Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 2 chart positions in 2 markets.
By chart position
- 🇨🇦CA · Improv#5530K to 100K
- 🇺🇸US · Improv#1705K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
25K to 91K🎙 Weekly cadence·36 episodes·Last published 1w ago - Monthly Reach
Unique listeners across all episodes (30 days)
35K to 130K🇨🇦77%🇺🇸23% - Active Followers
Loyal subscribers who consistently listen
11K to 39K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Reframing
Jun 18, 2026
14m 30s
Doubt
Jun 11, 2026
14m 40s
Why You Need Status
Jun 4, 2026
16m 42s
My Character Wouldn't Do That
May 28, 2026
14m 54s
Say Less, Seymour
May 21, 2026
13m 02s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6/18/26 |  Reframing | Flexibility, the ability to pivot, is a terrific skill to have on stage and off. Today, we look at reframing as a way to that. | 14m 30s | ||||||
| 6/11/26 |  Doubt | If your audience - be that your scene partner(s), the people watching, or the chap at the dinner partner - is in doubt as to your intentions, the way forward will often be more difficult for you. | 14m 40s | ||||||
| 6/4/26 |  Why You Need Status | Status is great in comedy and in real life. You likely use it all the time and don't even know it.It's one of those things that once you see, you see everywhere. Once you understand it, it'll make your life much better. | 16m 42s | ||||||
| 5/28/26 |  My Character Wouldn't Do That | Remaining open to 'who' your character is, what they stand for, what they love, what they hate, and more, keeps you open and alive to your audience (on stage and in the real world). You can be flexible, surprise yourself, and learn about points of view different from your own. | 14m 54s | ||||||
| 5/21/26 |  Say Less, Seymour | Listening as a gateway to presence and reduced self-consciousness. | 13m 02s | ||||||
| 5/14/26 |  Mistakes? We Don't Need No Stupid Mistakes | Mistakes scare the crap out of us, but they're usually only as bad as you think they are! They have wonderful upsides. | 13m 46s | ||||||
| 5/7/26 |  In The Beginning | Starting a scene is one of, if not the most, difficult and critical things in improv. I discuss two of the ways to begin scenes and reveal my favourite! | 15m 08s | ||||||
| 10/9/23 |  Letting Go of Self-Consciousness | Falling in love. Hanging with good friends. Being in a moment. These are all times when we tend to lose ourselves, get over our self-consciousness, and forget about our selfish needs and serve an experience. | 15m 22s | ||||||
| 10/2/23 |  Avoid Gaslighting Others | Whether on stage or in life real, try not to gaslights others. In improv, it often leads into the argument trap. In life, it escalates tension, shows others you're not listening, and more. Instead, treat the opinions of others as legitimately theirs and deal with it except in one situation. | 20m 41s | ||||||
| 9/25/23 |  Playing Strangers | Scenes in which the characters are strangers to each other come with an extra added level of difficulty. For that reason, I encourage improvisers to stay away from them. But, when they do happen to try and figure out what's at stake. | 18m 23s | ||||||
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| 9/18/23 |  The Process Scene | Having a process in a scene will help in a multitude of ways, however, there are also a couple major pitfalls with which to be aware. | 24m 38s | ||||||
| 9/11/23 |  I Am A.... | A discussion of the third exercise I use when starting almost every class I teach. I Am A... is a game of patterns in which three people are elements within a certain pattern, category, etc. The more recognizable the pattern and elements, the better it is received. | 19m 17s | ||||||
| 9/4/23 |  Improv Rule For Life #4 - Be Process Oriented | Being process oriented, or systems based, allows one to make modifications if their goals aren't being realized. Conversely, relying on magical thinking to achieve a desired outcome can leave one at the mercy of a stochastic, unfeeling universe. | 20m 42s | ||||||
| 8/28/23 |  Is Mocking Some People Okay or Not Okay - REPEAT Episode 8 | Improv has changed a lot in the 35 years since I started. One thing is that we are much more sensitive to people different than us and no longer mock people based on generalities about them. However, two areas have escaped that scrutiny and I have no idea why. | 11m 19s | ||||||
| 8/21/23 |  Dissonance in Comedy | Dissonance is a powerful tool that can grab your audiences attention and make them laugh whether that's on stage or at a dinner party. | 20m 13s | ||||||
| 8/14/23 |  The Actor/Character Duality | When in scenes, there is the actor and the character the actor/improviser is portraying. Sometimes, their goals are aligned but often they are not. | 18m 25s | ||||||
| 8/7/23 |  Why Is This So Boring? | There are many reasons a scene, or interaction, may be boring. Here are the top two reasons why scenes can be boring and make you want to gouge out your eyes. | 21m 29s | ||||||
| 7/31/23 |  Don't Stop The Action | Stopping the action, or business of the scene, is generally destructive for a number of reasons. Even if your character doesn't like what they're doing or being asked to do, finding a justification to let it happen, will usually serve you well. | 16m 01s | ||||||
| 7/24/23 | Try the Opposite | If 'A' is true, the opposite is also, likely, true. Improv allows one an opportunity to role play different options to stimuli thus giving you a chance to 'try the opposite'. Maybe you'll like it better. | 15m 25s | ||||||
| 7/17/23 |  Call People Out on Their ^&$% | If someone, or another character, says or does something that doesn't make sense to you - ask them to clarify it. | 14m 26s | ||||||
| 7/10/23 |  Why Do We Laugh? | Laughter, especially laughter in your gut, is much more about bonding than appreciating the humour, or cleverness, of a line or situation. | 15m 26s | ||||||
| 7/3/23 |  Yes, And...: A Deeper Dive | What does it mean to 'Yes, and...'? It goes with what we're trying to actually DO when we improvise on stage and in real life. | 19m 26s | ||||||
| 6/26/23 |  Be a Benevolent God | As improvisers/storytellers, we get to create tertiary characters - people, animals, etc - and you will be judged based on how you treat your creations. | 14m 25s | ||||||
| 6/19/23 |  Improv Rule for Life #3 - Serve the Relationship | Playing with other human beings requires us to get out of our heads - give up our selfish needs - and serve the interaction/moment/relationship developing between and among us. | 16m 00s | ||||||
| 6/12/23 |  Creative Process - Part One | There are two general ways to create content whether in the format of the improv scene or 'out in the world'. There is a more solo act of invention or writing and the collaborative act of discovery or 'uncovery'. While both have their place, the latter usually leads to richer, more satisfying creations. | 20m 54s | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.