Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Est. Listeners
Based on iTunes & Spotify (publisher stats).
- Per-Episode Audience
Est. listeners per new episode within ~30 days
10,001 - 25,000 - Monthly Reach
Unique listeners across all episodes (30 days)
25,001 - 75,000 - Active Followers
Loyal subscribers who consistently listen
15,001 - 40,000
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Plays
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Burna Boy - What Fans Never See (Temiday Qladehin)
May 4, 2026
46m 52s
Riley Green Backline Tech (Kaden Creamer)
Apr 28, 2026
17m 29s
How Maren Morris Sounds This Good Live (Jacob Cady)
Apr 21, 2026
50m 11s
The Business of Starting a Band Nobody Warns You About (Tyler Burgess)
Apr 13, 2026
1h 40m 50s
The Sound of Post Malone (Kevin “KB” Brown)
Apr 6, 2026
1h 04m 05s
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/4/26 | Burna Boy - What Fans Never See (Temiday Qladehin) | Send us Fan Mail Burna Boy’s live show is built on energy, rhythm, and a sound that has to translate across cultures, countries, and massive crowds. In this episode, I sit down with Temiday Qladehin, the Front of House engineer for Burna Boy, to talk about what it takes to bring that global sound to life every single night. We dive into how he approaches mixing a show that blends Afro-fusion, live instrumentation, and powerful vocals, while keeping everything tight and impactful in a wide ra... | 46m 52s | ||||||
| 4/28/26 | Riley Green Backline Tech (Kaden Creamer) | Send us Fan Mail Kaden Creamer isn’t just setting the stage — he’s making sure the entire show runs like a well-oiled machine. As backline tech for Riley Green, Kaden is responsible for every piece of gear behind the performance, from guitars and amps to drum kits and quick-change setups. In this episode, we dive into the day-to-day grind of life on tour, how Kaden preps for each show, and what it takes to stay calm when the unexpected hits. He shares the behind-the-scenes realities of touri... | 17m 29s | ||||||
| 4/21/26 | How Maren Morris Sounds This Good Live (Jacob Cady) | Send us Fan Mail Maren Morris’ live show is built on powerful vocals, tight musicianship, and a sound that has to translate seamlessly across every venue. In this episode, I sit down with Jacob Cady, the Front of House engineer for Maren Morris, to talk about what it takes to deliver that experience night after night. We dive into how he approaches mixing a voice that carries both intimacy and power, how he balances the band within a modern country/pop sound, and what it takes to stay consis... | 50m 11s | ||||||
| 4/13/26 | The Business of Starting a Band Nobody Warns You About (Tyler Burgess) | Send us Fan Mail Tyler Burgess has played the biggest stages, toured at multiple levels, and seen firsthand what it takes to make a band work. But with American Monster, he’s no longer just the hired gun he’s building something that is fully his. In this episode of This Is DeLaCruz, Tyler opens up about the reality of starting a band from the ground up in today’s world. We get into the part most people never see: trademarks, LLCs, branding, merch, marketing, social media, team building, prod... | 1h 40m 50s | ||||||
| 4/6/26 | The Sound of Post Malone (Kevin “KB” Brown) | Send us Fan Mail Behind the scenes with Kevin “KB” Brown, the front-of-house engineer for Post Malone. In this candid conversation, KB shares what it takes to craft the perfect live sound for one of the world’s biggest artists. From sold-out arenas to the biggest festival stages, he gives us an inside view of what goes into every mix and every show. KB opens up about his journey in the audio world, how he landed the Post Malone gig, and the techniques and gear that help him create Post’s sig... | 1h 04m 05s | ||||||
| 3/30/26 | What Andrea Bocelli Hears on Stage (Stefano Serpagli) | Send us Fan Mail When you’re supporting one of the most recognizable and powerful voices in the world, there is no margin for error. In this episode, I sit down with Stefano Serpagli, the Monitor Engineer for Andrea Bocelli, to talk about what it takes to craft the perfect on-stage sound for a performance of this magnitude. Stefano shares insight into the precision and restraint required to support a voice like Bocelli’s, balancing orchestra, band, choir, and venue acoustics while ensuring ... | 26m 19s | ||||||
| 3/23/26 | How Benson Boone Stays Locked In Live (Carter Luckett) | Send us Fan Mail Benson Boone’s performances live and die on emotion, dynamics, and a vocal that has to land perfectly every night. And a huge part of making that possible is what happens on stage, specifically, what the artist and band hear in the moment. In this episode, I sit down with Carter Luckett, the monitor engineer for Benson Boone, to talk about the behind-the-scenes role that most fans never see, but every artist depends on. We get into what it takes to build a monitor world that... | 20m 17s | ||||||
