
Why Is This So Hard For You?
by witshfy
Is this your podcast?Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 1 chart position in 1 market.
By chart position
- 🇵🇭PH · Music Commentary#185500 to 3K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
250 to 1.5K🎙 ~2x weekly·119 episodes·Last published 4d ago - Monthly Reach
Unique listeners across all episodes (30 days)
500 to 3K🇵🇭100% - Active Followers
Loyal subscribers who consistently listen
150 to 900
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
—
* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 22 epsHosts
Recent guests
Recent episodes
🎧Episode 138: Brecker Brothers Live Funk, Tom Scott Cool & A Dolly/Steve Perry Collab From Hell
Aug 31, 2026
Unknown duration
🎧Episode 137: Steely Dan Soundtrack Cool, Doobie Brothers Smoothness & Rodney Dangerfield Rap
Aug 24, 2026
Unknown duration
🎧Episode 136: Rick Springfield Deep Cuts, King Crimson Prog Thunder & Robert Palmer Burnout
Aug 17, 2026
Unknown duration
🎧Episode 135: Rickie Lee Jones Pirates, King’s X Deep Cuts & A Dog Police Disaster
Aug 10, 2026
Unknown duration
🎧Episode 134: Monkey House Yacht Rock, James Taylor Warmth & Earth, Wind & Fire Joy
Aug 3, 2026
Unknown duration
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 8/31/26 | 🎧Episode 138: Brecker Brothers Live Funk, Tom Scott Cool & A Dolly/Steve Perry Collab From Hell | Episode 138 brings the horns, the grooves, and one deeply questionable duet decision as Jonathan and Curtis move from jazz-funk fireworks into smooth studio-player territory before the category songs start causing emotional damage.Jonathan opens with a live Brecker Brothers performance, bringing precision horn lines, funk muscle, and the kind of jazz fusion intensity that makes everyone in the room feel slightly underqualified. Curtis follows with Tom Scott, adding polished saxophone-led cool, West Coast session-player energy, and that sweet spot where jazz, funk, and AOR start sharing custody.For the category songs, Jonathan returns with Collab From Hell #2, featuring Dolly Parton and Steve Perry in a pairing that sounds fascinating on paper and dangerously unstable once the microphones are on. Curtis then brings Original Versions with Spider, digging into the earlier life of a song better known through another artist’s hit version.Live fusion chaos, Tom Scott smoothness, original-version detective work, and a duet that probably should have required a permit—Episode 138 is slick, strange, and fully committed to the bit.Curtis Gross is a self-employed video editor.Jonathan Workman is an adult learning consultant based in Wichita, KS.---Make sure you are subscribed to Why Is This So Hard For You. Type Why Is This So Hard For You in your podcast provider, hit that subscription button, and leave us a five-star review. This will make it easier for other podcast listeners to find the podcast.---The intro music is the first 30 seconds of the Ornette Coleman tune "Song X" fed into AI software that attempts to output the song to a solo piano transcription. The outro music is the first 30 seconds of Sonny Rollins' version of the tune "St. Thomas" fed into the same software. | — | ||||||
| 8/24/26 | 🎧Episode 137: Steely Dan Soundtrack Cool, Doobie Brothers Smoothness & Rodney Dangerfield Rap | Episode 137 settles into prime late-’70s studio-player territory, with Curtis bringing Steely Dan and Jonathan following with the Doobie Brothers for a double shot of slick production, soft rock polish, and yacht rock-adjacent groove.Curtis opens with a Steely Dan cut built for radio mythology, full of jazz-pop sophistication, dry wit, and that unmistakable Becker/Fagen perfectionism. Jonathan keeps the smoothness going with the Doobie Brothers, bringing Michael McDonald-era soul, harmony, and AOR warmth into the mix.For the category songs, Curtis returns to Sonic Holocaust with Rodney Dangerfield, proving once again that novelty rap and celebrity comedy records can be a very dangerous combination. Jonathan then brings #1 In Our Hearts with Van Morrison, spotlighting a classic that somehow never reached the top spot but still feels permanently installed in the American songbook.Steely Dan cool, Doobie Brothers groove, Rodney Dangerfield chaos, and Van Morrison singalong royalty—Episode 137 is smooth, strange, and just a little damaged.Curtis Gross is a self-employed video editor.Jonathan Workman is an adult learning consultant based in Wichita, KS.---Make sure you are subscribed to Why Is This So Hard For You. Type Why Is This So Hard For You in your podcast provider, hit that subscription button, and leave us a five-star review. This will make it easier for other podcast listeners to find the podcast.---The intro music is the first 30 seconds of the Ornette Coleman tune "Song X" fed into AI software that attempts to output the song to a solo piano transcription. The outro music is the first 30 seconds of Sonny Rollins' version of the tune "St. Thomas" fed into the same software. | — | ||||||
