
Insights from recent episode analysis
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- 🇬🇧GB · Music Interviews#8330K to 100K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
15K to 50K🎙 ~2x weekly·84 episodes·Last published 2w ago - Monthly Reach
Unique listeners across all episodes (30 days)
30K to 100K🇬🇧100% - Active Followers
Loyal subscribers who consistently listen
12K to 40K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 10 epsHosts
Recent guests
Recent episodes
On The Bookcase with Maggie Doyle
Jun 12, 2026
43m 24s
In Conversation with Fleur Stevenson
Apr 2, 2026
26m 44s
Vanguard Voices
Mar 26, 2026
42m 22s
In Conversation with Tina Carr
Feb 12, 2026
38m 26s
The Notes Between with Alba Cabral
Nov 6, 2025
54m 30s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/12/26 | ![]() On The Bookcase with Maggie Doyle✨ | female authorsmusic+4 | Maggie Doyle | BBC Radio UlsterMagy’s Farm – Where Music Grows+6 | — | Maggie DoyleFiona Ross+5 | — | 43m 24s | |
| 4/2/26 | ![]() In Conversation with Fleur Stevenson✨ | jazz musicvocal performance+3 | Fleur Stevenson | Women In Jazz MediaFeedspot+4 | — | Fleur Stevensonjazz vocalist+3 | — | 26m 44s | |
| 3/26/26 | ![]() Vanguard Voices✨ | jazzfemale musicians+4 | J Steps | J Steps | — | jazzHannah Horton+5 | — | 42m 22s | |
| 2/12/26 | ![]() In Conversation with Tina Carr✨ | jazz musicfemale musicians+3 | Tina Carr | Women In Jazz MediaMoon Over Mildmay+1 | — | Tina Carrjazz+3 | — | 38m 26s | |
| 11/6/25 | ![]() The Notes Between with Alba Cabral✨ | songwritingmusic career+3 | Alba Cabral | Xote da AmamentaçãoGuildhall School of Music & Drama+1 | — | Alba CabralLara Eidi+5 | — | 54m 30s | |
| 10/28/25 | ![]() Sticks and Thrones with Migdalia Van Der Hoven & Red Fielder-van Kleeff✨ | drummingjazz+3 | Red Fielder-van Kleeff | Berklee College of MusicVater Drumsticks+2 | MexicoRonnie Scott’s+1 | Migdalia Van Der HovenRed Fielder-van Kleeff+3 | — | 29m 04s | |
| 10/19/25 | ![]() The Notes Between with Filomena Campus✨ | songwritingjazz+3 | Filomena Campus | TheatraliaTheatralia Jazz Festival | SardiniaLondon+2 | jazzsongwriting+5 | — | 50m 56s | |
| 8/8/25 | ![]() In Conversation with Anjali Perin✨ | jazzmusic education+3 | Anjali Perin | Guildhall School of Music and DramaJazzizit records+2 | St AlbansLondon+1 | jazzfunk+5 | — | 52m 07s | |
| 7/11/25 | ![]() The Notes Between with Fabienne Ambuehl✨ | songwritingmusic composition+3 | Fabienne Ambuehl | ThriveUbuntuMusic+7 | London | Fabienne AmbuehlThrive+5 | — | 45m 59s | |
| 6/30/25 | ![]() The Notes Between with Fiona Bevan✨ | songwritingfemale empowerment+4 | Fiona Bevan | Girl With TelescopeFirst Woman On The Moon+4 | CanadaUK+4 | Fiona Bevansongwriting+4 | — | 54m 07s | |
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| 6/11/25 | ![]() In Conversation with Klara Devlin | Welcome to the latest episode of ‘In Conversation With’ with host and producer Hannah Horton, with our theme tune Surfing Thermals from our host, Hannah too! In this episode, host Hannah Horton welcomes Klara DevlinOur podcasts have been featured at number 7 on the Top 10 Women In Media Podcasts on the web by Feedspot and you can also find our podcasts at number 9 in the top 60Best Jazz Podcasts in FeedSpot! Those in the know are already excited about the rise of trumpeter Klara Devlin on the Birtish jazz scene.A finalist in the BBC Young Jazz Musician of the Year 2024, Klara’s material draws inspiration mainly from the Bebop and Hard Bop eras, mixed with a soupcon of Funk and improv, while her influences span Freddie Hubbard, Lee Morgan, EllaFitzgerald, Herbie Hancock, Roy Hargrove, Chick Corea, and Wayne Shorter.“Klara Devlin, remember her name, she is in my opinion one of the most amazing and unique new trumpet voices to emerge onto the UK jazz scene. To coin the famous quote ‘ifya ain’t got it in ya, ya can’t blow it out’. Klara Devlin definitely has it, and definitely blows it out of her horn! I’m about 2-3 jazz generations in front of her and I’ve never been this excited about a young musician in a while, definitely a stylist who’ll be making new waves for the next generation.” Tony Kofi, saxophonistKlara Devlin instagramHannah Horton is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album hasbeen going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw. Hannah Horton website | — | ||||||
