
Backstage w/ Matt Stone
A backstage pass to The Bigger Stage, where host Matt Stone covers the behind-the-scenes lowdown on his journey to build The Bigger Stage brand, business, and show, and the business and life lessons he's learning along t...
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Also: Mike Verret, Paul, T.J. Winick, Angela Scanlon, Eileen Munoz, Raj Subramaniam
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
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| 10/22/26 | Don’t Sleep on the Boomers | Matt closes the week on a Business Insider piece with a counterintuitive lesson. Research from Morning Consult (run for Business Insider) and Edelman shows a big generational split on influencers: only about 31% of boomers trust influencer recommendations, versus roughly 62% of Gen Z and 64% of millennials, and only about a quarter of boomers follow content creators at all, compared to the vast majority of younger people. Boomers are also more likely to say they trust influencers less than they used to, have never bought anything on a recommendation, and find the content annoying. Matt, a self-described forgotten Gen Xer, can relate, though the lawyer in him wants to pin down what we even mean by “influencer.” He means the professional kind, the person whose whole business is taking pictures of themselves and building a following to tell you what to buy (think the LinkedIn influencer whose entire business is teaching you how to make money on LinkedIn, a bit of a closed loop).Here’s why the “problem” is actually an opportunity. Boomers account for about 42% of spending among affluent US households (Visa), yet marketers pour tens of billions into creator partnerships aimed at much younger audiences. Some agencies even report stronger conversion from older, more experienced creators, while brands stay reluctant to use them. So two takeaways. First, don’t sleep on the boomers, depending on your business, there’s a whole market of healthy, financially capable people, often on their second or third career and moving to the next thing, that service businesses ignore at their own expense. Second, invest in real relationships. Matt’s clients range from Gen Z to boomers, and his advice is the same to all of them: don’t judge yourself against social media influencers. Your opportunity is to build trust the slower way, show up in person and online, do the one-on-ones, sow into the soil and fertilize it for real, and build a loyal community. With so much nonsense flooding social media, the differentiator is simple: don’t be nonsense. His questions for the weekend: who do you actually follow, does the word “influencer” even matter to you, and what’s your honest relationship with all of it? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 11m 06s | ||||||
| 10/21/26 | Into the Ditch | No articles today. Matt’s still turning over the Your New Opening Line pilot in Denver, a small but mighty room of people each refining the opening to a talk, and he pulls out three lessons (plus a bonus). First, going blank. When you’re performing to a camera or working a talk, the harder you push, the more you get in your head, and it feels like driving straight into a ditch over and over. Get back in the car, start the engine, aim down the road, and it’s in the ditch again. Grinding the same way never works. You have to break the pattern: throwaway rounds, a joke from the person behind the camera, walking away, goofing around, anything that takes the pressure of performance off. One participant came out of the gate strong, then got in her head, and what finally worked wasn’t pushing through it directly, it was disengaging and re-entering later. Instead of driving, fly. Instead of driving, skip rope.Second, you can’t see your own diamond. It’s easy to spot the story that shines in someone else, the one that explains everything about them, and almost impossible to see it in yourself. The things most central to our own story are the ones we take for granted or never bring up, especially when telling them feels promotional or like cheapening them. It takes other people in the room saying no, no, tell that story again, that thing about your father is the gold, not what you were focusing on. That happened over and over in the session. Third, how you think beats what you think. The way you came to an idea, what informed it, is more useful to other people than the conclusion itself. Matt’s version: how you came to know and believe something is more interesting than what you know and believe. It’s why “most people think X, but here’s the truth” posts fall flat, and why human narrative is so powerful, because even if someone disagrees with your conclusion, they can have mad respect for how you got there. The bonus thought: this format would be a phenomenal, indirect team-building experience for leadership teams, because engaging with each other’s stories builds trust and familiarity fast. His questions: what’s a throwaway fact in your story that others found fascinating, and what are you working on that would benefit from a group for a while? Nobody sees their own blind spots alone. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 10m 22s | ||||||
| 10/20/26 | From Discovery to Retention | Matt opens with a reflection from the Denver pilot of Your New Opening Line: the blank. When you’re working on a talk, you hit a point a few rounds in where it stops feeling fun and you start fighting it, right before it becomes fully integrated inside you. One participant lived it in real time. The fix isn’t to grind harder, it’s to break it up, let go, tell your mind you’re done with it for a moment. Same trick works on camera, “this isn’t the real take, I’m just going to riff,” and then you nail it. Totally normal, part of the process, and you keep going until you get free and easy with it.Then the signal, and it rhymes. A Digiday piece reports that The Verge has rebuilt its audience team for “Google Zero,” the post-search era where Google referral traffic dries up. For years publishers chased search optimization, social distribution, and raw traffic. Now The Verge organizes around three audience groups, anonymous visitors, registered users, and paying subscribers, and specialists in newsletters, community, and analytics, with each person carrying a growth target instead of a page-view number. The whole aim shifts from discovery to retention: turning occasional visitors into people who intentionally return. Tellingly, more than half of their subscriber sign-ups now come from readers going directly to the subscription page, a deliberate decision to buy, not an incidental one while reading an article. That’s the difference from the old model, Matt notes, where you put bait on the hook (a blog, a PDF) to capture an email. This is building a relationship first, so that when someone’s ready, they come find the sign-up page themselves. He maps it straight onto building a business with media: yes, you want attention and short-form discovery, but never at the expense of giving people reasons to come back, things to do, multi-phase offerings, exclusivity. He points to his own show’s regulars, the ones who comment and quote it back to him, as the equivalent of paying subscribers, client or not. His question: what’s the one thing you could offer on an ongoing basis, exclusive to people who join at a deeper level, that pulls them into your fold? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 9m 20s | ||||||