| 8/17/26 | 🎧Episode 136: Rick Springfield Deep Cuts, King Crimson Prog Thunder & Robert Palmer Burnout | Episode 136 jumps from pop-rock deep cuts to full-on prog-rock chaos, then winds its way through original-version history and a song that got absolutely cooked by overexposure.Jonathan opens with Rick Springfield he really doesn't like, bringing a polished early-career cut with plenty of melodic pop craftsmanship. Curtis follows with King Crimson, heading straight into one of prog rock’s defining statements—jagged, intense, ambitious, and still capable of making normal classic rock sound like it forgot to do its homework.For the category songs, Jonathan brings an Original Version with George Benson, spotlighting the earlier soul-jazz side of a song many listeners know from a much bigger later recording. Curtis then returns to the podcast’s original category, Burnt To A Crisp, with Robert Palmer, revisiting a massive ’80s hit that became so unavoidable it practically needed its own fire extinguisher.Pop-rock polish, prog rock madness, original-version discovery, and a perfectly roasted overplayed classic—Episode 136 has range, volume, and a little smoke damage.Curtis Gross is a self-employed video editor.Jonathan Workman is an adult learning consultant based in Wichita, KS.---Make sure you are subscribed to Why Is This So Hard For You. Type Why Is This So Hard For You in your podcast provider, hit that subscription button, and leave us a five-star review. This will make it easier for other podcast listeners to find the podcast.---The intro music is the first 30 seconds of the Ornette Coleman tune "Song X" fed into AI software that attempts to output the song to a solo piano transcription. The outro music is the first 30 seconds of Sonny Rollins' version of the tune "St. Thomas" fed into the same software. | — | ||||||
| 8/10/26 | 🎧Episode 135: Rickie Lee Jones Pirates, King’s X Deep Cuts & A Dog Police Disaster | Episode 135 gets strange in all the right ways, moving from literary singer-songwriter atmosphere to heavy, harmony-rich rock before crashing directly into one of the most baffling novelty records ever allowed near a microphone.Curtis opens with Rickie Lee Jones, bringing smoky art-pop storytelling, jazz-shaded songwriting, and the kind of album-cut depth that rewards a closer listen. Jonathan follows with King’s X, adding muscular riffs, big vocal textures, and a deep cut that shows why the band has always lived somewhere between hard rock, prog, soul, and “why weren’t they bigger?”For the category songs, Curtis takes Sonic Holocaust exactly where it belongs with Dog Police, a song that feels less like music criticism and more like filing a police report. Jonathan then introduces Dead Ringer with Bonnie Tyler, a category that works on two levels: the song’s unmistakable connection to Bon Jovi’s arena-rock DNA, and the sad new weight behind revisiting Tyler’s powerhouse voice.Rickie Lee Jones mystery, King’s X muscle, Dog Police chaos, and a Bonnie Tyler curveball with a bittersweet edge—Episode 135 is weird, heartfelt, and fully committed.Curtis Gross is a self-employed video editor.Jonathan Workman is an adult learning consultant based in Wichita, KS.---Make sure you are subscribed to Why Is This So Hard For You. Type Why Is This So Hard For You in your podcast provider, hit that subscription button, and leave us a five-star review. This will make it easier for other podcast listeners to find the podcast.---The intro music is the first 30 seconds of the Ornette Coleman tune "Song X" fed into AI software that attempts to output the song to a solo piano transcription. The outro music is the first 30 seconds of Sonny Rollins' version of the tune "St. Thomas" fed into the same software. | — | ||||||
| 8/3/26 | 🎧Episode 134: Monkey House Yacht Rock, James Taylor Warmth & Earth, Wind & Fire Joy | Episode 134 brings together modern yacht rock polish, classic singer-songwriter comfort, original-version history, and one of the most joyful records ever to miss the top spot.Curtis opens with Monkey House, bringing sleek AOR production, studio-musician detail, and that throwback West Coast sound that feels custom-built for deep cut obsessives. Jonathan follows with James Taylor, adding warm soft rock, gentle craftsmanship, and the kind of understated songwriting that sneaks up on you.For the category songs, Jonathan brings Original Version with The La’s, digging into a jangly pop classic before it became part of the larger musical bloodstream. Curtis then takes #1 In Our Hearts straight to Earth, Wind & Fire, because some songs do not need a number-one chart position to feel permanently undefeated.Smooth grooves, thoughtful songwriting, original-version detective work, and a soul-funk celebration for the ages—Episode 134 is easy to love.Curtis Gross is a self-employed video editor.Jonathan Workman is an adult learning consultant based in Wichita, KS.---Make sure you are subscribed to Why Is This So Hard For You. Type Why Is This So Hard For You in your podcast provider, hit that subscription button, and leave us a five-star review. This will make it easier for other podcast listeners to find the podcast.---The intro music is the first 30 seconds of the Ornette Coleman tune "Song X" fed into AI software that attempts to output the song to a solo piano transcription. The outro music is the first 30 seconds of Sonny Rollins' version of the tune "St. Thomas" fed into the same software. | — | ||||||