| 4/11/25 | ![]() In Conversation with Georgia Mancio | Welcome to the latest episode of ‘In Conversation With’ with host and producer Hannah Horton, with our theme tune Surfing Thermals from our host, Hannah too! In this episode, host Hannah Horton welcomes Georgia MancioOur podcasts have been featured at number 7 on the Top 10 Women In Media Podcasts on the web by Feedspot and you can also find our podcasts at number 9 in the top 60Best Jazz Podcasts in FeedSpot! Multi-award-winning jazz vocalist, lyricist and producer, Georgia Mancio, celebrates her 25th anniversary in music with a series of highlight concerts and the spring releaseof her 9th album, ‘A Story Left Untold’ (Roomspin Records), co-written with Grammy-winning pianist/composer, Alan Broadbent.A supreme storyteller whose performances connect deeply with her audiences, Georgia’s work is characterised by authenticity, creativity, collaboration and a commitment to social and humanitarian issues.Throughout this landmark year, she will feature her Quartet (Robin Aspland, Andrew Cleyndert, Dave Ohm); introduce new projects (Sam Dunn, Tony Kofi, Alex Hutton) and revisit her most pivotal partnerships (Liane Carroll, Ian Shaw, Nigel Price, Kate Williams, Gareth Lockrane). Central to these, is her revered 12 year association with Alan Broadbent, with whom she has written over 40 songs, published two books and performed across Europe and the US, including iconic venues, Ronnie Scott’s and Jazz at Lincoln Center (NYC).Their new album, ‘A Story Left Untold’, masterfully blends the personal and political, across duo, quartet and orchestral settings. Set for release on 1 May with an accompanying 10 date tour, it completes a trilogy with the critically acclaimed ‘Songbook’ (2017) and ‘Quiet Is The Star’ (2021).Georgia’s expansive artistry is reflected in her copious industry acknowledgements: First Prize in the Brussels International Jazz Singers’ Competition, presided over by Sheila Jordan (2006); Best Album (‘Finding Home’, 2020) and Best Vocalist (2021) at the Parliamentary Jazz Awards, and multiple nominations at the Jazz FM, British Jazz and Urban Music Awards. Her reputation has been further consolidated by her formidable production skills, encompassing ‘ReVoice!’ – the international voice festival she devised and directed across multiple venues for 5 editions with artists including Gregory Porter, Carmen Lundy, Tuck & Patti, Beady Belle and Karin Krog (2010-2014) – and its successor, ‘Hang’ (2017-2019).She also co-directs Eltham and Crystal Palace Jazz Clubs with drummer Dave Ohm, and her own independent label, Roomspin Records (2001-). Other credits include Pat Metheny (lyric approval),Bobby McFerrin, Bobby Wellins, Robert Mitchell, Nikki Iles and BBC Proms (2019).Georgia Mancio websiteHannah Horton is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album hasbeen going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw. Hannah Horton website | — | ||||||
| 12/20/24 | ![]() In Conversation With Tara Minton | Welcome to the latest episode of ‘In Conversation With’ with host and producer Hannah Horton, with our theme tune Surfing Thermals from our host, Hannah too! In this episode, host Hannah Horton welcomes Tara Minton Our podcasts are named as one of the Top 15 Women In Media Podcasts on the web by Feedspot and you can also find our podcasts at number 9 in the top 60 Best Jazz Podcasts in FeedSpot! Tara Minton is an Australian born harpist, vocalist and composer. She is proudly endorsed by Camac Harps and holds a master's degree in jazz performance from The Guildhall School of Music and Drama. Tara is well established as both an improvising harpist and vocalist and has worked with The Australian World Orchestra, Björk, Tom Walker, Miranda Mulholland, “Kitty, Daisy and Lewis”, SuRie, Stan Sulzmann, Tony Kofi and Geoff Gascoyne. She leads her own original project as a harpist/vocalist and sings with “The Blues and Roots Ensemble” - a London based nine-piece band celebrating the music of Charles Mingus. In 2020 Tara released her critically acclaimed album ‘Please Do Not Ignore The Mermaid’ exploring themes of climate change and mer-myth. She consolidated the album's success with an intimate duo album released in January 2022 - ‘Two For The Road’ with bassist