries to entering the House of Lords in 2012 (the same year smartphones became affordable enough for parents to hand to children) and how a strange, silent moment with four teenage girls in her kitchen launched a fourteen-year campaign. She unpacks the deliberate design choices behind addictive notifications and CSAM failures, and discusses why she focused her fight on children's rights as a strategic, less polarising lever. The conversation covers tech's grip on governments from Starmer to Trump, and considers how the industry's "free" business model is quietly reversing 150 years of social progress: from child labour laws to a generation working, unpaid, for the attention economy.Buy Users: https://www.shakespeareandcompany.com/books/users-3*BARONESS BEEBAN KIDRON is a global authority on digital regulation and accountability and is a leading voice on children’s rights in the digital environment. She has played a determinative role in establishing standards for online safety and privacy across the world. Baroness Kidron sits as a crossbench peer in the UK’s House of Lords, and is founder and former Chair of the 5Rights Foundation. She serves on the Joint Committee on the National Security Strategy and is a former member of the UN Broadband Committee. She is a Visiting Professor in Practice at the London School of Economics, where she chairs the Digital Futures for Children research centre, and is an advisor to the University of Oxford Institute for Ethics in AI. Before she became a peer, Baroness Kidron was an award-winning film director. She co-founded the charity Filmclub (now Into Film) in 2006, and was awarded an OBE for services to drama in 2012.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information. | 1h 05m 55s | ||||||
| 9/17/26 | Dave Eggers: Contrapposto, Craft, and the Case Against AI | Dave Eggers joins us to discuss his 14th novel, Contrapposto, a six-decade love story between childhood friends Cricket and Olympia, illustrated with his own drawings. Eggers traces the book's twenty-year gestation, the moment Olympia's character unlocked its structure, and why he gave Cricket his own boyhood fantasy of being "apprenticed" as a young artist. The conversation ranges widely: the decline of art-school access and the pier-side art collective he's launched in San Francisco; his literacy nonprofit 826 Valencia and its typewriter-obsessed students; and a candid, sometimes fiery take on AI's effect on writing, translation, and education, including an anecdote from his visit to OpenAI's offices. Buy Contrapposto: https://www.shakespeareandcompany.com/books/contrapposto-3*Dave Eggers is the author of many books for adults and kids. He’s the founder of McSweeney's and the co-founder of 826 Valencia, and the International Alliance of Youth Writing Centers. A finalist for the National Book Award and the Pulitzer Prize, he was recently awarded the Newbery Medal for his all-ages book, The Eyes & the Impossible.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information. | 49m 10s | ||||||
| 9/2/26 | Editions - Episode 2 - Illusions with Megan Nolan | In the second episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist Megan Nolan to discuss Illusions by Ruth Rehmann, in a new translation by Rob Madole, the latest title in the Faber Editions imprint.First published in Germany in 1959 and lost to English-language readers for decades, the novel follows four employees of a vast West German corporation across a single weekend. Cinematic, fragmented, and seductively modernist, it is at once an intimate and hypnotic portrait of four inner lives and an incisive state-of-the-nation novel about West Germany's postwar "economic miracle" - and the illusions that sustain it.Our conversation covers Rehmann's place in the influential German postwar literary movement Gruppe 47, the novel's debts to and divergences from Virginia Woolf's Mrs Dalloway and James Joyce's Ulysses, the way that the war haunts a generation trying to forget it, the mischievous omniscient window