| 10/19/26 | Not a Content Studio | Fresh off a trip to Denver, Matt opens on a Guardian story: a growing list of hotels, restaurants, and beauty spots are restricting photography and filming, not just because creators are there, but because content production wrecks the experience for everyone else. The Hôtel du Cap-Eden-Roc now requires permission for photo shoots after guests booked meals mainly to stage elaborate multi-outfit sessions. A Cheshire farm shop, The Hollies, banned filming during its busiest hours after going viral. As Beaumier’s marketing chief puts it, hospitality exists to provide memorable experiences, not to serve as content-production locations. Matt knows the feeling, he treats his gym as a refuge, and a space that feels like a production studio is genuinely irritating. Businesses are caught between a rock and a hard place: social media is great publicity, but you can’t let it ruin the room.Then the report back, and the real point. At the Denver pilot of Your New Opening Line with Mark DeCarlo, they recorded each participant’s three rounds primarily for the participants, as a feedback loop to see their progress, and had someone capturing selective footage for future promotion. But Matt was deliberate about not letting the filming interfere with the intention of the experience. His stance, against the marketing chorus of “always be creating content,” is that he just doesn’t agree. The mindset you’re in when you’re creating content destroys the integrity of your intention, because you can’t be truly present with someone while thinking about how it’ll look on TikTok. He points at the Kardashians as the tell: those shows have filming schedules and designed controversies, a facsimile of reality, and being on camera all the time (especially for kids on reality shows) isn’t healthy. So in Denver, he and Mark stayed 100% zeroed in on serving the participants, asked the videographer to grab just a taste rather than everything, and the only thing Matt tracked about the camera was getting out of its way. Yes, we need good content, he’s making it right now, but it has to be thoughtful and well-placed, not grist for the mill. Creating experiences is a different form of creation than creating content, and filming everything is not how you get the best result. His takeaway for anyone anxious about always posting: spend the majority of your time truly present, then figure out how to make content that matters. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 11m 19s | ||||||
| 10/13/26 | The Third Audience | [Note: This is the last Backstage episode this week. Back at it Monday, October 19th.]Matt opens on a fresh Axios piece from co-founder Jim VandeHei that names a real shift: business communication now has a third audience. For years executives communicated to two, the internal team and the external world of customers, investors, and the public. Now AI is a distinct third audience, because people increasingly discover companies, products, and experts through AI-generated answers rather than search, and agents are starting to research and decide on people’s behalf. VandeHei’s fix starts with clarity: consistent language on what matters, why it matters, and what evidence backs it up (Axios does it with its Smart Brevity structure). Matt’s addition is the tension underneath. Humans respond to personality, story, and emotional resonance. AI systems want accessible, structured, consistent information. There’s overlap, but they’re not the same, and he’s honest that an obviously AI-written one-to-one email is a turnoff, because it leaves you less connected to the person who sent it.That leads to the heart of it, a defense of human messiness. We play in the mud. We stumble, repeat ourselves, search for the word, and that imperfection is itself a signal that we’re working things out in real time, so natural that listeners fill in the word right alongside us. The danger isn’t using AI, Matt uses it like everyone, it’s letting the structured, machine-readable version drown out the searching, stumbling, unfiltered human process. His bet is that demand for unassisted human communication only goes up as AI does more of the analysis, because living in a bot-driven comms world simply isn’t satisfying. Sitting at a cafe with a friend, communication unaided by anything but a cappuccino, now feels like a beautiful indulgence, and he thinks that feeling has merit and whole businesses will be built around it. His own answer to doing both at once is the interview: being interviewed by a high-EQ person who senses where you are emotionally and pulls the thread instead of marching down a question list. It captures compelling human narrative and documents your professional identity in a form AI will recognize, and it’s why long form still resonates even in the short-attention era. His question: what’s the most meaningful thing you do that’s completely offline? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 11m 01s | ||||||
| 10/12/26 | Tend Your Wisdom Garden | Matt opens with apple picking in biblical New York rain (proof you can have a blast even when it’s pouring) and two Business Insider stories that pull in the same direction. First, the power of story. Denise Woodard founded Partake Foods after her daughter’s severe food allergies, selling allergy-friendly cookies out of her car. Her entire early marketing strategy was simple: tell the story of why she started the company, then let people taste the product. That story is what attracted customers and investors, including Jay-Z’s Marcy Venture Partners, which Woodard says was sold not by a plan but by why she was doing it. (She did scale too fast, 300 stores to 5,000 in a year, 10x revenue with infrastructure that couldn’t keep up, which nearly killed the business, but Matt’s point is she never gets near that problem without the story that got her off the ground.) The lesson he keeps hammering: when you’re small, a powerful story lets you punch way above your weight, because people invest in you, not the plan. The plan will change. They’re betting on whether you can grow, learn, and adapt.The second story is Bird CEO Robert Vis, who cut his workforce from over 1,000 to 120 and says AI is making high-agency generalists more valuable, people who grasp the larger objective, exercise judgment, and own the result rather than just executing tasks. Matt agrees generalists are valuable (as a Gen X generalist with a law degree, sales, and even trades skills behind him, he counts himself one). His worry is upstream: judgment and generalist wisdom require real experience and a feedback loop, time in the trenches, learning by doing. Between social media and AI doing the work for people, he’s not sure we’ll grow enough people with enough genuine experience to become those generalists. So he turns fear into opportunity. The move is to deliberately keep yourself in a garden where ideas get exchanged and pressure-tested, book clubs, philosophy clubs, hands-dirty work, places with deep thought and a real feedback loop. He’s got a specific plan to reinvest in that for himself, because it’s easy to lose touch with it on these platforms. His question: how are you tending your wisdom garden? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 11m 01s | ||||||