Ed Babar. The album was produced by Geoff Gascoyne and features Stan Sulzmann on tenor saxophone. Tara is a passionate music educator and advocate for the harp in jazz and improvised music. She was appointed Professor of Jazz Harp at the London Performing Academy of Music in 2021 and has given masterclasses in jazz and improvisation at many of the country’s top music colleges. Tara is also one of the three Directors of SpiceJazz Soho alongside Paul Pace and Clement Reger and co-hosts The Jazz Podcast with saxophonist Rob Cope. “An otherworldly collection that brings the harp centre stage” - The Sunday Times Tara Minton website Hannah Horton is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw. Hannah Horton website | — | ||||||
| 11/16/24 | ![]() In Conversation with Charlotte Keeffe an d Lara De Belder | Welcome to the latest episode of ‘In Conversation With’ with host and producer Hannah Horton, with our theme tune Surfing Thermals from our host, Hannah too! In this episode, host Hannah Horton welcomes Charlotte Keeffe AND Lara De Belder Musician, trumpeter and flugelhorn player Charlotte Keeffe wears her love for freely improvising, free jazz and abstract music-making on her (brightly coloured) sleeve. Whether performing regularly as a soloist (Sound Brush), or leading a variety of different ensembles, including her RIGHT HERE, RIGHT NOW Quartet, she meticulously carves out spaces for the free movement of ideas and individual expression. Inspired by abstract painters, Keeffe refers to her instruments as ‘Sound Brushes’. Her debut album ‘Right Here, Right Now’ is where you’ll find her exhibiting a passion for vibrant soundscapes rendered in live spaces. Released in 2021 on Discus Music, Keeffe earned critical acclaim and carved out a niche on the imprint, also composing, performing and co-leading (with Discus Music's head, Martin Archer), for/on a number of the record label's artists/projects. Keeffe's 2nd album is out now (released September 2023) and features her RIGHT HERE, RIGHT NOW Quartet, ALIVE! in the studio... Harnessing the power of art for social change is a crucial part of Keeffe’s musical identity: she has served as Assistant Musical Director of the London Gay Big Band, champions gender and diversity equality, as part of the Parliamentary award-winning Women in Jazz Media team, and played at the World Economic Forum 2019, in front of world leaders and celebrities including Sir David Attenborough. Keeffe understands that embracing individuality and letting go of inhibitions is the surest way to grasp the transformative power of music. Originally from North Yorkshire, London-based Actor, Singer & Writer Lara de Belder studied Music at the University of Leeds before training in Musical Theatre at the Royal Academy of Music in London. With a musical background spanning choral and classical music, musical theatre, jazz, blues and pop music, Lara has worked as a performer and creator in theatre, film, TV and concert and is the co-writer and creator of new British comedy musical, Bird Brigade, alongside Luka Antony Bjelis, directed by Grace Taylor (SIX) and long-listed for the Stiles and Drewe Mentorship Award 2021. Lara's passion for an eclectic range of musical genres has influenced her as a solo artist and writer of original material fusing pop with flavours of jazz, blues, funk, soul, RnB, hip hop, folk and electronic dance styles, first launching in May 2021 with Turn It Over. Describing her music as 'jazzpop', Lara takes inspiration from artists such as Celeste, Jacob Collier, Melody Gardot, Jamie Cullum, Ella Fitzgerald, Erykah Badu, Lizzo, Amy Winehouse, Robyn and Jessie Ware. Her music has been featured on BBC Introducing on BBC Radio Tees with Rianne Thompson and Rachel Teate as well as other radio programmes and podcasts including a placement on Bulgarian National Radio. Lara is also a writer and vocalist with upcoming Sony-AMG artist EnEyeCee, DWB Music Publishers and Gift Of Music. Hannah Horton is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw. Hannah Horton website | — | ||||||