cleaner who watches over the story, and what it means for a woman writer to be faulted, as contemporary reviewers said of Rehmann, for "an excess of contemporaneity."Buy IllusionsUK: https://www.faber.co.uk/product/9780571396580-illusions-faber-editions/Rest of World: https://www.shakespeareandcompany.com/books/illusions-faber-editions Megan Nolan's novels Acts of Desperation and Ordinary Human Failings are also available from Shakespeare and Company, and your local independent bookstore.Sign up to Faber's Heritage Subscription, featuring all Faber Editions titles: Subscribers get a book in the post each month for just £9 alongside a curated email with exclusive extra content about the book and its author. https://tr.ee/DsDYp5Books & Authors DiscussedThe Tin Drum — Günter GrassMrs Dalloway — Virginia WoolfUlysses — James JoyceThe Forged Coupon — Leo TolstoyPerfection — Vincenzo LatronicoAmerican Psycho — Bret Easton EllisActs of Desperation — Megan NolanOrdinary Human Failings — Megan NolanFilms/TV Shows DiscussedJeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles — dir. Chantal AkermanPlaytime — dir. Jacques TatiThe White Ribbon — dir. Michael HanekeFrozen Land — dir. Aku LouhimiesBiosMegan Nolan is an Irish writer based in New York. Her most recent novel is Ordinary Human Failings (Little, Brown and Company, 2024), chosen as one of the best books of the year by The Guardian, The Times, and Sunday Times. It was shortlisted for the Orwell Prize for Political Fiction, the Nero Prize for Fiction, The Gordon Burn Prize, The Royal Society of Literature Encore Award, and longlisted for the Women's Prize. Her debut novel, Acts of Desperation (Little, Brown and Company, 2021) was an international bestseller, and was chosen as a best book of the year by Time. Nolan was also among The Observer’s Best Debut Novelists of 2021.Ella Griffiths is Faber's Head of Classics & HeritageAdam Biles is Literary Director at Shakespeare and CompanyListen to Alex Freiman Spotify: https://open.spotify.com/artist/3dbKbpFyqPbklwEdeLYYZR?si=Q5vy9KkRTrqf1BqU1v33cg Insta: @alex.guitarfreiman Hosted on Acast. See acast.com/privacy for more information. | 55m 29s | ||||||
| 7/22/26 | Paris, Deconstructed: Amit Chaudhuri’s Château Rouge | Amit Chaudhuri joins Adam Biles to discuss his new novel Chateau Rouge, set not in the postcard Paris of Hemingway and Midnight in Paris, but in the neighbourhood around Gare du Nord — a Paris that resists being known, curated, or confirmed.Chaudhuri talks about writing against the "already known" city, drawing on Roland Barthes and the idea of "heritage modernity" to explain why he wanted to deconstruct Paris's status as a museum-piece rather than a lived-in place. He discusses his narrator's disorientation on arrival, the subtle presence of race and visibility in the book, and how global events — the Gilets Jaunes, the Notre Dame fire — pass through the novel as lived, unfinished moments rather than history. The conversation turns, too, to marriage: how a decades-old, unread copy of A Moveable Feast, gifted by his wife, becomes a quiet emotional throughline.Buy Château Rouge: https://www.shakespeareandcompany.com/books/chateau-rouge*Amit Chaudhuri is the author of nine novels, whose ‘languorous, elliptical, beautiful prose is impressively impossible to put in any category at all’ (Salman Rushdie). He is also an essayist, poet, short story writer, singer and composer.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information. | 46m 46s | ||||||
| 7/8/26 | disaster storysocietal collapse+5 | M. John Harrison | In The BeginningShakespeare and Company+9 | UKShropshire | M. John HarrisonThe End of Everything+6 | — | 52m 58s | ||
| 6/24/26 | MurderParis+5 | Edward Chisholm | Élysée PalaceMurder in Paris '68 | ParisFrance+1 | Alain DelonMurder in Paris '68+5 | — | 59m 33s | ||
| 6/15/26 | Ulyssesfilm adaptation+4 | Adam BilesLex Paulson | Shakespeare and CompanyCannes+3 | Paris | UlyssesJames Joyce+6 | — | 2h 40m 35s | ||