| 7/27/26 | 🎧Episode 133: State Cows Yacht Rock, Jeff Lorber Fusion & Original Version Gold | Episode 133 slides into that sweet spot where modern yacht rock polish, jazz fusion chops, and forgotten pop history all somehow belong in the same conversation.Curtis opens with State Cows, bringing smooth AOR textures, West Coast studio-musician energy, and the kind of throwback songwriting that feels built for this music podcast. Jonathan follows with Jeff Lorber Fusion, adding electric keys, instrumental groove, and a little jazz-fusion wizardry to the episode’s deep cut mix.For the category songs, Curtis brings an Original Version with Racey, digging into the strange and fascinating world of songs that had a life before the version most people know. Jonathan then takes #1 In Our Hearts into classic country-pop territory with Dottie West, because not every great record needs a chart-topping trophy to deserve the spotlight.Yacht rock sheen, fusion sparkle, original-version detective work, and a country-pop heartbreaker—Episode 133 has plenty of musical side roads worth taking.Curtis Gross is a self-employed video editor.Jonathan Workman is an adult learning consultant based in Wichita, KS.---Make sure you are subscribed to Why Is This So Hard For You. Type Why Is This So Hard For You in your podcast provider, hit that subscription button, and leave us a five-star review. This will make it easier for other podcast listeners to find the podcast.---The intro music is the first 30 seconds of the Ornette Coleman tune "Song X" fed into AI software that attempts to output the song to a solo piano transcription. The outro music is the first 30 seconds of Sonny Rollins' version of the tune "St. Thomas" fed into the same software. | — | ||||||
| 7/20/26 | music analysissatire in music+3 | — | Covers with Jon Lampley | — | Billy JoelBruce Hornsby+5 | — | 32m 34s | ||
| 7/13/26 | jazz fusiondebut albums+3 | Derek Hale | Why Is This So Hard For You | — | Allan HoldsworthDonald Fagen+5 | — | 35m 09s | ||
| 7/6/26 | debut albumsjazz fusion+4 | Derek HaleJonathan Workman | Kenny LogginsVital Information | — | Kenny LogginsSteve Smith+6 | — | 34m 02s | ||
| 6/29/26 | jazzdebut albums+4 | — | Chicago Transit AuthorityCovers+1 | — | jazztrumpet+6 | — | 35m 07s | ||
| 6/22/26 | heart healthmusic+4 | Derek | Porcupine TreeChick Corea Elektric Band+2 | — | heart testsheart songs+5 | — | 35m 16s | ||
| 6/15/26 | jazz-funkmodern songwriting+3 | — | Level 42Song X+1 | — | Level 42Norah Jones+3 | — | 28m 27s | ||
| 6/8/26 | prog-popsongwriter sophistication+3 | — | YesBrassroots District | — | prog-popRickie Lee Jones+3 | — | 30m 20s | ||
| 6/1/26 | Van Halenearworms+4 | — | Van HalenWorms In My Ears+2 | — | Van Halenearworms+3 | — | 31m 36s | ||
| 5/25/26 | debut albumvocal group+3 | — | TotoGlad+5 | — | debut albumToto+5 | — | 30m 15s | ||
| 5/18/26 | jazz-funksongwriter+4 | — | Song X | — | jazz-funkdebut album+3 | — | 28m 55s | ||
| 5/11/26 | songwriter storytellingdebut albums+3 | — | — | — | debut albumyacht rock+3 | — | 29m 15s | ||
| 5/4/26 | new wavemodern fusion+3 | — | The CarsOli Howe+1 | — | new wavemodern fusion+5 | — | 32m 31s | ||
| 4/27/26 | soft rocksongwriting+3 | — | Song X | — | soft rockcover songs+3 | — | 29m 45s | ||
| 4/20/26 | modern jazzclassic songwriting+3 | Derek | — | — | jazzsongwriting+3 | — | 37m 44s | ||
| 4/13/26 | modern jazzbass-driven groove+3 | — | Branford Marsalis QuartetVincen García+4 | — | jazzmodern groove+3 | — | 33m 53s | ||
| 4/6/26 | modern jazzsoul music+4 | Derek | Song XOriginal Version | — | modern jazzsoul+5 | — | 25m 50s | ||
| 3/30/26 | groovevocal precision+4 | Derek Hale | VulfpeckClaudia Campagnol+2 | — | VulfpeckClaudia Campagnol+5 | — | 29m 22s | ||
| 3/23/26 | groove-driven musicianshipclassic R&B+4 | — | Song X | — | grooveR&B+5 | — | 37m 19s | ||
| 3/16/26 | jazzpop music+4 | — | Wynton Marsalis SeptetJamiroquai+2 | — | jazzpop+5 | — | 31m 06s | ||
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Chart history for Why Is This So Hard For You?
Peaked at #185 in PH, currently #185 in PH.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| PH | — | #185 | #185 | — |
Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.