| 3/16/26 | Mixing a Rising Star — Elliot James Reay (Loreen Bohannon) | Send us Fan Mail When you’re mixing a rising artist, every show matters. Every vocal moment. Every dynamic shift. Every crowd reaction. In this episode, I sit down with Loreen Bohannon, the live sound engineer running FOH for Elliot James Reay to talk about what it takes to build a powerful, consistent mix for an artist on the rise. We dive into how she approaches translating Elliot’s sound to a live setting, balancing clarity with energy, and adapting to different venues while keeping ... | 20m 05s | ||||||
| 3/10/26 | His First Tour Ever — Running Sound for Boyce Avenue (Harry Collins) | Send us Fan Mail Every tour has a first step — and for some engineers, that first run on the road changes everything. In this episode, I sit down with Harry Collins, who is running sound for Boyce Avenue on his very first tour. We talk about what it’s like stepping into a professional touring environment for the first time, the pressure of delivering a consistent mix night after night, and how preparation meets reality once the doors open. Harry shares what he’s learning in real ... | 24m 46s | ||||||
| 3/2/26 | Inside Lorde’s World — Through the Ears of Her Monitor Engineer (Kevin Glendenning) | Send us Fan Mail Lorde’s live show is built on space, dynamics, and emotion, and what she hears on stage plays a huge role in how that performance unfolds. In this episode, I sit down with Kevin Glendenning, the monitor engineer for Lorde, to talk about the art and responsibility of crafting the perfect on-stage mix. Kevin shares what it takes to support an artist whose music lives in nuance, balancing intimacy with impact, subtlety with power. We talk about trust between artist and engineer... | 38m 58s | ||||||
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| 2/23/26 | Mixing a Legend: Running Sound for Andrea Bocelli (Davide Lombardi) | Send us Fan Mail Andrea Bocelli’s voice is one of the most recognizable and emotionally powerful instruments in the world, and capturing it live requires an extraordinary level of care, precision, and trust. In this interview, I sit down with Davide Lombardi, the engineer responsible for running sound for Andrea Bocelli, to explore what it takes to support a performance at this level. Davide shares insight into the philosophy and responsibility behind mixing a voice that carries so much nuan... | 56m 12s | ||||||
| 2/16/26 | Inside The Band Camino’s Live Sound: The Man Behind the Mix (Nick Dewer) | Send us Fan Mail In this episode, I sit down with Nick Dewer, the Front of House Engineer for The Band Camino, to talk about what it takes to mix one of the most exciting modern pop-rock bands on the road today. Known for their lush vocals, massive choruses, and emotionally charged performances, The Band Camino relies on Nick to translate their studio-perfect sound into an unforgettable live experience every single night. We dig into his approach to crafting a mix that feels both energetic a... | 37m 14s | ||||||
| 2/9/26 | Drum Tech for Killswitch Engage (Matt Colwell) | Send us Fan Mail In this episode, I sit down with Matt Colwell, the Drum Tech for Killswitch Engage, and the person responsible for making sure the heartbeat of the band’s sound never skips a beat. From drum tuning and hardware setup to quick changeovers and mid-show problem solving, Matt is the steady hand behind the thunder that drives Killswitch’s live shows. We dig into what it takes to tech drums for a band known for its speed, precision, and power. Matt shares his process for keeping t... | 12m 14s | ||||||
| 2/9/26 | Running Sound for Dashboard Confessional (Zach Eubanks) | Send us Fan Mail In this episode, I sit down with Zach Eubanks, the Front of House Engineer for Dashboard Confessional, to talk about what it takes to mix one of the most emotionally charged and iconic bands of the 2000s emo/alt-rock movement. Known for their intimate lyrics and soaring anthems, Dashboard Confessional relies on Zach to bring their deeply personal songs to life in every venue, from clubs to festivals. We dive into his approach to crafting a mix that balances raw emotion with ... | 25m 35s | ||||||
| 1/26/26 | What It Takes to Mix Killswitch Engage Every Night (Alex Markides) | Send us Fan Mail Extended Version👇 YouTube Membership: http://youtube.com/channel/UC87o5nnsjldToX-uP8TlYeA/join Patreon: http://patreon.com/ThisIsDeLaCruz Join our little family for exclusive content, behind-the-scenes fun, and cool perks! Step behind the console with Alex Markides, the Front of House Engineer for Killswitch Engage, as we dive into what it takes to deliver the band’s massive, high-energy sound night after night. Known for their crushing riffs, soaring vocals, a... | 43m 50s | ||||||
| 1/20/26 | Painting Emotion with Light — Dashboard Confessional’s Lighting Designer (Afton Gerring) | Send us Fan Mail Today we talk with Afton Gerring, the Lighting Designer for Dashboard Confessional, to explore how she brings atmosphere, mood, and emotion to life through lighting design. From intimate acoustic moments to soaring full-band anthems, Afton uses light as a storytelling tool, shaping the audience’s experience with every cue. We dive into her creative process, how she designs a show that complements the band’s emotional music, the gear and consoles she relies on, and the challe... | 12m 15s | ||||||
