The Vinyl Guide - Artist Interviews for Record Collectors and Music Nerds

Butthole Surfers' Paul Leary and King Coffey trace the band's unlikely major label journey — from America's top-grossing indie act to MTV hitmakers to a lost album finally resurrected after nearly three decades. Preorder "After the Astronaut" LP here Topics Include: After the Astronaut releases June 26 after sitting unreleased for 28 years. Capitol signed Butthole Surfers when they were America's top-grossing indie band. Label president Hale Milgram believed in them; his firing changed everything. Pepper was written on the spot after a producer demanded one more song. Pepper won radio call-in polls for a month and played MTV hourly. The hit turned them into a "follow-up band," which was never their thing. John Paul Jones produced Worm Saloon and taught Paul Leary how to produce. Jones and the band shared a Lagavulin obsession, running up a $20,000 scotch bill. Capitol's big budgets contrasted sharply with Touch and Go's approach. After the Astronaut was a deliberate return to experimental, art-school Butthole Surfers DNA. Mark Ryden painted the original cover; getting dropped handed it to Marcy Playground. Declining a Hellraiser soundtrack placement created the first real rift with Capitol. Their manager's heroin relapse coincided with the band getting dropped mid-promo cycle. Promo cassettes already pressed now sell for $800–$1,000 on the secondary market. Hollywood Records funded Weird Revolution; Rob Cavallo showed up once a week for ten minutes. Finding two-inch master tapes in a storage locker triggered the After the Astronaut remix. Documentary The Whole Truth and Nothing But took director Tom Stern five years to make. Rob Reiner called it one of the best music docs ever — hours before his murder. A potential box set looms, but Paul prefers naps, his cat, and his bicycle. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

From funding the first Record Store Day to producing limited one-step pressings of Pet Sounds, Prince, and Dr. Dre, Tom "Grover" Biery is one of the most influential figures in modern vinyl culture - Hear all about his next adventures with the vinyl artform. Topics Include: Tom "Grover" Biery spent 20 years at Warner Bros. Records He pushed vinyl internally around 2004 when nobody believed in it His boss Tom Wally gave him the green light to proceed First pressings were Kevin Gray and Steve Hoffman catalog titles Warner's vinyl billing exploded from $300K to $5M in 18 months Failure's Fantastic Planet was among the earliest titles he championed Neil Young gave an impassioned in-office speech about the importance of sound That speech directly inspired the "Because Sound Matters" brand name BSM is Warner's audiophile imprint; DSS covers Interscope and Capitol Tom now operates as a consultant to both major label groups His own label, Slow Down Sounds, has been running nearly a decade One-step pressings go lacquer to stamper, skipping generational quality loss Each stamper yields only 500–750 pressings, requiring multiple lacquer cuts Neotech's D2 vinyl compound produces exceptionally quiet, revealing pressings Mastering costs alone run nine times higher on one-step projects Sources are vetted exhaustively — flat masters, tape, or high-res files Artists and managers approve every test pressing throughout the process A newly discovered 1972 Pet Sounds master changed everything for the reissue Chris Bellman confirmed the tape matched a 1972 white label perfectly Only 6,000 copies of the Pet Sounds DSS one-step will ever exist Tom has been transparent about sourcing since 2005, long before the MoFi controversy Quality now ranks second or third in why fans buy vinyl Beck's Morning Phase and Tom Petty's Wildflowers one-steps surprised even skeptics Soul Coughing's Ruby Vroom reissue came from original tapes at Warner Nate lobbies for Frusciante, Jellyfish, Beck's Sea Change, and Marilyn Manson reissues Dr. Dre's The Chronic from tape is among the first hip-hop one-steps Neil Young has still never done a one-step, despite inspiring the whole program Tom was one of the original funders who got Record Store Day off the ground Record stores are reporting their biggest-ever RSD sales figures this year His label Slow Down Sounds is releasing Terry Callier's Occasional Rain this June High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Zakk Wylde opens up about Ozzy's final show, the 17 days that followed, Dimebag's unfinished recordings, and the making of Black Label Society's crushing new album Engines of Demolition. Topics Include: Zakk runs on 14 pots of Valhalla coffee every single day. He was invited to Back to the Beginning well in advance. Tony Iommi, Jimmy Page, and Ritchie Blackmore are mythical heroes to Zakk. No More Tears was rehearsed but Ozzy pulled it on the day. Ozzy was giddy meeting Axl Rose — couldn't believe it was happening. Zakk watched Sabbath's final set alongside Axl Rose and Sharon Osbourne. Just 17 days after the show, Ozzy passed away unexpectedly. They'd been texting memes and planning another record together right until the end. Zakk envisioned a global Back to the Beginning charity tour series. A sober Zakk and Ozzy watched their blasted crew destroy a Tokyo restaurant. Dimebag left hours of unfinished song ideas on tape for potential release. Playing Dime's solos means staying faithful — like Stevie Ray covering Hendrix. Zakk and Eddie Van Halen's amp, calling it life-altering history. Engines of Demolition was built across several years alongside the Pantera Celebration tour. Zakk confirms BLS, Zakk Sabbath, and more Pantera shows are all coming. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Documentary producer & record collector Jeanne Elfant Festa has made films about The Beatles, Foo Fighters, Pavarotti, Bee Gees and more. Today she discusses her latest movie on Billy Preston — revealing rare archive footage, Olivia Harrison's key role, and Eric Clapton's emotional on-camera tribute and a lot more. Check outtrailer and documentary screenings here Topics Include: Jeanne lost her entire vinyl collection in the Palisades fire. Her family and animals all escaped the fire safely. A custom-built, mathematically designed sound room housed the collection. Rebuilding takes time — the turntable alone hasn't been replaced yet. Music passion began with her Brooklyn-raised parents' rich jazz collection. Her dad snuck into the Apollo Theater via the fire escape. He carried a saxophone, jamming with musicians at the loading dock. The family soundtrack: Billie Holiday, Dinah Washington, Miles Davis, Charlie Parker. Jeanne and her dad bonded over Bruce Springsteen's sax player. Her father did house calls exclusively for one patient — Miles Davis. Storytelling instincts came from parents who loved plays, movies, and performance. Her own record collection ranged from Rage Against the Machine to Supertramp. Vinyl's tactile magic: liner notes, textures, and each album's unique smell. Albums are movies — side one plays straight through, no skipping. Documentary filmmaking is passion-driven, not a path to big money. The Foo Fighters doc came from being in the right place. Business partner Nigel Sinclair's credits include Bob Dylan and George Harrison docs. Billy Preston first entered her life through her parents' living room stereo. Filming subjects who've passed requires diaries, archives, and extraordinary research teams. A granddaughter's undeveloped home movies transformed the Beach Boys documentary entirely. A stranger's undeveloped Beatles footage, found under a childhood bed, changed everything. Olivia Harrison unlocked archive footage and connected the team to Ringo and Clapton. Eric Clapton opened up in a way rarely seen on camera. Documentary ethics: three sources minimum, no gossip, no stunt casting ever. The Billy Preston film explores forgiveness, contradiction, and the full human condition. Extended and High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Swami John Reis of Rocket from the Crypt and Drive Like Jehu digs deep on record collecting, the thrill of the hunt, running Swami Records, and why the next release always matters most. Get yer tix to the Punk Rock Museum's 3rd Anniversary Show here Topics Include: Swami John Reis joins to talk record collecting and Punk Rock Museum. His collection is evolving — trading old hardcore for more desired records. Collection is 95% 45s, driven by a lifelong musical pursuit. Early punk led him to hunt for MC5, Stooges, Velvet Underground. The thrill: records still exist that nobody knows about yet. Digging through boxes feels calming, healthy, and satisfying every time. Hawaii vintage shop surprise — radio station collection hidden outside for decades. Detroit and Pittsburgh are his highest strike-rate cities for finds. Always ask the clerk — the best stuff is never on the floor. Styrene vs vinyl: the label sticker is the definitive tell. Making records informed his collecting — plain white sleeves, big hole 45s. Pressing plant relationships are everything; affordability is the biggest challenge. Customs delays under the current administration are wrecking release schedules badly. Major labels scrapped their own pressing plants — now everyone competes for time. Marketing records stopped making sense; the artist always drives interest anyway. Every record is essentially limited and out of print from day one. Smaller runs mean no unsold closet stock and more collector value later. Hot Snakes packaging and Rick Griffin's creativity still inspire him deeply. Upcoming: Sultans reissue, Mrs. Magician LP, new Swami John Reis record. Schizophonics collaboration in the works — the next thing is always the thing. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