| 6/10/26 | poetryUS Poet Laureate+4 | Tracy K. Smith | Shakespeare and CompanyFear Less: Poetry in Perilous Times+6 | MassachusettsCalifornia | Tracy K. SmithFear Less+5 | — | 57m 38s | ||
| 5/27/26 | literaturerace+4 | Taìno Mendez | Faber EditionsShakespeare and Company+1 | — | Ladies of the Rachmaninoff EyesHenry Van Dyke+5 | — | 1h 03m 23s | ||
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 5/20/26 | philosophybiography+4 | Lea Ypi | London School of EconomicsShakespeare and Company+3 | — | Lea YpiIndignity+6 | — | 59m 52s | ||
| 4/29/26 | memoirwriting+4 | Arundhati Roy | Shakespeare and CompanyThe Yale Review+6 | KeralaParis | Arundhati Roymemoir+6 | — | 49m 26s | ||
| 4/15/26 | technologymemory+5 | Ben Lerner | Shakespeare and CompanyFulbright Foundation+11 | Topeka, Kansas | Ben LernerTranscription+6 | — | 52m 57s | ||
| 4/2/26 | translationHomer+4 | Daniel Mendelsohn | The New YorkerThe New York Review of Books+2 | — | Homertranslation+5 | — | 59m 31s | ||
| 3/26/26 | rare book collectingfirst editions+4 | Ben Brown | Shakespeare and CompanyUlysses | — | rare booksbook collecting+5 | — | 1h 07m 58s | ||
| 3/23/26 | inheritanceidentity+5 | Tash Aw | In The BeginningShakespeare and Company+4 | Malaysia | Tash AwThe South+7 | — | 55m 32s | ||
| 3/4/26 | Booker Prizeliterature+4 | David Szalay | The Yale ReviewShakespeare and Company+1 | — | Booker PrizeDavid Szalay+6 | — | 48m 50s | ||
| 2/19/26 | Renaissance Florencehistorical novel+4 | Laurent Binet | Shakespeare and CompanyPerspectives | — | murderRenaissance+6 | — | 1h 00m 31s | ||
| 2/4/26 | fictionfree will+4 | George Saunders | VigilLincoln in the Bardo+2 | — | George SaundersVigil+6 | — | 45m 03s | ||
| 1/21/26 | traumastorytelling+4 | Emily LaBarge | BookforumShakespeare and Company+7 | — | traumanarrative+5 | — | 52m 05s | ||
| 1/7/26 | genre-bending literaturecrime fiction+4 | Jonathan Coe | Shakespeare and CompanyThe Proof of My Innocence | Birmingham | Jonathan CoeThe Proof of My Innocence+5 | — | 52m 00s | ||
| 12/24/25 | readingliterature+4 | Ian Patterson | PenguinShakespeare and Company+2 | — | booksreading+6 | — | 51m 32s | ||
| 12/11/25 | John & Paul: A Love Story in Songs, with Ian Leslie | In this live conversation at Shakespeare & Company in Paris, Adam Biles speaks with writer Ian Leslie about John & Paul: A Love Story in Songs, Leslie’s acclaimed exploration of the creative and emotional bond at the heart of The Beatles. Together they trace John Lennon and Paul McCartney’s relationship from their first meeting as bereaved teenagers in Liverpool, through the crucible of Hamburg, the frenzy of Beatlemania, and the artistic revolutions of the 1960s. Leslie explains why their partnership was neither simple friendship nor sibling rivalry, but a passionate, volatile, and profoundly collaborative romance—one that shaped their music as much as their music shaped them. They discuss myth-making around the band’s breakup, why McCartney’s reputation took decades to recover, and how John and Paul remained “entangled particles” long after going their separate ways. A rich, moving conversation about genius, chemistry, and the power of creative partnership.Buy John & Paul, A Love Story in Songs: https://www.shakespeareandcompany.com/books/john-and-paul*lan Leslie is a journalist and author of two acclaimed books on human behaviour, Born Liars, and Curious. His first career was in advertising, where he worked as a strategist for some of the world's biggest brands at ad agencies in London and New York. He now counsels business leaders on communication and writes about psychology, technology, politics and business for the New Statesman, Economist, Guardian and the Financial Times. He is the co-host of a podcast series called Polarised, on the way we do politics today. lan is a fellow of the Royal Society of Arts. He lives in London with his wife and two young children.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information. | 55m 16s | ||||||