| 10/8/26 | The Booster Rocket | Matt opens on a joyful note about his own year with The Bigger Stage, and a useful lesson hiding in it: you can design a narrow ideal client profile, but the reality is usually more diverse, held together by a common thread. For him that thread is helping people understand who they are and express part of it outwardly to differentiate, humanize, and move the hearts and minds that matter to their success, not just clients, but future employees and collaborators too. Then to the signal: a Wired story that the Center for Humane Technology, the online-safety nonprofit co-founded by Tristan Harris of The Social Dilemma, is laying off about half its non-founder staff and ending its policy research and litigation work to go founder-led, leaning on public education, briefings, and Harris’s own public profile. The board says a founder-centered approach is the most effective way to advance the mission. Some former employees worry it’s trading institutional capability for one person’s visibility.Matt’s read, offered as interpretation rather than fact: this looks like an organization recognizing it got ahead of its own economics, that its founder is still its best asset, and that it needs more booster rocket before it can run on built-out infrastructure. That’s the analogy that anchors the episode. A founder is a booster rocket. To get the shuttle into space, you need that heat and fuel burning hot. Flame out too early and you never reach orbit. But keep it up long enough, in the right direction with the right strategy, and eventually the boosters fall away and the thing floats on its own. Every founder-led organization faces the same conundrum: if you walked away for six months, would it keep going? And it’s okay if the answer is no, that’s just a stage. The danger is not knowing which stage you’re in. The work is to use the founder phase to speak the vision into reality, then patiently build the revenue lines, the IP, and the team that don’t depend on you. Matt’s thinking about it for The Bigger Stage himself. His question: are you still in the booster-rocket phase, or have the boosters fallen away? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 11m 31s | ||||||
| 10/7/26 | A Relationship Group, Not a Networking Group | Matt had networking on his mind after another great night with his own group, and a Business Insider story landed right on it. Alena Beliauskaya started inviting startup founders hiking because she loved the outdoors. That turned into 12 Scrappy Founders, a Bay Area community now 600-plus strong, mostly AI founders, generating around $10,000 a month, and she keeps it as a side hustle alongside a full-time job. What’s more interesting than the revenue is the design: no mixers. They hike, camp, dirt bike, play poker, do things together. You get to know someone over eight hours on a trail in a way a name-tag event never delivers. Matt connects it to a Denver group called Accelerent, whose leader gently corrected him when he said “networking group.” No, we’re a relationship group. They do everything a networking group does, just built entirely on intentional, high-end relationship building.His read: a lot of people are done with traditional networking, and there’s real opportunity in giving them a way to come together that’s non-salesy and built around something they actually enjoy. The on-ramp is smaller than people think. Get three people in a room. If each brings three, you’re at twelve, and then it compounds. He runs the economics (a hobby quietly throwing off a few thousand a month, with room to become a full business if she ever wanted it) and frames it the way he frames YouTube: the activity itself can be the product, or it can be how you monetize everything around it. Underneath it is the metaphor he keeps returning to, his Japanese father-in-law’s garden, known across the neighborhood, built from a few plants years ago and fed patiently ever since. That’s how you build community in 2026. The screen is a great bulletin board for staying top of mind, but people want to meet somewhere real. His advice: start in your own local community and dive in. His questions: what’s the best event you’ve been to lately, or the one you wish someone would host? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 8m 54s | ||||||
| 10/6/26 | Sold Out in 25 Minutes | If you don’t have kids, you may have missed the Anazala Family. Matt had, until a friend worked their first-ever arena show in Newark, the one that reportedly sold out in 25 minutes. Then he started digging, and something clicked. When people feel close to someone online, the next thing they want is to be in the same room. Digiday picked up the same signal this week, with creators and brands starting to treat real-world turnout as proof that an audience is actually a community.But Matt isn’t telling you to book an arena. For most founders, the arena is a 100-seat room, or ten of the right people around a table. He makes the case for why entertaining people counts as helping them, why it’s risky to keep all your relationships on someone else’s platform, and why a small event this season might be the smartest next step toward the bigger stage.What kind of live events matter to you? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 12m 57s | ||||||
| 10/5/26 | Two Speaking Markets | Matt opens the week with a smorgasbord of signals that all point the same direction. New data from Talkadot’s State of the Speaking Industry report (a speaker platform, so a grain of salt) puts the median keynote fee at just $2,500, with corporate buyers around $4,500, while bureaus describe a professional market running from roughly $10,000 to $50,000. Only about 1 in 20 speakers reporting through the platform earns $20,000 or more per event. Matt reads that as two distinct markets: a large commodity mid-market, and a smaller authority-driven tier where scarcity, a book, and real media visibility command dramatically higher fees. Starting at $2,500 to $5,000 is nothing to sneeze at. It’s just worth knowing the ceiling lifts a lot when you build authority in the right ways.The rest of the episode circles his standing theme: trust is the coin of the realm. Business Insider notes that human visibility is becoming more valuable as AI content floods LinkedIn, with candid photos, selfies, and unscripted video stopping the scroll because people respond to visible signs of a real human behind the content. Matt’s known the power of a genuine high-resolution face for years, and even when he uses AI to adjust an image, he tells it to leave the face alone. Meanwhile more people are betting on themselves, younger professionals going independent with cheap AI tools, founders seed-strapping from personal networks instead of institutional VC, which means a flood of new founder-led stories competing for attention (great for what The Bigger Stage does, and more crowded at the same time). The Financial Times sizes the US creator economy around $44 billion in 2026, even as competition, burnout, and AI-generated content raise the stakes, and creators chasing big AI sponsorship deals worry that association with AI could erode the very trust they depend on. His open also offers a lovely aside: he’s reading a book about a doomed 19th-century South Pole expedition, and it reminds him that people crave adventure even knowing suffering comes with it, which is exactly what a great talk can do, take people somewhere outside their normal world. Build the trust, show up as a real human, keep building authority, and the future is yours. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 10m 29s | ||||||
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| 10/1/26 | They're Not Stealing Your Face | Matt has AI fakes on his mind. If you’ve been on YouTube and seen someone who looks and sounds exactly like a creator or commentator you know, in their usual setting, but on a strange channel saying things you’ve never heard them say, you’ve met the problem. He’s learned to assume that unless he’s on a person’s official channel, what he’s watching may not be real, a skepticism that used to feel tinfoil-hat and is now just well-founded. He points to Washington Post reporting on the bipartisan No Fakes Act, which would create federal protection against unauthorized digital replicas of a person’s voice or likeness while preserving exemptions for news, commentary, satire, and parody. Physician-creator Joel Bervell found an AI version of himself endorsing a product he’d never used, and named the real harm precisely: the fake wasn’t simply borrowing his face, it was borrowing the trust tied to his medical license and his relationship with his audience. Therapist-creator Kati Morton says she runs into fakes of herself all the time. For creators, this isn’t just identity theft, it’s a threat to sponsorships, credibility, and hard-earned audience trust.Matt’s point goes past the danger to the opportunity. In a world where you can no longer assume what you see is real, the move is to build a clearly-owned home base, channels plainly labeled as the real ones, where you show up yourself and keep a genuine feedback loop with your audience (and he’s careful, as always, not to call every following a community). That home base does double duty: it deepens the intimate trust that makes your work matter, and it gives you a place to warn people when a fake shows up wearing your face. He frames it as another form of hacking, copying you without ever touching your account, and admits it’s hitting different than past threats. But he doesn’t think a truly post-factual world can sustain itself. People don’t like being tricked, except when they opt into it, like a game, and the more they realize some of what they’re watching is fabricated, the more they’ll double down on the voices and places they trust. So build the trust, and build a space where people know for certain they can find the real you.Source: https://www.washingtonpost.com/wp-creator/2026/09/30/verified-creators-tech-firms-push-no-fakes-bill-rein-ai/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 10m 23s | ||||||
| 9/30/26 | The Bait and the Song | Matt braids two signals into one argument about attention. First, fresh German research (the Seven.One Audio Podcast Report 2026) that cuts against the everyone-has-a-goldfish-attention-span story: overall daily podcast listening jumped 44% year over year, active listeners average 75 minutes a day, and Gen Z averages 78. In a world of endless short clips and thumbs flying, people will still give long, sustained attention to a voice they trust and choose. His read: we don’t have less patience for content, we have less patience for low-value content, and we’ll pour time (and money) into the voices that genuinely feed us, usually the ones that invite us to see ourselves in them. That reframes short form and long form. Short form is the bait on the hook, a couple of notes from the opus that tells new people you’re there. Long form is where the relationship actually gets built. And consistency is part of it too. Matt’s candid that bouncing around on posting days hurt his own show, and that landing on a reliable Monday-through-Thursday rhythm builds trust as much as the substance does.The second signal comes from the speaker world, where he’s watching keynotes shift from sit-and-listen toward do-it-now. The programs catching his eye promise research-backed, tactical takeaways, peer conversation, and design sessions where the whole room works the problem in real time and produces something before anyone leaves. People don’t want to watch the movie and get on with their day. They want to stop it and talk about what they just saw. Matt notices he keeps designing his own workshop exactly this way without planning to, a sign your instincts are picking up signals before your conscious mind catches up. He ties it back to a decade of leadership and feedback work, where the deepest learning almost never came from the materials or the theories. It came from finally having the real conversation. The through-line for both signals is the same: connection is where the value is. Don’t sell out the human race just yet. Settle in for the long haul, become a voice people trust to curate and to feed them, and get your audience doing something, not just hearing something. His question: how can you get the people you’re reaching to make or produce something during or right after your message, instead of just consuming it? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 12m 50s | ||||||