John Flansburgh of They Might Be Giants talks rare vinyl rarities, the chaotic story behind the new album's cover art, why re-recording old music is almost always a mistake and lots more Order the new album "The World Is to Dig" here Topics Include: Flansburgh owns roughly 2,000 records across three turntable setups at home He doesn't identify as a collector — just a serious listener His rarest record: an Andy Warhol-autographed Sticky Fingers with wild provenance photos He also owns a peeled-banana Velvet Underground and a Blonde on Blonde rarity Deep dive into what makes each of those pressings so collectible TMBG's new album title comes from a Maurice Sendak-illustrated children's book That led to a fascinating detour on painter Ad Reinhardt's secret black-on-black canvases Flansburgh has been TMBG's de facto art director for 35 years The new album's cover art was nearly a Washington Post-licensed sinkhole photo Washington Post's mass layoffs killed the deal at the last possible moment A Hudson Valley School painting of Yosemite became the actual cover Flansburgh and Linnell don't stockpile songs — cuts are made for specific artistic reasons He once had to shelve a song because Linnell came in with a nearly identical opening line TMBG song titles are uniquely searchable — except the new one referencing Wu-Tang Flansburgh is firmly against re-recording old material — cites Zappa as a cautionary tale Great discussion on remastering: Beatles got it right, Hendrix remaster was disorienting TMBG evolved from NYC performance art venues to rock clubs — crowd energy changed everything Their boutique 8-track manufacturer couldn't keep up when TMBG needed a thousand units Dolby Atmos debate: Flansburgh is skeptical, Nate makes the case for spatial audio Nate's most collectible record is a Nevermind test pressing — rejected pressings are worth more Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Danny Goldberg shares insider stories from his 50-year career as Led Zeppelin's publicist and Nirvana's manager, revealing Kurt Cobain's creative genius and the first-hand dynamics behind rock's biggest bands. Order Danny's book "Bumping Into Geniuses" here Topics Include: Danny discusses the 2026 reissue of "Bumping into Genius" Admits his turntables are mostly for show, prefers streaming now Kept about 100 vinyls including The Fugs on ESP Records Answered a Billboard ad not knowing music business existed Found his calling through enthusiasm and sensitivity to artists Became Led Zeppelin's US publicist in 1973 for Houses of the Holy The biggest band in the world had never gotten positive press Peter Grant described them as "just mild barbarians" Bonzo would arrive early to tune drums for each room's acoustics Jimmy Page avoided TV—felt it couldn't deliver Zeppelin's true sound Physical Graffiti era: Danny became Swan Song Records vice president His blues tribute pitch rejected—later repurposed for Foghat Robert Plant was eloquent and handled most press duties willingly Jimmy's Crowley interest rarely came up in day-to-day interactions Met Ringo, never John or George—All Things Must Pass is essential Nirvana's 92 Australian tour produced the Rolling Stone cover shoot Kurt's "Corporate magazines still suck" shirt was pure tightrope genius He storyboarded every Nirvana video shot by shot himself Appeared on Headbangers Ball in a dress to subvert metal culture Nevermind hit five radio formats simultaneously—unprecedented crossover success Kurt agreed to edit In Utero packaging for Walmart-only kids Fame invaded his privacy—tabloid coverage of Courtney infuriated him Depression and heroin predated fame—confirmed by Chris Novoselic Danny dismisses conspiracy theories—Seattle PD had no coverup motive Sub Pop planned "Cash Cow"—Kurt licensed it back as Incesticide Incesticide liner notes rank among Kurt's most remarkable creative statements Danny calls In Utero Kurt's best songwriting, his personal favorite Bonnie Raitt's Nick of Time gave Danny credibility to expand management John Silva brought Redd Kross, leading to Sonic Youth, then Nirvana Born Innocent documentary on Redd Kross earns Danny's recommendation High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Co-founder and former Three Dog Night frontman Chuck Negron (1942-2026) discusses the collectible records of his career, the early releases on small labels, the rare and recalled albums of Three Dog Night and mega-smash excesses and turnaround of his life and career. Interview from July 2022 Topics Include: Chuck's autobiography Three Dog Nightmare . Basketball was first passion growing up in Bronx schoolyards. Made first record "Oh Baby" in 1958 at age fifteen. Early releases on tiny Bronx Records label extremely rare today. Progressed through Rondelles, Marlinda, and Heart Van regional California labels. "I Dream of an Angel" became regional hit across central California. Columbia Records offered deal while playing college basketball at Hancock. Chose to finish basketball season, damaging initial Columbia Records excitement. Learned hard lesson about commitment after squandering early industry enthusiasm. Bill Sharman offered Cal State LA scholarship but chose music. Left school permanently, ending high-level basketball career for music industry. Three Dog Night formed with three lead singers sharing spotlight. Band's strategy: find great songs, not write them themselves exclusively. "One" by Harry Nilsson became breakthrough hit launching massive success. Achieved 21 consecutive Top 40 hits selling over 60 million records. "Joy to the World" became worldwide number one, band's biggest success. "Black and White" addressed racial integration as mainstream social statement message. Hard Labor's controversial birthing cover recalled after hundreds of thousands distributed. Now hosts weekly WhatNot show selling rare Three Dog Night collectibles. At 80, credits basketball training for vocal stamina and survival. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Carina Round discusses the new Puscifer album "Normal Isn't", their creative partnership, how motherhood transformed her songwriting, the emotional experience of revisiting The Disconnection and much more. Topics Include: New Puscifer album "Normal Isn't" and concert film drop February 6th Puscifer described as dark multimedia project with interconnecting 20-year storyline New characters introduced: Belendia Black, Fanny Gray, the Synth Whisperer Writing began post-Existential Reckoning; Mat keeps a magical idea folder Maynard learned Logic software, contributed more initial musical sketches this time Carina waits for lyrics—word rhythms shape her vocal approach entirely Mat masters specific gear per album: Fairlight, Synclavier, custom guitars Carina sang through Eventide effects unit, letting it shape melodies Mat designs all stage plots, lighting, and visual concepts himself Carina recently started improv classes—facing her worst nightmare on purpose Mat discovered her at LA show; V is for Vagina hooked her Maynard conveys mood clearly while leaving lyrics open to interpretation Humbling River audition taught her: no preciousness about ideas here Maynard's response—"as long as it doesn't interfere with me"—was freeing Having an eight-year-old son completely changed her creative process Revisiting The Disconnection live revealed surprising wisdom in her youth Music became her way to connect rather than dissociate emotionally She bootlegged her own Interscope album just to have it on vinyl Kids today skip songs constantly—no commitment to full album journeys Rare Ocean Blue pressing was a happy accident—only 13 copies exist High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Erik "Smelly" Sandin discusses NOFX life after touring, new music, sobriety through the NOFX hurricane, the Las Vegas incident controversy, the upcoming NOFX Retrospective at the Punk Rock Museum and more. Topics Include: NOFX didn't break up, just stopped touring, still recording new music together Band recorded 6-7 new songs three months ago in the studio Mike constantly writes new material, has lots of unreleased songs ready January 16-18 NOFX retrospective exhibit opening at Las Vegas Punk Rock Museum Smelly will give personal tours but doesn't know what artifacts they'll display Never kept any memorabilia from 42 years, always gave everything away immediately Shocked that original PMRC records now sell for $5,000+ on collector market Band relationships remain same, they talk regularly but need space between tours Currently playing drums with Randy from Pennywise, Cameron Webb Fills in with the Vandals when Josh Freese tours with other bands Recorded drums on Vandals' Christmas album 30 years ago, including transgender song Early drug experimentation began with acid at 16, escalated quickly into addiction Became homeless junkie living on streets for years during darkest period Got clean in 1992, has maintained sobriety for over 30 years now Joined NOFX through classified ad, instant chemistry with Mike during first jam Band went through multiple lineup changes before finding the classic NOFX formula Fascinated by ancient mysteries like underground Turkish cities, pre-Incan megalithic structures Favorite museum artifact: Joe Strummer's original "London Calling" lyrics with water stains His museum tour focuses on how punk rock saved his life story High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Johnny Brennan reveals how The Jerky Boys' underground cassette tapes became an American comedy phenomenon, spreading from NYC musicians to Howard Stern's radar before landing an Atlantic Records deal and finding success with voiceover work on Family Guy. Get yerself (or a friend) a Cameo holiday video from Johnny Brennan here Topics Include: Johnny Brennan reveals The Jerky Boys infiltrated American vocabulary for over five decades People still answer phones with "tough guy" and use Jerky Boys catchphrases daily Johnny started creating characters on tape for his brothers back in the 1960s Father's threat to "put boot in ass" drove kids to creative outdoor activities Nine-year-old Johnny was already doing fake sportscasting with neighborhood friends on tape Looking through Buy Lines magazine for trucks sparked idea to record prank calls First recordings made on boombox intended just for family gatherings upstate New York All characters based on real people: Frank Rizzo was Johnny's father's personality Sweet innocent voice character came directly from observing his mother's speaking