| 1/12/26 | How Killswitch Engage’s Guitars Survive Tour Life (Josh Mihlek) | Send us Fan Mail In this episode, I sit down with Josh Mihlek, the Guitar Tech for Killswitch Engage, and the man responsible for keeping the band’s crushing riffs and iconic tones ready to go every night. From string changes and pedalboard setups to troubleshooting mid-show and keeping the gear battle-ready, Josh plays a vital role in making sure Killswitch delivers their massive live sound show after show. We dive into the life of a touring guitar tech, the gear he maintains, the prep it t... | 15m 05s | ||||||
| 1/1/26 | What Dashboard Confessional Actually Hears on Stage (Santiago Del Valle Garces) | Send us Fan Mail In this episode, I talk with Santiago Del Valle Garces, the Monitor Engineer for Dashboard Confessional, to talk about the crucial role of crafting the perfect on-stage mix. As the person responsible for what the band hears in their in-ears and wedges, Santiago ensures every performance feels locked-in and full of emotion, giving the band the confidence to deliver songs that have defined a generation. We discuss his approach to monitor mixing for a band like Dashboard Confes... | 20m 59s | ||||||
| 12/29/25 | The Secrets Behind Shinedown’s Massive Live Sound (Andy Meyer) | Send us Fan Mail Ever wonder how Shinedown’s live shows sound so massive, clear, and powerful? Their Front of House Engineer breaks it all down — from mixing techniques and stage setup to what really happens before doors open. We talk about the gear, the workflow, and the human side of keeping a high-pressure tour running smoothly. You’ll also hear a bit of my story and how our paths crossed in the world of live touring audio. This is the ultimate behind-the-scenes look at what makes Shinedo... | 1h 12m 29s | ||||||
| 12/22/25 | Ice Nine Kills Guitar Tech (Matt Kirby) | Send us Fan Mail Running the Show: Matt Kirby – Guitar Tech & Stage Manager for Ice Nine Kills In this episode, I sit down with Matt Kirby, the multi-tasking powerhouse who serves as both Guitar Tech and Stage Manager for the horror-metal spectacle that is Ice Nine Kills. From keeping guitars perfectly tuned and show-ready to managing the chaos of theatrical props, costume changes, and stage cues, Matt plays a critical role in making sure the band’s high-intensity performances go off with... | 11m 31s | ||||||
| 12/15/25 | Behind the Sound of Goo Goo Dolls (Greg Nelson) | Send us Fan Mail In this episode, I sit down with Greg Nelson, the Front of House Engineer for Goo Goo Dolls, to talk about what it takes to mix one of the most iconic and enduring rock bands of the last three decades. From the emotional weight of songs like “Iris” and “Name” to the massive live energy of “Slide” and “Broadway”, Greg is responsible for bringing those timeless sounds to life for audiences around the world. We dive deep into his approach to crafting a mix that balances nostalg... | 18m 58s | ||||||
| 12/8/25 | The Secrets Behind Ice Nine Kills’ Onstage Sound (Hamish Dickinson) | Send us Fan Mail I sit down with Hamish Dickinson, the monitor engineer behind the brutal precision and high-octane energy of Ice Nine Kills’ theatrical live shows. From blood-soaked screams to cinematic breakdowns, Hamish is the one making sure every member of the band hears exactly what they need — when they need it — in the chaos of a horror-core performance. We dive into the unique pressure of mixing monitors for a band with intense stage production, fast-paced transitions, and dramatic ... | 22m 04s | ||||||
| 12/1/25 | What Fans Never Hear: Luke Bryan’s Engineer Tells All (Frank Sgambellone) | Send us Fan Mail Extended Versions 👇 YouTube Membership: http://youtube.com/channel/UC87o5nnsjldToX-uP8TlYeA/join Patreon: http://patreon.com/ThisIsDeLaCruz Join our little family for exclusive content, behind-the-scenes fun, and cool perks! Download the app: http://apps.apple.com/us/app/this-is-delacruz/id6746411351 In this episode, I sit down with Frank Sgambellone, the Front of House Engineer for Luke Bryan, to talk about what it takes to deliver stadium-level mixes for one... | 1h 36m 26s | ||||||
| 11/24/25 | Holding Down the Low End with Disturbed (Barrett Stevens) | Send us Fan Mail Holding Down the Low End: Barrett Stevens – Bass Tech for Disturbed In this episode, I sit down with Barrett Stevens, the Bass Tech for Disturbed, and the man making sure the low end hits with power, clarity, and consistency every single night. From maintaining bass guitars and amp rigs to handling quick changes and troubleshooting mid-show, Barrett is a key part of the team that keeps the band’s massive sound locked in. We dive into what it takes to tech for a band with suc... | 23m 46s | ||||||
| 11/17/25 | How Benson Boone’s Engineer Mixes From a Room You Never See (Joey Diehl) | Send us Fan Mail Extended Versions 👇 YouTube Membership: http://youtube.com/channel/UC87o5nnsjldToX-uP8TlYeA/join Patreon: http://patreon.com/ThisIsDeLaCruz Ever wonder what it takes to make Benson Boone sound flawless every night, without the engineer even being in the room? In this exclusive conversation, Joey Diehl, Benson Boone’s Front-of-House Engineer, pulls back the curtain on his unique mixing setup where he controls the entire show from a separate room in the back. We ... | 52m 45s | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.