| 10/24/24 | ![]() On The Bookcase with Dr Alexis McGee | Welcome to our podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross and original music from Hannah Horton. We were excited to find our podcasts named as one of the Top 15 Women In Media Podcasts on the web by Feedspot! Huge thank you to them! You can also find our podcasts at number 9 in the top 60 Best Jazz Podcasts in FeedSpot! In this episode we welcome Dr Alexis McGee, to talk about her new book, From Blues to Beyoncé: A Century of Black Women’s Generational Sonic Rhetorics Dr. Alexis McGee received her Ph.D. from the University of Texas at San Antonio where she also received two certificates of concentration in Linguistics and Rhetoric and Composition. Drawing from this background, McGee is an interdisciplinary scholar who engages with various fields and sub-disciplines such as Rhetoric, Composition/Writing Studies, Black Studies, Critical Pedagogies, Sound Studies, as well as Women and Gender Studies. Her concentrated research interests, more specifically, focus on Black women’s rhetorical uses of voice, literacies, and expression. McGee’s book, From Blues to Beyoncé: A Century of Black Women’s Generational Sonic Rhetorics, (SUNY 2024), amplifies Black women’s ongoing public assertions of resistance, agency, and hope across different media from the nineteenth century to today. By examining recordings, music videos, autobiographical writings, and speeches, Alexis McGee explores how figures such as Ida B. Wells, Billie Holiday, Ruth Brown, Queen Latifah, Aretha Franklin, Nina Simone, Janelle Monáe, and more mobilize sound to challenge antiBlack discourses and extend social justice pedagogies. Building on contemporary Black feminist interventions in sound studies and sonic rhetorics, From Blues to Beyoncé reveals how Black women’s sonic acts transmit meaning and knowledge within, between, and across generations. Her work has been featured on BBC Radio4 and published in various venues including College, Composition, and Communication (forthcoming, 2022); Rhetoric Review (2021); Communication and Critical/Cultural Studies (2018); Obsidian (2017); and Pedagogy (2016). Buy the book here Alexis McGee links here | — | ||||||
| 10/9/24 | ![]() In Conversation with...Kai Hoffman | Welcome to the latest episode of ‘In Conversation With’ with host and producer Hannah Horton, with our theme tune Surfing Thermals from our host, Hannah too! In this episode, host Hannah Horton welcomes Kai Hoffman Our podcasts are named as one of the Top 15 Women In Media Podcasts on the web by Feedspot and you can also find our podcasts at number 9 in the top 60 Best Jazz Podcasts in FeedSpot! Originally from Boston, MA, USA, Kai Hoffman is a blues, jazz & cabaret singer, songwriter, bandleader and recording artist based in the United Kingdom. Kai’s international reputation is growing steadily with shows including Don’t Tell Mama and the Metropolitan Room in New York City, The Blue Note in Milan and the European Jazz Expo, with further performances in countries as varied as Bangladesh, the Netherlands and Russia. Kai is also the founder of the Herne Bay Jazz Festival: Founded by artistic director Kai Hoffman, Herne Bay Jazz Festival CIC became a registered non-profit community interest company in February, 2024. As a CIC, we are currently expanding our year-round programs which will include workshops and performances over the course of the year as well as our August events. With a strong emphasis on exploring this genre of music without the barriers of cost or travel, our program includes new and established performers across a wide range of jazz styles, with free workshops for children and adults to explore their own creativity, offering our audiences the broadest selection possible, with an emphasis on inclusivity. Kai’s links here Hannah Horton is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw. Hannah Horton website | — | ||||||