| 11/27/25 | When Stories Fall Apart: Miriam Robinson on Love, Loss, and Truth | In this intimate conversation recorded at Shakespeare and Company, novelist Miriam Robinson joins Adam Biles to discuss her remarkable debut, And Notre Dame Is Burning. Together, they explore the novel’s fractured structure and the emotional aftermath of betrayal, loss, and motherhood. Robinson reflects on her protagonist Esther—a woman piecing together the wreckage of a marriage through letters and fragments—as well as on grief, storytelling, and the disorientation of time. From the shadow of Notre Dame to the uncertainty of rebuilding a life, Robinson examines how women navigate love, autonomy, and the stories they tell themselves. Touching on subjects from miscarriage and memory to patriarchy and the politics of intimacy, this conversation balances literary craft with raw honesty.Buy And Notre Dame Is Burning: https://www.shakespeareandcompany.com/books/and-notre-dame-is-burning*Miriam Robinson is an author who has worked in the world of books and bookshops for over 15 years. Previously the host of podcast My Unlived Life, she holds an MA in Creative Writing from Goldsmiths, University of London and her short fiction has been shortlisted for a Pushcart Prize, the inaugural Pindrop/RA Short Story Prize and the Pat Kavanagh Prize. Originally from Colorado, Miriam lives in East London with her daughter and their six-toed cat Astrid.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information. | 49m 13s | ||||||
| 11/13/25 | Why We Write, Why We Live, with Miriam Toews | An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-miriam-toewsTrigger warning: This is a tender, funny, and hopeful conversation, that inevitably touches on the subjects of suicide and depression. Please be advised before listening.In this moving and intimate discussion, Miriam Toews joins Adam Biles at Shakespeare and Company to talk about her memoir A Truce That Is Not Peace. Beginning with the question “Why do I write?”, Toews embarks on a deeply personal exploration of creativity, doubt, family, and loss. She reflects on her Mennonite upbringing, the deaths of her father and sister, and the ways in which writing—and laughter—have helped her make sense of pain and love. With warmth, wit, and clarity, Toews examines the limits of narrative, the pull of silence, and the stubborn hope that persists in the face of despair. A meditation on grief, rebellion, and the meaning of home, this is a conversation about how to keep living, and how to keep creating, when life itself resists coherence.Buy A Truce That Is Not Peace: https://www.shakespeareandcompany.com/books/a-truce-that-is-not-peace*Miriam Toews is the author of the bestselling novels Women Talking, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, Irma Voth, Fight Night and one work of nonfiction, Swing Low: A Life. She is the winner of the Governor General’s Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers’ Trust Fiction Prize and the Writers’ Trust Engel/Findley Award. She lives in Toronto.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information. | 49m 26s | ||||||
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Chart history for The Shakespeare and Company Interview
Peaked at #52 in Finland, currently #52 in Finland.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| Finland | — | #52 | #52 | — |
| United Kingdom | — | #59 | #59 | — |
| Italy | — | #64 | #64 | — |
| IS | — | #65 | #65 | — |
| Sweden | — | #72 | #72 | — |
| New Zealand | — | #98 | #98 | — |
| Ireland | — | #105 | #105 | — |
| South Africa | — | #106 | #106 | — |
| Italy | — | #114 | #114 | — |
| France | — | #122 | #122 | — |
| Finland | — | #135 | #135 | — |
| South Korea | — | #136 | #136 | — |
| Netherlands | — | #145 | #145 | — |
| HU | — | #150 | #150 | — |
| Brazil | — | #159 | #159 | — |
| PT | — | #162 | #162 | — |
| United Kingdom | — | #165 | #165 | — |
| IS | — | #168 | #168 | — |
| SG | — | #171 | #171 | — |
| ID | — | #179 | #179 | — |
Chart Positions
24 placements across 20 markets.
Chart Positions
24 placements across 20 markets.