| 9/29/26 | Aim Small | No articles today, just a candid, thinking-out-loud one. Matt names something he catches in himself: disappointment about the response he’s getting online, until he digs underneath it and finds his mind has raced three steps ahead and set an invisible standard of success that isn’t rooted in any real strategy. It’s a comparison he didn’t even know he was making, sometimes to an old-media model that’s gone (the daily talk show with millions of viewers is dead and buried), and sometimes to a YouTuber with five million followers. The neighbor has a Maserati and you have a Toyota, so surely you should have a Maserati. Maybe, maybe not, but that’s not the point. The point is how much of your dissatisfaction is rooted in an expectation you never consciously chose.His antidote is two words: aim small. Not small ambition, but a small, concentrated group of people who are genuinely all in on what you’re about. That’s how the bigger stage actually gets built. A hundred highly engaged people will change your life, and if each refers you to a handful, you’re at a thousand before long. In a world of too much of everything, the real danger is losing yourself in it and forgetting the next thing, the person in your immediate circle, the next step. Platforms will keep changing (AI is accelerating it), so if you build your identity around a platform instead of around who you serve, you can spend ten years chasing a stage that’s dead by the time you arrive. Serve your people first, and change mediums with them as they move. Matt’s honest that social media is both indispensable and dangerous, that it can quietly turn you into an unpaid worker unless you’re actually serving there, in which case you measure by whether people are getting value, not by likes. He points to his own steady, unforced Substack growth (the overall audience doubled over the year, still climbing, with almost nothing pushed) as proof that concentration beats chasing. His question: what are you expecting of yourself that you don’t even realize, and what does meaningful growth look like for you? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 13m 42s | ||||||
| 9/28/26 | A Smaller Community, Really Dialed In | Matt opens the week with a Deloitte finding that reinforces the thread he keeps pulling: among people who follow creators, trust translates directly into buying. Per Deloitte’s 2026 Digital Media Trends research, a large share engage with creators daily, most return to the same ones over time, and a majority have bought something on a creator’s recommendation in the last six months, with the number climbing among Gen Z and millennials. Nearly half of those younger consumers say they feel a stronger personal connection to social creators than to TV personalities or actors. Deloitte’s own takeaway for brands is to move away from one-off celebrity campaigns toward long-term creator relationships built on audience fit and trust rather than raw follower counts. Matt’s honest about what he still wants to know (what share of all consumers this actually represents, and that it’s consumer data, not directly B2B), and that caution is the point.The heart of it is a mindset shift. It’s easy, especially on a platform like LinkedIn, to think success is a big follower number, but Matt’s met people with massive counts doing nothing with them, numbers collected over years of pivots. The real question is whether you have a group who will actually respond to what you put out, what you recommend, offer, and invite. He also warns against measuring yourself against professional platform creators whose entire existence is producing content that performs on that platform. If your core business is in another field, you won’t out-post them, and you shouldn’t try. Set your own metrics, do what you can do authentically and well, and stay in your sweet spot. Underneath it all is a principle that ties back to the old email-list playbook: build a following, ideally a real community, that trusts you over time. He’d take a smaller community that’s genuinely dialed in over a big one that’s just a number, any day. The catch is that everyone now has the same chance, so there’s noise everywhere. Be in it for the long haul, figure out what works for you, and stick with it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 9m 12s | ||||||
| 9/24/26 | Your Content Is a Storefront | Matt closes the week with a reframe he says he’s adopting for good. It comes from a National Retail Federation profile of Ella Livingston, the Ghanaian-American founder of Cocoa Asante, whose family has grown cacao in Ghana for generations and who turned that legacy into a chocolate brand that went from local to national, in meaningful part through social video. The lesson her team learned: stop treating your content as an advertisement and start treating it as a storefront. So many businesses today have no brick-and-mortar location, no room with people always walking in, and social can be the facsimile of that storefront, the place people walk in, meet you, and feel your energy with their own eyes. A traditional ad says “here’s my chocolate, buy it.” The storefront approach says “I’m in Tennessee, but let me introduce you to Ghana, to my family, to where this cocoa comes from and why we build our supply chain to take care of the farmers.” That kind of storytelling invites people into the living room of your business, and it can get them excited before you’ve launched a thing.Matt ties it to his standing objection to “personal branding,” which he thinks cheapens the work, because it implies building a facade around you. Approach it instead as helping you tell your true story in many ways, and you still get a brand, but with intention behind it and a far more genuine result. He frames the day’s other signal (YouTube moving into television-scale, IP-retained programming, per Outlook Business) as the same story from the platform side: producers no longer have to choose between owning their work and getting distribution, but the window is open now and consolidation is coming, so if producing is your thing, this is the time to play. Underneath both is the refrain he keeps landing on: just because you can doesn’t mean you should. Find the sandbox, the art form, the platform that’s actually right for you and your audience (Instagram is dead for some, wonderful for others) and build your storefront there. The question to carry into the weekend: what are you building, and where does your storefront live? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 11m 35s | ||||||
