Toy Heart with Tom Power (A Podcast About Bluegrass)

We could hardly think of a better guest with whom we’d conclude our second season of Toy Heart than 27-time Grammy Award winner, Alison Krauss. Arguably the most prominent bluegrass musician in the genre’s nearly one hundred year history – certainly the most well-known in her own generation – host Tom Power’s laughter-filled conversation with Krauss weaves through her childhood and upbringing, from her grandparents immigrating to Chicago (then her parents to Champaign, Illinois) and Alison's first fiddle contests all the way to her first Grammy win as a young adult.In a rare podcast interview, Krauss is funny, charming, and open, her candor painting a picture of the bluegrass community's lifelong support and the winding journey that has brought her to the present, as one of the most recognizable voices and musicians in American roots music. From her earliest hits like “Steel Rails” and “Every Time You Say Goodbye” to collaborating with Robert Plant, James Taylor, the Cox Family, and more, to her Buddy Cannon-produced 2017 album, Windy City, Power and Krauss talk about song selection, her early days touring and road-dogging with Union Station, and how it felt when her musical career really began to take off. But these stories aren’t just about awards and accolades. They chat about many moments, the big and small, that define Krauss, the festivals that became like homes, and the bonds that music forged with her band, Union Station, and her many collaborators. They explore how Krauss creates on the boundaries of many roots genres – plus what she views as bluegrass and what’s not bluegrass – the authenticity that she’s tried to capture throughout her career, and the cultural waves made by projects like O Brother, Where Art Thou? and the Down From the Mountain tour.From personal anecdotes about Ralph Stanley and Larry Sparks to her feelings about Billy Strings’ massive success to a jaw-dropping and exciting revelation that she and Union Station are working on a new bluegrass album, our season finale with Alison Krauss is truly one of our best Toy Heart episodes to date. Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods

Our latest guest on Toy Heart is bluegrasser, multi-instrumentalist, and songwriter Tim O’Brien. His conversation with host Tom Power begins by remembering the music of his childhood, growing up in Wheeling, West Virginia listening to Chubby Checker on his crystal radio set and attending the nationally renowned country variety show and radio broadcast, the Wheeling Jamboree. Encountering the music of Merle Haggard and Doc Watson via local radio and television, he fell in love with music as a kid before a few friends introduced him to Bill Monroe’s mandolin playing while smoking a post-gig joint as a teen. After dropping out of college, O’Brien hitchhiked west to Wyoming, before landing in Colorado and eventually founding Hot Rize in the mid to late ‘70s with newly married and relocated Dr. Banjo himself, Pete Wernick. Over the course of their winding and dense conversation, Power and O’Brien chat about Gibson mandolins, the burgeoning Colorado string band scene, working with Bill Monroe, and the strange, circuitous story of his fiddle’s provenance. O’Brien’s career, as multifaceted as it has been, is a wellspring of stories, anecdotes, and yarns about the bluegrass scene of the ‘80s and ‘90s, Irish music, writing hit country songs, working with and alongside so many first generation bluegrass legends, and the inception of Hot Rize’s alter ego band, Red Knuckles & the Trailblazers. Having recorded and performed with the Chieftains, Darrell Scott, the Transatlantic Sessions, and so many others, Tim O’Brien’s career is a melting pot of styles and sounds with one primary throughline: the true originality of his own musical vocabulary. As Power puts it, “I ​couldn't ​tell ​you ​what ​Tim ​O'Brien ​sounds ​like, ​but ​I ​know ​Tim ​O'Brien ​when ​I ​hear ​it.” Our Toy Heart episode examines O’Brien’s expansive and impressive career at a fascinating juncture in its span, as he shifts from being a bluegrass and Americana workhorse to a forebear, mentor, and roots music elder to entire generations of young musicians. Presented by BGS (The Bluegrass Situation) Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods

Bluegrass fans know Mike Compton from his long and eclectic resumé, including decades of touring and recording traditional Monroe-style mandolin with greats like John Hartford, Doc Watson, Peter Rowan, Ralph Stanley, Alison Krauss, and David Grisman, as well as venturing into more mainstream music with with Sting, Gregg Allman, Elvis Costello, and many others. He was also heard on the soundtrack for 'O Brother, Where Art Thou?' and traveled with the smash hit tour, Down from the Mountain, which highlighted the artists and musicians on that incredibly popular soundtrack. But, as Toy Heart host Tom Power points out, it’s not just virtuosity that makes Compton stand out as a mandolinist – it’s just as much about the heart, feel, and grit that he brings to the instrument. Tom speaks with Compton for over an hour for this exclusive Toy Heart interview, walking through his life and career, from the musical influence of his great grandparents and growing up in Meridian, Mississippi to the indelible mark left on his own playing style by Bill Monroe. Compton also recalls his childhood, skipping school to hide out in a “dirt pit” to practice all day, his time in Nashville – including a historic visit to China with the Nashville Bluegrass Band – and recounts his collaborations with the legendary John Hartford. You’ll also hear Compton discuss the impact that playing on 'O Brother, Where Art Thou?' had not only on himself and his own career, but on bluegrass as a whole. Presented by BGS (The Bluegrass Situation) Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods

“Newgrass” luminary Sam Bush joins host Tom Power for the highly anticipated first episode of Toy Heart Season 2. Bush - the celebrated mandolinist and co-founder of Newgrass Revival and the Telluride House Band - opens up about his illustrious career: from his early days of fiddle contests in Weiser, Idaho, to the pivotal moments learning at the feet of influential figures like Bill Monroe; Bush’s narrative weaves a rich tapestry of bluegrass history. The episode features stories of his many genre-breaking collaborations, including playing with the Dillards and Newgrass Revival and his time at Capitol Records. Sam waxes poetic about the magic of jam sessions and improvisation, and the profound influence of artists like Byron Berline. From the roots of “Callin’ Baton Rouge” to the impact of the Vietnam era, Bush’s journey is a testament to the ever-evolving nature of bluegrass. Presented by BGS (The Bluegrass Situation) Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods

On a special edition of Toy Heart, we remember Bluegrass Music Hall of Famer, Grand Ole Opry member, seven-time Grammy Award nominee, CMA Award winner, and roots music legend Bobby Osborne. “This is what I started with when I was 15 years old,” Osborne says as the episode begins. “Ain’t never quit, ain’t going to now… If He calls me home, I’ll give it up quick.” He succeeded– he never quit. When Osborne died on June 27 at the age of 91, he still had future shows and appearances on his calendar. He had performed on the Opry as recently as May 19 of this year with the Rocky Top X-press, the band he formed when his older brother and bandmate, iconic banjo player Sonny Osborne, retired from their duo – and from touring and performing – in the early 2000s. Toy Heart host Tom Power (CBC Radio’s Q) visited with Osborne at his home in Gallatin, Tennessee in the summer of 2022, a handful of months after Sonny’s passing. The conversation that resulted covers Bobby’s experiences within the earliest days of bluegrass (like having performed with the Stanley Brothers and Jimmy Martin), the conception and popularity of the Osborne Brothers’ signature harmony style (and how Bobby’s voice changed higher rather than lower), and his service in the U.S. Marine Corps and the harrowing experience that resulted in his earning a Purple Heart in Korea. They discuss Bobby’s broad impact and influence – even Bob Dylan was a fan – and iconic Osborne Brothers songs like “Ruby,” “Roll Muddy River,” and yes, “Rocky Top,” too. Upon the loss of such a gigantic figure in this music we are so grateful for the time we got to spend with Bobby Osborne and for how accessible he made himself to all of us in bluegrass. His enormous legacy will live on, well into the future, and we’ll never forget the music, stories, and laughs he so readily shared with all of us, especially in this Toy Heart tribute to his life and career. - Toy Heart will be returning in the fall of 2023 for its second season. Stay tuned.

On episode 2 of our limited series, Toy Heart: Remembering Tony Rice, host Tom Power begins with Béla Fleck, talking about the making of two legendary albums: Drive and The Bluegrass Sessions: Tales from the Acoustic Planet, Vol.2. Fleck relates what it was like to work with Tony in studio and some wild stories about their touring together. Also in the episode, mandolinist and instructor Sharon Gilchrist displays a rare perspective on Tony's life. Something of a recluse, Tony would often drive by himself after gigs, hours and hours overnight. Gilchrist had the rare opportunity to join him for some of these drives and tells some stories of what she learned on those trips to and from Quartet shows. Later in the episode, a conversation with Peter Rowan about his early memories of Tony – and how he compared with his mentor Clarence White. To conclude, Josh Williams talks about being Tony Rice's "voice" in his band, the Unit, how Tony helped him get through one of the darkest periods in his life, and why Tony was and is his hero

In lieu of new episodes of Toy Heart, host Tom Power introduces an episode of "The Bluegrass Breakdown" podcast featuring a deep-dive into the making of Second Generation Bluegrass by Ricky Skaggs and Keith Whitley. Ricky Skaggs and Keith Whitley were only 17 years old when they recorded Second Generation Bluegrass. Ricky Skaggs joins The Breakdown to talk about this iconic album. Both went on to be country megastars – until Whitley died of alcohol poisoning at 34. Bluegrass legend Ricky Skaggs joins us to explain how two teenagers managed to perfectly replicate the bygone sound of the Stanley Brothers – and share his final moments with Keith. On each episode of "The Breakdown", Fiddler Patrick McGonigle and music journalist Emma John uncover bluegrass music one iconic record at a time in The Breakdown, a limited series from The Bluegrass Situation. Peeling back the layers of a sometimes under appreciated genre, The Breakdown reveals the bizarre, compelling, and often completely mad stories from bluegrass players past and present.

Host Tom Power speaks with progressive banjo legend Tony Trischka at the home of his friend and former student, Béla Fleck. Trischka and Power talk about the time he saw and met Bob Dylan when no one was sure how to pronounce his name, and when he went to the first bluegrass festival weekend. An innovator on an archetypically traditional instrument, Trischka also discusses how he fuses jazz and experimental music with bluegrass, the intersection of the folk boom and bluegrass, and the time he played "progressive" banjo in front of Ralph Stanley. The episode covers ground from his recording debut with the band Country Cooking, to his first solo album, Bluegrass Light, having had Bill Monroe over for dinner when he was a kid, his teaching Béla, to carving out a life in acoustic music (and about what the term "bluegrass-adjacent music" means, too).

Banjoist and record label head Alison Brown speaks with host Tom Power from her studio at Compass Records headquarters in Nashville, Tennessee. They begin with her early records made with Stuart Duncan, "finding her people," and winning the Canadian National Banjo Championship (as an American). Brown then headed to Harvard, and playing banjo became "something you'd talk about at cocktail parties." She describes the moment she decided to leave investment banking and commit to music full time, her cocktail napkin dream, and playing with Alison Krauss, Indigo Girls, and Michelle Shocked. Power and Brown talk women in bluegrass, women in banjo, and the First Ladies of Bluegrass. The story they dive into together is ultimately about figuring out what makes you happy, and pursuing it bravely, against all odds.

Old-time legend and Bluegrass Hall of Fame member Alice Gerrard talks to host Tom Power at her kitchen table in North Carolina. Gerrard tells stories of how she and other college students from the northern U.S. found bluegrass and old-time, of the lifelong influence of the Antioch College folk scene, meeting her Hall of Fame partner Hazel Dickens and making some of the greatest records in the genre. She goes on to describe her split from Hazel, her work since, the creation of print publication The Old-Time Herald, of which she is the founding editor. In tender moments, she shares the last time she ever spoke with Hazel, and describes what she sang to "sing her back home."

Del McCoury talks to Tom backstage at the Opry about how he started playing banjo, his (interesting) time in the military, joining Bill Monroe's band, being replaced by Bill Keith, starting over, playing music with his sons, and how he found his way to becoming a legend of Bluegrass music - and to some, defining the whole thing. Presented by BGS (The Bluegrass Situation).