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Total monthly reach
Estimated from 1 chart position in 1 market.
By chart position
- 🇺🇸US · Improv#1555K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
3.5K to 21K🎙 Weekly cadence·36 episodes·Last published 5d ago - Monthly Reach
Unique listeners across all episodes (30 days)
5K to 30K🇺🇸100% - Active Followers
Loyal subscribers who consistently listen
1.5K to 9K
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On the show
Recent episodes
In The Beginning
May 7, 2026
15m 08s
Letting Go of Self-Consciousness
Oct 9, 2023
15m 22s
Avoid Gaslighting Others
Oct 2, 2023
20m 41s
Playing Strangers
Sep 25, 2023
18m 23s
The Process Scene
Sep 18, 2023
24m 38s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/7/26 | ![]() In The Beginning | Starting a scene is one of, if not the most, difficult and critical things in improv. I discuss two of the ways to begin scenes and reveal my favourite! | 15m 08s | ||||||
| 10/9/23 | ![]() Letting Go of Self-Consciousness | Falling in love. Hanging with good friends. Being in a moment. These are all times when we tend to lose ourselves, get over our self-consciousness, and forget about our selfish needs and serve an experience. | 15m 22s | ||||||
| 10/2/23 | ![]() Avoid Gaslighting Others | Whether on stage or in life real, try not to gaslights others. In improv, it often leads into the argument trap. In life, it escalates tension, shows others you're not listening, and more. Instead, treat the opinions of others as legitimately theirs and deal with it except in one situation. | 20m 41s | ||||||
| 9/25/23 | ![]() Playing Strangers | Scenes in which the characters are strangers to each other come with an extra added level of difficulty. For that reason, I encourage improvisers to stay away from them. But, when they do happen to try and figure out what's at stake. | 18m 23s | ||||||
| 9/18/23 | ![]() The Process Scene | Having a process in a scene will help in a multitude of ways, however, there are also a couple major pitfalls with which to be aware. | 24m 38s | ||||||
| 9/11/23 | ![]() I Am A.... | A discussion of the third exercise I use when starting almost every class I teach. I Am A... is a game of patterns in which three people are elements within a certain pattern, category, etc. The more recognizable the pattern and elements, the better it is received. | 19m 17s | ||||||
| 9/4/23 | ![]() Improv Rule For Life #4 - Be Process Oriented | Being process oriented, or systems based, allows one to make modifications if their goals aren't being realized. Conversely, relying on magical thinking to achieve a desired outcome can leave one at the mercy of a stochastic, unfeeling universe. | 20m 42s | ||||||
| 8/28/23 | ![]() Is Mocking Some People Okay or Not Okay - REPEAT Episode 8 | Improv has changed a lot in the 35 years since I started. One thing is that we are much more sensitive to people different than us and no longer mock people based on generalities about them. However, two areas have escaped that scrutiny and I have no idea why. | 11m 19s | ||||||
| 8/21/23 | ![]() Dissonance in Comedy | Dissonance is a powerful tool that can grab your audiences attention and make them laugh whether that's on stage or at a dinner party. | 20m 13s | ||||||
| 8/14/23 | ![]() The Actor/Character Duality | When in scenes, there is the actor and the character the actor/improviser is portraying. Sometimes, their goals are aligned but often they are not. | 18m 25s | ||||||
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| 8/7/23 | ![]() Why Is This So Boring? | There are many reasons a scene, or interaction, may be boring. Here are the top two reasons why scenes can be boring and make you want to gouge out your eyes. | 21m 29s | ||||||
| 7/31/23 | ![]() Don't Stop The Action | Stopping the action, or business of the scene, is generally destructive for a number of reasons. Even if your character doesn't like what they're doing or being asked to do, finding a justification to let it happen, will usually serve you well. | 16m 01s | ||||||
| 7/24/23 | ![]() Try the Opposite | If 'A' is true, the opposite is also, likely, true. Improv allows one an opportunity to role play different options to stimuli thus giving you a chance to 'try the opposite'. Maybe you'll like it better. | 15m 25s | ||||||
| 7/17/23 | ![]() Call People Out on Their ^&$% | If someone, or another character, says or does something that doesn't make sense to you - ask them to clarify it. | 14m 26s | ||||||
| 7/10/23 | ![]() Why Do We Laugh? | Laughter, especially laughter in your gut, is much more about bonding than appreciating the humour, or cleverness, of a line or situation. | 15m 26s | ||||||
| 7/3/23 | ![]() Yes, And...: A Deeper Dive | What does it mean to 'Yes, and...'? It goes with what we're trying to actually DO when we improvise on stage and in real life. | 19m 26s | ||||||
| 6/26/23 | ![]() Be a Benevolent God | As improvisers/storytellers, we get to create tertiary characters - people, animals, etc - and you will be judged based on how you treat your creations. | 14m 25s | ||||||
| 6/19/23 | ![]() Improv Rule for Life #3 - Serve the Relationship | Playing with other human beings requires us to get out of our heads - give up our selfish needs - and serve the interaction/moment/relationship developing between and among us. | 16m 00s | ||||||
| 6/12/23 | ![]() Creative Process - Part One | There are two general ways to create content whether in the format of the improv scene or 'out in the world'. There is a more solo act of invention or writing and the collaborative act of discovery or 'uncovery'. While both have their place, the latter usually leads to richer, more satisfying creations. | 20m 54s | ||||||
| 6/5/23 | ![]() Initiation - How to Begin | It's a good practice to start scenes - or interactions - with something already going on. One way, is to think up a line of dialogue or part of a context however these practices have certain pitfalls. A better choice is to pick something you can play and maintain independent of the situation in which you, or your character, find themselves. | 19m 06s | ||||||
| 5/29/23 | ![]() The Association Game | The Association Game is a great warm up game for groups of 2 to 20. It helps people listen, say yes, get out of their heads, and build community. Not bad. | 18m 09s | ||||||
| 5/22/23 | ![]() The Big Yes | The Big Yes, the overaccepting of your scene partner(s) offer, can have so many benefits especially at the start of scenes or interactions with friends and people in the real world. | 15m 22s | ||||||
| 5/15/23 | ![]() The Argument Trap | Falling into the argument trap (aka denial of reality, gaslighting, refusing to engage) is detrimental to improv and the act of playing and discovery with other players. What it is, why it is, and how to avoid it are the subjects of today's episode. | 14m 54s | ||||||
| 5/8/23 | ![]() The Three Types of Conflict | In stories, there are generally three types of conflict. Person vs person, US vs the world/environment, and internal conflict. All are useful but sometimes it benefits us to flip between them. | 19m 16s | ||||||
| 5/1/23 | ![]() Improv Builds Empathy | A great reason to take improv even if you never intend to perform is that it helps build empathy for your fellow human beings. Helps us to understand the journey of people completely unlike us with vastly different experiences. | 12m 02s | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.