| 9/23/26 | Live Is the Point | Matt opens with a one-on-one from the night before, hearing a colleague’s immigrant story and feeling the whole relationship deepen in real time, because you understand someone, and trust them, when you can see your own experience reflected in theirs. That’s the thread through everything Backstage is about: people lean in, collaborate, and stay loyal when your story lets them see themselves. Then to the signal of the day, a Variety piece on business podcaster Sammi Cohen launching Social Commerce Network, a livestreamed business-news show airing three times a week with the explicit goal of becoming a next-generation CNBC for people who get their news on their phone. Half breaking news, half short interviews with the CEOs actually in the story. Her audience skews younger and about 70% women, a deliberate contrast with legacy business media, and Matt’s note is that knowing your demographic that precisely is what makes a media business fundable.The bigger pattern: broadcast is dead and cable is trailing off, and this is what’s replacing it. Cohen’s touchstone, TBPN, a daily Silicon Valley talk show, was just acquired by OpenAI (its first media buy) because the show promotes what OpenAI calls “constructive” dialogue on AI, a reminder that if you’re building media, it’s worth thinking early about who might one day buy it and why. But Matt’s real takeaway for the rest of us is about live. Live means right now, this is what’s happening, I’ll help you understand it, and it creates the interactivity and authentic-moment feeling people crave. It’s the same reason a live stage still thrills, though Matt argues the stage now has to be reimagined as facilitation, not presentation. He calls the standard conference panel (a moderator walking three people down a list of questions) outdated, and says what he’s chasing is more unpredictability, more interaction, more of a post-panel experience. The question he leaves you with: how can you create more interactive experiences for the people you want to reach, and build the initial audience that lets you grow into everything else?Article: https://variety.com/2026/digital/news/sammi-cohen-social-commerce-network-scn-live-business-show-1236867067/?utm_source=chatgpt.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 13m 44s | ||||||
| 9/22/26 | A Personality With a Point of View | Matt braids two stories that look unrelated and aren’t. First, a new IBM study (with Oxford Economics, 1,500 CHROs and 8,800 employees): 71% of chief HR officers say the most essential skill now is the ability to supervise, validate, and override AI output, yet only 29% of employees rank judgment as important, and 60% of workers worry AI is eroding their skills, with critical thinking the one they name most. The people at the top want judgment; the people in the trenches, buried in keep-it-moving pressure and left to manage the AI shift alone, don’t see it that way. Second, a set of ad-industry reports (which Matt flags as biased) showing podcast advertising delivering strong ROI, with host-read, entertaining ads producing the biggest brand lift regardless of the host’s follower count.Here’s the connection. Reach matters and podcasts are gaining it, but the relationship with your audience matters more, because it means you know who they are, you have their trust, and entertainment carries the rest. And underneath all of it sits the thing IBM is really pointing at: critical thinking is part of your unique expression. Information is a commodity now, so how you see and interpret the world is your differentiation. A personality is great, but you need a personality with a point of view, and a point of view requires actual thought, analysis, friction. That’s why overusing AI is quietly dangerous. When something’s done for you, the human instinct isn’t to work harder, it’s to stop thinking about it, and every bit of friction you remove is learning you skip. You don’t develop judgment by consuming media; you develop it by getting in the ring. Matt’s proof is his own week: four-plus hours at a Black Podcasters Association gathering he’d meant to leave early, staying because people were sharing real points of view (including one he disagrees with, that reworking a talk show into a podcast “isn’t podcasting”). He didn’t debate it in the moment, but he’s been chewing on it ever since. That’s the point. Being able to speak is good; having a point of view is better. Without one, it’s just more noise. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 14m 59s | ||||||
| 9/21/26 | The Offline Bet | Still decompressing from two whirlwind weeks of Fast Company and the podcasting-community circuit, Matt surfaces the theme that kept coming up: human connection and real-life experience are only going to grow, and social media’s role in delivering that feels increasingly uncertain. He points to a TechCrunch piece that gives the trend teeth. These aren’t first-timers chasing a fad. They’re founders who already built and sold real companies, now putting their money and priority into getting people physically together. Brynn Putnam sold Mirror to Lululemon for $500 million and is building Board, an interactive gaming table designed as the philosophical opposite of a solo screen. Tristan Walker, who sold his grooming company to P&G, is scaling Heirloom craft schools where people learn skills together, screens down. Bonobos founder Andy Dunn has turned Pie into a “social life operating system” for run clubs and watch parties. The Wing’s Audrey Gelman runs a countryside inn with monthly murder-mystery dinners that force strangers to actually interact.Matt’s read: when people who’ve already won are betting their next chapter on connection, that’s a signal worth heeding. A Harris Poll (sponsored, he notes, by a hotel, so grain of salt) found two-thirds of Americans now prioritize experiences like travel over material things. People want to go and do things together. Social media still has a place in this, as a way to find the people who want to belong around a topic, but Matt’s growing conviction is that it has to convert into something more, something real, or the fatigue wins. He’s candid that he opens his own feeds now and feels no pull at all. So he closes not with a lecture but with a genuine question he wants to talk through with listeners: what’s your relationship with social media right now? Is it nutrients or just distraction? Has it changed? He’s asking sincerely, and inviting the conversation onto Substack. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 7m 35s | ||||||
| 9/17/26 | Start With the Story | Closing the week from the Fast Company Innovation Festival, Matt reports on a morning that ran Russell Wilson, the Walmart US CEO, Tyra Banks, and Martha Stewart back to back to back. The through-line he couldn’t unsee: Russell Wilson opened with bravado and business wins, high energy and blinding diamonds, and only near the very end of his thirty-minute slot shifted to his family’s story, his father’s struggle, the sacrifices that got him his start. The energy in the room transformed in that moment. And Matt’s takeaway is a question: what if he’d started there? The whole talk would have landed differently, everything recast in that light. The Walmart CEO followed a similar shape, opening on supply chain and trends before edging toward something personal later, never quite arriving.That’s the lesson, and it ties the whole run together: your personal story is your best story, no matter how big you are. You can run the world’s largest retailer and it’s still the personal narrative that makes an audience lean in. Because if someone can see themselves in your story, you’ve got them. Matt’s image for it is sharp: no matter how big the diamonds around your neck, a person without them can look at you, and if they see themselves in you, the reflection they catch through those diamonds is themselves. That’s far more powerful than “look at me, I’m great.” He also clocks the crowds (Tyra and Martha packed the room), Tyra’s genuine but carefully bounded vulnerability, and the sheer value of being there in person: he met online contacts face to face, recognized them by their voices, and felt how different real-life connection is. His closing questions, heading into the weekend: what’s the personal story that makes everything else you do more powerful and relatable, and what can you do to be kind to yourself? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 9m 04s | ||||||