style Friend Kamal discovered forgotten tapes and declared them funniest things he'd ever heard Kamal distributed copies to musician friends throughout NYC's Village music scene underground Tape trading exploded nationwide through word-of-mouth before internet or computers existed Howard Stern desperately searched on-air for mysterious Frank Rizzo character's true identity Atlantic Records' Ahmet Ertegun signed band after discovering underground cult phenomenon spreading Johnny's mom actually came up with "The Jerky Boys" name for the act Catchphrases like "sizzle chest" and "milky licker" were completely spontaneous during calls Johnny spent incredible week with Ozzy Osbourne filming The Jerky Boys movie Currently voices Mort Goldman on Family Guy for over twenty-one consecutive years Records at professional studio thirty seconds from home, works with hardcore bands Offers personalized Cameo messages, giving special shoutout to Australian fans after forty years High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Mike Watt played with Iggy & The Stooges for over 10 years - today he shares all about his times with the brotherhood - Iggy, the Asheton Brothers, Steve Mackay, the comeback tours, The Weirdness, the end of the road and more! Topics Include: Mike Watt discusses new Record Store Day release: 40-minute version of "We Will Fall" Without the Stooges, Watt believes punk movement wouldn't have existed as we know it Played with Stooges for 126 months after Iggy Pop called him in 2003 First heard Funhouse in 1970-71 when most people dismissed the band entirely Stooges music helped Watt recover from serious illness 25 years ago Initially met Ronnie Asheton at Minutemen gigs in Detroit's Greektown neighborhood Played with Ronnie in 1996 for Todd Haynes film Velvet Goldmine Iggy and Ronnie hadn't spoken for 29 years before 2003 reunion Watt received fateful call at Tallahassee club: "Ronnie says you're the man" Iggy's first concern: Would Watt wear T-shirt instead of flannel? "Fuck yeah" Thought Coachella would be one-off gig, became decade-long musical journey Being youngest member at 45 allowed Watt to absorb everything from legends Asheton brothers had telepathic connection, communicated through rhythm more than words Lost Ronnie in 2009, Brother Steve in 2014-2015: "You always think you got time" Watt never wore same T-shirt twice during entire Stooges tenure One time played shirtless in New Orleans after wearing orange triggered Iggy's nightmare After Ronnie died, switched from T-shirts to black flannel honouring his memory Final years wore Dickies work clothes, embracing mechanic aesthetic Iggy appreciated Still calls Iggy every April 21st for his birthday, ringtone is "TV Eye" Instrumental tribute albums with Larry Mullins represent "paying back the debt" High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Jen Keenan reveals how she built a thriving vinyl destination in rural Arizona, Queen B Vinyl Cafe, combining record sales with coffee roasting, ramen, and live music in a 12,000-person town. Topics Include: Jen Keenan owns Queen B Vinyl in Cottonwood, Arizona, a unique multi-business destination spot Record Store Day philosophy focuses on obscure, abstract, and smaller indie bands over mainstream releases RSD features 9am opening, numbered line system, DJs, live bands, and free chair massage Record stores can choose RSD titles but quantities received remain unpredictable surprises Queen B Vinyl spans two buildings with courtyard, housing vinyl, cafe, barbershop, ramen house Coffee roasting happens in-house alongside direct-to-garment printing press and live music stage Cottonwood serves as crossroads for tourists heading to Jerome, Sedona, and Grand Canyon Maynard James Keenan's presence helped amplify area's wine industry from handful to 100 wineries Rural record stores require more advertising and unique inventory unavailable at big box stores Used vinyl comprises 30% of inventory, with curated selection over quantity focus Jen drives five hours to Tucson for quality collections like 80s metal acquisitions After school music programs inspired Jen's punk rock journey from trumpet to cello Band Glitter Wizard emerged from record store workplace, requiring careful schedule coordination Queen B stocks diverse punk releases, carefully avoiding exclusion based on political perspectives Vinyl manufacturing delays from nine-month backlog created significant challenges for store operations Small town stores thrive through exceptional customer service recognizing individual preferences and needs Pandemic surprisingly improved business by bringing new audiences to smaller town locations Falconry hobby involves training hawks with telemetry tracking within one-mile range Jen and Maynard maintain separate vinyl collections despite sharing everything else Tool vinyl represses remain frustratingly delayed, creating bootleg market opportunities Rural record stores serve as essential community spaces beyond commercial transactions High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide