Vinyl Emergency

Hot on the heels of his involvement with a new, one-step vinyl pressing of Wildflowers -- celebrating its 30th anniversary -- Ryan Ulyate talks today about working with Tom on late-career albums like Highway Companion, Mojo and Hypnotic Eye, as well as selecting tracks for The Live Anthology from literally thousands of performances over a three-decade span. Purchase the limited edition one-step pressing of Wildflowers from store.tompetty.com or becausesoundmatters.net.

He may have only turned 40 this year, but Joshua Hedley figures he's already been gigging for 75% of his life. Infatuated with the fiddle and western swing from an early age, he began performing steadily at 12 and had released his first album by 15, before moving from Florida to Nashville, playing almost 60 hours a week up and down Lower Broadway. Ahead of the late-October release of All Hat -- his third LP, courtesy of New West Records -- Joshua chats today about failing in public, the similarities between pro wrestling and Music City's cutthroat country-western food chain, and why he's finally not nervous to put an album out. Pre-order All Hat from JoshuaHedley.com, and keep up with his weekly gigs in and around Nashville via @joshuahedley on Instagram.

A lot has changed since Evan Weiss last came on this podcast over nine years ago -- marriage, a plethora of new music, and a deliberate "one in, one out" strategy to balancing his record collection. But one thing that's stayed the same (perhaps even increasing) is his steadfast drive to spotlight forgotten records of his heroes, friends or total strangers, which he now accomplishes through a Patreon for Storm Chasers LTD; giving subscribers exclusive access to limited runs or releases that never came to turntables until now. On the heels of his latest album with Pet Symmetry, Evan walks us through how love songs and LSD shaped the band's "biggest" LP to date, and what dream releases he hopes are in Storm Chasers' future. Get updates, vinyl and more via petsymmetryband.com, plus catch Into It. Over It. opening for Minus the Bear on select dates this fall.

It's been nearly two decades since the tender indie film Once -- an intimate depiction of two struggling musicians at multiple crossroads -- became a global phenomenon, earning stars and songwriters Glen Hansard and Markéta Irglová an Oscar for their tremendous ballad "Falling Slowly." Based in Dublin, the picture won over audiences with its modesty, as director/writer John Carney chose a rather fly-on-the-wall look to the ebbs and flows of artistic collaboration. Together known as The Swell Season, their first LP together in over 15 years arrived last week (titled Forward), bringing in a new generation of fans who may have missed the duo's magic the first time around. Today, Hansard divulges whose handwritten lyrics he keeps in his wallet, Irglová shares the music that quelled her nightmares as a kid, and the pair discuss how they've each managed to balance songwriting with parenthood. Find tour dates, social media and Forward on vinyl at theswellseason.com.

With a new solo album dropping later this month — In the Heart of the Mountain, his first in over 15 years — Lucero frontman Ben Nichols addresses why some of his recent songs feel like graphic novels, how he's reconnected with the mythological Arkansas of his youth, and the parts of him that still wrestle with his southern heritage. Vinyl pre-orders, tour dates and more can be found at bennichols.net.

This is an encore presentation of a previous episode, originally airing in September 2022. "Planting By The Signs," S.G.'s latest album, comes out on June 20th. -- S.G. Goodman delivers both a voice and a lyrical wisdom that feel perfectly worn in -- like that of an artist who's been crafting decades worth of masterful, soul-baring material. What's all the more astounding is that she's only a few albums in to what will hopefully be a long, deep career. The publication Bitter Southerner defines her sound as "driven by love, sometimes by defiance, but always by a delight in singing out... like the declaration of an artist who knows exactly who she is, backed by a band that blows the roof off the studio." On today's show, S.G. shares her affection for Herb Alpert's "Ladyfingers," some candid struggles with diagnosed OCD, the unique way in which her Marantz receiver was acquired, and the underappreciated comforts of house slippers. Find tour dates, social media and more at sggoodman.net.

Though a rather one-off side-project, David Bazan says his Headphones LP may be his most stressful artistic expression. Though the band Pedro the Lion was his breadwinning endeavor at the time, he admits to losing interest in guitar, album by album. Suddenly, dabbling in synthesizers led to not just a new avenue for songwriting, but a borderline obsession, bringing his gear everywhere from lakeside family vacations to vacant movie theatre parking lots in order to perfect these unconventional sounds, alone. Putting the album to tape was a whole other hill to climb, leading to David staying up several days straight, attempting to finish incomplete songs literal minutes before the rest of his band would hear them for the first time, and then record them. But fast-forward to now, and the lone Headphones album is regarded as a crucial corner of David's discography, one that he's now revisiting with a new deluxe 20th anniversary vinyl edition, available in multiple color variants, from both Suicide Squeeze and Undertow. On this episode, David gives us the how's, where's and why's on the entire Headphones experience, two decades removed. Catch Pedro the Lion opening for Grandaddy this fall, as well as live streams of their 30th anniversary performances. Details, tickets and more are at pedrothelion.com.

Harvey Danger vocalist Sean Nelson makes a good case for his group being, in his words, "the last band through the door" of the alternative revolution: Though the quartet went gold thanks to the frenetic, inescapable "Flagpole Sitta" as the nineties closed, the landscape for them (and cohorts such as Cake, Semisonic or Fastball) would look much different a year later. By 2000, a sudden contingent of beefy backwards cappers, led by the likes of Limp Bizkit and Papa Roach, had commandeered arenas and the airwaves as an antithesis to pop radio. Paired with a massive label shake-up, this left Harvey Danger's expansive second album King James Version DOA. But like a lot of unsung masterworks, many have praised King James Version over the last quarter century for its dialed-in cacophony and sarcastic swagger -- enough to drum up major excitement for a first-ever vinyl pressing, which hit shelves as a Record Store Day exclusive recently from both Barsuk and Latent Print Records. Today, Nelson gives us the full arc of how King James Version was born, died and rose again, taking its throne on 12-inch format to mark the album's 25th anniversary. Follow @officialharveydangerarchive and @actualseannelson on Instagram for updates. You can also hear The Wonder of It All, Sean's engaging podcast on the blessings and curses of fame, via this link or wherever you listen.