Where Were You in '92?

After Queen singer Freddie Mercury’s death in the fall of 1991, musicians confronted the AIDS crisis head-on. The band’s remaining members and a star-studded lineup celebrated the frontman’s legacy at the Freddie Mercury Tribute Concert in spring 1992. Hip-hop trio Salt-N-Pepa reworked their single “Let’s Talk About Sex” into “Let’s Talk About AIDS” for an ABC special. R&B newcomers TLC appeared on talk shows with condoms emblazoned on their flashy attire. Meanwhile, the compilation album Red Hot + Dance—featuring three exclusive tracks from George Michael—set out to raise awareness about safe sex and LGBTQ rights and raise funds for AIDS charities. Also in 1992: U2 released their anthemic ballad “One,“ partly inspired by HIV-positive artist and activist David Wojnarowicz; Madonna called for frank discussions about queerness and desire with her controversial photo book Sex and groundbreaking album Erotica; and Elton John launched the Elton John AIDS Foundation, which would become one of the largest HIV-related funders in the world. But as a 1992 New York Times article declared, tackling AIDS was a “creative and ethical minefield” for pop stars. In this episode, we look at the various ways they navigated it.See omnystudio.com/listener for privacy information.

A feel-good alternative to hard-edged gangsta rap, Arrested Development burst out of Atlanta bearing messages of peace, love, and unity. After their critically acclaimed 1992 debut album, 3 Years, 5 Months and 2 Days in the Life Of…, won them a Grammy for Best New Artist, they were poised to become the next big thing in hip-hop. But if their success was massive and immediate, it was also fleeting. Their second album flopped and the band broke up in 1995, just as a fresh strain of hip-hop, G-funk, became the prevailing sound of the genre. In this episode, we examine how Arrested Development’s style and values were a celebrated musical change of pace, but how they quickly fell out of step with the trends that would dominate hip-hop for the rest of the decade. Plus, frontman Speech joins us to discuss their breakout, single, “Tennessee”; the deeply personal real-life events that inspired it; and why the group was more influential than many listeners realize.See omnystudio.com/listener for privacy information.

In part 2 of the extraordinary tale of hair metal taking its last, glorious gasp as grunge and alternative swept America, we delve into the simmering tension between Guns N’ Roses’ Axl Rose and Nirvana’s Kurt Cobain. Their infamous feud reached a boiling point at the 1992 MTV Video Music Awards, but what were the events that led to that nasty, now-mythic showdown between two of rock’s most iconic frontmen? We'll also examine how Nirvana’s grunge touchstone Nevermind transformed MTV and top 40 radio, the complicated legacy of GN’R’s nine-minute power-ballad opus “November Rain,” and why Axl ended up ditching women for dolphins. Plus, former Nirvana manager Danny Goldberg joins us to share his side of the story.See omnystudio.com/listener for privacy information.

After scoring a No. 1 smash with her version of the Prince song “Nothing Compares 2 U” and winning Video of the Year at MTV’s VMAs, Irish singer-songwriter Sinéad O’Connor became an international sensation. While her look—a shaved head and dazzling, doe-like eyes—was arresting, her vocals were next-level. But she never wanted to be a pop star. She had a punk sensibility, railing against sexism and exploitation and refusing to let label execs control her. In October 1992, O’Connor concluded her performance on Saturday Night Live by ripping up a photo of Pope John Paul II to protest the Catholic Church concealing acts of child abuse. The incident sparked intense backlash, with radio stations refusing to play her music and audiences boycotting her. One single gesture torpedoed her career. In this episode, we examine the events leading up to the SNL scandal, its damaging consequences, O’Connor’s complicated relationship with fame, and how many of her critics realized years later that she was right all along. See omnystudio.com/listener for privacy information.

With their unauthorized sampling, outrageous PR stunts, and signature ice cream van, the KLF set out to blow up the music industry. Pairing electric guitars with house beats, rapping with new age lyricism, and rave culture with the art world, the mysterious U.K. duo of Bill Drummond and Jimmy Cauty were all about breaking rules and getting away with it. They reached their crazy sonic peak when they teamed up with country icon Tammy Wynette for the 1992 dance-pop hit “Justified & Ancient,” which became an unlikely global smash. Their response to their newfound fame? Just as fans thought they’d arrived at the fictitious Mu Mu land at the center of the song, the group abandoned music altogether and vanished, deleting their entire catalog. In this episode, we explore the KLF’s wild rise and fall, from their doomed road trip to meet ABBA, to their infamous BRIT Awards performance in which Drummond took a machine gun and fired blanks into the audience, to their mind-boggling decision to film themselves burning their earnings—a shocking one million pounds.See omnystudio.com/listener for privacy information.

Rapper Ice-T faced major backlash after he and his heavy-metal side project Body Count released their dark, menacing track “Cop Killer.” They’d been performing the song for a year before it appeared on their 1992 debut album, but the record landed in stores just weeks before four police officers were acquitted in the trial for the beating of Black motorist Rodney King and riots over the verdict erupted in the streets of Los Angeles. Police organizations accused “Cop Killer” of inciting violence across the country, and it became an ideal target for right-wing politicians, including President Bush and Vice President Dan Quayle, who aimed to strike down anything that challenged “family values.” With the FBI, the IRS, and the NRA on his back, Ice-T suddenly found himself at the center of a debate over the limits of freedom of speech. In this episode, we explore the origins of “Cop Killer,” the outrage it sparked in 1992, and how Ice-T and his label reacted to the fallout. With special guests Ice-T and Body Count guitarist Ernie C.See omnystudio.com/listener for privacy information.

Sophie B. Hawkins dominated the airwaves with her 1992 debut single, “Damn I Wish I Was Your Lover,” a song with homoerotic overtones that were rare in mainstream pop at the time. If they went unnoticed by many listeners, she fought nearly every step of the way to express her progressive views and maintain her independence at her label, and struggled to find her place in the LGBTQ community. Meanwhile, k.d. lang’s 1992 hit “Constant Craving” and her album Ingenue ushered her out of Nashville and into the Top 40 spotlight. After she came out, picketers protested her Grammy nominations, but her star quickly rose, with Vanity Fair tapping her for one of its most memorable, provocative covers and cementing her status as a sex symbol and a queer icon. In this episode, we explore how the two artists navigated the music industry and their sexual orientations as they were thrust into the public eye. With special guest Sophie B. Hawkins.See omnystudio.com/listener for privacy information.

1992: The year of big-butt anthems, achy-breaky hearts, and Madonna’s Sex book. The year that Boyz II Men and Whitney Houston shattered chart records, while U2 and TLC confronted the AIDS crisis head-on. The year that introduced us to grunge, G-funk, and… Right Said Fred. In this podcast, journalist Jason Lamphier (Entertainment Weekly) looks back at the major hits, one-hit wonders, shocking headlines, and irresistible scandals that shaped what might be the wildest, weirdest, most controversial 12 months in music history. Featuring interviews with music video directors, MTV bigwigs, obsessive superfans, and the artists themselves, Where Were You in '92? poses the question: What was it about 1992 that made it so groundbreaking, so bonkers, and so absolutely fabulous? New episodes drop every Wednesday beginning Nov. 16.