| 8/15/24 | ![]() Sticks and Thrones with Migdalia Van Der Hoven and Jenny Pearson-Walinetski | Welcome to the third episode of our drummer focused series ‘Sticks and Thrones’ with host Migdalia Van Der Hoven, with our guest Jenny Pearson-Walinetski Our podcasts are available on all platforms and are currently at number 9 in the top 60 best Jazz podcast on FeedSpot featuring original music from Migdalia Van Der Hoven available here Migdalia van der Hoven is an International Award winning Mexican drummer currently touring with SIX the Musical across the UK. She is also a Vater Drumsticks, Bosphorus Cymbals and RTOM Corporation artist and a Berklee College of Music graduate (where she studied and performed with Jackie Santos, Terri Lynn Carrington, Victor Mendoza and Mark Walker). She is known for her groove, sensitivity and versatility across multiple genres such as funk, jazz, fusion, latin jazz, pop and world music. She became the first Mexican Female drummer to ever perform at Ronnie Scott’s and the EFG London Jazz Festival. Migdalia became “Woman of the year 2022” in Mexico in arts and culture for her contribution in music nationally and internationally. Follow Migdalia here Jenny Pearson-Walinetski is a Drummer and Percussionist based in Manchester UK and is a graduate of the RNCM and Chetham’s School of Music. She currently tours with Miles Kane as well as artists including Bryony Jarman Pinto (Jazz), Molly Wharbuton (Pop) and IORA (Electro Pop and Sync) and has enjoyed over the years playing at festivals such as Glastonbury, Kendal Calling and Tramlines. Jenny is a current deputy on Six The Musical UK tour and has performed on other musicals such as Hamilton, Fantastically Great Women and Unfortunate Musical. She is involved with her Jazz/DnB duo, j2oh (@j2ohmusic) which has performed at London Jazz Festival, Glasshouse ICM, Royal Albert Hall and in a feature recording with the Halle Orchestra. J2oh look forward to their upcoming album release late 2024. Aside from gigs, Jenny records from her home studio with her work featured on Spotify Top 100, Netflix film releases UK and USA plus UK and European radio play. She has also featured as a drummer in advertisements for Facebook Meta and one of the Thousands of drummers in a shoot for Ladbrookes! Find Jenny on Instagram here | — | ||||||
| 6/14/24 | ![]() Kicking Down The Door with China Moses | Relaunching our podcast series 'Kicking Down the Door' in partnership Céline Peterson and Black Lives in Music with host Mary Sho, platforming inspirational black women in the Music industry and featuring music from Mary's 'Woman Rising' album. And kicking down the door to start us off, we are thrilled to welcome our first guest the inspirational singer/songwriter/producer and legend China Moses Singer, songwriter and producer China Moses evolves her artistry in truth. Defiantly real, her music resists what so many labels and critics desire: category. She captivates listeners with her deep pocket, sensitivity and wit, drawing inspiration from endless styles in the expansive lineage of Black American music. Frank and fearless, China’s songs document fleeting emotional states and extended narratives, often leaning into self-reflection both in lyric and phrasing. Her voice is a satin ribbon wrapped around a crackling flame. Listeners fortunate to observe her in live performance know the depth of her song interpretation. In a moment she can revolve a world. Click here for China Moses website Mary Sho, a singer and songwriter hailing from South London with a worldwide sound which transcends time and space, offering a home to lovers of authentic, live sounds. Sho’s sound drops you into the late 70’s and early 80’s with tinges of contemporary soul infused with funk origins, creating sounds similar to if Lizzo met Solange met Childish Gambino met Sly and The Family Stone with Thundercat on additional bass! Armed with live instrumentation and striking, self-directed and self styled visuals, Sho’s spacey vocals float over bass-heavy, funk-soul sounds. while highlighting the experiences of Black women and owning the power of her identity, mind, body and soul. Mary Sho has been featured on BBC London Radio multiple times and has recently performed at Brixton House (Soho Friends) ans Cafe KOKO. This year she was one of the recipients of Women in Jazz Media 2023 and has just released her debut Album titled ‘WOMAN RISING’ in the world. Mary Sho links her | — | ||||||
| 3/7/24 | ![]() Women in Jazz Media: On The Bookcase with Judith Tick | Welcome to our podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross and original music from Hannah Horton. We were excited to find our podcasts named as one of the Top 15 Women In Media Podcasts on the web by Feedspot! Huge thank you to them! You can also find our podcasts at number 9 in the top 60 Best Jazz Podcasts in FeedSpot! In this episode we welcome Judith Tick, to talk about her new book, Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song Judith Tick is professor emerita of music history at Northeastern University. She has published award-winning books and articles about American music and women’s history in music, including Ruth Crawford Seeger: A Composer’s Search for American Music. She lives in Brookline, Massachusetts. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school—where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury. Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre. From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form. Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records. A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century. Available to purchase here | — | ||||||
| 2/8/24 | ![]() Women in Jazz Media: On The Bookcase with Arlette Hovinga | Welcome to our podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross and original music from Hannah Horton. We were excited to find our podcast named as one of the Top 15 Women In Media Podcasts on the web by Feedspot! Huge thank you to them! You can also find our podcasts at number 9 in the top 60 Best Jazz Podcasts in FeedSpot! In this episode we welcome Arlette Hovinga, to talk about her new book, How To Build Relationships in the Music Industry: A Guide for Musicians 'I’m Arlette, a freelance jazz promoter and media director from The Netherlands. Originally, I produced and programmed events in The Hague, where I lived most of my life. I’ve also toured with bands such as The Four Tops and The Temptations. In 2015, I decided to spend more time in The Netherlands than on the road and shifted my focus back to PR and marketing. Since then, I’ve worked with clients in The Netherlands, Belgium, France, Poland and Russia. When I have time, I enjoy having beers with unsuspecting jazz musicians and check out shows at my favorite local jazz bar, Dizzy in Rotterdam. Some Humble pie; I was honored to win a Netherlands Music Industry Award in January 2020, awarded at Eurosonic Noorderslag. In 2021 I joined the 7 Virtual Jazz Club competition as a juror. I was a jazz juror for the first time in 2019, at Jazz Across Borders in Saint-Petersburg, Russia, and enjoyed it very much. I’ve also had the pleasure of being invited as a speaker at the Why DIY Music Podcast and by Gail Boyd at Alternative Venues for Jazz.' Book available to purchase here Arlette website here | — | ||||||
| 10/6/23 | ![]() Women in Jazz Media: On The Bookcase with Stephanie Stein Crease | Welcome to our podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross and original music from Hannah Horton. You can find our podcasts at number 9 in the top 60 Best Jazz Podcasts in FeedSpot! In this episode we welcome Stephanie Stein Crease, to talk about her new book, Rhythm Man: Chick Webb and the Beat that Changed America. Stephanie Stein Crease is a jazz historian, author, editor, and former Senior Jazz Coordinator for the Jazz Arts Program, Manhattan School of Music. Her books include Gil Evans: Out of the Cool (2002 ASCAP/Deems Taylor Award), and Duke Ellington: His Life in Jazz (2009). She was literary editor for the Grammy-awarded Duke Ellington Centennial Edition. She was a 2020 Scholar-in Residence at the Schomburg Center for Research in Black Culture, NYPL, and 2018 Berger-Benny Carter-Berger Research Fellow at the Institute of Jazz Studies, Rutgers University. Rhythm Man: Chick Webb and the Beat that Changed America, a biography of Chick Webb, one of the first jazz drum virtuosos, and the innovative Harlem bandleader whose music helped launch the Swing Era of the 1930s. The book paints a nuanced portrait of Webb's life, from his early years in Baltimore, to top bandleader in Harlem during the Great Depression, and on to national fame as big band swing music swept across the country. Features previously unpublished material that sheds new light on the early jazz and dance scene in Baltimore, New York and Harlem during the 1920s, the Swing Era, and Webb's interactions with his family and many noted musicians. Available to purchase here | — | ||||||
| 2/15/23 | ![]() The Notes Between with Lara Eidi and Daisy Chute | Welcome to the second episode of our brand-new podcast series’ The Notes Between’ with Lara Eidi. Conversations exploring everything behind and about the world of songwriting! Our theme music ‘Opened Eyes’ is from Lara Eidi herself available here . In this second episode, Lara talks to songwriter Daisy Chute. Daisy Chute is a London-based folk singer, songwriter and multi-instrumentalist originally from Edinburgh, Scotland.Following the release of acclaimed EPs Songs of Solace (2021) and Cradle Songs (2022), Daisy is set to release her next EP Maiden, Mother, Crone in Spring 2023 and an album later this year. Headline touring in 2022 included arts venues Kings Place (London) The Met (Bury) Voodoo Rooms (Edinburgh) and festivals including Bristol Folk, Cambridge Folk and Glastonbury; in 2023 Daisy co-headlines a tour with Flo Perlin/Fern Maddie. 2022 artist residencies included Sage Gateshead Summer Studios and Chris Difford songwriting retreat. Her Arts Council funded musical about Pendle witch trials COVEN had its first workshop with Kindred Partners. Daisy’s music features across local/national BBC radio/TV and globally across 900 Caffe Nero playlists. Recent awards include FATEA EP of 2022 for Songs of Solace, Take the Stage (Lowden Guitar) RootsTech (Kawai pianos), Coffee Music Project, International Songwriting Award and Drake Yolanda. Daisy Chute website Lara Eidi is an artist that thrives on being different. Born in Athens Lebanese-Canadian parents, her entire life and career is that of a singer- songwriter, multidisciplinary artist, educator and writer. Undefined by style, Lara’s music has earned her own unique place in the music world as a storyteller, jazz and folk singer, composer and recording artist heard at venues in London including the Barbican, St Martins in the Fields, Green Note, Edinburgh Festival, Beirut International Festival to name a few. Born in Athens to Lebanese-Canadian parents, her music has gained her critical acclaim as an artist with a truly unique voice (BBC Artist, 2020- 2021), who manages to shift between musical styles and vocations owed to her diverse background as a singer ( Guildhall School of Music and Drama ); writer ( English Literature from the University of St. Andrews) and educator. Lara's passion and artistry comes from a pure and authentic drive to connect with audience members as well as students, creating a space where the healing power of music can be felt by all. Recently supported by Hawkwood College and the Francis W Reckitt Arts Trust, Lara is set to record her new album in Spring 2023, and has just launched her very first podcast on songwriting ' The Notes Between' with Women in Jazz Media. Finally, her passion for music as a life choice has led her to become an in demand educator, offering workshops at leading music institutions as well as community spaces in Europe. "Lara Eidi is one of those singers who connects with the audience as soon as she starts to sing. Perhaps psychologists can explain the gift – and it is a gift "Sandy Brown Jazz- London Lara Eidi website | — | ||||||
| 1/19/23 | ![]() Women in Jazz Media: Sticks and Thrones with Migdalia Van Der Hoven and Abbie Finn | Welcome to the second episode of our new drummer focused series ‘Sticks and Thrones’ with host Migdalia Van Der Hoven, with our guest Abbie Finn. Our podcasts are available on all platforms and are currently at number 9 in the top 60 best Jazz podcast on FeedSpot featuring original music from Migdalia Van Der Hoven available here Migdalia van der Hoven is an International Award winning Mexican drummer currently touring with SIX the Musical across the UK. She is also a Vater Drumsticks, Bosphorus Cymbals and RTOM Corporation artist and a Berklee College of Music graduate (where she studied and performed with Jackie Santos, Terri Lynn Carrington, Victor Mendoza and Mark Walker). She is known for her groove, sensitivity and versatility across multiple genres such as funk, jazz, fusion, latin jazz, pop and world music. She became the first Mexican Female drummer to ever perform at Ronnie Scott’s and the EFG London Jazz Festival. Migdalia has become “Woman of the year 2022” in Mexico in arts and culture for her contribution in music nationally and internationally. Abbie Finn is a musician from the North-East of England, currently based in Brandon, County Durham, who has over 16 years performance experience. Abbie studied Jazz drums under Sebastiaan De Krom at Leeds College of Music, gaining a 1st Class Degree with honours. She then received a Master’s degree from Trinity Laban Conservatoire of Music and Dance in London, studying with Gene Calderazzo and Asaf Sirkis. In 2018 she was given the opportunity to play Percussion with the WOW (Women of the World) Orchestra at the Royal Festival Hall in London as part of a festival of women. Abbie was a dep for the National Youth Jazz Orchestra and also played with the NYJO Academy big band, The Trinity Composer's Big Band, Kinesis: A Drum and Sax duo with Harry Keeble, The NYJO Quintet, The Jazztones, Paul Edis Trio, Durham Alumni Big Band, Strictly Smokin' Big band and more. She has had the pleasure of working with artists such as: NYJO (National Youth Jazz Orchestra), Simon Spillett, Paul Edis, Andrea Vicari, Derek Nash, Oli Hayhurst, Dean Stockdale, Sue Ferris, Graham Hardy, Paul Grainger, Andy Champion, Zoe Gilby, Mark Williams, Harry Keeble, Michael Lamb, Alice Grace, Ruth Lambert, Bradley Johnson, The Strictly Smokin’ Big Band, NYJO Ambassadors, NYJO academy big band, Musicians unlimited big band, Durham Alumni big band, Customs House big band, Ray Beckett and more. Abbie’s current main projects are the Abbie Finn Trio with Harry Keeble on tenor saxophone and Paul Grainger on double bass and the Finntet - a hardbop band featuring Graham Hardy, Harry Keeble, Dean Stockdale and Paul Grainger. She also frequently performs with the Harry Keeble Quartet, the Dean Stockdale Trio and many more. “Exceptional British Jazz from drummer Abbie Finn” - Chris Philips - Jazz FM. | — | ||||||
| 1/1/23 | ![]() Women in Jazz Media: In Conversation with Faye Patton | Welcome to our latest episode of ‘In Conversation With’ featuring music from Hannah Horton! You can find our podcasts at number 9 in the top 60 Best Jazz Podcasts in FeedSpot! In this episode, host Hannah Horton welcomes our special guest, Faye Patton. Faye is a singer-songwriter, pianist and classically trained guitarist - she writes original songs in jazz idiom which combine jazz, funk, pop, folk, gospel and blues influences with a classic sound that recalls the great Jazz divas of the past. Her vocals, (with a register that stretches to heights, depths and lengths that make audiences gasp) have been compared to Judy Garland and Joni Mitchell. Her prodigious piano playing has been compared to Ray Charles and Horace Silver. A powerful lyricist and prodigious producer of 5 independent releases, her songs contain an inspirational LGBT flavour rarely seen on the jazz scene. She is currently the resident in house musician at art deco cocktail jazz venue Bermondsey Arts Club. Faye has gigged regularly in and around the London over the last 20 years. Venues include: Soho Theatre Piano Bar, Ray's Jazz, Upstairs at Ronnie Scott's, Stratford Theatre Royal, Upstairs at The Ritzy Cinema, The Vortex, The Green Note, The Pheasantry, Karamel Klub, Toulouse Lautrec, Caffe Concerto, E15 Jazz Sessions, Soderberg Soho, Bermondsey Arts Club. Festivals include: Isle of Wight International Jazz Divas, Derry Jazz Festival, Jazznacht Donaueshingen in Germany, Hackney Spice Festival. Faye has been featured as a guest blogger in London Jazz News and has had radio play on BBC Radio Foyle, Radio Jazz Caribe, (Venezuela) Resonance, Real Music FM, and London Jazz Radio and is featured in international jazz blogs and podcasts. https://fayepatton.com/home/ Hannah is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/ | — | ||||||
| 12/23/22 | ![]() Women in Jazz Media at the EFG London Jazz Festival 2022 | Special EFG London Jazz Festival 2022 Podcast: It was once again the time of year when jazz lovers and observers everywhere enjoy the excitement of the EFG London Jazz Festival. This November, we put on a wide range of events and workshops that aimed to both inspire and represent everyone in jazz, as well as shine a light on all the work done by women working in the Jazz industry, both in front and behind the scenes. Working at two venues - Jazz Cafe Posk and Toulouse Lautrec, and supported by Jazz Views as part of the ‘Women Who Inspire’ series, Isabel Marquez was our roving reporter throughout the festival. Our full line up and further information can be found through this link | — | ||||||
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