| 9/16/26 | Maybe You Don't Need a Bottle | The highlight of Matt’s day at the Fast Company Innovation Festival was watching actress Elizabeth Banks on stage with Marian Leitner-Waldman, founder and CEO of Archer Roose — a wine brand whose whole idea is putting genuinely good wine in a can. Three things stuck. First, the storytelling partnership: Leitner-Waldman had Banks on her vision board and, about six years in, landed her not as a celebrity endorser but as co-owner and chief creative officer, the story engine behind a set of genuinely funny, award-winning ads. Second, the timeline — it took roughly six years to get Banks and over a decade to reach this bigger stage, a reminder to settle in for the long haul and enjoy the wins along the way. And third, the reframe that Matt couldn’t stop thinking about.Everyone says the wine industry is contracting — and through the traditional lens (fancier labels, more exclusive membership clubs) it is. But Banks, by her own admission, had felt like an outsider to wine’s snootiness, and this venture let her experience it differently: accessible, unintimidating, in a can you can pull from a cooler. Matt’s takeaway has nothing to do with wine. What you bring to the table — your skill, your message, your “wine” — can stay exactly the same at its core, while the packaging, the delivery, and the story around it change completely, and the market will see it as something entirely new. Looked at through the old lens, you’re fighting for a shrinking club. Looked at fresh, maybe you don’t need a bottle at all. The product may be the same; the package and the purpose can change. That’s how you find a new lane and a market hungry for what you offer, delivered differently — and it’s exactly the kind of obvious-in-hindsight move you spot by studying businesses outside your own. You don’t have to throw away what you’ve built. You may just need to repackage it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 9m 44s | ||||||
| 9/15/26 | When Everyone's a Creator, No One Is | Day two from the Fast Company Innovation Festival, and Matt’s synthesizing what he saw. He toured The Lighthouse, a gorgeous members’ campus for creators (Brooklyn and Venice) with plug-and-play studios for interviews, kitchen demos, outfit try-ons — a mini-studio for anyone who’ll pay the fee. Around it, the money is pouring in: Steven Bartlett of Diary of a CEO is deploying up to $400 million with Authentic Brands (the Reebok/Shaq/Elvis licensing machine) to turn creators into full companies, on the thesis that a creator is a founder, not just someone making content. But Matt could feel a tension in the room — a field saturating with young, polished people positioning as experts they haven’t lived long enough to be. When everyone’s a creator, nobody’s that special, and it feels, he says, like a bubble straining to break. A sharp Decoder piece crystallized it: YouTube didn’t remove the gatekeepers, it swapped tweedy human ones for an algorithm that still decides whether you’re seen at all. The ring is open, but you’re being curated just the same.So where does that leave a real expert? Matt points to Oprah — who understands group psychology and reinvention better than almost anyone — now doing traveling podcasts instead of a fixed studio, and staging a two-hour immersive “AHA” experience at the Las Vegas Sphere with an art-and-music collective. Grab-the-mic-and-talk isn’t enough anymore; the frontier is experiential. She can go big because she has the resources, but the principle scales down: whatever you build should be experiential and unmistakably yours. Matt’s refrain lands hard here — don’t put yourself in someone else’s image. Just because you can start a podcast doesn’t mean you should; for you it might be a poetry slam, an IRL night at a café, a theater event. In a moment when the early boom is giving way to something no one can name yet, and where a few players will eventually take most of the pie, copying what works only makes you derivative. The real opportunity is to get more creative, lean harder into who you are and who you’re not, and build the thing only you could. His question: what could you do that’s authentic to you, creative, and worth experiencing — something that makes people understand your value even more? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 12m 55s | ||||||
| 9/14/26 | Where Are Your People? | Matt opens the week heading into Fast Company’s Innovation Festival (starting today, with an off-site on the creator economy in Brooklyn) and points to a telling Reuters signal: former Canadian PM Justin Trudeau just launched a production company, Hope & Hard Work, with his longtime chief of staff — following the path the Obamas cut with Higher Ground. The old post-role playbook was a book, some speeches, a few boards. Now the move is to build an actual media company. Scott Galloway did a version of it — business professor turned podcaster, co-hosting Pivot with Kara Swisher while building out his own podcast network. It’s happening everywhere, and it points to a landscape that’s fundamentally shifted: there’s no Oprah anymore, no single channel that reaches everyone. Attention is segmented across podcasts, YouTube, Spotify, and countless niche platforms.That shift lands on one practical question, whether or not you ever start your own show: where are your people? What are they listening to, watching, paying attention to — and are you there? Matt’s advice is to stop settling into the same few shows you’ve always followed and actively explore, ask people who they pay attention to, and let AI surface things you’d never stumble onto, because you’ll often discover an entire audience orbiting someone you didn’t know existed. He also shares a revealing signal from his own year of running The Bigger Stage podcast: the flood of pitches he gets from people (and their reps) begging to appear — often with videos that don’t move him — tells him that people now clearly grasp the value of getting third-party data about themselves out into the world, not least for how AI tools surface it. So even if you’ll never be Joe Rogan, the question stands: what shows would you want to be on, and if you had a show of your own, what would it be? (Housekeeping: Matt’s testing a Monday-through-Thursday cadence, leaving Fridays open — so don’t be surprised by the lighter week.) This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 10m 55s | ||||||
| 9/10/26 | Plant the Flag | Matt reads a Business Insider piece on Kara Swisher — the tech journalist who went from the Washington Post and Wall Street Journal to building her own independent media identity through Recode, podcasts like Pivot, and books — because her counsel to journalists leaving downsizing institutions applies to anyone making that leap. And it’s happening far beyond journalism: people who earned multiple six figures inside big institutions are heading out on their own, voluntarily or not, and discovering that a half-million-dollar salary and a “please subscribe for $12 a month” Substack are entirely different games. Swisher’s advice, notably, is not “follow your passion.” It’s assess your risk tolerance, keep skills that are always saleable, sense what audiences will want before they ask — and, above all, have something distinctive to say.That last one is where Matt digs in. You rarely get to say something genuinely new, but you can be distinctive — substantively (going against a common belief) or stylistically (the way you deliver it, the way a drug company engineers whether a treatment arrives as a pill or a shot). The hard part, especially for people whose muscle was built in collaborative or diplomatic corporate settings, is planting a flag on a real position and defending it. A point of view sharp enough to break through will attract people who fight you and leave nasty comments — and Matt’s tell is that the faster and more reptilian the reaction, the less thought behind it. That comes with the territory. Draw on the credibility and relationships you earned over decades, then get comfortable saying what you actually think, a bit more candidly and fearlessly than felt allowed before. His closing question is the sharpest distillation yet of the theme he keeps circling: if your former title disappeared, what still makes someone curious about you? The substance is there, he promises — put the prompt to your mind, go for a walk, and let it surface. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattstone.substack.com | 10m 52s | ||||||
| 9/8/26 | social media anxietycontent creation+3 | — | PostFastCharlotte+2 | — | social mediacontent timing+3 | — | 12m 22s | ||
| 9/4/26 | storytellingAI impact+3 | Angela Scanlon | John LewisSonos | — | storytellingAI+3 | — | 9m 52s | ||
| 9/3/26 | salesself-doubt+3 | — | — | — | sales techniquesself-improvement+3 | — | 10m 15s | ||
| 9/2/26 | skilled tradesindustry leadership+3 | — | Lowe’sNVIDIA+3 | — | skilled tradesLowe's+3 | — | 9m 36s | ||
| 9/1/26 | creator economyGen X professionals+3 | Eileen Munoz | FortuneAdobe | — | creator economyGen X+5 | — | 13m 27s | ||
| 8/31/26 | jargoncommunication+3 | — | — | — | jargonmetaphors+5 | — | 12m 21s | ||
| 8/28/26 | company cultureleadership+3 | Raj Subramaniam | FedExGreat Place to Work+1 | — | company cultureleadership+5 | — | 11m 42s | ||
| 8/27/26 | corporate leadershippersonal branding+3 | — | SEED MediaFortune 100+2 | Martha's Vineyard | executive authoritypersonal branding+3 | — | 11m 21s | ||
| 8/26/26 | tributeiconic figures+4 | — | — | — | Dolly Partonbusiness empire+5 | — | 12m 07s | ||
| 8/25/26 | workforce trendstemporary employment+3 | — | American Staffing AssociationOracle+1 | — | temporary jobsemployment trends+4 | — | 10m 14s | ||
| 7/21/26 | AI-generated influencerscommunity building+3 | — | The New York Times | — | AIcommunity+5 | — | 8m 31s | ||
| 7/20/26 | leadershipgraciousness+3 | — | — | — | leadershipquiet power+5 | — | 8m 21s | ||
| 7/17/26 | reputation managementcrisis response+3 | T.J. Winick | ABC NewsReputation Capital | — | reputationcrisis management+3 | — | 8m 33s | ||
| 7/16/26 | public speakingnetworking+3 | — | Matt Stone Enterprises | — | public speakingnetworking+3 | — | 6m 34s | ||
| 7/14/26 | creative atrophyAI tools+3 | — | — | — | creative atrophyAI tools+3 | — | 11m 21s | ||
| 7/9/26 | storytellingfeedback+3 | — | — | — | storytelling frameworkfeedback conversations+3 | — | 10m 33s | ||
| 6/30/26 | distraction economyattention fragmentation+4 | — | Microsoftramen broth | Japan | distraction economyattention+5 | — | 10m 14s | ||
| 6/29/26 | storytellingentrepreneurship+3 | — | Backstage | — | storytellingentrepreneurs+3 | — | 11m 11s | ||
| 6/26/26 | iconic structuresbranding+4 | — | DiNNr | TorontoSeattle+1 | CN Towericon+5 | — | 10m 44s | ||
| 6/25/26 | readinessself-discovery+3 | — | Aida | — | Arturo ToscaniniAida+5 | — | 12m 15s | ||
| 6/12/26 | entrepreneurshippersonal growth+3 | — | The Sacrifice Paradox | DenverManhattan | entrepreneurshiploss+5 | — | 21m 02s | ||
| 6/5/26 | AI-generated messagingclient patterns+5 | — | — | DenverNew York City | AI messagingclient insights+6 | — | 13m 48s | ||
| 5/29/26 | entrepreneurshippersonal development+3 | — | LinkedInThe Bigger Stage | Rhode Island | Untold Storiesentrepreneurship+4 | — | 21m 49s | ||
| 5/22/26 | LinkedInsocial media+4 | — | LinkedInThe Bigger Stage | — | LinkedInsocial media+5 | — | 14m 33s | ||
| 5/15/26 | networkingeconomic forces+4 | Paul | Backstage | southeastern Pennsylvania | networking eventreal estate+3 | — | 18m 37s | ||
| 5/8/26 | birthday reflectionscelebrity guests+4 | Hollywood celebrity | Coca-ColaBigger Stage | — | birthdaycelebrity guests+5 | — | 14m 25s | ||
| 5/6/26 | podcast format changeweekly episodes+3 | Shannon Hernandez | — | — | podcastweekly format+5 | — | 10m 41s | ||
| 4/28/26 | flight analogystarting a new venture+3 | — | — | — | flight analogybusiness venture+3 | — | 13m 24s | ||
| 4/24/26 | AI collaborationpodcast production+3 | — | Library of CongressYouTube+1 | — | AI editorssoda fountain+3 | — | 9m 11s | ||
| 4/23/26 | YouTube historytechnology and creativity+3 | David Kalinowski | The Sacrifice Paradox | Church of England | YouTubepodcasting+5 | — | 9m 53s | ||
| 4/22/26 | rebrandingnetworking+3 | — | The Bigger StageSubstack | NYCRome | rebrandnetworking event+3 | — | 11m 46s | ||
| 4/17/26 | nonprofit eventsbusiness challenges+3 | — | — | Colombia | nonprofitnetworking+5 | — | 8m 53s | ||
| 4/16/26 | personal reflectionsupportive relationships+3 | — | — | NYC | supportentrepreneurship+3 | — | 7m 11s | ||
| 4/15/26 | website developmentstorytelling+3 | Mike Verret | thebiggerstage.comAmerican School for the Deaf | — | websitestorytelling+5 | — | 8m 11s | ||
| 4/14/26 | fear mongeringleadership development+3 | — | cornflakesNoah Webster’s dictionary | Manhattan’s Flatiron District | entrepreneurshipfeedback+3 | — | 7m 23s | ||
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